Søgningsresultat

Brøndum, 1987. Original kartonbind med smudsomslag (hardcover). 76 pp. Med s/h illustrationer. Første danske udgave. Fint, rent eksemplar.

Roskilde Universitets Forlag, 2002. 423 sider. Heftet. Dansk udgave af "Orientalism".

Twin Palms Publishers, 2005. Large hardcover. 120 pp. Very good copy. First edition. Large book and extra shipping may apply - please inquire before ordering this item!

Faber & Faber 1971. Publishers hardcover, w jacket. 107 pp. Very good clean copy. The T. S. Eliot memorial lectures 1971.

Forlaget Rosinante, 2002. 68 pp. Hft. Forlagsstemplet. Navn, ellers ren og pæn.  Digte og prosastykker, som Eik sendte hjem til sin mor fra mange verdenshjørner inden han som 25-årig tog sit eget liv i Indien i 1968. Redigeret af hans søster.

St. Paul, MN: Little Brown Mushroom, 2011. Small 8vo in stapled wraps as issued 5 1/2 x 8 1/2 inches. pp. [4], 5-60, [4]. Minor exterior fading. Very good copy. In acid-free archival plastic bag. 1st edition (not signed). Alec Soth's photo stories, with staged and found photography. Includes story by Jindrich Styrsk.

New York: Farrar, Straus and Giroux / MCD, 2022. Publishers hardcover, w jacket. XVI, 458 (2) pp. Fine clean copy. First edition, 3rd print. Not only a love letter to Dilla, but also a riveting immersion into the music of Detroit and the art of beatmaking -: "Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century. He wasn’t known to mainstream audiences, and when he died at age thirty-two, he had never had a pop hit. Yet since his death, J Dilla has become a demigod, revered as one of the most important musical figures of the past hundred years. At the core of this adulation is innovation: as the producer behind some of the most influential rap and R&B acts of his day, Dilla created a new kind of musical time-feel, an accomplishment on a par with the revolutions wrought by Louis Armstrong and James Brown. Dilla and his drum machine reinvented the way musicians play. In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted Detroit childhood to his rise as a sought-after hip-hop producer to the rare blood disease that caused his premature death. He follows the people who kept Dilla and his ideas alive. And he rewinds the histories of American rhythms: from the birth of Motown soul to funk, techno, and disco. Here, music is a story of what happens when human and machine times are synthesized into something new. This is the story of a complicated man and his machines; his family, friends, partners, and celebrity collaborators; and his undeniable legacy. Based on nearly two hundred original interviews, and filled with graphics that teach us to feel and "see" the rhythm of Dilla's beats, Dilla Time is a book as defining and unique as J Dilla's music itself."

Edition After Hand, 1973. (28) pages printed on black paper with4 statements by the artist are printed recto in gray (one per page), on the back of both covers are applied two small envelopes containing 6 stickers (3/3) with the words "afsender" and "modtager" ( = sender and recipient in Danish language). Handmade edition, in a limited numbers of copies, signed and dated by the artist on the back cover. Cover discolored with some foxing. The envelopes are both unopened. First edition. Very rare concrete poetry item.

New York: Pantheon Books, 1979. Large 4to in original slightly worn but now protected jacket with $6.95 flap price. Unpaginated. Illustrated throughout. Discoloration and a little soiling to jacket else overall a good copy. 1st US edition, First Printing with complete number line.

La Casa Encendida, 2008. Landscape format. 152 pages, finely printed and richly illustrated. Light wear to corners else clean. Includes a large very beautiful fold-out poster titled "A Vicious Undertow."

San Francisco: Dave Haselwood Books and City Lights, 1974 (1970). 210 pp. With illustrations. Paperback. Name to half title else clean and overall an attractive well preserved copy. Third printing. "travel diary by American poet Allen Ginsberg, first published by Dave Haselwood Books and City Lights Books in 1970.The journal is a collection of recollections, reflections, photographs, sketches, poems and associative ephemera from Ginsberg's journey in India with partner Peter Orlovsky between 1962 and 1963".

Espoo: Emma / Palace Editions, 2006. Small 4to hardcover as issued. 149 pages. Richly color illustrated, Well-documented exhibition catalogue. Bilingual publication (Finnish - English). Fine clean copy. First edition.

University of California Press, 1999. Square 8vo in white wraps, as issued. 113 pages, with illustrations. Near fine clean copy.

Baltimore: Johns Hopkins University Press, 2012. Publishers hardcover with jacket. XII, 319 pages. With illustrations. Fine clean attractive copy. Part of the series "Hopkins Studies In Modernism". First edition, 1st printing. - "Jeremy Braddock focuses on collective forms of modernist expression—the art collection, the anthology, and the archive—and their importance in the development of institutional and artistic culture in the United States. Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both models for modernism's future institutionalization and culturally productive objects and aesthetic forms in themselves. Rather than anchoring his study in the familiar figures of the individual poet, artist, and work, Braddock gives us an entirely new account of how modernism was made, one centered on the figure of the collector and the practice of collecting. Collecting as Modernist Practice demonstrates that modernism's cultural identity was secured not so much through the selection of a canon of significant works as by the development of new practices that shaped the social meaning of art. Braddock has us revisit the contested terrain of modernist culture prior to the dominance of institutions such as the Museum of Modern Art and the university curriculum so that we might consider modernisms that could have been. Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States."

