Søgningsresultat

London, J. M. Dent, 1959 (1954). Original full cloth with priceclipped dustjacket. IX, 101 pp. Clean copy. Overall near fine attractive copy. Complete with Brian Rees jacket well preserved and protected.

Edition After Hand, 1973. (28) pages printed on black paper with4 statements by the artist are printed recto in gray (one per page), on the back of both covers are applied two small envelopes containing 6 stickers (3/3) with the words "afsender" and "modtager" ( = sender and recipient in Danish language). Handmade edition, in a limited numbers of copies, signed and dated by the artist on the back cover. Cover discolored with some foxing. The envelopes are both unopened. First edition. Very rare concrete poetry item.

New York: Pantheon Books, 1979. Large 4to in original slightly worn but now protected jacket with $6.95 flap price. Unpaginated. Illustrated throughout. Discoloration and a little soiling to jacket else overall a good copy. 1st US edition, First Printing with complete number line.

La Casa Encendida, 2008. Landscape format. 152 pages, finely printed and richly illustrated. Light wear to corners else clean. Includes a large very beautiful fold-out poster titled "A Vicious Undertow."

San Francisco: Dave Haselwood Books and City Lights, 1974 (1970). 210 pp. With illustrations. Paperback. Name to half title else clean and overall an attractive well preserved copy. Third printing. "travel diary by American poet Allen Ginsberg, first published by Dave Haselwood Books and City Lights Books in 1970.The journal is a collection of recollections, reflections, photographs, sketches, poems and associative ephemera from Ginsberg's journey in India with partner Peter Orlovsky between 1962 and 1963".

Espoo: Emma / Palace Editions, 2006. Small 4to hardcover as issued. 149 pages. Richly color illustrated, Well-documented exhibition catalogue. Bilingual publication (Finnish - English). Fine clean copy. First edition.

University of California Press, 1999. Square 8vo in white wraps, as issued. 113 pages, with illustrations. Near fine clean copy.

Baltimore: Johns Hopkins University Press, 2012. Publishers hardcover with jacket. XII, 319 pages. With illustrations. Fine clean attractive copy. Part of the series "Hopkins Studies In Modernism". First edition, 1st printing. - "Jeremy Braddock focuses on collective forms of modernist expression—the art collection, the anthology, and the archive—and their importance in the development of institutional and artistic culture in the United States. Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both models for modernism's future institutionalization and culturally productive objects and aesthetic forms in themselves. Rather than anchoring his study in the familiar figures of the individual poet, artist, and work, Braddock gives us an entirely new account of how modernism was made, one centered on the figure of the collector and the practice of collecting. Collecting as Modernist Practice demonstrates that modernism's cultural identity was secured not so much through the selection of a canon of significant works as by the development of new practices that shaped the social meaning of art. Braddock has us revisit the contested terrain of modernist culture prior to the dominance of institutions such as the Museum of Modern Art and the university curriculum so that we might consider modernisms that could have been. Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States."

Generalitat Valenciana, Valencia. Exhibition Catalogue. IVAM Centre del Carme 2.2.-23.4.1995. 4to in wraps as issued. 180 pages, illustrated, with text in Spanish and English translation at end. Very good clean copy. 1. edition. - Cildo Meireles (born 1948) is a Brazilian conceptual artist, installation artist and sculptor. He is noted especially for his installations, many of which express resistance to political oppression in Brazil. These works, often large and dense, encourage a phenomenological experience via the viewer's interaction. Meireles work shares a starting point with the works of Hélio Oiticica and Lygia Clark, artists that introduced him to the Brazilian Neo-Concrete movement. These artists, as well as Meireles, were all concerned with blurring the boundary between what is art and what is life, and responding to current political situations within their pieces

Dia Art Foundation, New York, 2004. Small 8vo in wraps as issued. 220 pp., illus., bib. notes. Light edgewear else fine clean copy. The second in the series of the Robert Lehman Lectures on Contemporary Art. Artists discussed include Fred Sandback, Richard Serra, Jessica Stockholder, Dan Flavin et al.

Copenhagen: Forlaget Sommersko, 1977. 12mo. Original stiff wraps. Unpaginated pages with b/w illustrations. As often with considerable wear to cover. Some of the last pages of this copy dog-eared. "Wild Birds and Animals", an outstanding artist book by Jens Birkemose, maybe his best, illustrated throughout collaged photographs & drawings, mostly erotic. First edition.

Gads Forlag, 2017. Hardcover. 299 sider. Rigt illustreret. Pænt eksemplar.

Charlottenborg, 1993. 4to. Original hardcover hellærred med smudsomslag. 259 sider. Rigt illustreret i s/h og farver. Pænt rent eksemplar.

Centrum, 1989. 144 pp. Hft. Forlagsstemplet.

