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PICKLES = Stephen Pickles:

QUEENS.

Kirkegaards Antikvariat
kir57169
London: Quartet Books, 1984. Hardcover, w jacket. 289 pp. Light wear to jacket. Overall a very good copy. 1st edition.Queens is a novel, written in 1984 by an author under the apparent pseudonym "Pickles," which describes gay life in London. The author was Stephen Pickles, who at the time was working as an editor at Quartet Books, the publisher of the novel, with responsibility for its Encounters series. The novel Queens is an important social history : it is written in a variety of styles: third-person, omniscient narrator, overheard dialogue, and epistolary. In many ways Queens is unclassifiable: it mentions numerous real-life bars, pubs, and cruising spots, as well as other less anecdotally gay parts of London. Heaven, the Coleherne, and The Bell on Pentonville Road are just three of the main gay locations mentioned in the novel. In some regards, due to the absurdist tone of the novel's overall narration it could be considered to be written in mockumentary style. The omniscient narrator appears to have a pessimistic and ultimately unamused opinion of the characters described which contributes greatly to the novel's comedic value. Though the narration is choppy the main focus appears to be that of a specific set of characters that are both overlaid and interlinked in one way or the other. The exact identity of each character requires close observation on the reader's part as most characters are initially introduced under an alias (usually of a female variety) or referred to by the author as what type of "queen" they are. Most of the "queens" mentioned in the novel's exordial phases have their stories elaborated further. Scenes in which their way of conduct and process of thinking is demonstrated in one narrative mode or the other. Some of the "queens" stories feature frequently throughout the story however the only consistent plot line is the epistolary styled narration of a young early twenty something named Ben and his courtship and love affair with an aspiring male model Danny.(...). It was "lambasted by the gay press for its allegedly 'negative' portrayal of London's gay community". Part of the controversy was due to the depiction of characters in the novel. Many are lonely, bored or superficial. The author's own interviews contributed to the controversy, both for his insistence that he needn't present an affirmative picture of gay life in London and also for his unwillingness to publicly come out. The novel has been described as "a funny, and kind of mean, taxonomy, of gay types in London in the Thatcher years." Instead of names, the author often refers to characters by their position in gay life: Clone, Opera Queen, Northern Queen, Leather Queen, City Queen, Rent Boy, Insidious Queen. The author also accepts genderfucking names that gay men use for each other: Doris Mavis, Gloria". - "Anyone who was ‘on the scene’ in the mid 1980s will recognise these (stereo)types, like the leather queen who carries a motorcycle helmet but travels by taxi to The Colerherne, the vicar who justifies visiting gay bars as being an opportunity for pastoral work. One of our members said: I enjoyed Queens in a voyeuristic sort of way and as an historical record of an era. My memories of living in Lambeth predate the time Pickles was writing, being the early 1970s, when my haunts and hunting ground centred on Kings Road and Vauxhall, but also included The Salisbury in St Martins Lane where much of Queens is based. Such a Grand gay meeting place for intellectual, theatre, church, opera, suited and booted Queens in those days, as well as working class lads and 6th Formers on a day trip to London. There was a wider spread of social and economic class than you could find anywhere else in London. Members of Parliament, priests of all denominations and lawyers chatting with builders and soldiers (always lots of soldiers) without any judgement or malice. We were all there for the same reason and it felt safe……but with just a hint of risk."
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Nyligt importeret fra Kirkegaards Antikvariat