Generalitat Valenciana, Valencia. Exhibition Catalogue. IVAM Centre del Carme 2.2.-23.4.1995. 4to in wraps as issued. 180 pages, illustrated, with text in Spanish and English translation at end. Very good clean copy. 1. edition. - Cildo Meireles (born 1948) is a Brazilian conceptual artist, installation artist and sculptor. He is noted especially for his installations, many of which express resistance to political oppression in Brazil. These works, often large and dense, encourage a phenomenological experience via the viewer's interaction. Meireles work shares a starting point with the works of Hélio Oiticica and Lygia Clark, artists that introduced him to the Brazilian Neo-Concrete movement. These artists, as well as Meireles, were all concerned with blurring the boundary between what is art and what is life, and responding to current political situations within their pieces

Dia Art Foundation, New York, 2004. Small 8vo in wraps as issued. 220 pp., illus., bib. notes. Light edgewear else fine clean copy. The second in the series of the Robert Lehman Lectures on Contemporary Art. Artists discussed include Fred Sandback, Richard Serra, Jessica Stockholder, Dan Flavin et al.

Copenhagen: Forlaget Sommersko, 1977. 12mo. Original stiff wraps. Unpaginated pages with b/w illustrations. As often with considerable wear to cover. Some of the last pages of this copy dog-eared. "Wild Birds and Animals", an outstanding artist book by Jens Birkemose, maybe his best, illustrated throughout collaged photographs & drawings, mostly erotic. First edition.

Vienna & Berlin: Secession and Konig 2007. 8vo. Wraps as issued. 192 pages Illustrated. French/english/german text. Fine copy / as new. 1. edition. Texts by R. Gassner, J. Haaning, S. Heuseler, P. Pilgaard Johnsen, L. Bang Larsen, M. Mortensen, A. Ring Petersen, T. Ross, K. Nyland Sørensen, J. Staun and C. Stockmann.

Copenhague, Henriksen+Henriksen, December 1962. Original square illustrated wrappers, 228x210mm. 36 pp. Illustrated with photographs printed b/w and orange. Some edgewear to cover else very good clean copy. First edition. Text by Erik Møller, photos de Jesper Høm and Ole Wanscher, graphic design by Jacobsen+Johansen.

Copenhagen: Borgen, 2001. Squarish 4to in wraps as issued. 246 pages, richly illustrated. Text in Danish. Fine copy. "Save Nature: Use FLUXUS". First edition, Danish version, complete with CD "Stonesong".

Forlaget Rhodos, 1970. 77 sider. Heftet med orig. omslag. Godt eksemplar. Omslag ved Peter Severin og Flemming Adelson. Debut. 1. oplag.

Gyldendal / Samlerens Bogklub, 1979 (1972). 300 sider. Hft. Illustreret med fotografier af Jytte Rex. Navn, små brugsspor, alt i alt et godt eksemplar. Genoptryk af første udgaven og identisk med denne men med et ny forord af Jytte Rex 1979.

Norton, 2010. Hardcover, w jacket. 384 pp. As new unopened copy. 1st ed. "Shaking up the content and method by which generations of students had studied Western philosophy, Martin Heidegger sought to ennoble man's existence in relation to death. Yet in a time of crisis, he sought personal advancement, becoming the most prominent German intellectual to join the Nazis. Hannah Arendt, his brilliant, beautiful student and young lover, sought to enable a decent society of human beings in relation to one other. She was courageous in the time of crisis. Years later, she was even able to meet Heidegger once again on common ground and to find in his past behavior an insight into Nazism that would influence her reflections on "the banality of evil"-a concept that remains bitterly controversial and profoundly influential to this day. But how could Arendt have renewed her friendship with Heidegger? And how has this relationship affected her reputation as a cultural critic? In Stranger from Abroad, Daniel Maier-Katkin offers a compassionate portrait that provides much-needed insight into this relationship. Maier-Katkin creates a detailed and riveting portrait of Arendt's rich intellectual and emotional life, shedding light on the unique bond she shared with her second husband, Heinrich Blucher, and on her friendships with Mary McCarthy, W. H. Auden, Karl Jaspers, and Randall Jarrell-all fascinating figures in their own right. An elegant, accessible introduction to Arendt's life and work, Stranger from Abroad makes a powerful and hopeful case for the lasting relevance of Arendt's thought."

China: Peking Foreign Language Press, 1967. 12mo in red vinyl binding as issued (13 x 9cm), pp.[10] 312, (2). Including Mao portrait frontis and Lin Biao (Piao) foreword with facsimile. Title page with red lettering in green frame. Light edgewear and a name stamp (from Milano) to free front endpaper. One page with a tear and notes in ink to last couple of pages. Acceptable copy. First Italian language edition, printed 1967 (stated) - Including the preface by Lin Biao, removed from copies after 1971.

Creation Books, 2001. Tall 8vo in softcover. 246 pages, many bw illustrations. One ink note else clean and well preserved.