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Antikvariat Antiqua
ansA13135
Tokyo (1973-76). 42x30. Vols 1-12 comprise each 144 pp. (including 30 folding plates); vols. 13-17 each 124 pp. There is a total of ca 1110 colour reproductions including 950 full-page, and 4600 black and white reproductions. Publisher's quarter cloth, dust jackets, kept in the original pictorial slipcases with cloth tops and bottoms. A complete set of this illustrated, well-researched historial survey of ukiyoe colour woodblock printing and painting. Titles and text in Japanese. 1 - Moronobu; 2 - Harunobu; 3 - Shunsho; 4 - Kiyonaga; 5 - Utamaro; 6 - Utamaro / Eishi; 7 - Sharaku; 8 - Hokusai; 9 - Toyokuni; 10 - Kunisada / Kuniyoshi / Eisen; 11 - Hiroshige; 12 - Kiyochika; 13 - Hokusai: The 35 Views of Fuji; 14 - Hiroshige: The 53 Stations of Tokaido; 15 - Hiroshige / Eisen: The 69 Stations of Kisokaido; 16/17 - Hiroshige: The 100 Views of Edo.
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Antikvariat Antiqua
ansB17026
Paris 1874-1885. 34x26. Half title and main title leaves in each volume + a total of 878 text pages with 1756 numbered colums, 536 engraved plates (96 folding). and 42 chromolitographed colour plates (12 folding). Decorative vignettes and ca 435 drawings and plans in the text. Uniformly bound in contemporary half maroon calf. Fourth series of the important and influential architectural magazine founded and edited by César Daly. Cf. Ann Lorenz Van Zanten (1981), 'César Daly and the Revue Générale de l'Architecture'.
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Antikvariat Antiqua
ansG23250
Guildford, Surrey: Genesis/Hedley, 1996. 30x25. 368 pp. + printed transparent title leaf + one leaf with tipped-in paper with signatures and a colour plate. Ca 520 photographs by Michael Cooper (nearly 100 full- or double-page), as well as a number of varicoloured leaves with facsimiles of letters, drawings, etc. Designed black leather / yellow buckram binding kept in a heavy black and yellow box, an excellent copy. This is no. 4148 of 5250 copies and is signed by twelve of the contributors, including Neil Aspinal, Peter Blake, Eric Clapton, Allen Ginsburg, Allen Jones, George Segal, and Bill Wyman. An anthology of reminiscences of and photographs by the British photographer Michael Cooper (1941-1973), best rembered for his photographs of musicians and other protagonists of the British rock scene 1963-1973 (most notably his many photos of The Rolling Stones) and his cover photo of the Beatles LP 'Sgt Pepper's Lonely Hearts Club Band', but included are also photos of renowned artists and authors. Includes a full index of persons as well as brief biographies of contributors. Forewords by Mick Jagger and Keith Richards.
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Antikvariat Antiqua
ansB17175
Stockholm, Deleen, (1820-26). 35x52. Engraved title leaf + one leaf with list of contents + 72 pp. descriptions to the plates + 36 aquatint plates. Contemporary half green leather with richly gilt spine, marbled edges and endpapers, exterior lightly rubbed. A fine copy with some occasional very light, unobtrusive foxing. An album of attractive views from the Swedish province Östergötland, mainly manors and palatial country estates in picturesque landscape settings, with plate titles and descriptions in Swedish and French. Originally published in nine cahiers, this was the second publication to appear of the monumental series Fordna och närvarande Sverige (Ancient and Present Sweden), twelve parts of which were published between 1817 and 1867, the two first parts executed entirely in aquatint.
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Antikvariat Antiqua
ansB17030
Firenze, Giuseppe Feroni, 1876. 56x41. VIII+48+6 pp. + 181 plates including five coloured. Contemporary half vellum; a very good copy with small repaired rupture at bottom of spine, the vellum mildly grubby; a few plates evenly browned, some minor occasional foxing. One text leaf missing unless 39/40 was excluded in pagination. A comprehensive collection of elevations, sections, plans and detail drawings displaying the best old and modern edifices of Florence, with emphasis on Renaissance architecture. In 1865 Florence had been designated capital of the unified Kingdom of Italy, and extensive redevelopments were made in an effort to modernise the city. According to the preface, one purpose of the publication was to serve as an inspiration for architects designing new public and private buildings in the city.
