Søgningsresultat

Paris, Tardy, 1974-5, 1974. 31x23. XXXVI+224 pp. + 10 colour plates; + II+225-508 pp. + 9 colour plates and one b/w plate; + IV+509-896 pp. A total of more than 2200 photos and reproductions including 120 full-page. Pictorial wrappers. Tiny, weak corner scuffing of volume 2, otherwise an excellent set. A complete set of this standard work on French pendulum clocks. Vol 1: Des origines au Louis XV. Vol. 2: Du Louis XVI à nos jours. Vol. 3: Les Provinces françaises. Horloges et pendules étrangères.

Leipzig, Hiersemann, 1921-23. 33x24. XIV+200; + IV+201-368; + IV+369-732 pp. + 24 plates (12 coloured) tipped-in on grey stock. 471 photos in the text, tables with reproductions of 133 marks, and reprint of the price-lists of 1767. Publisher's gilt-lettered half vellum, top edges gilt, a very fine set. The classic, sumptuously produced history of the Nymphenburg Porcelain Manufactory and its production 1750-1856, including special sections on Franz Niedermayer, Johann Peter Melchior, Franz Anton Bustelli, Christian Adler, Friederich Gärter, Mathias Flurl, and others associated with Nymphenburg wares. Fully indexed.

Chicago, The University of Chicago Press, 1937. 32x26. XII pp. + pp. 1-120, 201-264, 301-352, 401-438, II+(78) pp. with ca 135 reproductions, 500-528 pp. + 3 intermittent leaves with 7 reproductions. Idiosynchratic pagination, but complete. Publisher's cloth, a very good copy. No. 172 of an edition limited to 500 copies. Scholarly monograph on the Venetian High Renaissance painter including Catalogue Raisonné of his oeuvre.

Paris, Crès, 1921. 23x15. 168 pp. Printed wrappers. An unusually well preserved copy, with the poor paper only slightly (and evenly) darkened. First edition of the first book to present Adolf Loos's radical theories on design first spoken into he void in the Viennese 'Neue Freie Presse' and other magazines. The texts became an important influence on the Viennese avant-garde circles, although rejected by established Austrian and German publishers - in a preface Loos gives an account of the controversial publishing history of the book.

Lausanne / Paris: Fondation Wildenstein / La Bibliotheque des Arts, 1977-78. 38x28. XII+286; + IV+384 pp. + 12 colour plates. More than 1300 reproductions, plus additional photos and refererence illustrations. Publisher's gilt-lettered cloth, dust jackets. Vol. 1: Peintures 1819-1865. Vol. 2: Peintures 1866-1877; Dessins; Sculptures.

Stockholm 1901. Kolorerad karta med tomtindelning. 78x65, uppfodrad på väv, 36x20 i hopvikt tillstånd. Obetydliga bruksspår. Attraktiv Djursholmskarta med tomtindelning, kolorerad delvis för hand. I hörnen försedd med små kartor över Enebybergs och Svalnäs ägor respektive frälselägenheten Stocksundsbro.

Dresden 1914. Textbook (31x24) with subtitle: Die Grundlagen für die Konstruktions-Entwicklung und Formgebung der Holzmöbel. 56 pp. 27 photos and 26 drawings in the text. Plate volume (45x32) with subtitle: Ausgewählte Beispiele in Aufnahme-Zeichnungen (57 Gegenstande auf 40 Tafeln in Steindruck). 4 pp. (title; list of plates) + 35 plates (numbered 1-40 including five folding plates with double numbering) with numerous measured drawings of furniture and details. Textbook in printed wrappers, plates loose as issued in pictorial half cloth portfolio with tie-strings. An excellent copy in all respects.

Stockholm, Joh. Hellsten Arkitekturbokhandel, (1887). 43x30. 4 s. + 30 planscher med 19 fasad- och perspektivritningarritningar (18 helsides), samt planritningar och några sektioner. Lösa så som de utgavs i tryckt klotryggsmapp. Försedd med ny klotrygg och nya knytband; pärmkanterna prydligt förstärkta Första och enda samlingen i denna planerade serie om moderna svenska villor presenterade i ritningar av Ferdinand Boberg. Samlingen omfattar åtta villor (samt fyra trädgårdsbyggnader etc.), däribland Carl Curmans bostad på Floragatan i Östermalms villastad och liknande villor ritade av Magnus Isaeus, Ernst Jacobsson, Gustaf Sjöberg, Wilhelm von Gegerfeldt, med flera.

Wien & Köln & Graz 1985-90. 31x23. X+422; + X+423-812; + XVI+592 pp. 1087 reproductions of elevations, perspectives, plans, etc. in volumes 1-2; 1111 reproductions in vol. 3. Publisher's cloth, dust jackets. (Schriften des Instituts für Kunstgeschichte, Akademie für bildenden Künste, Wien: 2,1 - 2,3). First three volumes of the massive six-volume work on Otto Wagner, the first two volumes being the standard Catalogue Raisonné of his architectural oeuvre.

Paris, Massin, (ca 1912-13). 45x33. 8 pp. + 54 plates; + 8 pp. + 36 plates. Handsomely bound in one volume, half calf with marbled cloth boards, top edge gilt (Gustaf Hedberg). The marbling on lower board partly dulled, otherwise fine. Extensive photographic documentation of French chairs from Louis XIV to the Bourbon Restoration. Comprises more than 450 photographs of chairs, all with detailed measurements, and details of chairs, some measured.

Zurich 2014. 30x22. 240 pp. More than 200 photos (30 in colour; 60 full-page), and ca 40 drawings and plans, including seven double-page in colour. Publisher's printed cloth with front plate.

