Vis indholdet

Cage, John

John Cage. Rolywholyover. A Circus. The Museum of Contemporary Art, Los Angeles; The Menil Colection, Houston; Solomon R. Guggenheim Museum, New York; Art Tower Mito Contemporary Art Center, Mito; Philadelphia Museum of Art, 12.9.1993-11.6.1995.

Patrik Andersson Antikvariat
pat47258
New York; Rizzoli & Los Angeles; The Museum of Contemporary Art, 1993. Printed metal box 25,5x29,5 cm, containing numerous printed objects. There are a few light scrape marks on the box. A fine copy. Published on the occasion of the exhibition of one of the last projects that Cage were working on prior to his death in 1992. The box contains a selection of works by many artists important to Cage, such as Anne d'Harnoncourt, Julie Lazar, Laura Kuhn, Joan Retallack, Mark Swed, Marshall McLuhan, Andrew Weil, Ellsworth Snyder and D. T. Suzuki, interactive computer installations and relevant ephemera subject to the manipulations of a chance-generated score, and a program of live and pre-recorded performances, film and video screenings and readings. ""Prior to Rolywholyover, Cage experimented with the museum as medium in several smaller exhibitions, including a room-size sound and light environment Writing Through the Essay, ‘On the Duty of Civil Disobedience’ (1985/91), commissioned for documenta 8, Kassel (1987), which involved periodically changing display elements. This changing display was further developed with the addition of works by invited artists in Changing Installation at the Mattress factory for the Carnegie International, Philadelphia (1991). And the exhibition Kunst als Grenzbeschreitung: John Cage und die Moderne at the Neue Pinakothek Munich (1991) introduced objects borrowed from other museums in the region and displayed them ahistorically according to chance operations. Rolywholyover comprised these previously tested modes of chance-generated composition in the four 'movements' of the composition: [1] 'Museumcircle', comprised of decontextualized objects loaned by local museums; 'Circus', a changing display of works by artists of the Cage circle; 'Cage Gallery', dedicated to his visual art works; and 'Media space', dedicated to media and performance works."" (Sandra Skurvida, from ""The Artist as Curator"", in Mousse #42).
Adresse:
Bredgatan 4
se-22231 Lund
Sweden
Telefon:
CVR/VAT:
SE 720 522 241 201

Nyligt importeret fra Patrik Andersson Antikvariat

[Andric, Ivo] Özkök, Lütfi
Patrik Andersson Antikvariat
pat47377
Stockholm, 1961. 23,5x17,5 cm. Contemporary print. The white margin with a small loss at lower left-hand corner. With Özkök's stamp on verso. The photo was taken at the Grand Hotel in Stockholm.
Rossetti, Dante Gabriel
Patrik Andersson Antikvariat
pat47387
London; Ellis and Elvey, 1898. 19,5x13,5 cm. Frontispiece, xxxi, (1 blank), 380 pp. Contemporary green half morocco binding with five raised bands, gilt floral decorations in compartments, marbled boards and endpapers, top edge gilt and the other edges rough-cut. Wrappers not bound-in. Rear bottom corner is slightly bumped. A minimal chip in outer margin of pp. 231/232. A very fine, clean copy. The second publication of Rossetti's poetical works; the first, also edited by W. M. Rossetti, was published in 1891. With the bookplate of Danish art historian Emil Hannover (1863-1923), and with a gift inscription from him to the Swedish literature and art critic August Brunius (1879-1926), thanking him for his book of essays on English authors, ""Engelska profiler"". NCBEL 490.
Se hele beskrivelsen
Arvidsson, Stefan
Patrik Andersson Antikvariat
pat47404
Stockholm / Stehag; Symposion, 2000. (Kulturhistoriskt bibliotek). Diss. 21,5x15 cm. 424, (1, 1 blank) s. Häftad med tryckt vikomslag. Fint ex. With a summary in English. 'The main hypothesis of this thesis is that these pre-historical peoples have not occupied modern man because they were important as historical agents, but because they were, with the words of Claude Lévi-Strauss, ""good to think"". The interest in ""the Indo-Europeans"", ""the Aryans"" and their ""Others"" — which latter group has at times been described as Jews, Savages, Orientals, Aristocrats, priests, matriarchal farmers, martial pastoralists, French liberals, and/or German nationalists — was (and still is) motivated by a wish to construct alternatives to those identities given by tradition. The study of the Indo-Europeans, their culture and religion, has been a way to produce new concepts, new identities and thus an alternative future.' (Abstract).
Se hele beskrivelsen
Probst, Dr. A.
Patrik Andersson Antikvariat
pat47391
Stuttgart; Scheible, 1854. Sole edition. 13,5x9 cm. 112 pp. Original printed wrappers. Uncut edges, partly unopened. Both wrappers have a small chip in top margin. The title-page is slightly soiled as are the margins on a few pages. There is a minimal chip in margin on six leaves. A fine copy. Not much is known of Dr. Probst, who, according to his title had a hydropathic clinic in Turin. A large section of the book consists of a young woman's testimonial of the successful cold water treatment of her breasts, why she went through it, and how life has improved afterwards; partly shaped as a modern advertising text.
Se hele beskrivelsen
Rózewicz, Tadeusz
Patrik Andersson Antikvariat
pat47381
München; Carl Hanser Verlag, 1965. 12:o. 110, (1, 1 blank) pp. Original cloth with printed dustjacket. The jacket chipped at extremities and a bit stained at rear panel. The book is fine. First appearance of the author in German. Rózewicz is one of the leading post-war Polish poets. Inscribed by the author in Polish to the poet and photographer Lütfi Özkök, saying: ""To the memory of the meeting at Hotel Turné / for Lütfi Özkök / from / Tadeusz Rózewicz / 17.V.66.""
Se hele beskrivelsen
[Aguéli] Gauffin, Axel
Patrik Andersson Antikvariat
pat47406
Stockholm; SAK, 1940-1941. (Sveriges Allmänna Konstförenings publikation XLVIII & XLIX). 29x22,5 cm. 220 s. + 4 färgplanscher & 329, (1 blank) s. + 8 färgplanscher. Samtida gediget grönt helskinnband (Nordiska Bokhandelns Bokbinderi) med förgylld ryggdekor, upphöjda bind, förgylld ram på pärmarna samt förgyllda inte bårder, marmorerade försättsblad och helt guldsnitt. Främre omslagen medbundna. Med en rättelselapp infäst före andra delens omslag. Ryggen något blekt och aningen nött. Med en osignerad recension av verket monterad på bakre försättsbladet; denna har orsakat en svag förmörkning av motstående blanka blad. Fint ex. Det mest utförliga arbetet om Aguéli som avslutas med en förteckning över 255 kända oljemålningar med angivande av ägare.
Se hele beskrivelsen