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Antikvariat Antiqua
ansD22451
Ashiya, SOPA (Survey of Persian Art), 1981. 31x23. The eight text volumes I - VI b have a running pagination 1-2817 plus title leaves, other preliminary leaves, and a folding plan (in volume III), and there is a total of 967 drawings, renderings and plans in the text. The seven plate volumes VII-XIII comprise a total of ca 2300 pages, with more than 3200 photos, ca 1185 full-page, 210 in colour including 120 full-page. Volume XIV: XX+2879-3205+XVII pp. (including drawings and photos nos. 968-1210) + 27 leaves with 122 photos. Volume XV: 170 pp. (340 columns) + (XLVI) intermittent pages + XXIV+64 pp. Volume XVI: XIV+II+ 257 pp. (columns 341-854)+ III+XIX+I pp. Publisher's blue cloth (except volume XV which is the 1977 impression in publisher's green and white boards). A very fine set. New impression, to commemorate the centennial of Arthur Upham Pope, of the extended edition of 1977. A lavishly produced reprint of the classic work first published 1938-39, with essays by 70 scholars from twelve countries - A monumental work, indispensible for research on all of the arts of Persia (Arntzen Rainwater I-558). // Text volumes: I. Pre-Achaemenid, Achaemenid and Parthian Periods. II. Sasanian Periods. III. Architecture. IV. The Ceramic Arts; Calligraphy and Epigraphy. V a. The Art of the Book. V b. Textiles. VI a. Carpets. VI b. Metalwork and Minor Arts. // Plate volumes: VII. Pre-Achaemenid; Achaemenid; Sasanian. VIII. Architecture of the Islamic Period; It's Ornament. IX. Pottery and Faïence. X. The Art of the Book. XI. Textiles. XII. Carpets. XIII. Metalwork, Minor Arts. // Volume XIV: New Studies 1938-1960 / Proceedings, the IVth International Congress of Iranian Art and Archaeology. // Volume XV: Bibliography I (of Pre-Islamic Persian Art) / Index to volumes I-VI. // Vol. XVI: Bibliography II (of Islamic Persion Art).
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Antikvariat Antiqua
ansB11066
Paris, Pierre Seghers, 1948. 21x14. 126 pp. including 39 pages with illustrations by Max Ernst, printed by Mourlot Frères (including 7 coloured by hand or pochoir in blue, yellow, rose, and redwashes). Headings and initials printed in violet throughout. Pictorial wrappers. No. 456 of an edition limited to 610 copies only. A most excellent copy of this scarce and intriguing collaboration between the two surrealists. For Ernst and the poet Paul Éluard, the eye represented what they called the 'interior of seeing,' a phrase that can be read as a metaphoric description of Surrealist aesthetics. They used the phrase in the title 'A l'intérieur de la vue: 8 poèmes visibles' (The Interior of Seeing: Eight Visible Poems), a book created in 1931 and published in 1947, which also includes a dreamlike image of two rows of eyes facing each other. - Jaroslav Andel, Avant-Garde Page Design 1910-1950, 2002, 328 f.
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Antikvariat Antiqua
ansD13671
München, Klinkhardt & Biermann, 1986. 28x24. 428; + 429-752 pp. Nearly 1000 photos and reproductions, 50 in colour. Publisher's gilt-decorated cloth, dust jackets. A very fine set kept in the original board slipcase. 1: Katalog der Bronzearbeiten. 2: Beiträge zur Geschichte und Technik der Bronzearbeiten, zu Künstlern und Werkstätten. The sumptuosly produced, comprehensively illustrated standard work on the ormolu (gilt bronze) works of late Baroque and Classicism, composed of an extensive descriptive catalogue of objects, compiled by Ottomeyer and Pröschel, and a volume of authoritative studies on the technique and history of ormolu and its masters, written by F.J.B. Watson, Alastair Lang, Nérée Ronfort, Jean-Dominique Augarde, Roland de l'Éspée, Maria Wanda Przewozna, Christina Baulez, Michael Stürmer, David Harris Cohen, and Denise Ledoux-Lebard.
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Antikvariat Antiqua
ansD24391
Stockholm 1967. 24x20. 20 pp. text + 100 pp. with photographs. Publisher's printed boards, in dust jacket with minor edge wear. Presentation copy inscribed by Christer Strömholm to Per-Arne Ehlin, a former pupil of Strömholm at the School of Photography (Fotoskolan) run by him 1962-67. Loosely inserted memorabilia from Strömholm's funeral 15 February 2002. First edition of Strömholm's second photo book, which includes his own notes on the photographs edited from a taped interview held at the Hotel Bouquet de Montmartre in Paris. Strömholm's photographic autobiography details his extensive travels in a book constructed as an Existentialist diary, juxtaposing the urbane and the macabre, combining portraiture and street scenes with abstract photographic fragments. 'Poste Restante' was deemed one of the 175 best photo books ever by an international jury in 2004.
