Søgningsresultat

Monte-Carlo, Sauret, 1978. 32x24. 376; + 344 pp. Illustrated throughout including 64 colour reproductions of colour lithographs. Publisher's printed linen, dust jackets, a very fine set. The definitive catalogue raisonné of Rouault's engraved and lithographed œuvre in all its states, fully illustrated, with annotated essays in French, English and German.

37x41. . Kompositionen bär alla spår av att vara avsedd som ett tryckoriginal, försedd med kraftiga retuscheringar med tipp-ex eller liknande och hopmonterad av papper med olika nyans, och den är karakteristisk för Rahmbergs illustrationer i tidskriften Puss. På baksidan finns också noteringen No; 24 1975 i blyerts, Puss nr 24 utkom dock 1974, och blev tidningens sista nummer. Dess omslag är utfört av Rahmberg och numret innehåller teckningar av honom, dock inte denna våldsamma satir i bild och text över bilismen och Bilmänniskan.

(London: Burns ?) 2002. 33x23. 320 pp. 100 full-page colour photos of rugs (plus eight double-page), ca 160 small-size colour photos of details; ca 50 photos and reproductions and 13 maps in the text. Publisher's printed cloth, dust jacket, an excellent copy, inscribed by the author.

Potsdam: Müller / Petersburg & Berlin: Efron (1921). 26x20. 52 pp. + 46 photogravure plates including four coloured. 28 drawings in the text. Publisher's decorated cloth designed by Grigoriew; light unobtrusive external wear and the binding slightly weakened. Former owner's name on front endpaper dated September 1925, and a pencil note. Well-illustrated monograph on the Russian artist Boris Grigoriew (1886-1939) including an essay (Die Linie) by the artist.

(Oppenheim), Verein zur Wiederherstellung der Katharinenkirche ... 1889. 67x43. II+44 pp. + 16 photogravure plates on heavy stock, with 7 elevations, sections etc. (four full-page and two double-page), 18 smaller detail drawings, and 12 photographs. 12 additional photos in the text. Loose as issued in a gilt-lettered half cloth portfolio with tie-strings (one missing), head and tail of spine slightly cracking, title leaf slightly browned, the plates moderately foxed with weak dampstains. (Festschrift zur Feier der Vollendung am 31. Mai 1889 zugleich dem 200jährigen Erinnerungstrage der Zerstörung Oppenheims). The Saint Catherine church in Oppenheim is one of the most important Gothic churches on the Rhine. It was heavily damaged in the late 17th century, and a first renovation was made in 1834-45. This large album was published as a documentation of the major restoration carried out between 1879 and 1889 by the Viennese architects Friedrich and Heinrich von Schmidt.

Hong Kong, Hong Kong University Press, 1982. 26x18. LXVIII pp. with introductions, notes and indices + 728 pp. dictionary with reproductions of seals printed in red. Pictorial wrappers, these slightly wrinkled and worn, minor scuffing, former owner's inscription on front endpaper. Second impression of the revised edition with a new supplement (Further Seals Found on Chinese Paintings in American Public and Private Collections) of the standard reference work first published in 1940.

Paris 1854-(1890). 22x15. VIII+640; + IV+640; + VIII+626; + VI+272 pp. Contemporary half brown calf with marbled boards. Occasional light foxing; one volume with small unobtrusive repair to top of spine; a nice set. Arntzen/Rainwater N38. A classic international dictionary of engravers and their works.

Braunschweig, Klinkhart & Biermann, 1965. XIV+320; + X+302; + X+306 pp. + 62 plates with colour photos. More than 750 black and white photos, plus reproductions of marks. Publisher's gilt-lettered cloth, dust jackets with colour plates, a very fine set. Arntzen/Rainwater P307. Monumental history and study of porcelain from the Fürstenberg manufactory in the second half of the 18th century, comprising: 1. Geschichte der Fabrik; 2. Geschirre; 3. Figuren.

London & New York, The Studio, 1935. 25x19. 96 pp. 117 photos (16 full-page) and seven drawings by Le Corbusier. First edition. Publisher's printed cloth. A very good copy. (The New Vision, 1). First edition of Le Corbusier's hommage to modern aviation. The airplane, symbol of the New Age. It is high enough, up there in the sky. Lift head and look above. The airplane, advance guard of the conquering armies of the New Age, arouses our energies and faith.''

