Søgningsresultat

Milano, CHARTA 2007. Large 8vo in stiff wraps as issued. 159 pages, richly illustrated. Name of Danish architect, light edgewear. First edition.

Borgen, 1971. 91 pp. Hft. Illustreret med Kirkeby's tegninger og fotografier. Lidt brugsspor. Første udgave. Med tilskrift på halvtitel skrevet af Kirkeby i hånden med kuglepen " til min smukke elskværdige vært...." .-

MIT Press, 2017. Hardcover, with jacket (the "wear" is part of the jacket design). 224 pages. Clean fine copy.

København og Kristiania: Gyldendalske Boghandels Forlag, 1905. 8vo. Indbundet i samtidigt flammet kalv med titel i guld. (8), 431 pp. Samtidig tilskrift foran. First Danish / Norwegean edition of Swedish feminist Ellen Key's essays on motherhood, education and psychology. She was highly influencial (and controversial) in her time and her ideas helped creating state child support.

Galerie Claude Bernard, 2009. Large 4to in flexi boards. 82 pages, richly illustrated in color. Text in both French and English. Fine copy. 1. ed.

Forlaget Tiderne Skifter, 1977. 96 pp. Hft. Illustreret af Deleuran.

Amsterdam: Tuja Books, 2006. Illustrated paper-covered hardcover 24,8 x 17,5 cms., 206, (2) pp. throughout illustrated, partly in colour. Text in English. Front left edge with a dent (see photo) else an unread very good copy. 1. ed. thus. A survey of Fontana's unique works & hand-made editions, lithographs, screenprints, bronzes, ceramics, multiples, jewelry, fashion, design, and selection of posters, books and more.

Flox, 1982. 80 pp. Hæftet. Rigt illustreret med fotografier og fotocollager. Feministisk "kunstnerbog". Første oplag.

Forlaget KLIM, 2010. 187 sider. Hft.

Princeton University Press, 1985. Paperback. XXII, 371 pp. Very good clean copy.

Viva Editions, 2011. Hardcover, with jacket. 241 pp. With illustrations. Fine copy. 1. ed.

Chronicle Books, San Francisco, 1984. Squarish 8vo in wraps as issued. 90 pages, richly color illustrated. Includes a conversation with Edward Ruscha. Near fine clean copy. First edition.

London: Bloomsbury, 1998. Square 8vo hardcover w jacket. 224 pages, illustrated throughout. Near fine copy.

Museum Tusculanum, 1998. Lille hardcover. 125 pp. Nærmest som ny.

Gyldendal, 2009. Hardcover. 364 sider. Pænt eksemplar. 1. oplag.

Vittorio Klostermann, 1980. 8vo. Broschur. XXV,380 Seiten. Einige Anstreichungen. First edition / Erste Auflage. - "Die ausserlich lockerer erscheinende Gedankenfuhrung und der eher einem gedanklichen Kunstwerk als einer philosophisch-wissenschaftlichen Abhandlung eignende Sprachstil durfen nicht daruber hinwegtauschen, dass die Kunstwerk-Abhandlung ebenso wissenschaftlich streng und phanomenologisch aufweisend gedacht ist wie Sein und Zeit. Die von Heidegger entworfenen Grundzuge einer Philosophie der Kunst liegen in der Wesensbestimmung des Kunstwerkes, der Kunst, des Kunst-Schonen, des Kunst-Schaffens in der Abhebung vom handwerklichen und kunsthandwerklichen Schaffen und der Kunst-Bewahrung als des Wesens der Kunst-Betrachtung. Die am Text entlanggehende Auslegung versteht sich als systematisch, weil sie die Systematik des Gedankens Heideggers in dreierlei Hinsicht verfolgt: die Systematik der Philosophie der Kunst, die aus der Systematik der gewandelten Grundstellung Heideggers in der Entfaltung der Seinsfrage zur Zeit der Abfassung der Abhandlung erwachst, die ihrerseits nur erfasst wird unter standiger Beachtung der ersten systematischen Ausgestaltung der Grundstellung in Sein und Zeit."

Edition Taube, 2022. 4to. Hardcover, thread bound, 56 pages, color, multicolored cut. Light denting to cover edges else clean and fine.  First edition. Artists book by Hank Schmidt in der Beek - a must-have for all lovers of Suprematism, Constructivism and … ice cream.

Routledge, 2009. 12mo. 150 pages. Illustrated. Paperback as issued. Fine copy. From the "Thinking in Action" series. "There is no escaping landscape: it's everywhere and part of everyone's life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music - but they can tell us a lot about the ethical and aesthetic values of the societies that produce them. Drawing examples from a wide range of landscapes from around the world and throughout history, Susan Herrington considers the ways landscapes can affect our emotions, our imaginations, and our understanding of the passage of time. On Landscapes reveals the enormous design work involved in even the most naturalistic of landscapes, such as Prospect Park in Brooklyn, and the ways in which contemporary landscapes are turning the challenges of the industrial past into opportunities for the future. These contemporary landscapes, such as a park in Germany that uses industrial relics as ruins and a playground in Japan built on a former landfill, signal a change in the way we think about nature and art. By inviting us to thoughtfully see and experience the landscapes that we encounter in our daily lives, On Landscapes demonstrates that art is all around us."

MacGibbon and Kee, London, 1965 (1937). Publishers hardcover with very good dustwrapper, not price-clipped and protected. 266 pages. Name in ink to front inner cover else clean and overall a very well preserved copy. First UK edition. "White Mule is the first of a trilogy of novels by William Carlos Williams about the immigrant Stecher family in New York at the turn of the 20th century. The "White Mule" of the title refers to Flossie, the angry, assertive, uncompromising baby, who can kick like White Mule whiskey. White Mule is the story of Joe’s inner struggle between love of fine craftsmanship (he is a printer by trade) and Gurlie’s ambition to get ahead, to have him get “in the money.” But it also the story of the awakening consciousness of their children; the real heroine is the baby Flossie––she had a kick like “White Mule” whiskey––whose birth begins the book. Everything revolves around the baby and she is surely unique in literature. Dr. Williams was a pediatrician, and without sentimentality he makes of this little being, who cannot even talk, a full-scale, three-dimensional personality."

MIT Press Cambridge, MA, 1988. Square 8vo in softcover as issued 19.5 x 19.5 cm. 191 pages, illustrated. Very good clean copy. Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index.

Frankfurt am Main: Vittorio Klostermann 1987. 8°. Hardcover, mit OU. XXVIII, 369 Seiten. Name. Einige verstreute Anstreichungen mit Kugelschreiber.

A. Rasmussens Bogtrykkeri, Ringkjøbing 1987. Upagineret. Heftet med orig. omslag. Godt eksemplar. Eet af 1000 nummererede eksemplarer.

Denmark: Louisiana Museum of Modern Art, 2014. Stort format. Hardcover. 200 pp. Text på Dansk. Illustreret. Navn foran ellers pæn.

Høst & Søn, 1972. Original hardcover. Upagineret. Illustreret i s/h og farver. Godt eksemplar.

Hermann Luchterhand, Darmstadt 1960 (1956). Gebunden, mit OU, dieser verfärbt und mit kleine Risse am Rande. 118 S. Name auf Innendeckel. Insgesamt gut.