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Antikvariat Antiqua
ansD25218
Paris, Paul Rosenberg, 1936. 30x23. 410 pp.; + VI pp. + 406 pp. with 1634 reproductions (50 full-page) + II pp. A very fine set in publisher's gilt-lettered cloth, gilt-lettered front wrappers bound in.. No. 896 of 1000 copies.
Antikvariat Antiqua
ansB11002
Paris, Editions Cahiers d'Art, 1930. 28x23. XL pp. text + 58 pp. with 74 photogravure reproductions + one colour wood engraving by Kandinsky, protected by a cover leaf. Fine half red morocco, printed wrappers bound in. No. 213 of an edition limited to 610 copies. Attractive publication by Kandinsky's friend and early champion, with an original wood engraving printed from three blocks in yellow, red and black. In addition to Grohmann's text there is a section of Hommages à Kandinsky with contributions by Maurice Raynal, Katherine S. Dreier, Christian Zervos, and others.
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Antikvariat Antiqua
ansA13215
Stockholm 1897. 38x23. VI+46 pp. text + 36 leaves with descriptive text to the plates + 35 plates with almost 400 photos. 103 additional drawings and photos of Ostyaks, their dwelling houses, garments, tools, ornament, etc. in the text. Loose as issued in original green cloth portfolio with red lettering F.R. MARTIN, SIBIRISCHE SAMMLUNG etc. on front cover. The last plate and its text leaf slightly rumpled/chipped in uppermost and bottom margin respectively, otherwise a very fine copy of this rare publication. F.R. Martin's account of his ethnographical explorations in Siberia in the 1890s. This was Martin's first expedition, funded by a grant from the Swedish Society of Anthropology and Geography. On the first twenty-three plates there are ca 180 photos of Ostyak artefacts from the Yugan area: bows, arrows and quivers, fishing gear, hunting traps, snowshoes, clothes and garments, pouches, cradles, troughs and ladles and other household ware, wooden jars, baskets, woodworking and leathercraft tools, sleighs, harnesses, drums and string instruments, idols and cult objects, drawings on paper, etc. Martin's Siberian expedition incorporated a visit to the museum in Minusinsk, and on the last twelve plates there are ca 220 photos of Bronze Age and earlier objects in the museum, including 190 arrowheads.
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Antikvariat Antiqua
ansA13141
Paris 1934-35. 33x23. X+118 pp. + 101 plates (numbered 1-90, 90bis, 91-100); + II+172 pp. + 126 plates. Ca 285 heliogravure reproductions on the 227 plates. Fine half cloth, original printed wrappers bound in. (Annales du Musée Guimet, Bibliotheque d'Art, Nouvelle Série, 4). Bibliographia Sirén 341 / 349. Yuan 1049-50. Scarce, complete two-volume set of the beautifully illustrated French edition of Sirén's history of Chinese painting from earliest times through Yuan. 1 - Des origines a l'epoque Song; 2 - L'epoque Song et L'époque Yuan.
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Antikvariat Antiqua
ansG16198
Paris, Éditions des Commentaires, 1918. 18x13. II+62 pp. Fine quarter green morocco, printed wrappers bound in. Swedish artist Ragnar Hoppe's name on first page. Rare first edition of the first Purist manifesto (although provided with a wrapper designated Troisième édition). The Swiss-born artists Amedée Ozenfant and Charles Eduard Jeanneret (who would later adopt the name Le Corbusier) were the founders and early proponents of the Purist movement. realised particularly in painting and architecture, Purism championed traditional classicism with a formal focus on clean geometries and the machine aesthetic. In 1918 Ozenfant and Jeanneret published 'Aprés le Cubism' (After Cubism) in which their commentaries on the current condition of art take the form of a manifesto for postwar French painting, the chapter entitled 'The Laws' establishing the philosophical underpinnings of Purism.
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Antikvariat Antiqua
ansG20889
Bale 1930. 26x19. 106 pp. Ca 100 photos (seven full-page) and 100 drawings and plans. Black wrappers with title and design in red and silver. A very fine copy, with a neat owner's inscription on half-title page, dated Brünn / Brno 22 juli 1932. Very scarce. An attractive survey of early 'International Style' architecture as it was put into practice by one of its foremost Czech observers, with an introduction by Rossmann (who also is responsible for the congenial typographical design - not least attractive are the last thirty pages of advertisements for firmen, welche an unseren bauten mitarbeiten with an introduction by Bohuslav Fuchs). Trilingual text and captions in Czech, German and French.
