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Franequerae. Johannis Gyzelaar 1696. Liten 4:o. Graverad frontispis, (30)608 + Grav. Front. (6)609-1138 (38) pp.Samtida solkigt pergamentband. Pärmarna något slagna. Inlagan med genomgående vattenskada runt marginalerna. Namnteckning och monogramstämpel på titelbladet. Text på latin med hebreiska inslag.

Paris. David le jeune 1750. Small 8:o. (4)XII.348; (4)XII.372; (4)XVI.474; (4)XII.325; (4)XI.492; Vol V (dealing with France) missing; (4)XVIII.448; (4)VI.398; (4)398; (12)404; (12)410; (4)VI.339; (4)VII.422; (12)375(1); (14)396(4) pp. Cont. Calf. Guilt spine. Somewhat worn. 14 vol.

A La Haye, chez Pierre Paupie MDCCXLL (1741), Nouvelle (2me)Edition, augmentée de LXXX Nouvelles Lettres, de Quantité de Remarques, & de plusieurs Figures, (32)+374+(12)+392 + (8)+394+(12)+344 + 350+244+92p avec une portrait-frontispice et 6 vignettes aux titres par J von Schley. Reliure plein veau marron de l'epoque sur cinque nerfs, dos richement doré, piece de titre en maroquin rouge doré, tranches et gardes jaspées; exlibris de M S, doses légèrement usées, traces de cachettes. 3 volumes uniformes en bon etat. 2.utökade upplagan (1.upplagan utkom 1737), frontespisporträtt och 6 deltitelbladsvignetter graverade av J von Schley. 3 uniformt bundna samtida bruna skinnband på fem bind, förgyllda röda marokängryggtitlar, rik ryggförgyllning, stänkta snitt, marmorerade försätts; M S' exlibris, spår av sigillvax, ryggarna lätt nötta.

Basileae, per Ioannem Oporinvm, et Evsebivm Episcopivm: MDLXVI (1566). 15 + (blank) + 1-217, 222-223, 220-221, 218-219, 224-232, 241-487 + (blank) + (34) pp. 25x19 cm. Leather-backed boards with marbled boards (18th century). Top (and bottom) of spine chipped. Provenances: M. Herflèn (?), C.G. Wijkmark 1825, Otto Sjögren 1860. Title-page dirty, with paper loss and paper mendings, including text loss, filled-in with old ink on the paper mending. Waters stains to margins here and there, not affecting readability though. Old underlinings (sometimes red) and margin comments in minuscule ink (mostly on the first 80 pages). Pages 218-223 bound in the wrong order. Pages 233-240 missing. Apart from this, a nice interior still. Greek-Latin parallell text. Hyllan.

Stockholm & Göteborg 1874-1942. Varje volym innehåller ca. 600 s. + flera planscher och kartor. Illustrationer i texten. Bundna i 13 samtida halvfranska band. Genomgående gott skick. Bidrag till kännedom. . . var föregångaren till Göteborgs och Bohusläns Fornminnesförenings tidskrift som fick detta namn från 1914. Utgavs häftesvis men med bandnumrering där varje band täcker flera år. Vol. 1 innehåller bihanget: Ordbok öfver allmogemålet i Sörbygden, av Nils Fr. Nilén.

Bremen, P.G. Saurmann 1725. Third, enlarged edition. (20), 1108, (22) s. Contemporary vellum on wooden boards. A few old signatures, hinges very slightly weak, slightly foxed. First edition was published in 1716.

