Søgningsresultat

Denmark: Louisiana Museum of Modern Art, 1992. Small quarto in tiff wrappers. 54 pp. Illustrated richly in color. Texts in both Danish and English. Fine. 1. ed.

London & New York: Verso Books, 2003 (2002). Paperback. XV, 176 pp. With illustrations. Some wear to cover, else good clean copy.

Vintage Paperback, 2023. 232 pp. Very good clean copy.

Gyldendal, 1949. 131 pp. Hft. Anden reviderede udgave. Heri bl.a. 'Sangen om migselv'. Pænt eksemplar.

Picador Paperback, 2021. 353 pp. Cover with edgewear, inside clean copy. "Laing’s preferred method of appreciating an artist is the biographical essay. Hers is not quite criticism in the manner of, say, the late Mark Fisher, with an idea in every sentence, but rather, a collation and relaying of perspectives and information – occasionally penetrating and generally celebratory. As a critic, Laing tends to drop her readers off at the door. She is a maker of introductions, an enthusiast who speaks up for semi-obscure figures such as Arthur Russell (“the greatest musician you’ve never heard of”), or urges us to maintain in due regard the likes of Derek Jarman or Hilary Mantel. On glancing at the names gathered under the “Reading” section on the contents page, I cynically wondered if the scrupulously fashionable London dinner party chat-list (Deborah Levy, Maggie Nelson, Sally Rooney, Chris Kraus, etc) was strategically calibrated to shore up the author’s own cultural capital by association. "

Batzer & co, 2013. 392 pp. Hft. Nogle brugsspor. 1. danske oplag.

Gyldendal, 2018. 186 pp. Hft. Pænt eksemplar. 1. oplag. Omsalag ved Hannah Heilmann.

Cambridge: MIT press, 2001 (2000). Softcover. IX, 301 pp. Edgewear but clean and tight copy. How psychological ideas of space have profoundly affected architectural and artistic expression in the twentieth century: Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience—perhaps even the subject itself—of architecture.

Gyldendals Bekkasinbøger, 1966. 178 sider. Hft. Omslag af Austin Grandjean - samt smudsomslag med Jesper Høm still foto fra filmatiseringen af Henning Carlsen. Navn og små ydre brugsspor. Filmudgave.

Malmö Konsthall, 1995. 8vo hardcover, med omslag. 231 sider, illustreret. Pænt eksemplar. Vedlagt avisartikler mm.

Dell Paperback, 1967. 191 pp. Cover worn. Clean inside. The Body Snatchers is a science fiction novel by American writer Jack Finney, originally serialized in Collier's magazine in November–December 1954 and first published in book form the following year. The novel describes the town of Mill Valley, in California's Marin County, being invaded by seeds that have drifted to Earth from space. The seeds, grown from plantlike pods, replace sleeping people with perfect physical duplicates with all the same knowledge, memories, scars, etc. but are incapable of human emotion or feeling. The human victims disappear forever. The duplicates live only five years and cannot sexually reproduce; consequently, if unstopped, they will quickly turn Earth into a dead planet and move on to the next world. One of the duplicate invaders claims this is what humans do – use up resources, wipe out indigenous populations, and destroy ecosystems in the name of survival. The novel has been adapted for the screen four times; the first film, Invasion of the Body Snatchers in 1956, the second in 1978, the third in 1993, and the fourth in 2007. It was also the basis of the 1998 movie The Faculty and the 2019 movie Assimilate.

Overgaden, Institut for Samtidskunst, København 2012. 4to. 320 sider. Illustrationer i s/h og farver. Heftet med orig. omslag. Velholdt. Tekster af tidligere udstillere, kuratorer, kunsthistorikere og andre der har været tilknyttet udstillingsstedet samt billedmateriale fra Overgadens arkiv.

Galleri Bo Bjerggaard, 2009. 8vo (46) sider. Heftet. Pænt eksemplar. 1. ed.

Roskilde Bogcafe, 1999. 175 pp. Hft. Pænt rent eksemplar.

George Braziller, 1974. Small square 8vo. Softcover issue. 166pp. Illustrated b/w. Edgewear. 1. ed. SIGNED presentation copy. Collection of essays by Jack Burnham including essays on Real Time Systems, Les Levine, Willoughby Sharp interview of Burnham, Ready-Mades, Duchamp, artist as shaman, etc.

Borgens Forlag, 2000. 125 pp. Hft.

Faber and Faber Paperback, 1990. XIX, 235 pp. With b/w illustrations. In very good condition.

Penguin Books Paperback, 1988. 430 pp. Fine clean copy.

Arena, 1987. 108 pp. Hft. Omslag lidt slidt med en rift.

Reaktion Books, 2014. 224 pp. Paperback. Near fine / fine copy. From the "Critical Lives" series.

Suhrkamp Verlag, 1996. Gebunden mit OU und Obi. 106 Seiten. Gut erhalten. "Det malede værelse" på tysk.

London: Methuen, 1992 (1959). Stort format. Original hardcover. 63 pages illustrated in color. Fine copy.

Sigvaldis Forlag, 1973. Upagineret. Hft. Pænt eksemplar. Første udgave, 1. oplag.

Holstebro Kunstmuseum 2000. Small 8vo in original stiff wrappers profusedly illustrated in full-bleed B & W throughout. Near fine. First edition. Rare artist's book published on the occasion of an exhibition or drawings by Tal R.

Allen Lane Large paperback, 2017. XXVII, 574 pp. Fine clean, unread copy. I "The Square and the Tower" præsenterer Niall Ferguson en ny måde at forstå historie og magt på ud fra netværksteori. I stedet for at se på, hvordan klassiske aktører øverst i magthierarkiet – såsom kejsere, præsidenter, stater og virksomheder – igennem tiden har brugt deres magt til at skabe historiske forandringer, så viser Niall Ferguson, at det i virkeligheden er de uformelle sociale netværk, der er kilden til magt og innovation. Ferguson arbejder således i "The Square and the Tower" ud fra en antagelse om, at netværk ikke er et nyt fænomen, der er opstået med ting som Facebook i det 21. århundrede, men at netværk snarere er noget, som altid har eksisteret.