Søgningsresultat

London: Ridinghouse 2005 - Softcover, 110 pages; . 8vo. Stiff wraps. 110 pp. Text in English. Illustrated. Some edgewear to cover else fine, clean copy. Second revised and enlarged edition.

Philadelphia Museum of Art & Yale University Press, c2009. Hardcover. 240 p ages, richly illustrated with text in both Italian and English. Minor edgewear to corners of cover else fine and clean copy. First edition.

Forlaget THP, 2021. 186 pp. Pænt eksemplar.

Jysk Kunst Galerie, s.d. (1970). 4to. (12) pp. Illustreret i sort hvid og farver. Pænt eksemplar.

Kbh., 1994 til 2000. 2 originale hæftede omslag. 375, 526 pp. Godt sæt. Dansk Verskunst II, 1 & 2.

Bibliotek Rhodos, 1970. 226 sider. Hft. Med bidrag af blandt andre Kropotkin, Bakunin, Proudhon og Malatesta. Omslag af Michael Malling.

WBG (Wissenschaftliche Buchgesellschaft). Sonderausgabe 2012. Hardcover. 309 Seiten. Name auf Innendeckel, somst neuwärtig.

Faber & Faber, 2022. Large thick paperback. VIII, 548 pp. Light wear to cover.

Koenig Books Kunsten Museum of Modern Art Aalborg, 2017. 8vo in wraps as issued. 184 pages, richly illustrated. Text in both Danish and English. Clean well preserved copy. 1. edition.

Gyldendal, 1955. 136 sider. Heftet med originalomslag med smudsomslag. Navn på inderomslag, og lidt misfarving på omslag ellers rent og velbevaret eksemplar. Første udgave, 1. oplag. Omslaget er af Ib Spang Olsen.

Naxos Audiobooks, 2000. NA318312. 2 x 3 x CD. 6 cd's in all. Unopened complete set in two boxes. 

London, Edition Hansjörg Mayer, 2007. 4°. Publisher's clothed hardcover with dustjacket. 172 pages. Richly illustrated. Fine clean copy. 1st edition.

Forlaget Falco, 2023. Hardcover, med omslag. 359 sider. Pænt eksemplar.

SUNY - State University of New York Press, 2005. XII, 184 pp. Fine.

Sternberg Press, 2007. 220 pages. Illustrated. In wraps as issued. Spine sunned, else very good clean copy. 2nd edition. "A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was reviewed in frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence.” Whereas many theoretical books littering the bookshops of art institutions are laudations of excess, Birnbaum’s convictions presented in Chronology cut a way through the “caesuras of non-meaning and blankness into the thick web of sense.” The works of artists such as Stan Douglas, Eija-Liisa Ahtila, Doug Aitken, Dominique Gonzalez-Foerster, Tacita Dean, Darren Almond, Tobias Rehberger, Pierre Huyghe, Philippe Parreno and Paul Chan are scrutinized as so many attempts to capture the very dialectic of time itself. The book can be seen as “an exploration of the crystallization of time that uses phenomenology as a pretext for saying things about artworks that create their own theories.” This fully illustrated 2nd edition features a new introduction and afterword by the author. Daniel Birnbaum reflects on the critical reception of his book and further extends Deleuzian ideas to the fields of art and film. In his afterword on Paul Chan, the author discusses a new sense of messianic time, a new chronology, as experienced with The 7 Lights series by the artist. In addition to annotated artwork illustrations, the book contains a special insert by Paul Chan: twelve original drawings where the artist explores the spatial metaphors evocated in the text. The book also features flip-book sequences from two films (Lady of Shanghai, 1947, Enter the Dragon, 1973) which further elaborate on the Deleuzian themes of mirrors, death, and the crystallization of time.

New York: Viking, 1995. Large heavy hardcover, with somewhat worn jacket. xxvi, 629pp, index, bibliography, notes, chronology. Front innercover with repair else overall a good solid and clean copy. First edition. - Collects hundreds of Kerouac's letters written between 1940, when he was a college freshman) and 1956, immediately before his leap to celebrity with the publication of On the Road. Correspondents include the Cassady's; Allen Ginsberg; William S Burroughs; and Gary Snyder...