HAVE, Henrik:
Kirkegaards Antikvariat
kir59943
Edition After Hand, 1973. 8vo in printed illustrated wraps as issued. (52) pp. Illustrated throughout. Cover discolored with some foxing. First edition. Rare concrete poetry item.
WARHOL, Andy
Kirkegaards Antikvariat
kir59946
Moderna Museet, 1969 (1968). 4to. Original wrappers as issued. (638 pp.). Illustrated throughout with photos by Billy Name and Stephen Eric Shore among others. Very worn copy but complete. First edition, second printing, acceptable reference copy of the famous Warhol Stockholm-catalog - this most iconic of artists books. The catalogue for Warhol's first major European retrospective. Illustrated card covers, with a design after Warhol's 'Flowers' silk-screen. 614 black-and-white reproductions, divided into three sections: black-and-white reproductions of Warhol's work, followed by two sections of photographs of Warhol and his associates by Billy Name and Stephen Shore. "“As soon as the Factory opened, it became a hyperactive place. People began flocking there in droves for parties, to interview Andy, to take pictures, to make films, to become a part of it... Billy [Name] ran it like a theatre, vacuuming up after each performance and continually repainting the tinfoiling. He also became the Factory’s official recorder when Andy gave him his 35-mm camera and Billy began taking great photographs of the action, which he developed in an impromptu darkroom converted from one of the toilets. These photographs, as collected in the 1968 Moderna Muséet catalogue of Warhol’s first European retrospective in Stockholm, constitute the best visual documentary of the Silver Factory.” -Voctor Bockris, Warhol: The Biography. Warhol’s Moderna Muséet catalog “is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era” (Parr and Badger, Vol II). Published first by Moderna Muséet, Sweden, in 1968 as an exhibition catalogue for the show "Andy Warhol" at the Moderna Muséet in Stockholm, February - March, 1968, this the second printing, identical to the first.
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Hansell, Mike:
Kirkegaards Antikvariat
kir59948
Oxford University Press, 2007. Hardcover, w jacket. VIII, 268 pp. With illustrations. Fine clean copy. 1st edition.
Steinbach, Haim:
Kirkegaards Antikvariat
kir55237
Copenhagen: SMK - 2013. 8vo in stapled wraps as issued. 30 pages. Text in English and Danish. Illustrated. Fine copy. 1. ed. "What are quirky salt and pepper shakers doing next to some of the main masterpieces of art history? Haim Steinbach is deeply interested in objects and how they are displayed. In this exhibition he challenged our perception of the art museum as an institution by showing important works of art side by side with small everyday objects. In his works Haim Steinbach arranges objects from all sorts of contexts on shelves and walls and in display units. In fact we all collect things and place them next to each other – on a windowsill, the kitchen worktop, or a bathroom shelf. On a previous occasion Steinbach has explained that he regards the act of collecting and displaying things as a fundamental human practice: With my work, the bottom line is that any time you set an object next to another object you´re involved in a communicative, social activity. Haim Steinbach includes works of art from different eras and genres in his exhibition, presenting them in a way that is completely different from the usual approach taken by museums, which typically display art in accordance with chronological, thematic, or monographic principles. By making a break with those principles Steinbach creates a whole new contex".
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HAVE, Henrik:
Kirkegaards Antikvariat
kir59942
Edition After Hand, 1973. (28) pages printed on black paper with4 statements by the artist are printed recto in gray (one per page), on the back of both covers are applied two small envelopes containing 6 stickers (3/3) with the words "afsender" and "modtager" ( = sender and recipient in Danish language). Handmade edition, in a limited numbers of copies, signed and dated by the artist on the back cover. Cover discolored with some foxing. The envelopes are both unopened. First edition. Very rare concrete poetry item.
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Queneau, Raymond:
Kirkegaards Antikvariat
kir59947
Paris: Olympia Press, 1959. 8° in the original green printed wraps with a dustjacket. 219 (+1) pag. with illustrations. Clean wioth only minor rubbing to edges of the green cover, jacket somewhat worn, mainly to spine and back (please see photos). Overall a very good copy. Première édition anglaise publiée à Paris / First English language edition. (= 'The Traveller's Companion Series', No.74) translated by Eric Kahane and Akbar del Piombo (Norman Rubington); Kearney, 149. Published in the same year as the French text that is the source for the fabulous Louis Malle film in 1960. Rare with the original jacket.
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