Søgningsresultat

Stockholm; Gummesons, 1964. (Gummesons Konstgalleri. Katalog nr 282). 27x20,5 cm. 20 s. + 9 originallitografier varav 5 i färg och med en av dessa dubbelsidig. Klammerhäftad med blankt omslag, tryckt skyddsomslag. Skyddsomslaget aningen veckat vid rygghuvudet och bakre panelen med några små mörka fläckar. Fint ex. Innehåller kronologi samt dikten ""Akrostikon"" av Printz-Påhlson. Katalogen utgavs i 700 exemplar varav 100 numrerats och signerats samt försetts med ytterligare 4 litografier. Detta exemplar är onumrerat. Proveniens: Ingemar och Mikaela Leckius.

Amsterdam; aux depens de la Compagnie, 1767. Small 8:o. viii, 189, (1 blank) pp. Contemporary full calf with five raised bands, gilt floral ornaments on spine, red edges and marbled endpapers. Spine is slightly faded and worn. There is a small loss at head of spine. Extremities are a bit rubbed and there are a few light scrape marks on the boards. A light stain in lower margin of pp. 5/6 & 31-34. Pp. 7/8 is slightly creased. A few insignificant specks and cornerfolds, contents otherwise strikingly clean and bright. Name on title (Amelie Ramel). With ""Fragments de philosophie morale"" on pp. 151-189, and the verse ""Sur la condamnation de Bélisaire projettée en Sorbonne"" on the last page. The novel consists of 16 chapters in which Bélisaire advices Justinien (Louis XV) in governmental issues. It was condemned by the Sorbonne due to the plea for religious tolerance in chapter XV, which had the effect of an effective advertising campaign and made a bestseller out of this book, generally acknowledged as a mediocre novel. Early reprint, from the same year as the first edition, published by Merlin in Paris.

Paris, 1914. 26x17,5 cm. 129-188 pp. + 6 leaves of plates. Original printed wrappers, stapled. Small losses at spine ends and corners of front wrapper. The oversized wrappers are a bit creased and torn in lower margins. There are a few light stains on the wrappers. A well-preserved copy. Contains, for instance, Chronique mensuelle, by Apollinaire, Horace Holley etc. / Lettres d'Alfred Jarry à M. le docteur Saltas / Giovanni Papini: Deux philosophes (Bergson et Croce) / Harrison Reeves: Les épopées populaires américaines / Poems by Henri Hertz, Jean le Roy, and Léonard Pieux. With six reproductions of paintings by Francis Picabia. The short-lived but influential magazine Les Soirées de Paris was founded by Apollinaire, André Salmon, André Billy and others in order to cover the contemporary art and literature. It ran for 27 issues (some double) the years 1912-1914, when the publication was broken off by the war. Among the contributors and artists treated were Jarry, Picabia, Matisse, Jacob, and Braque. From the library of Isaac Grünewald (1889-1946), and with his signature on front wrapper. Grünewald was the foremost artist and public defender of the first wave of Swedish modernism and held the position of professor at the Royal Swedish Academy of Arts between 1932 and 1942. He lived in Paris the years 1908-1911, where he studied painting at the academy of Matisse, and befriended authors and artists, for instance Apollinaire, Jacob and Salmon, who were associated with Les Soirées de Paris.

Leipzig; Verlag von Moritz Ruhl, no year [ca. 1900]. [21x14 cm]. 18 pp. + 13 plates of colour lithographies. Leporello binding. Original boards with a cloth backstrip. Lithographed front cover. Head of spine a trifle bumped. Corners slightly worn. A few small specks on the front board. The title-page is torn, a bit soiled, and with a small loss in upper margin. The textpages are very slightly creased. A few plates are slightly soiled, the first one with two scrape marks in the white area. A rather well-preserved copy of a scarce publication. The first edition was published in 1895, and a third edition in 1904.

