Søgningsresultat

Stig Vendelkærs Forlag, 1966. 156 sider. Paperback. Illustreret i s/h. God eksemplar. Jan Hudson var pseudonym for SF forfatteren George H Smith.

Published by Amsterdam: Stedelijk Museum, 1995. 8vo in wraps as issued. 256 pages. Illustrated. Text in both Dutch and English. Some handling wear but clean. On Kai Althoff, Mat Collishaw, John Currin, Anne Decock, Douglas Gordon, Benoit Hermans, Gary Hume, Aernout Mik, Multiple Autorenschaft Lienz, Pipilotti Rist, Lara Schnitger, ManfreDu Schu, Georginia Starr, Jane and Louise Wilson.

Rævens Sorte Bibliotek / Politisk Revy - Gyldendals Bogklub 2002. 275 pp. Hft.

Oslo, 1958. (Kunst og kulturs serie). 4to in wraps as issued. 64 pp. Hft. Illustreret. Lidt brugsspor, indvendig ren. First edition.

London: MacMIllan, 1977. 4to large paperback. 224pp., with many plates, of which in colour, text-ills., incl. facsims., bibliography, index. A history & development of fashion, with her exponents as designers, photographers, models, evolution of the nude in adds, etc. Minor edgewear else very good copy. In acid-free plastic pocket.

Batzer & Co, 2020. 146 pp. Hft. Pænt eksemplar med kun en anelse hyldeslid.

Forlaget Rosinante, 2019. 349 pp. Hft.

New York, Farrar Straus Giroux. 1982. Publishers hardcover with unclipped dustjacket in good condition. 211 pp. Spine of jacket tanned else clean well preserved copy. First Edition First Printing. Jacket design by Janet Halverson.

SUNY - State University of New York Press, 2005. XII, 184 pp. Fine.

Kbh: Ny Carlsberg Glyptotek, 2013. Stor høj folio. 313 sider. Rigt illustreret. Godt, rent eksemplar. Indhold: Line Clausen Pedersen: Degas' metode. Elizabeth Steele: Danseøvelser i foyeren og Danserinder ved barren. Peter Parshall: Degas og det tilbagetrukne billede. Walter Sickert: Bevægelsens mester. Degas' arbejdsproces, fastholdt i bronze / Daphne Barbour og Shelley.

Gyldendal, 2013. 262 sider. Hft. Frisk rent eksemplar.

Gyldendal, 2016. Hardcover. 182 sider. Den nye danske udgave.

New York McGraw Hill - Open University Press 1st pr, 2008. Large paperback. X, 358 pp. Clean tight copy.

Gyldendal / Samlerens Bogklub, 1995. 702 pp. Hft. Med illustrationer. Navn. Omslag solbleget med lidt brugsspor. Dansk udgave.

New York: Viking, 1995. Large heavy hardcover, with somewhat worn jacket. xxvi, 629pp, index, bibliography, notes, chronology. Front innercover with repair else overall a good solid and clean copy. First edition. - Collects hundreds of Kerouac's letters written between 1940, when he was a college freshman) and 1956, immediately before his leap to celebrity with the publication of On the Road. Correspondents include the Cassady's; Allen Ginsberg; William S Burroughs; and Gary Snyder...

Aschehoug, 1941. Indbundet uden omslag i forlagets originale solide halvlæder med titel i guld og med marmoreret sidepapir. 458 sider. Rent og pænt eksemplar. Første danske udgave / First Danish edition of 'Les Faux-Monnayeurs'.

Suhrkamp, 1981. 8vo. 138 Seiten. Broschiert. Erste Auflage. First edition.