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Antikvariat Antiqua
ansB11086
Paris, Massin, (1932). 32x42. XVI; + II pp. + 164 plates, 44 of which are folding (32 are double-size or larger), comprising ca 60 plates with elevations and house plans, 60 with elaborate perspective renderings, and 40 with town plans. Loose as issued in printed, cloth-backed portfolio with ties. Second edition of Garniers's extensive utopian design for an imaginary modern city, characterised by an emphasis on common property (including a large central building where 3000 citisens could meet together) and the rejection of police stations, law courts, jails or churches, all of which Garnier believed would be unnecessary under socialIsm. Architecturally, the scheme is a pioneering program for the use of reinforced concrete construction. In the decades between the first and the second edition, the Cité Industrielle ultimately influenced the architectural and townplanning philosophy of Le Corbusier and other members of the CIAM.
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Antikvariat Antiqua
ansD17920
Shanghai, A.S. Watson & Co., (ca 1920). 28x22. Title leaf + 30 leaves, each with one tipped-in photogravure plate. Sewn with visible satin string in printed brown card covers with mounted photogravure plate. A fine copy kept in original board portfolio with clasps, front label with printed lettering GREETINGS. Inner joints of portfolio neatly strengthened. One of the rarest of the albums of Chinese photographs by Donald Mennie. Most likely of Scottish origin, Mennie arrived in China in 1899 and worked initially for the firm Mactavish & Lehman & Co., one of the first Shanghaiese producers of picture post-cards, before moving to the likewise Shanghai-based company of A.S. Watson & Co. Mennie became a managing director of the firm and a leading entrepreneur in China in the 1920s and 30s, but he also had a passion for photography, and used his position in Watson's to get his photographs published. The 'Glimpses of China' album includes street scenes of Chinese people (reminiscent of the street-photography of the early Scottish photographic pioneer in the Far East, John Thomson) including a magistrate being carried in a palanquin, a basket fair, trinket stall and bird fanciers, and views of temples and pavilions, village houses, waterways with boats, bridges, the Imperial Road, the old Mutu Road, etc.
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Antikvariat Antiqua
ansB7372
Stockholm, Pet. Momma, 1755-56. 23x19. Vol. 1: Graverat titelblad BYGGNINGS KONSTEN + IV+18 s. + 25 utvikbara graverade planscher + en utvikbar tabell; + supplement (Om Mur- och Tak-Tegelbruks Fördelaktiga inrättande med Nödiga Ritningar på Lerbråkor, Lador och Ugnar, m.m.): 32 s. + 3 utvikbara graverade planscher numrerade 25 A,B,C. Vol. 2: X (titel, dedikation och förord) + 42 s. + 26 utvikbara graverade planscher numrerade 26-51 + en utvikbar tabell; + bihang: 4 s. + utvikbar plansch no. 52; + bihang: 4 s. + utvikbara planscher no. 53 and 54. Bundna i en volym, ett fint halvskinnband från början av 1900-talet (Gust. Hedberg) med rikt förgylld rygg. Wijnblads viktigaste och mest omfattande publikation, båda delarna i första upplagan, med tre bihang. // First edition of this influential work with engraved architectural drawings and plans of 150 houses intended mainly for the nobility and gentry, and a number of pavilions, etc. Including a mass of practical advice, it served as a text-book and pattern book for master builders and masons, while bringing to a wider public the Nordic-Classic ideals of Tessin and Hårleman.
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Antikvariat Antiqua
ansB17086
Stockholm, Pet. Momma, 1755-56. 25x20. Vol. 1: Graverat titelblad BYGGNINGS KONSTEN + IV+18 s. + 25 utvikbara graverade planscher + en utvikbar tabell; + supplement (Om Mur- och Tak-Tegelbruks Fördelaktiga inrättande med Nödiga Ritningar på Lerbråkor, Lador och Ugnar, m.m.): 32 s. + 3 utvikbara graverade planscher numrerade 25 A,B,C. Vol. 2: X (titel, dedikation och förord) + 42 s. + 26 utvikbara graverade planscher numrerade 26-51 + en utvikbar tabell. Bundna i ett samtida skinnband med ryggdekor, bakre pärmen något nött och övre ryggkapitäl något skadat. Små fläckar på några textblad, planscherna i fint skick med breda marginaler och överlag i skarpa, kraftfulla avdrag. Den fyrasidiga dedikationen bunden i början av första delen. Första upplagan av Wijnblads viktigaste och mest omfattande publikation. Detta exemplar innehåller det omfattande bihanget om Mur- och Taktegelbruk men inte de två andra, smärre bihangen.
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