Stockholm; Bonniers, 1949. Originalupplaga. 23x16 cm. 93, (3, 2 blanka) s. Klotband i mörkare och ljusare brun nyans (Bonniers bokbinderi) med författar- och titeletikett i grönt resp. rött skinn. Omslaget medbundet. Ryggen obetydligt nött. Några små mörka prickar på rygg och pärmar. Fint ex. I Fiskefärd tonas det modernistiska anslaget ned något till förmån för en mer romantisk hållning. Boken innebar Vennbergs publika genombrott. Dedikation till förläggaren Gerard Bonnier: ""Gerard / med tack för medarbetarskap å sid. 13 och mycket annat / Karl Vennberg"".

[Skövde]; Strokirks Tryckeri, 1982. Originalupplaga. 18,5x18,5 cm. (4, 4 blanka) s. + 18 fotoplanscher. Grått originalklotband med ryggetikett i papper, placerad i svart klotkassett. Fint ex. Tryckt i 700 exemplar. Detta är nr 23 av 60 ""ur fotograf Björn Dawidssons egen upplaga"", signerad av Dawid i kolofonen. Med ett bilagt brev från Dawid till Anders Tornberg, skrivet i blyerts på ett A5-ark, vikt en gång. Dawid tackar för ett paket och uttrycker sig berömmande kring konstnären Jene Highstein, vars ""svarta skiva"" (inbjudningskortet till konstnärens vernissage hos Tornberg) inspirerat honom, vidare hoppas han att de båda kan ses vid Tornbergs nästa besök i Stockholm för att ""titta på lite saker"". Proveniens: Anders Tornberg Gallery, och med en stämpel som bekräftar detta.

Stockholm; Bonniers, 1937. Originalupplaga. 20,5x14 cm. 129, (1 blank) s. Grönt klotband (Leonard Gustafssons bokbinderi) med förgylld ryggtitel, stänkmålat övre snitt och med övriga snitt råskurna. Omslag samt ryggremsa medbundna. Exlibris för Stefan Andersson. Nedre pärmhörnen något tilltryckta. Främre omslaget med liten förlust vid nedre hörnet samt vikmärke vid det övre. Bakre omslaget aningen solkat i nedre marginalen. Fint ex. Den första av Martinsons tre böcker med naturessäer, följd av ""Midsommardalen"" (1938) och ""Det enkla och det svåra"" (1939). Dedikation med tre ritade blommor: ""Till Arvid Mårtensson från vännen Harry Martinson"". Mårtensson (1898-1972), chef för Gumperts Bokhandel i Göteborg. von Sydow: Harry Martinsons bibliografi. Del 1:9.

Tokyo; Sezon Museum of Art, 1995. 21x15 cm. 156, (2, 2 blanks) pp. Illustrated. Original printed wrappers, housed in the original linen bag with blue rope tie. A fine copy. Published at the occasion of Tuttle's exhibition at the museum. With bilingual text in Japanese and English. Contains, for instance, Gerhard Mack: ""Walking the Time Line. On Richard Tuttle's Art"", an epilogue by Shigemi Oka, biography, list of exhibitions, and bibliography. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

New York; Alfred van der Marck Editions, 1985. First edition. 29x23,5 cm. 208 pp. Publisher's red cloth with printed dustjacket. The jacket has a small speck on front inner flap. Spine ends and corners are a trifle bumped. A fine copy. ""The Red Couch marks the culmination of the four-year-adventure of two award-winning photographers who traversed the United States with an eight-foot-long red-velvet sofa and the dream of creating a portrait of America."" (front flap). Inscribed by Clarke to gallery owner Anders Tornberg: ""For Anders / Kevin Clarke / NYC 1994"". From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Lund; Skissernas Museum / The Museum of Sketches, 1997. 23,5x22,5 cm. 75, (1) pp. Illustrated. Original blank wrappers with printed dustjacket, which is glued to the spine. A fine copy. Exhibition catalogue with bilingual text in English and Swedish. Contains ""Christo & Jeanne-Claude - an Introduction"" by Ahlstrand, ""Interview with an Art Collector"" (Torsten Lilja), also by Ahlstrand, and a chronology. Inscribed: ""Christo et Jeanne-Claude / For Jan Torsten / Sept. 14, 1997 Lund"". The recipient, Swedish art historian Jan Torsten Ahlstrand (1938-2020), was the curator of this exhibition and also director of The Museum of Sketches the years 1989-2005. Laid-in are an original photo from the opening of the exhibition, an invitation to the exhibition and also one for the following dinner.

