Søgningsresultat

2 hefter (af 6). C.A. Reitzel, København 1835 og 1839. Begge i første oplag. 1: [Mangler smudstitelblad] + titelblad [5-76]+ indholdsfortegnelse + (1 blank) side. Indbundet i et samtidigt, grønt helshirtingsbind med kantslitage og små mangler ved ryggen. Gennemgående plettet og med forskellige fugtskjolde. Siderne 21-24 med huller i den nederste margin, uden teksttab. Samtidigt navn på fribladet [Louise Branth]. På sidste side [76] står skrevet med samtidig hånd: 'Læst med Fornøjelse af Venner'. 2: Indbundet med det originale bogtrykte foromslag [med reparationer] med ramme og 'Ny Samling/ Andet Hefte' i et moderne grønt helshirtingsbind, lavet til at matche det andet, samtidige bind. Smudstitelblad + titelblad + tilegnelse til Johanne Luise Heiberg + 53 + (1 blank) sider [mangler indholdsfortegnelsen]. Side 29-32 med reparation i højre margin [ingen teksttab]. Reparation ved indermarginen af side 53 (sidste side) med et lille teksttab til de to øverste linier. Stor vandskjold fra smudstitelbladet til side 5/6. Siderne generelt lidt brunede. Indlagt i en smuk, matchende æske med ryg af grønt gedeskind, signeret 'Anker Kysters Eftf.' [= Bent Andrée]. Both in first edition, first issue. 1: [lacks halftitle] + titleleaf + [5-76]+ index + (1 blank) leaf. Bound in a contemporary green cloth binding with edgewear and small parts missing along the spine. Soiled and with some water stains throughout the book. Pages 21-24 with small holes to the lower margin, with no text loss. Name to fly leaf. On the last page [76] is noted in contemporary hand [76] 'Læst med Fornøjelse af Venner' ('Read with pleasure by friends). 2: Bound with the original printed front wrapper with a frame and 'Ny Samling/ Andet Hefte' (new Collection, second part) in a modern green cloth binding, matching the other binding. Halftitle + title leaf + dedication leaf to Johanne Luise Heiberg + 53 + (1 blank) pages [lacks the final index]. Pp 29-32 with a restoration to the right margin (no text loss). Restoration to the inner margin of the last pages [53] with a little loss of text to the top two lines. Large stain from the half title leaf to pp 5/6. Leaves generally browned. In a nice, modern clam shell box with morocco spine. * BFN 276-279 og 352-355. Printing and the Mind of Man 299. Indeholder følgende eventyr: Tommelise, Den uartige Dreng og Reisekammaraten samt paradisets Have, Den flyvende Kuffert og Storkene.** Torso af Andersens første eventyrudgivelser, som bestod af 2 x 3 små hefter. Selv godt læste og plettede løse hefter som disse er meget efterspurgte: De blev fra starten af betragtet som litterære bagateller fra roman- og skuespilsforfatteren Andersens hånd, de var billigt til salg [24 skilling] og var tilmed beregnet til ivrige, fedtede børnefingre [hvilke disse to eksemplarer tydeligt illustrerer], så der er ikke noget at sige til, at de er forsvundne med årene. Der er ikke registreret andre eksemplarer i privat eje af Ny Samling, Andet Hefte med det bogtrykte foromslag bevaret.*** Two loose parts of the six original issues [no. 2 and 5]. Both are first edition, first printing. No other copy of part 5 has been recorded in private ownership with the front wrapper preserved..

N. Cohens Bogtrykkeri, 1885-1887. Två volymer, (2), 473, blank, VII ( Fremmede ord + rettelser) + (4), 363, blank. Båda volymerna i samtida Klotband. Both volumes in Contemporary cloth. (Socialistisk bibliotek IV-V) Första danska utgåvan av Das Kapital översatt från den tyska utgåvan som publicerades i Hamburg 1883 och 1885. Tryckåret är 1886 på smutstitelsidan i serien Socialistisk bibliotek vol. 4 och 5 som gavs ut av Socialdemokratiska partiet i danmark, men 1885 på titelsidan för själva Kapitalen. (Allt som utkom i den första danska utgåvan). First Danish edition of Das Kapital, translated from the German edition published in Hamburg 1883 and 1885. Printing year 1886 on Half title in the Issued volumes 4 and 5 of the Socialistisk Bibliotek published by the Danish Social-Democratic Workers' Party in 1886-87, but 1885 on the title page of Kaptalen. (All that was published in the first Danish edition).

