Søgningsresultat

Vintage Papeback, 1990. 168 pp. Some edgewear but clean copy.

Brøndums Forlag, 1992. 67 pp. Hft.

Gyldendal 1999. Original hardcover. 290 pp. Pænt eksemplar.

Arena, (1959). 128 pp. Hft. Navn på friblad forrest. Lidt brugsspor. Første danske udgave / First Danish edition.

GAD / NNF, 1988. 168 pp. Hft. Omslag med brugsspor, navn. Indvendig ren.

Forlaget Rosinante - Samlerens Bogklub, 2000. 462 pp. Hft. Omslag med små brugsspor ellers ren og pæn. Dansk udgave.

Oxford University Press Paperback, 2015. 158 pp. Very good clean copy.

Faber & Faber Paperback, 2011. 227 pp. Some edgewear but clean.

Gyldendals Uglebøger, 1964. 133 sider. Hft. Omslag af Austin Grandjean.

Copenhagen: Pork Salad Press, 2005. Original wrappers. 48 pages, illustrated. Text in English. Fine copy. 1. Edition.

Published by Spector Books with HKW, 2022. Softcover. 78 pages, illustrated. Text in English. Fine clean unread copy. From the DNA series (Das Neue Alphabet / The New Alphabet) # 14. 1. ed. - Can processors now make better music than human producers? How do algorithms alter our sense of authorship? What historical and social fault lines can be felt juddering in the design of autonomous sound generators? Be it in the home studio, on streaming platforms, or in the corporate business plans of global companies, artificial intelligence is defining the sound of the future. The essays in Artificial Music focus on the key developments, extending beyond digital little helpers to examine the balance between humans and machine learning and the process that enables non-human creativity to become a resonance chamber for new synergies. What sound might be produced in the dialogue between man and machine?

Gyldendal, 2019. 57 pp. Hft. 3. oplag.

Suhrkamp Taschenbuch, 1988. 311 Seiten.

Lindhardt & Ringhof, 1979. 132 pp. Hft. Første danske udgave af 'Little Birds'.

Forlaget Tiderne Skifter, 2003. 336 pp. Hft. 2 sider med noter. Indhold: Jacob Wamberg: “You say goodbye and I say hello” : virkeligheden mellem konstruktion og genkomst. Interfacerealisme : fra Balzacs Belle noiseuse til klodens visuelle støj hos Mark Napier / Lars Kiel Bertelsen og Søren Pold. Frits Andersen: Realisme og virkelighedshunger hos James Joyce og William Faulkner. Britta Timm Knudsen: Realisme i 50’erne : visualitet, affekt og traumer i den nye roman. Craig Dworkin: Realism : digt ; Mette Sandbye: Systemiske ophobninger af virkeligt stof : interview med Craig Dworkin ; Blottelser af den konkrete sanseverden : interview med Jytte Rex ; Avantgarde, hverdagsliv og fotografisk realisme. Tania Ørum: Det infra-ordinære. Rolf Heitmann: Jeg er til det selvfølgelige : interview med Jytte Høy. Rune Gade: Readymade-realisme : noget om det “gamle” ved den “nye” realisme ; Min krop er mit vigtigste redskab : interview med Elke Krystufek. Ann Lumbye Sørensen: Utopiens genkomst som erindringsbillede : Ilya Kabakovs autenticitets-realisme og dens forbindelser med Proun-Rum af El Lisitskij. Anne Jerslev: “I make home movies – therfore I live” : det private rum i avantgardefilm og den intime dokumentar. Bodil Marie Thomsen: Fremmedgørelse eller kommunikation : om Godards kamerabrug i 60’erne. Karin Petersen: Lyden af virkelighed : interview med Else Marie Pade.

Gyldendals Bekkasinbøger, 1965. 132 pp. Hft. Med det smukke omslag af Austin Grandjean.

Forlaget Klim 2011. 334 pp. Hft. Pænt eksemplar med kun lidt kantslid.

Penguin Paperback, 2014. VIII, 212 pp. Clean copy. "Probably the most famous living philosopher, Slavoj Žižek explores the concept of 'event', in the second in this new series of easily digestible philosophy What is really happening when something happens? In the second in a new series of accessible, commute-length books of original thought, Slavoj Žižek, one of the world's greatest living philosophers, examines the new and highly-contested concept of Event. An Event can be an occurrence that shatters ordinary life, a radical political rupture, a transformation of reality, a religious belief, the rise of a new art form, or an intense experience such as falling in love. Taking us on a trip which stops at different definitions of Event, Žižek addresses fundamental questions such as: are all things connected? How much are we agents of our own fates? Which conditions must be met for us to perceive something as really existing? In a world that's constantly changing, is anything new really happening? Drawing on references from Plato to arthouse cinema, the Big Bang to Buddhism, Event is a journey into philosophy at its most exciting and elementary".

Vintage Paperback, 2021. 358 pp. Some edgewear but clean.

Penguin Paperback, 1965. 137 pp.

Gyldendal, 2018. 186 pp. Hft. Pænt eksemplar. 1. oplag. Omsalag ved Hannah Heilmann.

Gyldendals Bekkasinbøger, 1966. 178 sider. Hft. Omslag af Austin Grandjean - samt smudsomslag med Jesper Høm still foto fra filmatiseringen af Henning Carlsen. Navn og små ydre brugsspor. Filmudgave.

Cambridge: MIT press, 2001 (2000). Softcover. IX, 301 pp. Edgewear but clean and tight copy. How psychological ideas of space have profoundly affected architectural and artistic expression in the twentieth century: Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience—perhaps even the subject itself—of architecture.

Picador Paperback, 2021. 353 pp. Cover with edgewear, inside clean copy. "Laing’s preferred method of appreciating an artist is the biographical essay. Hers is not quite criticism in the manner of, say, the late Mark Fisher, with an idea in every sentence, but rather, a collation and relaying of perspectives and information – occasionally penetrating and generally celebratory. As a critic, Laing tends to drop her readers off at the door. She is a maker of introductions, an enthusiast who speaks up for semi-obscure figures such as Arthur Russell (“the greatest musician you’ve never heard of”), or urges us to maintain in due regard the likes of Derek Jarman or Hilary Mantel. On glancing at the names gathered under the “Reading” section on the contents page, I cynically wondered if the scrupulously fashionable London dinner party chat-list (Deborah Levy, Maggie Nelson, Sally Rooney, Chris Kraus, etc) was strategically calibrated to shore up the author’s own cultural capital by association. "

Batzer & co, 2013. 392 pp. Hft. Nogle brugsspor. 1. danske oplag.