Søgningsresultat

Gyldendal, 1990. Hardcover. Upagineret. Gennemillustreret i farver. Pænt rent eksemplar. 1. oplag.

Federal Office Of Culture Bern, 2013. Tall 4to in wraps as issued. 64 pages, complete. Fine unopened copy. 1. ed.

Forlaget Swing, 1978. 50 pp. Hft. Rent og friskt eksemplar. Første udgave, 1. oplag. Omslag af Bjørn Nørgaard.

Borgens Forlag, 1999. 155 pp. Hft. Nærmest som ny.

New York: Broadway Books, 1999. Hardcover, w jacket. 381 (2) pp. Very good clean attractive copy. First edition, 1st printing. "A variation on Great Expectations, An Equal Music (1999) is a tribute to Western classical music. Vikram Seth’s engagement with the grand literary and musical traditions of European culture makes his affiliations and cultural moorings impossible to pinpoint, all the more so since the prose of this chiseled, lyrical narrative is flawlessly clear and transparent".

Simon & Schuster / Touchstone Paperback, 1986. Slim tall 8vo. 183 pages. Bilingual German-English. Light wear to lower corners else very good well preserved clean copy.

New York: Alfred A. Knopf, 1999. Original boards with dustjacket (hardcover). 482 pp. Some minor wear to edges and dustjacket with wear but intact and complete. First edition (stated). Brilliant cover design by Chip Kidd.

Creation, 1996. Large 8vo in softcover. 256 pages, richly illustrated. Very good copy.

Antipyrine, 2018. 2018 pp. Hft. Rent eksemplar. Første udgave, 1. oplag.

Samlerens Bogklub, 1997. 110 pp. Hft. Navn. Lidt ydre brugsspor.

New York: Harry Abrams 1999. Squarish 8vo in wraps as issued. 84 pages with 34 pages in Marden's Workbook, a 1987-88 travel sketchbook/visual diary. With an interview with the artist. 56 illus., 18 in full color, 38 duotone. Some shelfwear else fine and clean. 1st edition. This work presents fifty-two of Brice Marden's drawings ranging from his works in the 1960s in solid forms & muted tonalities through his later works ofcalligraphic imagery that culminates in his Cold Mountain series.

London: Vision Press Ltd., 1951. 8vo. Publishers hardcover with slightly worn but unclipped dustjacket. 89 pp. Illustrated with photographs, still from the movie. Very good copy. First edition. Da zdravstvuyet Meksika! is a film project begun in 1930 by Eisenstein (1898–1948) under contract to socialist author Upton Sinclair and other supporters in the United States. It would have been an episodic portrayal of Mexican culture and politics from pre-Conquest civilization to the Mexican Revolution. Production was beset by difficulties and was eventually abandoned. Jay Leyda and Zina Voynow call it Eisentein's "greatest film plan and his greatest personal tragedy". In the early 20th century, many intellectuals and artists associated with the European avant garde were fascinated by Latin America in general, and by Mexico in particular: for the French artist and leader of the Surrealist movement André Breton, for instance, Mexico was almost the incarnation of Surrealism. As film historian David Bordwell notes, "like many Leftists, Eisenstein was impressed that Mexico has created a socialist revolution in 1910". His fascination with the country dated back at least to 1921, when at the age of twenty-two "his artistic career started with a Mexican topic" as he put on a theatrical version of the Jack London story The Mexican in Moscow. Film scholar Inga Karetnikova details this production as a classic example of avant-garde aesthetics, an exercise in form rather than documentary realism; but "indirectly", she argues, "he did recreate the Mexican atmosphere". Above all, he saw in the Mexican revolution an instance of a "zealous idealism" that was also "close to Eisenstein, just as it was to the entire generation of Soviet avant-garde of the early 1920s". Some years later, in 1927, Eisenstein had the opportunity to meet the Mexican muralist Diego Rivera, who was visiting Moscow for the celebrations of the Russian revolution's tenth anniversary. Rivera had seen Eisenstein's film Battleship Potemkin, and praised it by comparing it to his own work as a painter in the service of the Mexican revolution; he also "spoke obsessively of the Mexican artistic heritage", describing the wonders of Ancient Aztec and Mayan art and architecture. The Russian director wrote that "the seed of interest in that country . . . nourished by the stories of Diego Rivera, when he visited the Soviet Union . . . grew into a burning desire to travel there". "It’s a really tragic film, because its ambitions were so great, it was spanning centuries of time, extraordinary resources were marshaled towards its production, and all we have is this ruin essentially, but it’s a glorious ruin." (Thomas Beard).