Kjøbenhavn, Trykt hos Niels Hansen Møller, 1745. Imprimatur: C. Thestrup. Folio. (2) + 104 s. 25 tresnitt, hvorav 1 foldet kart. Samtidig skinnbind med 4 opphøyde bind. Ryggtittel litt avskrapet. Litt kantslitasje. Ex libris på forsats. Litt brunplettet. Kartet med små fagmessig reparerte rifter, og forsterket på verso. Navn på tittelbladet; Jon Thomassön Heftye, Kristiania 20 Sept. 1878. Originalutgaven. Sjelden.. . Prospekter av Dvelen (Værlebukta) ved Moss, Eidet (Manseidet ved Stadt) og kart over Lindesnes med omgivelser. De øvrige er gjengivelser av æresporter som ble reist til kongens ankomst i byene Christiania, Fredrikstad, Halden, Drammen, Trondheim, Bergen, Stavanger, Kristiansand, Arendal og Larvik. Reisen i 1733 gikk over Fr. hald - Chria.-Kongsberg - Dovre-Trondhjem - Bergen-Sørlandet. Schiötz 213***.

Paris, Arthus Bertrand, 1852. Folio (530 x 350 mm). (4) + Ekstra illustrert tittelblad+ 4 s. (Table explicate des planches). 154 plansjer (Danmark: Pl. 1-27, Færøerne: Pl.28-56, Hamburg: Pl. 37-39, Norge: (Nordlands- og Finmarkkysten Pl. 40-103, Svalbard: Pl. 128-154).Tilsammen 154 plansjer. Samtidig skinnbind. Ryggdekor i gull. Bindet litt oppskrapet. Hjørner støtt. Litt brunplettet. En del av plansjene brunet på grunn av papirkavaliteten.. . Contemporary half calf. Gilt spine. Binding a little rubbed. Occasional light foxing. Some of the plates browed due to paper quality. Additional illustrated title-page, 154 plates (Denmark 27 plates, The Feroe Islands 9 plates, Hamburg 3 plates, Norway 88 plates, Spitzbergen 27 plates. Schiötz 353 **.

Stockholm 1821, 1822, 1823. Tverr-folio. 49 x 60,5 cm (unntatt Pl.XX: 26,8 x 35 cm og Pl. XXI: 30 x 48,5 cm).Tilstand: Del I. Plansjene med små rifter og bretter i ytre kant (berører ikke billedflaten). Del II. Alle plansjene med fuktskjold i et hjørne (berører noe av billedflaten). Omslagene med rifter og bretter. Tekstbind på fransk: Stockholm, Charles Deleen, 1821, 1822 og 1823. Folio. 38 x 25 cm. Première partie. (2) + 23 + (1 blank) s. Beskrivelse av plansje I-VIII. Deuxième partie. (2) + 21 + (1 blank) s. Beskrivelse av plansje IX-XVI. Troisième partie. (2) + 18 s. Beskrivelse av plansje XVII-XXIV. Originalt kartonasjebind. Ryggen slitt. Stempel på tittelblad. Litt brunplettet. Schiötz 193**. . Del I. Plansje I-VIII. Tittelvignett : Hallingskarven. Vue du Strand Vand. I. Christiania. Vue du pied d`Egeberg. II. Ringerige. III. Stensfjorden. Vu(e) du pied Krogkleven. IV. Krogskoven. Vu(e) de Ringerige. V. Randsfjorden. Vue de Smedshammer en Hadeland. VI. Walders. Vue près de Böe en Nordre Ourdal. Del II. Plansje IX-XVI. Tittelvignett: Stenskred près de Skougstad à Walders. IX. Walders. Vue près de l`église d`Ullnäs. X. Mugnafjell. Vue de la cime d`Olberg à Walders. XI. Vue d` Helestrand. XII. Hugakollen. Près d`Öjloe à Walders. XIII. Vue de Quamskleven. Et les montagnes à l`ouëst de lac Lilla Mjösen à Walders. XIV. Skudshorn. Vue près de Wang en Walders. XV. Vue de Nystuen. XVI. Suletind. Del. III. Plansje XVII-XXIV. Tittelvignett: Descente d`un précipice de la montagne de Goustad. XVII. Vues des montagnes de Övre Tellemarken prise de la metaire de Bolkesjö. VIII. Pont dans la vallée de Kohldalen au pied de la montagne de Gousta en Övre-Tellemarken. XIX. Vue de la chute d`eau de Hougfoss près l`église de Mæl en Vestfjorddal. XX. Vue de sæter de Fyriegg sur la montagne de Gousta. XXI. Vue des environs de la cataracte de Riukand-foss en Vestfjorddal dans le Övre-Tellemarken. XXII. Vue de la montagne de Gousta prise de la vallée de Vestfjorddal près de l`église de Dale. XXIII. Vue de la vallée de Vestfjorddal et de la montagne de Gousta prise à un demi mille de la cataracte de Riukandfoss. XXIV. Vue de la cataracte de Riukandfoss en Övre-Tellemarken prise à l`entrèe du passage de Maristigen.

