Søgningsresultat

Stockholm, Hos Bokhandlaren W. Lundequist, 1833. 19x11. VIII+116+84 pp. Två delar sammanhäftade i en volym, gråpappersomslag med stämpel "Hus:s Sällsk:s Slöjdmagasin, Karlskrona" Samtida ägaranteckning på titelbladet "Fabrikören Olof Westerhult, Asarum". Carl Sahlin, Förteckning över svensk färgerilitteratur, 153.

Stockholm, Ivar Hæggströms, 1896. 27x18. XLII+182 pp. text + 48 plates. A fine copy in contemporary half brown leather with gilt spine decoration and beautifully marbled boards. No. 80 of an edition limited to 125 copies. Very scarce. A history and Catalogue of the Swedish Queen Regnant Christina's remarkable collection of (mostly Italian) paintings which came into Swedish possession during the Battle of Prague and the Peace of Westphalia negotiations. The volume includes Granberg's history of the collection through the centuries and his heavily annotated Catalogue Raisonné of the paintings, as well as early inventories of the paintings in German, French and Italian: the Prague inventory at Skokloster Palace ('Wass sich in denen Pildergangen, Sählen und Gallarien von Gemehlen sind befundten und bestandten, 1648); Marquis de Fresnes 'Inventaire des Raritéz qui sont dans le Cabinet des Antiquitez de la Sérénissime Reine de Suède' (1652): the inventory in the Archivio Palatini in Rome: 'Catalogo dei quadri della Regina di Svezia' (probably 1689); and the 'Inventario de' quadri dell Galleria Memorabile della Regina di Suecia' made 1721 in connection with the sale to the Duke of Orléans.

München, Hanfstaengel, 1914. 29x23. L pp. + 98 fine heliogravure plates, each with a printed guard-tissue, including coloured frontispiece. 14 reproductions in the text. A very good copy in publisher's quarter vellum, top edge gilt. No. 959 of 1000 numbered copies on Van Gelden paper.

(Berlin), Grützmacher, 1966. 23x23. 50 photo plates. Loose as issued in printed portfolio, very fine. "Television De-Coll/ages" produced by Wolf Vostell on his TV apparatus "Kuba" on the occasion of the exhibition "Fetische" held at Galerie Tobiès & Silex in Cologne.

München 1912. 21x18. XII+130 pp. + 8 plates (including three paintings by Kandinsky and works by Cézanne, Raphael, and Dürer) + 3 leaves ('Tabellen' with colour theory diagrams). Ten original woodcuts by Kandinsky in the text. Full light brown leather binding. Foxing to half-title leaf and very light foxing to last leaf. Third edition (published the same year as the first and second) of Kandinsky's famous discussion of the spiritual foundations of art and the nature of artistic creation.

Paris, Societé de Propagation des Livres d'Art, 1990. 31x23. II+X+120 pp. + 30 photo plates. Fine cloth-backed marbled boards, printed wrappers bound in. No. 408 of an edition limited to 650 copies. Former owner's bookplate on first, blank leaf, and an ink inscription on half-title page.

London ... 1901. 29x21. XII+286 pp. (first three leaves and last leaf blank). Printed on fine paper, untrimmed in publisher's cloth-backed decorated boards. Spine insignificantly worn at top and bottom and slightly faded. 'First printed in 1890, and now reprinted at the Chiswick Press with the Golden Type designed by William Morris for the Kelmscott Press, and finished on the 18th day of April, 1901.'

London ... The Studio, 1907-11. 29x21. Each volume contains X+38 pp. text + 128 pp. with full-page photos + 8 colour plates. Publisher's gilt-lettered cloth, top edges gilt. A complete set of this classic documentation comprising (1) Southern & Western Counties; (2) Midland & Eastern Counties; (3) Northern Counties.

Sanktpeterburg 1906. 28x19. 126 pp. + 6 plates (one coloured plate and five photogravures). 13 reproductions in the text. Neat later half cloth. Some old Russian library stamps, and numbers in ink on title page. Swedish, gilt-lettered title on spine reading "Den ryska furstefamiljen avbildad i 1000-talets miniatyrer" (The Russian Princely Family depicted in 11th-century miniatures).

Salzburg & Wien 1989. 28x23. 256 pp. Almost 400 photos, drawings and plans. Publisher's printed cloth, dust jacket. The standard monograph on the Austrian-German modernist architect (1889-1955) including annotated Catalogue of the Works and selected Bibliography.

Berlin 1912. 40x30. 4 pp. + 60 plates comprising 48 plates with measured drawings and 12 plates with 41 photographs. Loose as issued in a cloth-backed portfolio with tie-strings and printed front label. Details of old Berlin buildings, mainly staircases with their banisters and balustrades, meticulously measured and illustrated.