Stockholm; Bonniers, 1931. Originalupplaga. 19x13 cm. 330, (1, 1 blank) s. Samtida osignerat grönt klotband med förgylld ryggtitel och förgyllda bårder på ryggen. Främre omslaget medbundet. Obetydligt nötta ryggändar. Ett par svaga fläckar på främre snittet. En liten fläck på främre omslaget. En manuell rättning på s. 73, troligen av Bengtsson. Lätta blyertsmarkeringar i texten eller i yttermarginalen på drygt 60 sidor. Fint ex. Bengtssons andra essäsamling som ytterligare befäste hans ställning som landets främste i genren. Dedikation: ""Nils Ludvig / hjärtligen från Frans G. / Lund 17/12 1931"". Fin association. Mottagare var Bengtssons vän författaren Nils Ludvig Olsson (1893-1974), folkskollärare och som författare kallad endast Nils Ludvig. Olsson ger en fin beskrivning av Bengtsson i ""Frans G. Bengtsson. En minnesbok"" (1955). Arvidsson & Malmqvist: Frans G. Bengtsson. En bibliografi I:8.

Stockholm; tryckt hos J. Hörberg, 1824. Originalupplaga. 8:o. 17,5x11 cm. 192, (1, 1 blank) s. Något senare brunt marmorerat pappband med ryggetikett i rött skinn. Obetydligt nötta ryggändar. Liten förlust i yttermarginalen på s. 105/106, samt i övre marginalen på s. 107/108. Återkommande svaga fuktfläckar i övre och yttre marginalen men en ovanligt fin inlaga. Livijns enda fullbordade roman som kritiserar ett bristfälligt rättsväsende, vilket används för att hålla två unga älskande isär. Svenskt litteraturlexikon skriver: ""Spader Dame är en bitande skarp samhällssatir och en märklig människoskildring, full av fantasi och bruten humor, groteska eller sprött lyriska infall och djärva metaforer. Den starkt subjektiva stilen i denna bok visar Livijn som lärjunge till författare som Sterne, Jean Paul, Tieck och E. T. A. Hoffman."" Bygdén II: 479.

Stockholm; GunGallery, 2009. First edition. 24,5x17,5 cm. (4, 2 blanks) pp. + 85 leaves of photographic plates. Publisher's grey cloth with mounted plate on front and rear board. Very fine. Issued in 400 copies; the first 50 copies comes with a silver gelatin print, no. 51-300 are numbered and signed by Johansson, and 100 AP. This is the signed copy no. 53. The photos were taken during daily walks in Ulan Bator in September-October of 2008.

London; George Routledge & Sons, 1877. Fourth edition. 25,5x17 cm. Extra engraved title leaf, xi, (1), 234 pp. + 18 hand-coloured aquatint plates. Unsigned contemporary red half-morocco binding, spine gilt in compartments, red cloth over boards, gilt top edge, and marbled endpapers. Both panels and spine-strip of the original cloth binding are bound-in at end of the volume. With bookplate of Lord Trent. Spine and corners are slightly worn. There are a few scattered small stains and fingerprints. The bound-in rear cloth panel is a bit stained. A well-preserved copy. This book on the English eccentric John ""Mad Jack"" Mytton (1796-1834) was originally published in 1835.

