Søgningsresultat

New York: The Modern Library, (1993). Hardcover, with jacket. XLV, 320 pages. Clean, unread copy.

New York: (Farrar, Strauss, Griroux) Book Club Edition, 1987. 659 pp. Publisher's hardcover cloth with unclipped somewhat worn (see photos), now protected dustjacket. Clean inside and overall a good to very good copy. First Book Club edition 1987. Jacket designed by Fred Marcellino.

Edinburgh University Press with John Hansard Gallery, 2016. 4to in stiff wraps as issued. 116 pages, plus plates at end. Near fine clean copy with only minor shelfwear. First edition. "The influence of Roland Barthes on Burgin's work is well documented. Equally, Burgin's prominence as an artist and theorist concerned with text and image offers a productive dialogue with Barthes' work. Victor Burgin has long been considered both theorist and practitioner, while Barthes is more known as a theorist and writer. In bringing to the fore Barthes's practice of painting and drawing, Barthes/Burgin prompts a new critical consideration of Barthes/Burgin, theory/practice, writing/making and criticality/visuality. Barthes/Burgin features two new interviews with Burgin, one concerned with his turn to new digital practices and the other a reflection on his reading of Roland Barthes. Also included are images and texts from the artists and an essay critically examining Barthes' exercises in drawing and painting. This book accompanied an exhibition at the John Hansard Gallery (February to April 2016), bringing together recent projection works by Victor Burgin and a selection of drawings by Roland Barthes rarely seen outside of France. The exhibition played with Barthes' use of the slash as established in semiology (and notably used in the title of Barthes' key poststructuralist work S/Z). "

Dia Art Foundation, New York, 1996. Small 8vo in wraps as issued. XV, 206 pp., illus., bib. notes. Light edgewear else fine clean copy. The first in the series of the Robert Lehman Lectures on Contemporary Art. Artists discussed include Lawrence Weiner, Brice Marden, Joseph Beuys, Dan Graham, Robert Gober, Katharina Fritsch, On Kawara, Ann Hamilton, and James Coleman.

Redwood Press / Stanford University Press, 2015. Publishers hardcover, with jacket. 336 pages. Very good clean copy. "A philosophically complex yet lyrically wrought examination of the eternal struggle for women’s rights". First US edition.

B P Forlag, 2017. Stort format. 254 pp. Hft. Rigt illustreret. Som ny.  "Det skete på Kvindeudstillingen Charlottenborg 1975" - 42 kvindelige, danske kunstnere udstillede med de 50 inviterede internationale kvindelige kunstnere. Et tilbageblik med mange interessante fotos. 

Paris: Centre Pompidou / rmm, 2006. DVD. Looks unplayed. French / English. Director Francois Levy-Kuentz's film uses previously unreleased archival material, such as Klein's personal films, to capture the artist's astonishing career, from its beginning in 1954 to his death in 1962. In those eight short years, Klein turned the modern art world upside down. Besides inventing IKB, he was at the forefront of monochrome paintings, was early to photo manipulation (his most famous, Le Saut dans le Vide, has him flying from a wall, diving).

Aachen, Ludwig Forum, 1998. Small 4to in wraps as issued. 48 pages, illustrated, mainly in colour. Text in German. 1st ed. Exhibition catalogue, Ludwig Forum für Internationale Kunst, Aachen, May 17 - July 26, 1998. With a text by Eugenio Valdés Figueroa and an introduction by Wolfgang Becker.

Gyldendal / Kunstbogklubben, 2004. Hardcover, med smudsomslag. 463 pp. Rigt illustreret. Flot eksemplar.

University of Chicago Press, 2014. Paperback. 179 pages. With illustrations. Fine clean copy. One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists.Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement’s founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas’s history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.

London: Serpents Tail, 2014. Publishers hardcover, w jacket. 460 pages. With illustrations. Near fine clean copy.

Porto: Fundacao de Serralves. First edition, 1996.Large Quarto in wraps as issued, 111 pp., heavily illustrated (much in color), clean unmarked text. An bit of wear to the tips of the covers. Text in Portugese and English. First edition. SIGNED COPY. Boldly signed to front cover by Dennis Oppenheim (see phtoto) / Inscribed to Patricia (Asbaek), Danish gallerist.

Milano : Charta for Galleria civica di arte contemporanea & Fondazione Antonio Ratti, 2007. 8vo in stiff wraps as issued. 134 pages. Illustrated in color. Text in both Italian and English. Fine clean copy.  Issued on the occasion of the exhibition "Joan Jonas : my theater" held at the Galleria civica di arte contemporanea, Trento, Nov. 25, 2007-Mar. 2, 2008; includes an overview of Jonas's works from the 1960s, and documentation of her performance in 2007 at the Fondazione Ratti, in Como. First edition.

NY, Pocket Books, 1968. 213 pp. Richly illustrated. Paperback. Light wear to cover, with one corner with a small fold, but overall a tight very good clean copy. 1st printing thus, June 1968.

Eks-skolens Forlag, 1985. 4to i original heftet omslag. 208 pp. Gennemillustreret med s/h-tegninger. Flot eksemplar. Første oplag. SIGNERET af kunstneren. Vedlagt to andre mindre Erik Hagens kataloger (se foto), disse også signerede.

