Søgningsresultat

Walther Koenig for Schirn Kunsthalle, 2005. 4to in white wraps as issued. 199 pages, richly illustrated. Text in both German and English. Very good, clean copy. First edition.

Poland: Warszawa: Wydawnictwo Artystyczno-Graficzne RSW "Prasa", 1964. Oblong 8vo in wraps as issued. 23,5x21,5 cm, 11 pages text in Polish and 36 full page plates, several with colors. Near fine clean copy with light edgewear. First edition. Scarce. - Mieczyslaw Berman was "one of the most outstanding and most consistent Polish photo montage artists. He began his graphic work in 1927, illustrating the works of revolutionary writers. In that same year, he coincidentally came across the photo montage work of his colleague, Zygmunt Kaminski. He was already familiar with the photo montages of Moholy-Nagy and the Soviet artists Lissicki, Rodczenko, and Klucis and he was an admirer of the work of Heartfield, whose work influenced him greatly".

Oslo: Nasjonalmusset, 2014. 8vo in stiff wraps as issued. 158 pp. Illustrated, with text in both Norwegian and English. Light surface marks to cover else a clean very good copy. 1st ed. "Aase Texmon Rygh introduced modern abstract sculpture into the Norwegian art scene as early as 1952. Since then she has uncompromisingly pursued the idea of abstraction and reduction, and has shown an unflagging commitment to the essence of sculpture and purity of form, as well as a firm belief in the integrity of the three-dimensional object. The catalogue presents, as did the exhibition, the broad range of the artist's production from the 1950s to the present. In addition to two articles the catalogue includes a large number of pictures and a wealth of documentation material."

Yale University Press & Tate Publishing, 2006. Softcover. 190 pages, richly illustrated in color. Text in English. Very good copy. An extensively illustrated survey is the first to examine in depth the contrasts and correspondences in the lives and works of two of Modernist's great pioneers. Featuring many seldom-seen works in a variety of media,including glass,sculpture,painting,film,photo-collage,photography and graphic and furniture design

Duke University Press, 1999. XII, 414 pages. With bw illustraions. Fine clean copy.  First edition. - In "The Seventies Now" Stephen Paul Miller (is) examining a wide range of political and cultural phenomena—from the long shadow cast by Richard Nixon and the Watergate scandal to Andy Warhol and the disco scene—identifying in these phenomena a pivotal yet previously unidentified social trend, the movement from institutionalized external surveillance to the widespread internalization of such practices. The concept of surveillance and its attendant social ramifications have been powerful agents in U.S. culture for many decades, but in describing how during the 1970s Americans learned to “survey” themselves, Miller shines surprising new light on such subjects as the women's movement, voting rights enforcement, the Ford presidency, and environmental legislation. He illuminates the significance of what he terms “microperiods” and analyzes relevant themes in many of the decade's major films—such as The Deer Hunter, Network, Jaws, Star Wars, and Apocalypse Now—and in the literature of writers including John Ashbery, Toni Morrison, Adrienne Rich, and Sam Shepard. In discussing the reverberations of the 1969 Stonewall riots, technological innovations, the philosophy of Michel Foucault (...).

Kbh., 1958. 147 pp. Hft. Omslag af Des Asmussen. Første danske udgave / First Danish edition in wraps as issued, with beautiful cover art by Des Asmussen.

Forlaget Politisk Revy, 2006. Heavy white hardcover. 591 pages and dvd i pocket at end. Surface marks to cover else fine copy. Text in Danish and English. Richly illustrated. Co-edited by Helge Krarup. First edition - . Conceptual, fluxus multimedia artist William Louis Sørensen (1942–2005) worked as an artists with various media and from 1990 he was working for The Danish National Art Museum SMK to collect a "sound archive" containing hundreds of hours of sound and images documenting sound art, light art and performance art in Denmark from the 1940s to 1990s.

London: The Folio Society, 1961. Publishers hardcover. 113 pp. Very good copy. 1st edition thus.

Borges Forlag / Plagiat Film, 2007. DVD in case. Complete with booklet. Total running time 54 minutes. Case with light shelfwear, dvd unplayed. 1. ed.

Copenhagen: Pork Salad Press, 2009. 4to in wraps as issued. 72 pages, 33 b/w photographic illustrations. From theSMK collection of Goodipal with his personal "signature". Fine copy. Rare artist book by Jens Haaning looking at the 33-year-old newspaper phenomenon in Denmark: the page 9-girl. The translations of the women’s individual profiles in Haaning’s 33 Page 9-girls are kept as close to the original Danish text as possible to retain the flavour of the journalistic approach to these women’s profiles. 

New York: Everyman's Library 2001. Publishers thick and heavy hardcover, with jacket. XLIII, 1313 pp. Some edgewear, overall a good clean copy.

Bloomsbury Paperback, 2017 (2016). Tall 8vo. XI, 282 pp. Fine clean, unread copy.

Struer, 1977 / 1978. Original wrappers. 50 pages including covers. Illustrated throughout in colour. Text in Danish. Light edgewear. Overall a very good copy. Rare original commercial folder from Bang and Olufsen. First edition. Graphic design by Werner Neertoft.

Copenhagen: F R, 2011. Large hardcover with jacket. 160 pages. Illustrated in colour. Text in both Danish and English. Near fine / fine copy. First edition. Book design ved Michael Jensen.