(Köln (Cologne), Ulrich Zell / Zel, ca. 1469). Large 8vo. Block measuring 21,5 x 14 cm. Printed in Gothic type, 27 lines to a page, 4-, 3-, 2, and 1-line initial spaces. Initials, paragraph marks, underlines, and capital strokes supplied in red throughout. Antoninus' "Defecerunt..." begins on f. (4r), ending with a colophon on f. (139r); Chrysostomos' "Sermo..." begins on f. (139v). Bound in a beautiful 19th century full polished calf with five raised bands to spine, gilt title-labels, inner gilt dentelles, and all edges of boards gilt. The hinges are worn and weak and cracked at the top. Marbled end-papers. Inside of front board with the book plate of Gilbert R. Redgrave. 144 ff. (including final blank). Internally a bit of soiling and browning and with numerous contemporary handwritten marginal notes throughout, some shaved when bound. The first leaf is with a slightly later 15th century handwritten inscription stating the provenance of the copy: "Mo[aste]rii Neostadiensis Ord[inis] S. Pauli Eremit[ae]" (i.e. Order of Saint Paul the First Hermit, Monastery in Neustadt), being the Pauliner-monastery in Wiener Neustadt outside of Vienna. There are two further inscriptions, both in contemporary hand, presuambly the same as that of the marginal notes throughout. They are on f. (65r) and f. (143v) and state that the book belongs to the Augustinian order of the St. Ulrich-Kloster ("mo[na]sterii S. Udalrici") in Wiener Neustadt. Exceedingly scarce early incunable-printing, possibly the first printing of both texts, being Antoninus’ “Confessionale” (the one known under the incipit “Defecerunt scrutantes scrutineo” (f. 4r) – one of the most influential confession books ever written, on the powers of the confessor, the seven deadly sins, the manner of interrogating persons of varying status, and absolution and the imposition of penance -, together with (Pseudo-) Chrysostomos’ “Sermo de Peonitentia” The venerated Catholic saint, Dominican friar, and Archbishop of Florence Antoninus Florentinus (1389-1459) had a great reputation for theological learning and had assisted as a papal theologian at the Council of Florence. Hist most important works – both written before and printed before his Summa Theologica -, are arguably his guides for confessors, which for centuries were highly regarded by the clergy as an aid and constituted a major development in the field of moral theology. Antoninus published three separate works that are all entitled “Confessionale”. They are distinguished by their incipit, the present being “Defecerunt…”, the most fundamental and influential of the three. The two others have “Curam illius habe”, also known as the “Specchio di coscienza”, which is an instruction manual for the sacrament of confession, written in Italian for a Neapolitan gentleman, directed at advising lay men and women, and “Curam illius habe,” also known as the “Medicina dell’anima”, which is an instruction manual directed to priests. Unlike the other two manuals, the “Defecerunt…” was published in Latin. It was “completed before July of 1440. This latter work is Antonin’s most popular by far, to judge by the number of manuscript copies, printed editions, and vernacular translations (Italian, Spanish, Croatian).” (Jason A. Brown: St Antonin of Florence..., 2019, pp. 44-45). Printed together with the “Defecerunt” Confessionale is the important “Sermo de poenitentia”, long ascribed to Chrysostomos, in which he deals with penance, also possibly printed here for the first time. The printing history of the work is quite complicated. There is no date and no printing place in the earliest printings of this foundational Catholic work, and numerous versions of it were printed. Furthermore, much of the “Defecerunt” seems to have been incorporated into his later, also highly influential “Summa” (see 3.17 – de statu confessorum). “The Confessionale “Defecerunt” exists in two known recensions, a briefer and a longer. These are distinguished by