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Lutetiae Parisiorum, apud Ludovicum Billaine, 1661 (17), 2-178, (178), 179-460 (18) pp. Later half calf (ca 1900) binding with marbled boards, yellow tinted edges and gilt spine. Front board with Swedish book collector Hjalmar Lundgren's gilt monogram, paste-down endpaper with Lundgren's book-plate. Spine and joints slightly rubbed, lower corners slightly bumped, title-leaf and adjacent leaf with small ink spot, interior else fine. With parallell text in Latin and French. With Count Carl Gustaf Tessin's signature on the title-leaf. Carl Gustaf Tessin (1695-1770), son of architect Nicodemus Tessin the Younger and Hedvig Eleonora Stenbock, was a Swedish diplomat and politician. Apart from being one of the most prominent figures in Swedish political and cultural life of his time, he was also an avid art and book collector whose art collection laid the foundation of the collections of Nationalmuseum.

Paris: Olympia Press, July 1956. First and orignal edition. 171, (2) pp. + plates with 29 black-and-white photoillustrations (including 2 double sided) by Brassaï. Private nicely bound modern cloth, covers with flaps bound in. With bookplate on rear side of first flap, and with small stain on free page and rear side of back flap.

Stockholm: Charles Delén, 1804. (2), engraved title, 47, (2) pp + plates. 25x19 cm. Later two-tone & title decorated cloth. With 12 aquatint engravings, including one map (Carte du fleuve GötaElf aux environs des cataractes de Trollhätta). The book throughout with some foxing. French text. Stockholm: Charles Delén, 1804. (2), graverat titelblad, 47, (2) s + planscher. 25x19 cm. Inbunden i ett senare tvåfärgat & titeldekorerat klotband. Med 12 akvatintgravyrer, varav en karta (Carte du fleuve GötaElf aux environs des cataractes de Trollhätta). Inlagan genomgående något lagerfläckad. Fransk text.

Atlantis, Stockholm, 2004. Första upplagan. 4:o bunden i ett elegant sidenband med öppen häftning på pergamentband. Läggen häftade på inre pappersfalsar. Pärmdekor av grå oasispåläggningar med röda kantbårder. Mycket smakfullt. Försättsblad i grå mocka. Omslagen medbundna. Förvaras i en grå Sollanderlåda av klot. Bunden av Per-Anders Hübner, Halmstad. Illustrerad med Sven Ljungbergs träsnitt tryckta direkt från skott. 94 sid.

Francofurti & Lipsiæ, impensis viduæ & hæredum Joachimi Wildii, Anno M. DC. LXXVI. [. Graverat portträtt + graverad dediktion, (14), 954, (59), (1 blankt), (16), 120, 119-139, (11) sidor. Titelblad trykct i rött och svart. Samtida pergamentband. Gröna snitt. Superexlibris (Birger Israelsson). Något nött.

Lars Salvius, Stockholm 1749-51. 1 utvikbar plansch, (4), 107, (2) sidor, (2), 235, (1) sidor + vii utvikbara planscher. Älder halvskinnband. Rygg något nött, namnteckning, namnstämpel, exlibris. Andra delen lätt lagerfläckig. Äldre noteringar å blankt eftersättsblad.

London: Benn Brothers, Limited, 1923. xv, (1), 155 pp. + 69 plates. Full decorated vellum. Number IX of 12 copies on Japanese vellum paper. Signed by the authorrs. Top edge gilt. Good condition.

Munsell Color Company, Inc, Baltimore. Maryland 1929. Bound in a sturdy black clothbinding. 42 (2) pp + 20 single sheets + 7 double sheets + Mask C. Good condition, binding slightly worn at extremities. Standard edition. A revision and extension of "The atlas of the Munsell Color System". The book bear the signature of Tryggve Johansson, the foremost colourexpert from that time. Some inscriptions from his pen on the front free endpaper. The colours ar intact and bright. The book bears the Serial number 216.

Hotel Meurice. Paris. 1967. Printed jacket over anonymous paperboards. 28 x 22 cm. 4 lithographs. [28] pp. Near as fine condition. Tiny loss of colour on top and bottom of spine. Signed by Dali in green on the title-leaf. According to the book "Dali och böckerna [Dali and the books], published for an exhibition on the Modern museum of Stockholm, did Dali arrange a tribute to Meissonier in one of the rooms at Hotel Maurice in Paris.

Picture Box/Halfgallery. Brooklyn/New York. 2013. Publishers boards. Dustjacket. 24 x 30 cm. 160 pp. Very good condition.

