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[Loti, Pierre]

Three letters from Lucien Jousselin to Pierre Loti [Julien Viaud].

Patrik Andersson Antikvariat
pat32557
Three letters in handwriting on folded sheets measuring 22,5x18 cm. The letters, all in French, are dated 13th Nov. 1895, 14th Dec. 1895, and 6th Feb. 1896; comprising 46, 112 and 14 lines, respectively. The sheets have been folded twice and are insignificantly soiled. Without envelopes. Lucien Jousselin was a close friend of Pierre Loti and played an extraordinarily important role in the making of Loti's first novel Aziyadé, which gave Loti immense success as a writer of the Orient and also managed to spread sympathy for the Ottoman cause against Russia. The novel, which claims to be the authentic writings of an English marine lieutenant translated into French, was in fact a compilation of Loti's semi-autobiographical diary entries and fictional letters, the latter either to his sister in Brightbury or to and from his closest friend ""Plumkett"". It is widely recognised by Loti experts that Plumkett in reality was identical to his long-time friend Lucien Jousselin, without whom the novel most likely wouldn't have been published at all. The manuscript was originally sent to G. de Polignac who didn't manage to get it published and was then transmitted to Lucien Jousselin. It was clear to Jousselin that he needed to rewrite and improve Aziyadé and also leave out parts he deemed too shocking for the French public. He then managed to get it published at the famous publishing house Calmann Levy. The contract was signed on 16th February 1878 by Jousselin himself under the name of ""M. Julien Viaud, officier de marine, actuellement en voyage"". The letters offered here are dated almost twenty years later. They are very personal and begin with a response to the death of one of Loti's children. Jousselin, now stationed in Rome as a diplomat, writes that the news of Loti's grief caused him immense suffering. ""My affection for you has always been bizarre, irregular and complicated, just like myself and yourself."" The handwriting is in this first letter shaky and upset. The following letter mentions a rendez-vous in Rochefort (where Loti lived at the time) and how he, Jousselin, hopes to talk about memories from the past. The last, and perhaps most interesting and personal letter, deals with the existential responsibility of being a father. ""Because you really have to try to make their lives happier than ours once were, easier, more balanced between glorious beliefs and mortal anxiety"".
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[Andric, Ivo] Özkök, Lütfi
Patrik Andersson Antikvariat
pat47377
Stockholm, 1961. 23,5x17,5 cm. Contemporary print. The white margin with a small loss at lower left-hand corner. With Özkök's stamp on verso. The photo was taken at the Grand Hotel in Stockholm.
Rossetti, Dante Gabriel
Patrik Andersson Antikvariat
pat47387
London; Ellis and Elvey, 1898. 19,5x13,5 cm. Frontispiece, xxxi, (1 blank), 380 pp. Contemporary green half morocco binding with five raised bands, gilt floral decorations in compartments, marbled boards and endpapers, top edge gilt and the other edges rough-cut. Wrappers not bound-in. Rear bottom corner is slightly bumped. A minimal chip in outer margin of pp. 231/232. A very fine, clean copy. The second publication of Rossetti's poetical works; the first, also edited by W. M. Rossetti, was published in 1891. With the bookplate of Danish art historian Emil Hannover (1863-1923), and with a gift inscription from him to the Swedish literature and art critic August Brunius (1879-1926), thanking him for his book of essays on English authors, ""Engelska profiler"". NCBEL 490.
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Arvidsson, Stefan
Patrik Andersson Antikvariat
pat47404
Stockholm / Stehag; Symposion, 2000. (Kulturhistoriskt bibliotek). Diss. 21,5x15 cm. 424, (1, 1 blank) s. Häftad med tryckt vikomslag. Fint ex. With a summary in English. 'The main hypothesis of this thesis is that these pre-historical peoples have not occupied modern man because they were important as historical agents, but because they were, with the words of Claude Lévi-Strauss, ""good to think"". The interest in ""the Indo-Europeans"", ""the Aryans"" and their ""Others"" — which latter group has at times been described as Jews, Savages, Orientals, Aristocrats, priests, matriarchal farmers, martial pastoralists, French liberals, and/or German nationalists — was (and still is) motivated by a wish to construct alternatives to those identities given by tradition. The study of the Indo-Europeans, their culture and religion, has been a way to produce new concepts, new identities and thus an alternative future.' (Abstract).
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Probst, Dr. A.
Patrik Andersson Antikvariat
pat47391
Stuttgart; Scheible, 1854. Sole edition. 13,5x9 cm. 112 pp. Original printed wrappers. Uncut edges, partly unopened. Both wrappers have a small chip in top margin. The title-page is slightly soiled as are the margins on a few pages. There is a minimal chip in margin on six leaves. A fine copy. Not much is known of Dr. Probst, who, according to his title had a hydropathic clinic in Turin. A large section of the book consists of a young woman's testimonial of the successful cold water treatment of her breasts, why she went through it, and how life has improved afterwards; partly shaped as a modern advertising text.
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Rózewicz, Tadeusz
Patrik Andersson Antikvariat
pat47381
München; Carl Hanser Verlag, 1965. 12:o. 110, (1, 1 blank) pp. Original cloth with printed dustjacket. The jacket chipped at extremities and a bit stained at rear panel. The book is fine. First appearance of the author in German. Rózewicz is one of the leading post-war Polish poets. Inscribed by the author in Polish to the poet and photographer Lütfi Özkök, saying: ""To the memory of the meeting at Hotel Turné / for Lütfi Özkök / from / Tadeusz Rózewicz / 17.V.66.""
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[Aguéli] Gauffin, Axel
Patrik Andersson Antikvariat
pat47406
Stockholm; SAK, 1940-1941. (Sveriges Allmänna Konstförenings publikation XLVIII & XLIX). 29x22,5 cm. 220 s. + 4 färgplanscher & 329, (1 blank) s. + 8 färgplanscher. Samtida gediget grönt helskinnband (Nordiska Bokhandelns Bokbinderi) med förgylld ryggdekor, upphöjda bind, förgylld ram på pärmarna samt förgyllda inte bårder, marmorerade försättsblad och helt guldsnitt. Främre omslagen medbundna. Med en rättelselapp infäst före andra delens omslag. Ryggen något blekt och aningen nött. Med en osignerad recension av verket monterad på bakre försättsbladet; denna har orsakat en svag förmörkning av motstående blanka blad. Fint ex. Det mest utförliga arbetet om Aguéli som avslutas med en förteckning över 255 kända oljemålningar med angivande av ägare.
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