Publisher: Serpent's Tail, London, 2000. Squarish in softcover, as issued. XXXII, 231 pp. Illustrated. Very good clean copy. "n 1998, the Spice Girls were barred from the No. 1 spot by Run DMC. Rap is back. Rap is a form of music and spoken rhyme which first came to prominence in 1979 through The Sugarhill Gang's chart hit Rapper's Delight. Rap, along with all the other features of hip hop culture, originated in New York's Harlem and the South Bronx. This book takes hip hop culture as its central focus for an investigation of African-American rapping in all its forms. It begins with the music's African roots and ends with the global acceptance of rap as both commercial pop genre and voice of rage, a journey which encompasses West African griots, doo wop groups, jazz singers like Slim Gaillard, soul rappers from Millie Jackson to James Brown, old-school rappers Grandmaster Flash and Afrika Bambaataa, new-school rebels like Roxanne Shante and Run DMC, all the way to Public Enemy, De La Soul, NWA, the pop rap of MC Hammer and Vanilla Ice and the gangstas Tupac Shakur, Notorious BIG, Puff Daddy and Snoop Doggy Dog". 

Copenhagen: Gyldendal, 1961. 8vo. Original hardcover med smudsomslag. 131 pp. Rigt illustreret. Classic Danish publication on Scandinavian Design, a very good copy with well preserved and now protected jacket.

Denmark: Pork Salad Press, 2011. 8vo. Softcover. 351 pp. Fine copy.

Kehrer Verlag, Heidelberg 2006. 8vo. Hardcover. 384 pages. Illustrated in b/w and colour. Very good copy. Parallel text in English, German, Danish/Norwegian & Finish. The Catalogue has been published in connection with the Exhibition 'Fiona Tan - Mirror Maker', Kusthallen Brandts 25.02-21.05 2006, Landesgallerie Linz 01.06-13.08 2006, Bergen Kunstmuseum 01.09-03.12 2006, Porin Taidemuseo 26.01-20.05 2007. 1. ed. Heavy book and extra shipping may apply: please inquire before ordering.

London: Pavilion, 1988. Large oversized book in softcover. 96 pp. Illustrated throughout in colour. Very good copy.

Durham & London: Duke University Press, 2015. 8vo. Paperback. XXI, 468 pp. Very good copy, unread. Microgroove continues John Corbett's exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music. Corbett's approach to writing is as polymorphous as the music, ranging from oral history and journalistic portraiture to deeply engaged cultural critique. Corbett advocates for the relevance of "little" music, which despite its smaller audience, is of enormous cultural significance. He writes on musicians as varied as Sun Ra, P.J. Harvey, Koko Taylor, Steve Lacy, and Helmut Lachenmann; and among other topics, he discusses recording formats, investigates the relationship between music and visual art, dance, and poetry, and with Terri Kapsalis, analyzes the role of female orgasm sounds in contemporary popular music. Above all, Corbett privileges the importance of improvisation; he insists on the need to pay close attention to “other” music, and celebrates its ability to open up pathways to new ideas, fresh modes of expression, and unforeseen ways of knowing.

Altfortryk, 1978. 4to. 46 sider inklusiv omslaget. Heftet. Gennemillustreret. Flot eksemplar. Originaludgave.

São Paulo, 1994. 4to in wraps as issued. 57 pages, plus adds. Fine clean copy. Goran Petercol, born in Pula in 1949. "Petercol attended the Maritime School and, after graduation, served on ocean-going merchant navy ships. He graduated in Painting from the Academy of Fine Arts in Zagreb, in 1975, after which he spent two years in Ljubo Ivancic's Master Workshop. For years he has worked as an art editor of encyclopaedic and lexicographic publications and, until retirement, as a professor at the Academy of Applied Arts in Rijeka. During the 70s and the beginning of the 80s, Goran Petercol was closely associated with a group of conceptual artists who adopted analytical methods in structuring their works. His exploration of processuality, reach, stylization and various conceptual strategies has been continuous. From early on in his career, he has been treating light as a material. In addition, he uses light and shadow to lay claim to and reactivate a certain territory. He thereby directs the gaze of the viewer to what usually gets eluded – spatial relations, the combination of elements tied to a certain place, as well as memory as an idea of a past event which, according to the artist, is a part of life and art to a greater extent than we might be aware of."

Zurich: JRP Ringier, 2007. 4to in hardcover. 131 pages, richly illustrated . Light superficial wear to cover, else very good copy. 1. ed.

Copenhagen: Museum Tusculanum Press/University of Copenhagen, 2010. Publisher's printed wrappers with dustjacket. 372 pp. With 81 colour and 66 b/w illustrations. Texts (in English) by Else-Marie Bukdahl, Jan Zahle, et al. Very good clean copy- 'In the latter half of the 18th century, Johannes Wiedewelt (1731-1802) played a pivotal role in introducing an early form of Neoclassicism in Danish sculpture by creating a large number of monuments for many different purposes. In the 1750s he studied in Paris and Rome, where he became part of an international network of pioneering artists and scholars, including J.J. Winckelmann. In Denmark, Wiedewelt endeavoured to translate the ancient idiom in statuary and monuments into an ‘eternal’, national style. This is the first book-length study of Johannes Wiedewelt in English, and the volume aims at reassessing Wiedewelt’s role in the service of art, art theory, academic education, design, etc. Emphasis is placed on his studies of Classical Antiquity and Danish prehistoric and medieval monuments, which makes him particularly interesting for the history of archaeology'. (Publisher's note).