Published by JRP Ringier, 2010. tall 4to in wraps as issued. 190 pages, richly illustrated. Fine copy. 1. edition. Monograph on Villesen. "Meetings and conversations are central to Gitte Villesen's work. She documents these encounters in videos, photographic series, and installations, which are often combined with additional material such as photographs, texts, or collections of objects. "All my works start with a curiosity toward a specific person—and how each person approaches their life, certain attitudes, their passions, ideas and dreams, and how this combines with the reality in which they live, whether that's related to gender, or cultural or historical circumstances. The work deals with stories, and an awareness of what it means to tell someone else's story. Each work is a portrait of a meeting as much as it is a portrait of a specific person. In some works, and to varying degrees, the participants are involved in the discussion about their own representation as collaborators." The book presents most of Gitte Villesen's works made since 1994. Each work is described in a text by the artist, which provides the story behind how the meetings happened. The book also includes texts by Brett Bloom, Hanne Loreck, Jan Verwoert, and an interview conducted by Lotte Moller. The title of the book is a quote taken from Ursula Le Guin's 1969 science-fiction novel "The Left Hand of Darkness."

Gyldendals Bogklub, 2006. Original lærredsbind med smudsomslag (hardcover). 150 pp.

Royal Copenhagen, 1998. 12mo in wraps with jacket. [96 pp]. Illustrated throughout with full page b/w photographs by Per Folkver. Fine copy. 1st ed. Book design by Åse Eg Jørgensen.

Forlaget Lindhardt & Ringhof, 2003. Kvadratisk. 132 pp. Hft. Illustreret med s/h fotos af Mertz. Pænt eksemplar.

Aben Maler, 2011. Kvadratisk hardcover, med lidt slidt omslag. Omkring 300 sider. Pænt eksemplar. 1. oplag. "Glimt" er en tegnet erindringsroman fra 1980'ernes Nordjylland, som foregår en sommerdag ved Vesterhavet. Rikke er seks år gammel og på ferie med sin familie. Dagen går med helt almindelige feriesysler, men fra et barns perspektiv er livet både kedeligt, uforståeligt, frygtingydende, magisk og fuldstændig overvældende - alt sammen i løbet af en enkelt dag.

New York: Random House, 1969. Publishers hardcover, with dustjacket. 274 pages, red topedge. Jacket with a tear and suntanned but unclipped asnd now protected. Inside clean. Overall a very good copy. First edition, 7th printing.

London, Collins, 1964. Original full cloth, no dustjacket. 381 pp. A sticker to inner cover, else clean. First British edition.

Cambridge, MA: MIT Press, 2002 (2000). Heavy 8vo in SOFTCOVER. XVI,. 368 pages. With illustrations. Name to inner cover else clean. Very good copy. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration of European socialism, capitalist restructuring, and ecological constraints. The larger social vision has given way to private dreams of material happiness and to political cynicism. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. She shows how dreamworlds became dangerous when their energy was used by the structures of power as an instrument of force against the masses. Stressing the similarities between the East and West and using the end of the Cold War as her point of departure, she examines both extremes of mass utopia, dreamworld and catastrophe. The book is in four parts. "Dreamworlds of Democracy" asks whether collective sovereignty can ever be democratic. "Dreamworlds of History" calls for a rethinking of revolution by political and artistic avant-gardes. "Dreamworlds of Mass Culture" explores the affinities between mass culture's socialist and capitalist forms. An "Afterward" places the book in the historical context of the author's collaboration with a group of Moscow philosophers and artists over the past two tumultuous decades. The book is an experiment in visual culture, using images as philosophy, presenting, literally, a way of seeing the past. Its pictorial narratives rescue historical data that with the end of the Cold War are threatened with oblivion and challenge common conceptions of what this century was all about." - Susan Buck-Morss is known for Dialectics of Seeing (1989). "This earlier text brilliantly reconstructed Walter Benjamin's unfinished "Arcades" project (on the consumer culture of Baudelaire's Paris), and established Buck-Morss both as an authoritative commentator on Benjamin and as a major cultural thinker in her own right. Dreamworld and Catastrophe seeks, in effect, to extend Benjamin's dialectical investigations into the imaginary of modern culture to another time and place