Paris, Éditions Neuf, 1952. 27x21. 84 pp. 63 reproductions of photographs (46 full-page) and 8 of drawings. Publisher's cloth with photo plate on front cover. An exquisite collection of photographs and drawings by Brassaï with his own notes as well as his autobiographical "Souvenirs de mon enfance", text by Henry Miller (L'Oeil de Paris), and a poem by René Bertel. The fifth publication in the Collection Neuf series edited by Robert Delpire and Pierre Facheaux.

Berlin, Felix Stössinger Verlag, 1933. 24x16. 104 s. + löst ilagt blad med förlagets bokannonser. Tryckta originalomslag över kartongpärmar, med en teckning av William Wauer (Nell Waldens porträtt). Lätt stukning av ett yttre hörn och ett litet stötmärke på främre omslaget. Första upplagan, tryckt i 500 numrerade ex. varav detta är nr 455. Dedikation från författaren daterad Berlin Sept. 1933. Prästdottern Nell (Nelly) Roslund från Landskrona gifte sig med Herwart Walden 1912 och blev en drivande kraft i den avantgardistiska Der Sturm-rörelsen. Vid sidan av sitt konstnärsskap publicerade hon dikter under pseudonymen Maria Enid i tidskriften Der Sturm. Hon fortsatte sitt författarskap efter att hon 1924 gift om sig med läkaren Hans Heimann (som skulle komma att dö i ett förintelseläger 1937).

München 1913. 32x24. X+252 pp. + one plate + portrait frontispiece. 250 photos, drawings and plans. Publisher's gilt-lettered cloth-backed boards. The first major book on Behrens, a substantial documentation of early works in architecture and industrial design.

Frankfurt am Main 1922-28. 24x17. XXIV+ 338; + XII+360 + II + 361-408; + XII+396 + II + 397-432; + XXVI+740 + II + 741-824 s. text och reproduktioner av stämplar (samt 320 foton i avsnittet Byzanz) + sammanlagt 120 s. med foton (paginerade 1-51, 51a, 52-55, 55a, 56-95, blank, 96-117). Förlagets skinnryggsband (1-3) respektive klotband (4). Första bandets rygg missfärgad, några pärmar med aningen nötta hörn, liten fuktfläck i slutet av fjärde bandet. Silversmeden Erik Flemings exemplar med hans namnteckningar på försättsbladen. Tredje, omarbetade (definitiva) upplagan av detta standardverk om guld- och silversmeder och deras stämplar från medeltiden till 1800-talet i Tyskland (Band 1-3) och andra europeiska länder samt Bysans (Band 4).

Paris. Massin, (1922-23). 45x33. 12; + 12 pp. + 80 plates with ca 150 reproductions, the majority printed in sepia. Loose as issued in two printed cloth-backed portfolios with tie-strings and front plates. A fine set though backstrips of portfolios are slightly worn. A collection of attractive reproductions of Italian and French architectural drawings in the Louvre Museum collections.

Paris 1948. 35x26. 72 pp. including 24 full-page colour reproductions of paintings, 40 pages with reproductions of ink drawings, and a colour title page designed by Matisse. Jacket designed by Matisse over boards. The jacket slightly worn at extremities with minor paper loss at bottom of backstrip. Bookplate of the Swedish editor, book art historian and critic Georg Svensson. (Verve, vol. VI: no. 21-22).

Istanbul, International Conference of Oriental Carpets, 2007. 31x23. 336; + 174+II pp. + errata slip. Ca 340 colour photos including 320 full-page. Bilingual text in captions in Turkish and English. Publisher's printed boards with dust jackets; kept in a pictorial slipcase. The books in excellent condition; one edge of the slipcase cracking.

Stockholm 1914. 28x21. X+502 pp. + 93 plates (12 of which are coloured) with 285 photographs of Japanese lacquer and enamel ware, netsuke, ivories, tsuba and other metal work, ceramics, wood sculptures, fabrics, screens, kakemono, paintings, etc. Publisher's half leather, lightly worn. No. 111 of an edition limited to 200 copies. A very good copy of the scarce, illustrated and extensively commented catalogue of the author's collection of Japanese art objects, collected during his stay in Japan in the early 20th century.

London, Groombridge and Sons, (1846-48). 21x14. II+278+96 pp. + 12 coloured plates with guard-leaves + coloured frontispiece. Publisher's green cloth with debossed and gilt decorations, edges gilt. Some uneven fading of the green cloth, otherwise a very nice copy.