London: Bernard Jacobson, 1972. Sqarish 8vo in wraps as issued. 64 pages. A little edgewear and discoloration. The catalogue 'Fourteen Big Prints' contains biographical, bibliographical and exhibition details as well as examples of work by each of the following artists : Ed Ruscha, Ivor Abrahams, Peter Blake, Ptrick Caulfield, Bernard Cohen, Robyn Denny, Joe Goode, Bob Graham,Tom Holland, John Hoyland, Eduardo Paolozzi, Ludwig Sander, Peter Stroud, John Walker.

MIT Press LTD, 2018. Thick 8vo in hardcover, w jacket. XVII, 374 pp. Illustrated. Inscription to free front endpaper and stamp from bookseller else clean and overall a nice well preserved copy. 1st ed.

ART & STRIPES publications Mads Nørgaard, 2015. 8vo in wraps as issued.96 pages. Illustrated richly. Text in English. Near fine / fine clean copy.  1st edition. "In PLEASE BE HERE NOW, Dwelling #1: The Body, the main theme of exploration was the performers own, female body – as private, public and artistic material. Nana Francisca Schottländer lived for three days and nights, 72 hours, in the shop window of Nørgaard Store in central Copenhagen, where she performed everyday chores like sleeping, reading, eating, drinking, thinking – being. While being there she challenged the spectator’s gaze by looking as much at the people passing by and stopping, as they looked at her. The piece created a platform for shared reflections and encounters and was visited by people of all ethnicities, ages, social groups and background at all times of the day and night. During her stay, invited guests joined her in her dwelling to share their thoughts on the body as professional and personal point of reference." - The book incluides an interview by Michael Thouber, head of Kunsthal Charlottenborg with Nana Francisca Schottländer and Mads Nørgaard about the piece, an introduction by Torben Sangild and photos by Casper Sejersen, Alexandra Buhl, David Morrow and Georg Jagunov. Excerpts from the text generated throughout the piece are also included. Each book is numbered by hand and signed by the artist (# 364). 

Seventeen Magazine, 1952. Large magazine format in original wrappers. 112 pages. Wear to cover, especially back cover, small pieces of covers missing and overall edgewear else a well preserved complete magazine. A rare original vintage Seventeen Magazine issue.

Les Presse Du Reel, 2017. Large 8vo in stiff wraps as issued. Text in both English and French. Fine. 1. ed.

Galeria Fernando Quintana, Bogotá, Colombia, 1994. Oversized folio in wraps as issued. Illustrated finely, text in Spanish. Fine copy. Enclosed original invitation card. Carlos Capelán is a Uruguayan and Swedish contemporary artist, educator and curator, born in Montevideo, Uruguay, in 1948. After two years hitch-hiking across South America, he returns to Montevideo in 1970 and opens a weaving studio. In 1971, his studio is raided five times by police and military. In 1972, he moves to the island of Chiloé in Chile where he works with peasant cooperatives as a weaving technician. In 1973, he is detained and disappeared during the military coup. He reappears in the Estadio Nacional among a group of 54 Uruguayans rescued by the Swedish Ambassor to Chile, Harald Edenstam. As a result, he ends exiled in Sweden and settles in Lund where he still keeps a studio. He starts studying at Grafikskolan Forum in 1978 and opens his first solo show at Andres Tornberg Gallery. Between 1980 and 1981 he lives in Mexico where he leads courses at the studio of Uruguayan artist Anhelo Hernández. In 1981, back in Lund, he opens a print-making studio together with Carl Gustafsson and Stefan Sjöberg. In 1986, he receives one of the awards at the third Havana Biennial. He returns to Havana in 1989 to hold several seminaries and lectures at the Instituto Superior de las Artes (ISA) and again in 1994 as celebrated artist of the fifth Havana Biennial. In 1996 he discotinues working with his galleries in Germany, Colombia, Spain and France, and moves with his family to Costa Rica where he will live until 2001. During tha period he starts a close collaboration with Virginia Pérez-Ratton, at the time the Director of the Museo de Arte y Diseño Contemporáneo and later founder of the Fundación Teorética. His work has been called post-conceptual. Free from specific trends or formal boundaries, he works with structures of ideas with a material and formal diversity operating from the language of representation, referrinig to his identity as an artist as well as the artwork's itself. Capelán's language includes drawing, print-making, painting, photography, installation, sculpture, objects, performance, workshops, lectures and texts, as well as his activity as curator.

New York. 23x30. 220pp. Minor edgewear else good complete magazine.

Copenhagen: Booktrader, 2002. 4to in softcover as issued. 160 pages. Text in English. Illustrated. Very good unused copy. Complete with CD in pocket at end. 1st edition.

Los Angeles: Aran Cravey Gallery, 2014. 4to hardcover, no jacket as issued. 80 pages, richly color illustrated. A hint of wear to corners of cover (see photo) else fine and clean. 1. ed. book includes 11 drawings created for the occasion, as well as studio shots of the process, installation shots, a critical essay by Hila Cohen-Scheiderman, an in depth interview by Noam Segal, and all the plates from the show.

London: Collins, 1990. 8vo in publishers hardcover with well preserved unclipped jacket. 176 pages. Fine clean copy. First Edition (first printing) - a collection of fourteen short stories.

Christiania, 1890. Large 8vo in publishers original fine decorated and gilt cloth (red). XVI, 555, (5) samt XIV, (1), 477, (3) pp. Complete set with all illustrations and maps. Some foxing and brownspotting throughout, maps with minor tears but no loss, and light edgewear but overall a very good sound and well preserved set.  First Danish / Norwegian edition of 'In Darkest Africa'. Attractive set in the fine original binding. Please note foreign shipping will be extra - please inquire before ordering these items!