their incipits. The briefer recension incipit: Defecerunt scrutantes scrutinio ... Scrutantes aliorum peccata sunt confessores. Scrutinium autem est inquisitio facta in confessione. The longer recension incipit: Defecerunt scrutantes scrutinio ... Scrutinium quidem est confessio, in quo et penitens scrutatur conscientiam suam et confessor cum eo. It would be a tenable hypothesis, a priori, that the longer recension is original, that its material was copied into the Summa at the relevant places, and that the briefer recension was produced by abbreviating the longer one. Having examined early printed editions of the “Defecerunt” and considered their text against the autograph manuscripts, I consider it more likely that the longer recension is the later one, and represents an expanded version produced by adding in material from the Summa at corresponding places in the original Confessionale.” (Jason A. Brown: St Antonin of Florence..., 2019, p. 112). The present version – arguably the earliest – is the briefer, which was then later elaborated upon. As all bibliographers agree, it is clear from the characters that this copy was printed by Zell in Køln (Cologne), and no later than 1469 (some say no later than 1468, some just state “ca. 1470”)). Zell printed more than one version around the same time, but this seems to be the first of them – corresponding exactly to Hain 1162. In all, between 50 and 60 incunable editions of the work appeared in Latin, along with editions in Italian and Spanish, testifying to the enormous impact the work came to have on Catholic penitence. According to Gesamtkatalog der Wiegendrucke, 44 copies, including single fragments, are known to exist in public holdings, and at least one copy is known to exist on private hands. Hain-Copinger: 1162; GW: 2082; Brunet: I:333; Graesse I: 154. Provenance: During the reign of the pietist Habsburger Friedrich III (1440-1493), the small town of Wiener Neustadt near Vienna witnessed a blossoming of new clerical orders. They were more than doubled. To the already established monasteries were added, among several others, both an Augustiner-Kloster (which took over St. Ulrich), in 1459, and the Paulinerkloster (the one for St. Paul the First Hermit), in 1480. As is evident from the inscriptions in the present copy, it has belonged to both these orders, the first of which will presumably have acquired it at its appearance, where it was thoroughly read and annotated. With a decree of December 20th 1459, Pope Pius II allowed for a Augustinian Canon-monastery in Wiener Neustadt and thus fulfilled a longstanding wish of Kaiser Friedrich III. In June 1459, a decisive prerequisite for the founding of this monastery had taken place – the Secular Canons had renounced their parish church St. Ulrich in the Western suburb of Wiener Neustadt, which was now at the disposal for the Augustinian Canons. Friedrich III had very specific requests for the Augustinian Canons of Wiener Neustadt, and in accordance with these, Pope Pius II prescribed a dress for them that differed from the usual colour. Instead of a white habit, they were to wear a brown habit with a gold-coloured cross on the right side; the almucium (fur shoulder cloak), worn over the habit, was to be white on feast days and in church (instead of the usual black), while on ordinary days and outside of church, a brown almucium was to be worn. Like the provost of the secular canons, the provost of the Augustinian Canons also had the right to pontificals. The founding of the Augustinian Canons' foundation is recorded in a relief on Friedrich III’s tomb in the St. Stephan Cathedral in Vienna. On both sides of St. Ulrich, enthroned in the center, kneels an infulated priest, presumably the provost and dean. This group is surrounded by thirteen (also kneeling) canons. The inscription reads: "CANONICI REGULARES S. ULRICI NOVE CIVITATIS."

