Søgningsresultat

Penguin Paperback, 1984. XVI, 396 pp. The Purple Decades brings together the author's own selections from his list of critically acclaimed publications, including the complete text of Mau-Mauing and the Flak Catchers. " (...)a sociologist's dream: a time capsule of ideas and idioms, brand names and places, cult heroes and calling cards." -Ellen Wilson, The Wall Street Journal.

Samlerens Paperbacks, 1991. 497 pp. Hft.

Blackwell Paperback, 1986. VII, 327 pp. Wear to cover. Name.

Gyldendal, 1949. 131 pp. Hft. Anden reviderede udgave. Heri bl.a. 'Sangen om migselv'. Pænt eksemplar.

Gyldendal, 2018. 186 pp. Hft. Pænt eksemplar. 1. oplag. Omsalag ved Hannah Heilmann.

Cambridge: MIT press, 2001 (2000). Softcover. IX, 301 pp. Edgewear but clean and tight copy. How psychological ideas of space have profoundly affected architectural and artistic expression in the twentieth century: Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience—perhaps even the subject itself—of architecture.

Picador Paperback, 2021. 353 pp. Cover with edgewear, inside clean copy. "Laing’s preferred method of appreciating an artist is the biographical essay. Hers is not quite criticism in the manner of, say, the late Mark Fisher, with an idea in every sentence, but rather, a collation and relaying of perspectives and information – occasionally penetrating and generally celebratory. As a critic, Laing tends to drop her readers off at the door. She is a maker of introductions, an enthusiast who speaks up for semi-obscure figures such as Arthur Russell (“the greatest musician you’ve never heard of”), or urges us to maintain in due regard the likes of Derek Jarman or Hilary Mantel. On glancing at the names gathered under the “Reading” section on the contents page, I cynically wondered if the scrupulously fashionable London dinner party chat-list (Deborah Levy, Maggie Nelson, Sally Rooney, Chris Kraus, etc) was strategically calibrated to shore up the author’s own cultural capital by association. "

Batzer & co, 2013. 392 pp. Hft. Nogle brugsspor. 1. danske oplag.

Gyldendals Bekkasinbøger, 1966. 178 sider. Hft. Omslag af Austin Grandjean - samt smudsomslag med Jesper Høm still foto fra filmatiseringen af Henning Carlsen. Navn og små ydre brugsspor. Filmudgave.

S. Fisher Verlag, 1958. Gebunden ohne OU (hardcover). 876 Seiten. Eine Thomas Mann Briefmarke auf Titelseite eingeklebt - insgesamt gutes Exemplar. Erschienen als Teil der Stockholmer Gesamtausgabe.

abc, 1999. hardcover. 26 sider. Illustreret i farver.

White Rabbit, 2023. Paperback. 288 pp. With illustrations. Fine copy.

Forlaget Rosinante, 2012. Hæftet med orig. omslag. 284 sider. Med håndskrevet dedikation fra Charlotte Roche til "Kuss für Jesper from Charlotte Roche / Thank you for the great interview!!". 1. danske oplag.

London: Profile Books, 2019. Paperback. X, 691 pp. Fine clean copy.

Committee for International Art Exhibitions, 1988. Square small4to. Original colourillustrated wrappers. 79 pp. Illustrated in colour. Full text in both Italian and English. Fine copy. Fine introduction to the works of Poul Gernes. 1st edition.

Informations Forlag, 2009. 190 pp. Hft. Navn.

Copenhagen: Rhodos Publishers, 1978. Original full cloth with slightly worn dustjacket. 98 pp. Illustrated b/w. Book designed by Michael Malling. 1st ed.

Eks-Skolens Forlag & Tranegården Gentofte, 1978. 8vo. Upagineret. Heftet. Litografiske illustrationer. Pænt eksemplar. Første udgave, 1. oplag

Gyldendals Bogklub, 1992. 158 pp. Hft. Pænt eksemplar.

P. Haases & Søns Forlag, 1970. Tværformat. Hardcover. Gennemillustreret i farver. Lidt brugsspor. 1. danske oplag.

Verso Books, 2015. 192pp. Paperback. Clean, unread copy.

Dansk Historisk Fællesforening. 1969. Hardcover. 94 sider. Med illustrationer.

Granta Books, 2002 (2001 / 2000). Large paperback. 223 pages. Illustrated. Fine clean copy.

Gyldendal, 2018. 300 pp. Hft. Første udgave, 1. oplag.

Clausholm Slot, 1996. 4to. Leporello. Gennemillustreret i farver. En anelse brugsspor.  1. oplag.