London, Benn, 1924. 40x30. 28 pp. + 20 tissue-guarded colour plates mounted on stiff card leaves. 20 drawings in the text. Publisher's leather-backed cloth, top edge gilt, the other edges untrimmed; a very fine copy. No. 210 of an edition limited to 450 copies.

Stockholm 1928. 34x27. XVI+124 pp.; + 8 pp. + 93 fine heliogravure plates (one folding). Marks and monograms and other illustrations in the text. No. 74 of an edition limited to 150 copies. Bound in one volume, half red leather, top edge gilt A beauiful copy of Böttiger's descriptive catalogue of pictorial tapestries from the 16th and 17th centuries in private Swedish collections.

(Stockholm), Bokomotiv, 1980. 30x21. 240 s. inklusive 226 sidor med 452 fotografier + inklistrad tryckt rättelselapp. Förlagets pappband med skyddsomslag, ett utmärkt fint ex. Svartvita fotografier tagna av De Geer framför allt åren 1965-1975. Först 2004 kom Med kameran som tröst, del 2 i form av en dokumentärfilm som visades på Folkets Bio i Stockholm.

New York & Oxford, Oxford University Press, 1993. 30x21. 352 pp. Ca 370 photos (nearly 100 in colour including 50 full-page) and 300 drawings. Publisher's gilt-decorated semi-limp cloth, printed mylar jacket. A very fine copy, with small chipping and edge rift in the jacket; the binding and contents in excellent condition.

Stuttgart, Julius Hoffmann, (1913). 40x29. 4 pp. + 45 plates with ca 200 photographs of façade details and ornaments, portals, church decoration, etc. Loose as issued in publisher's half cloth portfolio. Light wear to the boards, contents fine. A photographic documentation of architectural ornamernt by the sculptor, goldsmith and art teacher Karl Gross (1869-1934). Gross contributed to the development of the German Jugendstil, and was involved in the ornamental design of numerous churches in Dresden. From 1914 he was Director of the Staatliche Akademie für Kunstgewerbe (from which he retired in 1933 as his ideals were confronted with the cultural politics of the Nazi regime).

München 1929. 23x18. 108 s. 55 mostly full-page photos, perspectives, etc. A very nice copy in publisher's yellow cloth with red lettering and design. (Bauhausbücher, 10). Second, extended edition of Oud's Bauhaus book on modern Dutch architecture.

Lausanne 1929. 33x25. II+56 p. including three leaves which are etchings by Clément. Half orange morocco, orange printed wrappers bound in. Offset from plates and other scattered foxing onto text leaves, not affecting the etchings. Printed on handmade paper, edges uncut. No. 274 of an edition limited to 500 copies (one of 150 copies reservés aux éditions Au sans Pareil, à Paris). The Swiss-born artist Charles Clément was a co-founder and illustrator of the satirical and pacifist journal l'Arbalète published in Lausanne. In 1927 he left Switzerland to settle in Paris.

London, Thames and Hudson, 1990. 28x25. 288 pp. Ca 600 photos, designs and plans (90 in colour). Publisher's boards, dust jacket, very fine.

Stuttgart 1928. 29x20. 164 pp. including 114 pages with 184 photos. A very fine copy in publisher's grey cloth with black and red lettering on front and spine. The account of the interiors and furniture in the 'International Style' houses at the pioneering exhibition arranged by the German Werbund at Weissenhof. Photos of furniture designed by Breuer, Gropius, Mies, Josef Frank, Lilly Reich, Schuster, Mart Stam, Oud, Le Corbusier and others; lamps by Marianne Brandt, W H Gispen, Richard Döcker, Poul Henningsen, etc. Includes texts by Breuer, Gispen, Josef Frank, Mart Stam and Le Corbusier.