Londini Gothorum, Litteris Berlingianis, [1803-1821]. 4:o. 131 s.; (2), 146 s.; (29) titelblad, (18) dedikationsbl. Brunt halvskinnband (Hanna Petersson & Co, Lund) med fem upphöjda bind, ryggtitel i guld, marmorerat pärmpapper. Bra exemplar. Ställvis lätt lagerfläckad. I. Sid. 17-42 med ljus fuktfläck vid nedre yttre marginal. Sid. 93-100 med gammal fuktfläck vi övre marginal. Sid. 101-108 med brun fläck vid nedre yttre marginal. II. Sid. 36-37 överhoppade i pagineringen. Marklin ‘Catalogus disputationum (1820)’ II:135, II:76 + (1856) II:61. De två delarna med resp. titelblad till första avhandlingen bundet på rätt plats, övriga titelblad och dedikationsblad bundna i slutet av bandet. Samlingsband, komplett i 14 + 17 delar. De två första delarna med Håkan Stenström och övriga delar med A.O. Lindfors som preses, med följande respondenter (i kronologisk ordning): 1. Peter Jonas Colliander, 2. Anders Westerholm, 3. Carl Johan Fürst, 4. Peter Niclas Rhodin, 5. Johan Winckler, 6. Johan Peter Hansson, 7. Isaak Gabriel Westberg, 8. Hans Peter Olander, 9. Anders Fredrik Kahl, 10. Olof Nils Olander, 11. Jöns Boman, 12. Gustaf Wahlberg, 13. Erik P. Lindblad, 14. Hans Peter Björkman. 2:1. Johannes Norlin, 2:2. Fredrik Schrevelius, 2:3. Johan Daniel Lönegren, 2:4. Carl Magnus Westdahl, 2:5. Adam Wilhelm Ekelund, 2:6. Jacob Peter Hallström, 2:7. Samuel Elmlund, 2:8. Salomon Henschen, 2:9. Olof Thalin, 2:10. Johan Samuel Linnell, 2:11. Johan Nyman, 2:12. Eric Tornberg, 2:13. David Ringius, 2:14. Johan Jacob Björkman, 2:15. Hans Petter Scholander, 2:16. Lars Scholander, 2:17. Sven Johan Alander.

Yves Rivière, éditeur. 1973. 4°. Richly illustrated in colour and b/w. 225 pages. Orig. cover in dustwrappers. Fine-/fine wrappers, with only slight wear to upper spine-end. * Inscribed, and with a small drawing, by Alechinsky on titlepage. ** A complete catalogue of the prints of Alechinsky with 601 entries. The cover is drawn directly on lithographic film by Alechinsky.

Cahiers de 'Carmel', Genéve/Paris 1918. First edition. 44 pages. Bound with the original front wrappers in a contemporary full cloth binding with title in gold to the upper board. * Inscribed by Nobel Prize winner Rolland to Danish literature critic Georg Brandes, who was among the leading intellectuals of Europe at the time - as was Rolland.

Guillaume Barbier, Lyon, 1658. 8vo. 24+236 pages. Engraved titleleaf [with the engraved coat of arms printed upside down]. With numerous engraved coats of arms printed in the text. Contemporary full calf binding. Spine professionally restored. Bookplates inserted.

Illustrated postcard, signed to the back. 15 x 10 cm. Framed in black passepartout [32 x 23.5 cm] with photo. Signed in black pen. Sticker with name and dates pasted on back. Filing number written on back. * Henri Matisse [1869-1954] was a French painter. He was known as one of the Fauves between 1900 - 1905, but was later known as a modern art painter with a flair for colours. Matisse was a close friend of Picasso, whom he's met at Gertrude Stein's Paris salon. In 1947 he published the art book 'Jazz', which was full of his, now famous, paper cut collages.

Canterbury, 1626. 225 pages. Bound full vellum. Afhentes på: Læderstræde 9, kld., 1210 København K Interdicti Veneti Historia de Motu Italiæ. Sub initia Pontificatus Pauli V Commentarius. Title handwritten on spine. Titlepage with brown spots.

Kiøbenhavn, J. F. Schultz, 1791-94. 8vo. Indbundet i 6 samtidige halvlæderbind med rygforgyldning samt titel- og tomeetiketter i skind. Fire ophøjede bind på rygge. Forgyldt superexlibris ("Det Kongli Milt. Selsk. paa Giethuuset") på forpermer. Bind med brugsspor. Tilskrift på forsatsblade, stempler på titelblade. Pæne indvendigt, trykt på skrivepapir. (4), XXXVIII, 362; (4), 236; (4), 308; (4), 308; (4), 290; (4), 386 pp. Originaltrykket af Rothes naturfilosofiske hovedværk. "Når Tyge Rothe skrev om Naturen "efter Bonnets Maade" betød det, at han i lighed med Bonnet anskuede naturen som den transcendente Guds åbenbaring af sig selv. Han ville med Bonnet vække driften til at søge Guddommen i naturen og ad erfaringens og tankens vej opsøge den evigt eksisterende årsag til naturens orden. Når det drejede sig om politiske og statsvidenskabelge anliggender, havde Rothe adspurgt Montesquieu, men "Bonnet adspurgte jeg, naar det gjaldt om at søge Gud i Naturen, og der at finde ham. Jeg fandt ham der, som værende nær os alle." "... blandt naturforskere var Rothes helte Newton og Linnaeus (Linné) ..." (Carl Henrik Koch i Dansk Olysningsfilosofi).