Apud haeredes Samuelis Brewer, Leutschoviae 1708. (16), 622, (1), (2), 278, (3), 20, (2) pp. Contemporary full claf. Spine cracked.

Allhems Förlag, Malmö 1952-67. Ca. 4200 sidor. 5 halvfranska band med 4 upphöjda, marmoreade pärmpapper, övre guldsnitt. 29x23 cm. Mycket gott skick.

Paris: chez tous les libraires (Printed by G. Kugelmann), 1864. Photo by Carjat, 126, (1) pp. Hardcover. Some wear to boards. Bokplates: Ex Bibliotheca Philippi Pfister Monacencsis & Arvid Eriksson. Adverts on preserved rear cover.

P. A. Norstedt & Söners Förlag, Stockholm 2012. 302 bl., X s. + 302 bl. + 21x14 cm. 528 s. Förlagets klotband, kommentaren med skyddsomslag. Text & faksimil 34x24 cm. Kommentarer 22x15 cm. Ett ryggfält lite nött, i övrigt gott skick.

Christiania 1877. XXIV, (4), 716, (1); (8), 686, (2) sidor. 2 moderna halvklotband, omslag medbundna. Gott skick.

Stockholm. 1971-72. Klammerhäftad. 40 x 29 cm. [24] sidor (exklusive löst bifogad affisch) + [24] sidor + [24] sidor + [16] sidor. Lätt nötta. 3 av häftena vikta på mitten. Det fina numret med Esselius affisch är ovikt. Denna kompletta svit av Huvudbladet är oerhört sällsynt. Den fina affischen i Nummer grön är ett foto på Jimi Hendrix som ett Rorschachtest, dvs en dubbel Hendrix som röker och bolmar. Hans Esselius har tagit bilden av Hendrix. Denna är desutom signerad av Esselius.

Printed by T. Bensley, Bolt Court, for J. White, at Horace's Head, London. 1803. Second and best edition, with additions. Engraved front portrait, (8), xxiv, 240 pages + 31 engraved full page plates, 7 plates hand coloured. Folio (48 x 31 cm). Contemporary full leather, all edges gilt, spine with six raised bands and richly gilt decorated, gilt inner bordures, marbled end papers. Edges worn, boards scratched, spine worn & faded, Lars Laurentii’s bookplate and inscribed by him, a few pages with mild foxing.”Thomas Astle’s work was intended to be comprehensive; as an antiquarian, he was particularly interested in the earliest forms of writin. His study of these early forms relates naturally to the first part of the present exhibition; he has nothing to say on more recent handwriting, and shows a greater concern for the more exotic alphabets than for the roman.” (V&A 212).”Vi sono esemlari in carta grande, formato in folio.” [There are examples on large paper, in folio format.] (Bonacini 105).

Basel, Widerhold 1673-83. (16),1964 + (6),600,120,(34) + (12),1063,(1) + 963,(1),260 pages. Folio. In 4 intact, old, worn, and to some extent repaired full leather bindings. Frontespiece is missing. Some of the first and last leaves wrinkled.

Stockholm, Lars Salvius,1757. 21x12,5 cm.(16),1-209,230-619,(1) sidor.(komplett). Bunden i ett nyare skinnband med ryggdekoration och fem upphöjda bind. Lätt blekt rygg. Några enstaka fläckar. Sidorna 210-229 överhoppade i pagineringen vid tryckningen

Albert Bonniers förlag, Stockholm 1966 Publishers cloth. Dustjacket. 111 (19 pp. Very good condition. The book is illustrated by Tove Jansson.

Stockholm, Wankijfs tryckeri 1690. (4),132 (ig. 134),(2) sidor + tabell och 21 planscher. 4:o. Gammalt halvfranskt band. Planscherna skrynkliga i yttre marginalen

See Hobbes, Thomas, Elementa philosophica de cive. Amsterdam 1669

Inbunden komplett svit alla 8vo -format. Svarta halvfranska band no. 1 (1868) - 1913, 1914-1935 i svarta halvklotband och från 1936 till 1976 svarta helklotband. Alla bandtyper med ryggtitlar i guld. Från No. 204, 1907 utgavs de som Årsböcker med olika antal uppsatser i varje årsbok. Detta är angivet på ryggarna f o m 1907 till 1976 (Årsbok No. 1 till No. 70). De No. som saknas i sviten är alla i format 4to. No. 2-5, 14, 23,-24, 27, 29, 33, 42, 47, 50, 54-55, 57, 63-66, 69, 70, 72-73. 85, 89, 92, 102, 112, 120, 131, 140, 144-145, 152, 157, 168, 172, 177, och No. 160 (aldrig utgiven).