St. Petersburg, J. J. Weitbrecht, 1774-88. Folio (498 x 305 mm). Additional hand-coloured lithographed title-page with dedication to Catherine II. 101 beutifully hand-coloured engraved plates by Karl Friedrich Knappe, numbered I-C with additional plate VIII B. The nomenclature of the plants in Latin and Russian. Original blue patterned paper boards. Red morocco lettering-pieces. Uncut. Joints and spines somewhat worn. First edition of the first great illustrated Russian flora. Complete with 101 engraved hand-coloured plates. Provenance: From the library of the Jussieu family and the library of Henry Rogers Broughton 2nd Baron Fairhaven.. .

London: Published by Hurst, Robinson, and co. Cheapside; Late Boydell and Co, 1820. Large Folio, 473 x 312 mm. Two parts with two title-pages in one volume. Complete with preliminary text, text to plates and 80 finely aquatint plates, coloured in contemporary hand. Plates with English and Norwegian text, numbered; except plate 1-10, dated 1811-1817. Text with a few minor spots, otherwise a very clean and well preserved copy. With all tissue guards.Contemporary sprinkled full calf. Spine richly gilt in compartments, gilt lettering and red morocco labels. Preserved in a morocco box. Schiötz 295a**. . A fine copy of the first edition of "the most important English colour plate book on Norway".

2 x 3 hæfter i ét bind. C.A. Reitzel, København. Lille 8vo. Titelblad til Første Bind, Andet Oplag]+ fælles indholdsfortegnelse til bind 1 + 2 sider med fortale]+ smudstitelblad og titelblad [Første Hefte, Andet Oplag, 1842]+61 sider +(1 blank)+1 side indholdsfortegnelse+(1 blank) + smudstitelblad + titelblad [Andet Hefte, Andet Oplag, 1844]+ [5-]76 sider +1 side indholdsfortegnelse + [3 blanke sider] + smudstitelblad + titelblad [Første Binds tredie Hefte, Andet Oplag, 1846] + [5-]60 sider + 1 side indholdsfortegnelse + [3 blanke sider] + smudstitelblad + fælles titelblad til andet bind [Andet Hefte, 1847]+ dedikationsblad til Johanne Louise Heiberg+ indholdsfortegnelse + smudstitelblad + titelblad [Ny Samling, Første Hefte, Andet Oplag, 1846 +[5-]58 sider + 1 side indholdsfortegnelse +smudstitelblad + titelblad [Ny Samling, Andet Hefte, 1847 [= andet oplag, selv om det ikke er angivet] + 53 sider + [1 blank] + indholdsfortegnelse + [1 blank] + smudstitelblad + Titelblad [Ny Samling, Tredie Hefte, 1847 [=andet oplag]]+49 sider + (1) blank [mangler den sidste side med indholdsfortegnelsen til bind 2, 3. hefte. Indbundet ubeskåret i det originale bogtrykte fælles kartonbind med undertitlen '2 Bind, Andet Oplag'. Ryg og bagperm restaureret, med resterne af den oprindelige, bogtrykte rygstribe påklæbet [igen med '2 bind']. Et navn overstreget på forpermen, der også er lidt nusset. Indvendig et pænt, rent eksemplar. * BFN 266-270, 276-279, 303-305, 325-328, 352-355, 408-411. Printing and the Mind of Man 299. ** Et hovedværk i verdenslitteraturen. Andersen nærede til at begynde med ikke de store ambitioner til denne del af sin forfattervirksomhed, men var langt mere optaget af sin succes som romanforfatter med Improvisatoren, ligeledes fra 1835. Hans mentor, fysikeren H.C. Ørsted, så dog rigtigt, da han sagde til Andersen: Improvisatoren vil gøre Dem berømt, men eventyrene vil gøre Dem udødelig.