New York; Pantheon Books, 1968. First edition. 21x14 cm. xxx, 705, (1 blank) & xvi, 707-1530 & xvii, (1 blank), 1531-2284 pp. 3 paperback volumes, housed in a card slipcase. The slipcase is rather worn and has cracks at the foldings. Spines are slightly spotted, the second and third volume are a trifle chipped at the foot of spine. One of Myrdal’s classic works, in which he proposes control of the populations, a wider distribution of agricultural land, and expansion of health care and the educational system, in order to achieve development and economical growth in Southeast Asia. It was published simultaneously in hardcover by The Twentieth Century Fund, and in paperback by Pantheon books. Inscribed to professor of orthopedics Gunnar Wiberg (1902-1988) Gunnar Wiberg: ""För Gunnar Wiberg från tillgivne vännen förf."" Wiberg did also receive an inscribed copy of Myrdal's ""An American Dilemma"", in which Myrdal thanks him for excellent care.

Hanau; Esther Rosa, David Aubrius, 1634. 8:o. 19,5x12 cm. (16), 567, (1) pp. Full vellum with title in handwriting on spine, coloured edges. With a library discharge stamp, the signature of Swedish architect and classical philologist Carl Georg Brunius (1791-1869), and the signature of his brother August Wilhelm Brunius on front paste-down; also with the signature of an earlier owner (probably Fredrik Hjort, dated 1820), and with Carl Georg Brunius's signature repeated on front free endpaper. The binding is slightly soiled, and there is a small loss at head of spine. Pp. 12-14 and 191/192 have a small chip in outer margin. There are underlinings on pp. 43, 155, 184-185 and 485, and a small note by an early owner on pp. 139 and 141. Small cornerloss on pp. 215/216 and 557/558. There are a few scattered small specks and recurring light dampstains in lower and outer margins, sometimes affecting the text. A well-preserved copy. The German latinist Pareus (1576-1648) published several works on Plautus, among them the first complete edition of his plays. The first edition of his Lexicon was issued in 1614. VD17 23:243062S. Brunet IV:368-369.

Pisa, 1959. First edition. 24,5x18 cm. (15, 1 blank) pp. Blank wrappers, stapled, with printed dustjacket. The oversized jacket is slightly chipped in top and lower margins. A fine copy. Printed on thick grey paper, the book contains poems by Lambert with Bertini's illustrations. No. 55 of 100 printed copies, signed at the colophon by Bertini, and inscribed by Lambert and his wife Åsa to Turkish-Swedish poet and photographer Lütfi Özkök and his wife Anne-Marie. Özkök, who mainly photographed authors and artists, a pair of iconic photos of Samuel Becket, for instance, had photo sessions with Lambert at several occasions, and with Bertini at least once.

Stockholm; Björck & Börjesson, 1907-1912. 21,5x15,5 cm. 333, (1) & (3, 1 blank), 337-436 & (3, 1 blank), 437-833 & (3, 1 blank), 835-1071 & (2, 2 blanka), 1073-1141, (1) & 30 s. Tre blå halvfranska band (Arne Nilsson) med förgyllda ryggtitlar och marmorerade pärmpapper. Samtliga omslag medbundna. Med bokbindarens exlibris i första volymen. Namnteckning på främre omslag till första delen (Alfred Ekberg, 1907) samt fjärde delen (Haraldson?). Cirkulationslista, daterad 1909, för Östra Holavedens Läseförening medbundet i andra volymen. Bakre omslag till första delen med några små veck och småfläckar. Några små bläckfläckar på andra delens bakre omslag. Tredje delens omslag aningen solkat. Fjärde delens främre omslag med några småfläckar och mindre naggar i marginalerna, bakre omslaget lite fläckat, med lagat övre hörn samt ett riss i nedre marginalen. S. 832-833 med fingeravtryck i yttermaerginalerna. S. 833/834 med två revor i yttermarginalen. Liten fläck i yttermarginalen på s. 983. Fina inlagor. En komplett följd av En Blå Bok i originalupplaga. En extra Blå Bok trycktes i 500 ex., detta onumrerat, samt innehåller 2 inklistrade illustrationer. Zetterlund I:97 & 98 & 104 & 105 & 127.