Princeton Architectural Press, New York, NY, 2005. 4to. stiff paper wrappers as issued. 192 pages. Table of contents, acknowledgments, endnotes, select bibliography, index, photographic credits. A history of American book cover design. Color illustrations throughout. Fine clean copy. By Its Cover traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight Kauffer, Paul Rand, Alvin Lustig, Rudy deHarak, and Roy Kuhlman along with more recent and contemporary innovators including Push Pin Studios, Chermayeff & Geismar, Karen Goldberg, Chip Kidd, and John Gall.

Aschehoug, 1941. Indbundet uden omslag i forlagets originale solide halvlæder med titel i guld og med marmoreret sidepapir. 458 sider. Rent og pænt eksemplar. Første danske udgave / First Danish edition of 'Les Faux-Monnayeurs'.

Trenton: Africa World Press, 2003. Paperback. 288 pp. Fine clean, unread copy. In the seventies, as signs of decay began to show in the capitalist experiment of the newly independent African countries, a ?bard of the misrule? emerged on the streets of Lagos. Often shirtless and armed with his trademark saxophone, Fela Anikulapo Kuti tore his way into popular culture with Afrobeat music. Blending ethno-traditional forms with the reigning highlife and jazz rhythms, Afrobeat drew lyrics from the flip side of neo-colonial society and Fela's London and American experience in the sixties. In the two decades that followed, Fela ruled the nights from Afrika Shrine, his signature night club, and the days from the turntables of the restless city dwellers along the Atlantic coastline. Fela?s Afrobeat became a dynamic mode of expression in the social history of post-independent West Africa and generated a counterculture that bonded through music, drugs, resistance politics?and ultimately, the nascence of an Afrocentric contemporary global culture. "In Sola Olorunyomi?s book, a popular artist and a counter-hegemonic activist of the hardest grain meets his most engagingly, cerebral interpreter.?

Suhrkamp, 1981. 8vo. 138 Seiten. Broschiert. Erste Auflage. First edition.

Kbh: Ny Carlsberg Glyptotek, 2013. Stor høj folio. 313 sider. Rigt illustreret. Godt, rent eksemplar. Indhold: Line Clausen Pedersen: Degas' metode. Elizabeth Steele: Danseøvelser i foyeren og Danserinder ved barren. Peter Parshall: Degas og det tilbagetrukne billede. Walter Sickert: Bevægelsens mester. Degas' arbejdsproces, fastholdt i bronze / Daphne Barbour og Shelley.

Gyldendal, 2016. Hardcover. 182 sider. Den nye danske udgave.

Published by JRP Ringier, 2010. tall 4to in wraps as issued. 190 pages, richly illustrated. Fine copy. 1. edition. Monograph on Villesen. "Meetings and conversations are central to Gitte Villesen's work. She documents these encounters in videos, photographic series, and installations, which are often combined with additional material such as photographs, texts, or collections of objects. "All my works start with a curiosity toward a specific person—and how each person approaches their life, certain attitudes, their passions, ideas and dreams, and how this combines with the reality in which they live, whether that's related to gender, or cultural or historical circumstances. The work deals with stories, and an awareness of what it means to tell someone else's story. Each work is a portrait of a meeting as much as it is a portrait of a specific person. In some works, and to varying degrees, the participants are involved in the discussion about their own representation as collaborators." The book presents most of Gitte Villesen's works made since 1994. Each work is described in a text by the artist, which provides the story behind how the meetings happened. The book also includes texts by Brett Bloom, Hanne Loreck, Jan Verwoert, and an interview conducted by Lotte Moller. The title of the book is a quote taken from Ursula Le Guin's 1969 science-fiction novel "The Left Hand of Darkness."

Gyldendals Bogklub, 2006. Original lærredsbind med smudsomslag (hardcover). 150 pp.

Royal Copenhagen, 1998. 12mo in wraps with jacket. [96 pp]. Illustrated throughout with full page b/w photographs by Per Folkver. Fine copy. 1st ed. Book design by Åse Eg Jørgensen.