London, Smith and Son, 1829-42 / 1908. 25x17. XXXII+412; + LXVI+320; + XXVI+504; + XXII+328; + VI+460; + X+576; + LVIII+288; + LXVIII+488; + XII+898 pp.; + a total of 51 plates with guard-tissues + 2 folding letter facsimile plates. Uniformly bound untrimmed in publisher's red cloth with printed spine labels. A very good, well-preserved set, spines slightly faded with darkened labels, edges slightly dusty; contents fine. Former owner's bookplate on front endpapers. A complete set of the classic eight-volume plus supplement catalogue compiled by the British art dealer who developed the concept of the Catalogue Raisonné. According to the impressums the books were published by Smith & Son 1829-42 and printed by James Skinner & Co. in Edinburgh. The first two volumes, however, contain an additional printed notice to the effect that they were reprinted in 1908 for Sands and Company, London and Edinburgh, in an edition limited to 1250 copies.

Stockholm 1898. 37x26. VIII+122 s. + porträtt + 48 fotogravyrplanscher. 106 planer och ritningar i texten. Vackert samtida rött halvskinnband. Tryckt på fint papper i en upplaga begränsad till 125 numrerade exemplar av vilka detta är nr 25. Sällsynt, attraktivt framställd historik och beskrivning av 1200-talskatedralen i Västerås, författad av den arkitekt som ansvarade för en genomgripande restaurering av katedralen i slutet av 1800-talet.

Monte-Carlo, Sauret, 1963. 32x24. II+190 pp. (including lithographed illustration on title page) + one original lithograph. A total of 146 colour reproductions. Original covers designed by Braque (original lithograph). An fine copy in the original slipcase. Fully illustrated Catalogue Raisonné of Braque's lithographs, with an introduction by Francis Ponge.

Stockholm 1879. XXVI+LXXII+II+156 s. text (med 35 illustrationer) + II+88 s. katalog (med reproduktioner af signaturer) + 12 färglitografiska planscher. Ett av få exemplar tryckta på tjockt papper. Halvklotband, tryckt främre omslag medbundet. Bandet något nött med några yttre fläckar. (Rörstrands samling af fajans och porslin, 1).

Stuttgart, Engelhorn, 1890-93. 45x32. IV+XXXVI; + VI+LVI pp. + 200 plates with ca 260 drawings. Loose as issued in printed cloth-backed portfolios with tie-strings. First portfolio slightly worn and darkened, spine neatly repaired. Second portfolio lightly stained and neatly supplied with a new cloth spine and new interior flaps. The contents of both in fine condition. A comprehensive collection of elaborate measured drawings of façades, portals, doors, windows, and other decorative elements of German buildings from 16th-century Renaissance to 18th-century Rococo. Vol. 1: Frü- und Hochrenaissance 1500-1650. Vol 2: Barock und Rococo 1650-1800.

Berlin 1893. 33x25. VI+96 pp. + 83 heliogravure plates + 5 portraits + large folding coloured plan. Publisher's pictorial, gilt-lettered cloth, all edges gilt. Binding slightly darkened and extremities rubbed, some light thumbing in lower right corner of the first leaves. A history and description of the garden waterworks of Frederick the Great's Sans-Souci and the adjacent Potsdam palaces, written by the engineer in charge of the waterworks, with photographic plates providing a record of the fountains and basins as they appeared in the early 1890s.

München, Klinkhardt & Biermann, 1981. 32x23. 144; + 446; + 460 pp. Altogether 1710 reproductions. Publisher's gilt-lettered cloth, a fine set in publisher's pictorial cloth/board slipcase. Carl Ehrnrooth's bookplates. Second, extended edition of this comprehensive compilation of German, Italian, Dutch, French, and English ornamental pattern prints with informative text. Vol. 1: Text, Vol. 2: Prints 15th-17th centuries, Vol. 3: Prints 17th-19th centuries.

Berne, chez l'auteur / Kornfeld & Klipstein, 1933, 1968. 30x21. 368; XII+372 pp. Reproductions throughout. Volume I in linen cloth, printed front wrapper (but not the first, blank leaf) bound in; volume in printed wrappers, very fine in the original slipcase. First two volumes of the standard Catalogue Raisonné, fully illustrated, of Picasso's etchings, drypoints, lithographs and monotypes , describing all states; with indices.

Aldershot, Hants: Scolar Press, 1994. 32x24. XII+140 pp. Ca 100 photos and reproductions including 40 in colour, and two full-page / double-page maps. Publisher's boards, dust jacket, very fine. An authoritative work including glossary, bibliography, Hijra date conversion table, and extensive index.

Berlin, Wasmuth, 1889. 49x32. 8 pp. + 50 heliogravure plates with 57 photographs of furniture, clocks, furnished interiors, etc. Loose as issued in printed half cloth portfolio with tie-strings. Small loss of paper from uppermost inner corner of half and main title leaves. Rare, impressive photographic documentation of Royal furniture in the Charlottenburg, Friedrichkron and Sanssousi palaces.

Frankfurt a.M., Keller, 1907. 40x32. 12 pp. + 45 plates with ca 75 photos and 15 elevations, drawings of façade details and doors, etc; + 10 pp. + 30 plates with ca 75 photos. Loose as issued in a two gilt-lettered half cloth portfolios, slightly externally worn and text leaves lightly thumbed. A documentation of Louis Seize-style architecture in Frankfurt, the first volume showing exterior views and drawings of buildings, the second covering interiors.