Arken Museum of Modern Art, 2015. 4to in stiff wraps as issued. 90 pp. Richly illustrated. Text in Danish. Fine copy. 1. edition.

Illustrationsforlaget, 1959. Original kartonbind med lærredsryg. (30) pp. Illustreret i farver. Småplettet i margin. Første udgave / First edition.

Forlaget KLIM 2018. To hardcover bind, det ene uden smudsomslag. 425, 448 sider. Godt sæt.

Forlaget Brilleuglen, 2021. 328 pp. Hft.

Forlaget Lundtofte, 2007. 96 sider. Hft. Rigt illustreret med fine fotografier af bl.a. Gorm Valentin i s/h. Pænt eksemplar. From Burroughs visit to Copenhagen 1983, richly illustrated with photographs by Gorm Valentin among others. First edition.

Strubes Forlag, 1988 (1981). Hardcover. 344 sider. Omslag med lidt brugsspor. Richard Wilhelms udgave på dansk.

New York / Ghent: D.A.P., 2005. 4to red clothed hardcover in bright orange-red dust jacket. 167 pages, richly illustrated. Text in English. Spine sunned, else fine and clean copy. First edition.

Austin: University of Texas Press, 2016. Hardcover, w jacket. VIII, 346 pp. Fine copy. First edition.

Brøndums Forlag 2003. Lille hefte. 61 pp. Pænt eksemplar.

Prague: Panorama, 1985. 6 (=12) pages, printed on both sides (see photos). Minor rubbing, in all a very good copy. First edition.

Copenhagen: SMK - 2013. 8vo in stapled wraps as issued. 30 pages. Text in English and Danish. Illustrated. Fine copy. 1. ed. "What are quirky salt and pepper shakers doing next to some of the main masterpieces of art history? Haim Steinbach is deeply interested in objects and how they are displayed. In this exhibition he challenged our perception of the art museum as an institution by showing important works of art side by side with small everyday objects. In his works Haim Steinbach arranges objects from all sorts of contexts on shelves and walls and in display units. In fact we all collect things and place them next to each other – on a windowsill, the kitchen worktop, or a bathroom shelf. On a previous occasion Steinbach has explained that he regards the act of collecting and displaying things as a fundamental human practice: With my work, the bottom line is that any time you set an object next to another object you´re involved in a communicative, social activity. Haim Steinbach includes works of art from different eras and genres in his exhibition, presenting them in a way that is completely different from the usual approach taken by museums, which typically display art in accordance with chronological, thematic, or monographic principles. By making a break with those principles Steinbach creates a whole new contex".

New York: Exit Art etc., 1989 / 1990. Tall 4to in wraps as issued. 48 pages. Text in English. Illustrated. Well preserved clean copy with only most minimal edgewear. First edition. Catalog of an exhibit of Wodiczko's photographs of the homeless community of New York and his installation piece "New York City Tableaux: Tompkins Square", also focusing on homelessness. Features essays by Wodiczko, Papo Colo, Neil Smith, David Lurie, Rosalyn Deutsche, and Julie Courtney.

Louisiana Museum, 1997. Small 4to hardcover with protected dustjacket. 136 pages, illustrated richly. English text version. Only light edgewear to jacket else an attractive near fine / fine clean copy. First edition, hardcover. On Michael Asher, Chris Burden, Sam Francis, David Hockney, Dennis Hopper, Mike Kelley, Edward Kienholz, Paul McCarthy, Bruce Nauman, Raymond Pettibon, Edward Ruscha, Bill Viola, Christopher Williams, among others.