*** Da H.C. Andersen kom til forlægger C.A. Reitzel med ideen om at skrive eventyr i børnehøjde, blev han mødt med en god portion skepsis, da denne tanke var ny. Reitzel gik dog med til at udgive første binds første hefte i et beskedent oplag på 200 eksemplarer i 1835. Det blev ingen øjeblikkelig succes, men i løbet af den årrække, hvor hefterne udkom [i alt 6 hefter fra 1835-42] begyndte interessen for dem at stige. Derfor gik læserne tilbage for at købe tidligere hefter, og Reitzel måtte imod al forventning begynde at trykke nye oplag af dem. Første binds første hefte udkom i tre oplag [1835, 1842 og 1845], mens de fem resterende hefter kom i to oplag. Da cyklussen var forbi, havde Reitzel nogle forskellige restoplag tilbage af de forskellige hefter, og bundtede dem i 1842 i to bind á 3 hefter (med første hefte i andet oplag). Dette skete igen i 1846, stadig i to bind (som regel med hefte 1-4 i andet oplag). Dette er årsagen til, at langt de fleste bind med alle seks eventyrhefter har hefterne i forskellige oplag, da de er blevet blandet undervejs. Man regner med, at der er under ti eksisterende sæt med alle seks hefter i første oplag - heraf et par stykker i privateje. I 1847 - hvorfra vores sæt stammer - er alle seks hefter i andet oplag, men blev udgivet samlet i et bogtrykt kartonbind, som vi ikke har kunnet finde nogle reference til nogen steder - det er sandsynligvis gået tabt for eftertiden, udover på dette herlige eksemplar. **** Copies of 'Eventyr fortalte for Børn' are almost always made up from different issues -There seems to be less than ten copies consisting of six first issues, and only one or two copies in private ownership. Andersen collectors have always accepted, that second issues are quite acceptable, as they were the ones offered usually for sale. In this copy, all the six booklets are in second issue, as they should be in order to have stayed at Reitzels shelves long enough to be part of the clean out sale with new printed boards in 1847.***. When Andersen in 1835 came to his publisher Reitzel with the farfetched idea of printing fairy tales for children, the publisher wasn't keen on the idea. As Andersen needed money badly and his first novel 'Improvisatoren' had been selling fairly well, Reitzel reluctantly agreed to print the first booklet in 200 copies. They were printed on cheap paper and cost very little - they were only meant for a cheap pastime for children. No immediate success, Andersen nevertheless made two more booklets, so the three of them made a complete unit in 1837. The sales must have picked up a bit, as Andersen was allowed to make three more booklets from 1838-1842. By that time, the first part of the first batch had run out (after 7 years!), so Reitzel printed some more (how many is unknown) in 1842, and of the second part of the first batch was reprinted in 1843. From December 1843 Andersen released his next collection of Fairy tales ['Nye Eventyr', published in a larger and nicer format than the first six 'Eventyr fortalte for Børn] and his renown as a writer of children's books grew. Reitzel reprinted more of the first fairytales, and finally cleared out the last batch of the old stock of 'Eventyr fortalte for Børn' in 1847 - and this is one of those copies. How few there were left is unknown, but as the print runs have always been small, there might be as little as 20-30 copies issued with these printed cardboard wrappers - of which only this one survives.

Kiøbenhavn, Nicolaus Møller, 1761 (1766) - 1810. Folio. Tittelbl. trykket i rødt og sort. 1440 håndkolorerte kobberstikk. Dansk tekst. Bundet i 8 samt. marmorerte kalveskinnbd. med 6 oppøyde bind. Skinn tittelfelter i rødt og grønt. Rik ryggdekor i gull. Noen få plansjer feilbundet. Blåstempel på tittelbl. (Glorup Godsbibliotek).. .