Stockholm; Bonniers, 1956. Originalupplaga. 19x13 cm. 221, (1) s. Förlagets klotband med tryckt skyddsomslag. Främre omslag medbundet. Omslaget revigt, i övrigt ett fint ex. Romanen är en sorts återblick där författaren uppträder i rollen som oraklet i Delfi. Han tar också upp metafysiska frågeställningar från diktsamlingen Aftonland, vilka fortsätts i den kommande trilogin Pilgrimen. Dedikation till förläggarna Gerard och Peggy Bonnier: ""Till Gerard och Peggy med tack från vännen Pär Lagerkvist"".

Bologna; Galleria d'arte moderna, 1984. 22,5x21 cm. 135, (1) pp. Richly illustrated, partly in colour. Original printed wrappers. Light cornerfolds on the wrappers. A fine copy of the exhibition catalogue, introducing the first generation of American street artists such as John Ahearn, Jean-Michel Basquiat, Donald Baechler, Keith Haring, Rammellzee, and Futura 2000 to a European audience. Bilingual text in Italian and English.

Stockholm; Norstedt & Söner, 1873. 25,5x18 cm. vii, (1), 528 s. + 8 litograferade planscher + utvikbar karta i pärmficka. Förlagets bruna klotband med förgylld titel på rygg och främre pärm. Namnteckning på främre innerpärm (W. Schürer von Waldheim). Ett riss vid rygghuvudet. Fint ex. Ett standardverk. von Düben (1822-1892), läkare och etnograf, gjorde sina främsta insatser inom antropologin och etnografin med resor till bl. a. Afrika och Kina. Han genomförde forskningsresorna till Lappland med sin fru, från vars fotografier planscherna litograferats, åren 1868 resp. 1871; vid första resan besöktes fjällapparna i Lule lappmark, vid den andra skogslapparna i Sorsele, Lule och Pite lappmarker.

New York; Harry N. Abrams, [1967]. 28x29,5 cm. 195, (1 blank) pp. With 143 illustrations, including 41 tipped-in colour plates. Publisher's grey cloth with printed dustjacket. The jacket is insignificantly soiled. A fine copy of the first full-length monograph on Jasper Johns. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Åhus; Kalejdoskop Förlag, 1987. 24,5x32,5 cm. 121 pp. Publisher's cloth with printed dustjacket. A very fine copy. With text in English, Swedish, and German. The book was published on the occasion of the artist's exhibition at Anders Tornberg Gallery in Lund. The jacket is insignificantly soiled. A fine copy. Inscribed by Longobardi to the gallery owner in pencil on the half-title: ""Nino Longobardi 1987 / Per Anders con grande affetto / Lund 11/5/87"". From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Paris; The Obelisk Press, 1949. First edition. 19,5x14 cm. 368 & 326, (1, 1 blank) pp. Two volumes in original green cloth with gilt title on spines, issued without dustjackets. Spine ends and some of the corners are slightly bumped. There are a few small specks on the front boards. The first volume has a light vertical crease on spine, close to front joint. Contents are fine. Sexus was printed in a numbered edition of 3000 copies. This is copy no. 274. From the library of Peggy and Gerard Bonnier. Shifreen & Jackson A76a & A76b.

Tokyo; Galerie Watari, 1980. 30,5x12 cm. (16) pp. Original printed wrappers, stapled. A few minimal specks on the wrappers. Very fine. Illustrated with 15 of Lewitt's wall drawings. Published in conjunction with the exhibition in Tokyo. From the library of Swedish collector Lars Thulin.