Kbh. . XLIV+884 S s. Halblederband der Zeit mit abgenutzten Einbandecken und blauem Buchschnitt. Rücken oben mit Verlust. Schwache Anstreichungen in Blei.

D-Frankfurt und Leipzig 1784. 1. udg. xx+364 s. Privat halvlæderbind. Bogen fremtræder i pæn stand. Halblederband der Zeit. Rückenvergoldung. Alte Namen am Freiblatt. Alte Initiale am Titel. Inhalt stockfleckig. Wasserrandig oben in kleinem Gebiet.

John and Paul Knapton, London 1753. 8vo. (24)+548+(4) pages. Erratic pagination after page 296 (297 is misnumbered 304, continuing to 548). 3 large folding maps. 20th century full calf binding in 18th century style, with gilt ornamentation. Old name on verso on first plate. Some soiling to titlepage.

Kalmar, 1835-36. Skinnryggbind (lys brune, kalv) med hjørner. Bundet med fire orig. omslag (blå), meget pene. Rikt dekorert rygg, navn i gull på skinnfelt. Håndlaget marmorert overtrekkspapir. Ubeskåret. Gullsnitt i øvre snitt. Pen, ren og frisk. Et vakkert bind. (A.F. Wåhlin) (2)134 +(2)II 130 s. Svensk.

Kiöbenhavn, 1811. Orig. omslag. Orig. blå blanke omslag. Ren materie. Svakt brun materie. 47 s. .

Teckning i tusch över blyerts. Signerad: "Arvid Fougstedt", odaterad (utförd 1924/5). 16 x 48 cm (det frisformade motivet), 39 x 48 cm (det oskurna bladet). Papper med triangelformat vattenmärke. - - - Ej inramad. Monterad i syrafri passepartout (bomullskartong) med yttermått 50 x 60 cm som passar standardramar. Fotograferad i en ekram från Stockholm ram. Förlaga för en oljemålning / grisaille. De avbildade är Roslin, Sergel, Martin, Eckersberg, Thorvaldsen, Marstrand, Köbke, Constantin Hansen, Marcus Larson, Gude, och Johan Christian Dahl. (I oljeversionen av bilden tillkom Kristian Krohg som ung längst till höger.) - - - "En med älskvärt ironisk blick återgiven parafras på den av konstnären älskade 1800-talskonsten, alltifrån den första stränga klassicismen till och med Düsseldorfskolan" (Hans Eklund om versionen i olja). - - - Jfr versionen i olja / grisaille av samma motiv i katalogen för minnesutställningen 1952-3 (Riksförbundet för bildande konst), nr 35 & Konstakademiens utställning 1992 över far och son Fougstedt, sid 12 (avbildad i svartvitt).

Stockholm, stentr. hos Gjöthström & Magnusson, [1829]. Folio. 36 x 26 cm. 24 litograferade planscher, varav 6 kolorerade. Komplett. Helt litograferat tryck. Utgavs som 6 häften utan titelblad eller text. Bygger på skisser utförda 1816-29. Samtida nött skinnryggsband med häftesomslag monterade på pärmarna, frampärmen med titeltryck och vinjett. Planscherna i tämligen gott skick trots ställvis obetydlig fingersmutsning och skrynkling, något enstaka kantriss och smärre fläckar på baksidan av några planscher. Proveniens: Namnchiffer daterat 1830 i bläck på främre fribladet, uttytt i blyerts "G. W. Palm". Senare namnteckning "U. Otterstedt 1950" på främre spegeln. Winqvist (1972), sid. 123-6 i textdelen & G 79-102 i bilddelen. Mörners Reseminnen är hans första litografiska album efter återkomsten till Sverige, och utgör det tidigaste svenska resealbum inom genren "voyage pittoresque" där intresset i första hand är inriktat på människor och med en mer realistisk än pittoresk lokalfärg. Winqvist uppmärksammar hur illustrerade verk av olika slag började bli ett viktigt inslag på borgerskapets salongsbord, och att Mörners två första album efter hemkomsten till Sverige fyller de båda viktigaste behoven: dels resebilderna från främmande länder i "Rese minnen från Frankrike Tyskland och Italien", dels den välbekanta hemmamiljön i "Stockholmska scener" följande år. - - - "Memories from Travels in France, Germany and Italy", album of lithographs by Swedish count Hjalmar Mörner (1794-1837). Stockholm, Gjöthström & Magnusson, [1829]. Folio. 36 x 26 cms. 24 lithographs, 6 of which are hand-coloured. Issued in 6 instalments with no title or text, based on drawings from the years 1816-29. Complete. Contemporary calf-backed boards with the original printed wrappers covering the sides, worn. Plates rather fine despite some very slight finger-soiling and creasing, a few very short tears and stains to verso of a few plates. Provenance: Initials in ink of artist Gustaf Wilhelm Palm dated 1830 on front flyleaf. Later ownership inscription "U. Otterstedt 1950" on front pastedown. - - - Hjalmar Mörner was a Swedish military man, one of the most talented draughtsmen among the many "artist soldiers" of his time. Having received an artistic training aimed at drawing military maps etc., Mörner spent many years away from Sweden, in Italy, England and France, where he died in 1837. In England he published two rare albums, "Miscellaneous Sketches of Contrasts" (1831) and "Humourous Sketches" (1832), greatly influenced by the English caricaturists.