London & New York: Routledge, 1999. Large heavy paperback. XV, 307 pages. With illustrations. Fine clean copy. First edition. "The most comprehensive volume on performance art from the Americas to have appeared in English, Corpus Delecti is a unique collection of historical and critical studies of contemporary Latin performance. Drawing on live art from the 1960s to the present day, these fascinating essays explore the impact of Latin American politics, popular culture and syncretic religions on Latin performance. On Body art, staged political protest, tropicalist musical comedies, contemporary Venezuelan performance art, the Chicano Art movement, queer Latino performance etc."

New York : Carolina Nitsch Editions / D.A.P./ Distributed Art Publishers / Hatje Cantz / 2003. Oblong large 4to in fine clothed hardcover. 95 pages, illustrated throughout with intro in English. Fine copy. First edition. "A seminal book by one of the first artists of the Pictures generation to use set-up photography to create images with intensely psychological subtexts. it features the first comprehensive survey of Simmons' early black-and-white photographs, the importance of which Carol Squiers describes in her essay: "What Simmons did with domestic subjects was unique ... Her use and manipulation of miniaturized dolls, objects, and interiors gave the photographs the abstracted quality of a dream, which was markedly different from the cool ... images of other artists. By using objects that so clearly evoked childhood, she was also more directly referencing personal memory." This previously unpublished early work put Laurie Simmons on the forefront of a new generation of artists, predominantly women, whose use of the media as subject began a new dialogue on contemporary art. In Simmons' own words, "Re-examining the pictures, I became aware of a potential narrative and structure that hadn't been obvious to me during the years that I was shooting. I actually began to see a house with many rooms, as well as indoor and outdoor space. I also began to think about a female presence, both real and implied, and to formally locate a space that didn't exist in my mind originally when I was exploring the territory with my camera. The project that you see here took shape when hundreds of long-forgotten images were revisited with the notion of creating a home within In and Around the House.".

Cambridge: The MIT Press, 2005 (2003). Softcover. XIV, 410 pp. Illustrated. Fine copy. .

New York, Ticknor & Fields, 1991. Original publisher's black cloth hardcover, gilt lettering spine, pictorial dustjacket. A thick and heavy large 8vo: map on endpapers, frontispiece portrait, xxij, 810pp., photographs, acknowledgements, epilogue, chapternotes & references, index. Very fine copy. First edition. Very heavy book and extra shipping apply: Please inquire before ordering this item!

Roskilde Universitets Forlag, 2002. 423 sider. Heftet. Dansk udgave af "Orientalism".

Copenhagen: Borgen, 2001. Squarish 4to in wraps as issued. 246 pages, richly illustrated. Text in Danish. Fine copy. "Save Nature: Use FLUXUS". First edition, Danish version, complete with CD "Stonesong".

Forlaget Rhodos, 1970. 77 sider. Heftet med orig. omslag. Godt eksemplar. Omslag ved Peter Severin og Flemming Adelson. Debut. 1. oplag.

Gyldendal / Samlerens Bogklub, 1979 (1972). 300 sider. Hft. Illustreret med fotografier af Jytte Rex. Navn, små brugsspor, alt i alt et godt eksemplar. Genoptryk af første udgaven og identisk med denne men med et ny forord af Jytte Rex 1979.

Kaleidoscope Press, 2010 (1995). 12mo hardcover, no jacket, as issued. 206, (4) pp. Fine clean copy. With a new foreword by the artist. - Second edition, first printing thus - of the critically acclaimed French artists' publication: an artist's book and novel of speculative fiction: "In late 1994 Philippe Parreno dictated to Liam Gillick and Jack Wendler a fantastical description of a party that had not yet occured. Snow Dancing, is a record of his original conversation and the party it described. At the Consortium in Dijon two months later, hundreds of people were invited to participate in a promotional event that played out Parreno's earlier description. The party lasted one hour and a half hours, exactly as long as it had taken to narrate it and about as long as it will take you to read this book. "Snow Dancing (1995) started with the publication of a book in which I described a promotional event, a kind of party or festival. The reading time of the text was about the same as the event itself. So the book was a score that was performed in Le Consortium in Dijon. I transformed the exhibition space that hosted the party, and this time-based architecture became the exhibition - people were invited to visit an architecture produced by a party. So the book was a score that produced a space." - Parreno, Philippe interview with Tom Morton.

MIT press, 2012. Large paperback. XX, 270 pp. Fine clean, unread copy. An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.

Paris, November 1938. Original magazine wraps. 48 pages, illustrated richly in bw and color. Text in French. Near fine, very good copy. Original vintage magazine, complete. - Bon exemplaire du 258 ème numéro du Jardin des Modes créé par Lucien Vogel. La couverture représente un manteau de vison d'André Brun (photographer : Horst P. Horst).