S.-Peterburg 1908. IV+376 pp. More than 400 marks and monograms (reproduced in the text as well as in an alphabetical index) plus ca 30 photos and other illustrations. Bound up with: Eduard von Lenz (ed.), IMPERATORSKIJ ÉRMITAZH'. AL'BOM' IZOBRAZHENIYA VYDAYUSHCHIKHSYA PREDMETOV' IÉ' SBRANIYA ORUSHCHIYA - COLLECTION D'ARMES DE L'ERMITAGE IMPÉRIAL. S.-Peterburg 1908. Title leaf + 30 heliogravure plates with ca 220 photos + 30 leaves with descriptions in Russian and French. 25x17. Neat half grey cloth. Book-plate of Karl Konrad Meinander. Rare inventory and study of the collection of arms and armour in the Hermitage Museum (published as part 1 of the Catalogue of the Mediaeval and Renaissance Department), supplemented with a bilingual volume of plates. This copy is from the library of the art scholar Karl Konrad Meinander, curator at the Historical / National Museum of Finland 1900-1933 and founder of the Helsinki City Museum in 1912.

Paris 1926. 32x25. IV+164 pp. + 3 photo plates + 120 heavy-paper photogravure plates (one folding) with ca 230 photographs. Half brown calf, top edge gilt, printed front wrapper bound in. Extremities of spine lightly worn with tiny cracking, otherwise a very fine copy kept in a marbled flannel-lined slipcase. No. 459 of an edition limited to 510 copies. Scarce, magnificently produced study and documentation of Turkish, Arabian and Persian illuminated manuscripts in the Bibliothèque Nationale in Paris.

Hägersten 1974-(1975). 30x21. 132 s. + inklistrad plansch + inklistrat tidningsurklipp; 124 s; 142 s; 50 blad; 188 s; 98 s; 72 s; 198 s. Tryckta främre omslag, bakre kartongomslag. Upplagans storlek varierade kraftigt mellan 500 ex. (4, 8) och som mest 2000 ex. (3). Vargen var en stencillerad tidskrift med material som tillställdes redaktionen gratis eller hämtades ur andra tidskrifter och böcker, såväl som teckningar och collage av Carsten Regild samt texter av Rolf Börjlind och Jan Olof Mallander (för de två första numren ingick Mallander och Olle Granath i redaktionen). Ett minnesvärt inslag i Nr 3 är enkätsvaren till fyra frågor som skickades till bl.a. Erik Dietman, Harry Schein, Allan Fagerström, Kjell Alinge, Lars Gyllensten, Kerstin Vinterhed, Torbjörn Säfve och Mikael Wiehe. Nr 4 utgörs av 49 kopior av ett kedjebrev på engelska, där man under parollen Occupy the brain! bjuder in folk från hela världen att skicka in material (med ett första blad som återger texten på svenska), och Nr 5 innehåller bilder och texter som inkom från 24 länder, däribland svenska bidrag av bl.a. Jarl Ingvarsson, Bengt af Klintberg, Anna-Clara Tidholm, Ulf Lundell och Bruno K. Öijer. I Nr 6 är alla texter på engelska, även dem av Börjlind, Eric Fylkeson, Bruno K. Öijer, Bengt Emil Johnson, C F Reuterswärd, Ulf Linde, Olle Granath, och andra svenskar varav flera skulle bidra till Vargens utställning på Moderna Museet i November 1975. Nr 7 utgör katalog till utställningen (Moderna Museets kat. nr 132), och Nr 8 består av bidrag av besökare på utställningen, som framställdes på den tryckutrustning som fanns till hands där.

Dresden 1912. 2 leaves (title and list of plates) + 60 plates (48x35) with ca 60 elevations and perspectives and 75 site, house and flat plans; + 48 pp. textbook (28x22) with 33 photos and designs, in printed wrappers. Plates loose as issued, together with the textbook in a pictorial cloth-backed portfolio. An attractive collection of designs for courtyard tenement-blocks, mainly contributions by Dresden architects to a competition announced by the Saxonian Heimatschutz, also illustrating some other schemes including terraced house designs by Bruno Möhring.

Paris, Morel, (1860)-1874. 58x42. VIII; + VI; + VI pp. + engraved frontispiece + 354 engraved plates + folding engraved map. Loose as issued, kept in three fine green/black cloth portfolios with gilt-lettered spines and tie-strings. The map is browned, one title leaf is chipped (not affecting text), otherwise fine. A monumental collection of elevations, sections, perspectives and plans of buildings in Rome, from Renaissance to latter day Classicism. Letarouilly, a pupil of Percier, first traveled to Italy in 1820 and began his sketches then. The published collection was widely consulted by the Classicist Revival architects in France and abroad. A text volume was published separately and is not present in this set.