[London] In the Savoy: Printed by Eliz. Nutt, and R. Gosling, assignees of Edw. Sayer Esq; for D. Browne, J. Walthoe, J. Nicholson, B. Tooke, D. Midwinter, B. Cowse, M. Wellington, R. Gosling, W. Mears, J. Browne, J. Hooke, F. Clay, and E. Nutt 1717.. Third edition.. (330) pp. text set in two columns. Folio, 33x21 cm. Bound in contemporary full calf with richly blindtooled covers within a blind-stamped border. Slight wear to the corners, covers a little marked and rubbed. Spine professionally rebacked with dark red title-label. Recto of front board with Hellier R. H. Gosselin's engraved armorial bookplate, first free end-paper with Gosselin's name dated 3 June 1891. Title page with previous owner Alex Garden's name (Alexander Garden of Troup) dated 1722. - Alexander Garden of Troup, Banffshire was father of Francis Garden, Lord Gardenstone of Troup (1721-93), Scottish lawyer and judge. The third edition of 1717, in which the titlepage reads 'To which are added above two thousand two hundred words'.

Tiguri (Zürich), Gessner, 1713. 8vo. In a nice contemporary Cambridge-style mirror binding with four raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Small hole to both front and back board. Stain to back board. Internally nice and clean. (16), 677, (11) pp. Uncommon fourth edition of Swiss reformed theologian Johann Heinrich Heidegger’s influential handbook on both the Canonical and Apocryphal books of the Old and New Testaments. Heidegger’s textbooks of theology were among the most prominent in Europe at the beginning of the eighteenth century and were published in numerous edition, all being rare.

Upsala, Johan Edman, 1783. 8vo. In contemporary half calf with four raised bands. Previous owner's name to front free end-paper and half-title. Wear to extremities, internally fine and clean. (24), 366, (10) pp. First Swedish translation of the official account of Cook's second voyage and Georg Forster's unofficial Voyage round the World."Cook earned his place in history by opening up the Pacific to western civilization and by the foundation of British Australia. The world was given for the first time an essentially complete knowledge of the Pacific Ocean and Australia, and Cook proved once and for all that there was no great southern continent, as had always been believed. He also suggested the existence of antarctic land in the southern ice ring, a fact which was not proved until the explorations of the nineteenth century" (Printing and the Mind of Man p.135). "The success of Cook's first voyage led the Admiralty to send him on a second expedition, described in the present work, which was to circumnavigate the globe as far south as possible in search of any southern continents. The men of this expedition became the first to cross the Antarctic Circle. Further visits were made to New Zealand, and on two great sweeps Cook made an astonishing series of discoveries and rediscoveries including Easter Island, the Marquesas, Tahiti and the Society Islands, Niue, the Tonga Islands, the New Hebrides, New Caledonia, Norfolk Island, […] Cook discovered and charted South Georgia, after which he called at Cape Town, St. Helena and Ascension, and the Azores. This voyage produced a vast amount of information concerning the Pacific peoples and islands, proved the value of the chronometer as an aid to finding longitude, and improved techniques for preventing scurvy" (Hill p.123)

Frankfurt & Leipzig, Lammers, 1723. 4to. Bound in contemporary full calf binding with four raised bands and richly gilt spine. Small old paper-label pasted on to top of spines. Boards with wear and scratches. Internally fine and clean. (22), 463 pp. The rare first edition of Majus work on how God’s providence and holiness operate throughout biblical history, particularly in the governance of the Church. Johann Heinrich Majus (1653–1719) was a Lutheran theologian born in Pforzheim, Baden. He studied in Wittenberg, Leipzig and Strasbourg, specializing in Oriental languages. After serving as a preacher for the Count Palatine of Veldenz and in Baden-Durlach he became a professor of theology at the University of Giessen in 1688.