Søkeresultat

Oslo 1986. Det Norske Samlaget. Stor 8vo. 41 s. Illustrert omslag og illustrasjonar: Harald Sonesson. Stifta rosa omslag. Nær som ny"

Henrich Waldkirch. Kbh. 1622. 1. udg. 1. opl. xxv+(8)+706+(2) s. Originalt hellæderbind. Bogen fremtræder med nogle brugsspor. 4to. Samtidigt hellpergamentbind. I forpermen ejernotat i gl. hånd: Gunstig Læser, wilt du wide efter salig Fader from, Arfveligen paa vor Side, Bogen os tilhænde kom, signeret Søren, Rasmus, Christen Christensen. Mangler siderne xcvii-xx og Fortalen s. 3/4. Nogle sider forstærkede.

Stuttgart, Wittwer, (1889-91). 50x35. 4 pp. (title and list of plates) + 100 coloured plates. Publisher's printed half cloth portfolio with tie-strings. Light external wear, contents very fine. A very attractive collection of colour renderings - mainly exterior perspectives, many with plans, of recently executed villas and urban residential buildings, but also including interior renderings and details. The majority are built in German-speaking countries but there are examples from Paris, London and even Japan (by a Swiss architect).

Stockholm, i Kongl. Ordens-Boktryckeriet, 1828. 8:o. (6),+ 218,+ 27,+ (1) s.+ 3 utvikbara tabeller. Titelbladet med rödstämpel från Vetenskapsakademien. Tillsammans med: (EKSTRÖM, C. U. & SCHÉELE, C. A. von.) Teckningar till beskrifningen öfver Mörkö socken. Stockholm, 1828. Tvär 4:o. Litogr. titelblad,+ 2 utvikbara litogr. kartor,+ 24 litogr. planscher, varav 1 handkolorerad. Första bladet med liten reva och äldre papperslagning. Lätta lagerfläckar. Samtida snarlika hfrbd, guldornerade ryggar med röda titeletiketter, marmorerade pärmpapper. Två volymer. Något olika ryggdekor och etiketter. Essén s. 83. Setterwall 6064. Krok s. 158. Planscherna är litograferade av Schéele. Prosten m.m. C. U. Ekströms (1781-1859) beskrivning över Mörkö, som han skrev på uppdrag av Nils Bonde, hade ambitionen att täcka allt. Öns naturalhistoria upptar två tredjedelar av texten, med en rik beskrivning av bl.a. insektsfloran, men beskrivningen innehåller även anekdoter och folkloristik om allmogens vidskeplighet m.m. Den blev en stor framgång när den utkom 1828. Gunnar Brusewitz frågar sig (i Björnjägare och fjärilsmålare) retoriskt om ”...någon författare kommit närmare det linneanska idealet för en topografisk skildring än pastorn på Mörkö”. Den handkolorerade planschen föreställer ett par i sockendräkt.

Pfullingen, Neske Verlag 1960 27x19 cm. 75, (6) pp. With 4 plates by Arp, coloured by him. Original wrappers. One leaf with marginal tear, otherwise vey good. Printed in 130 numbered copies, this is no. 50, signed by Arp

Chicago , Oriental Institute 1956-1989. 20 vols. in publisher's cloth. A very good set.

Leipzig, Breitkopf, 1789. 34x22. VI+66 pp. + 40 engraved plates with more than 360 numbered drawings. "Dritte Auflage. Mit neuen Zusätzen und Kupfern vermehrt". A fine, clean copy neatly bound in later marbled boards, spine label with title printed in German blackletter type. Scarce work on wooden construction techniques. Third edition, extended with a section on new bridges constructed in Saxony (eight pages including separate title leaf, and four new plates): Flöha-Brücke bei Flöha; die Elbe-Brücken von Wittenberg und Meissen; die Saale-Brücke von Weissenfels. Reuss has an interesting Swedish connection as the construction of the Stage Machinery at the Drottningholm Palace Theatre most likely was based upon Reuss's drawings.

(Vallauris), Madoura, 1988. 29x24. 320 pp. 645 photos, 570 in colour including 54 full-page. Publisher's cloth dust jacket. Former owner's discreet signature on front endpaper, jacket backstrip sunned, otherwise very fine.

Stuttgart, Verlag von Ferdinand Enke, 1891. 8vo. Near cont. full green cloth w. gilt lettering to spine. Old library marking removed from bottom of spine. Extremities w. traces of wear. Inner hinges reinforced. Old stamps to verso of title-page. VIII, 284 pp + 2 plates. The rare first edition of Weber's influential Habilitationsschrift on Roman law and agrarian history, "Roman Agrarian History and its Significance for Public and Private Law".Maximilian Carl Emil Weber (1864-1920) is one of the most important founders of modern sociology and cultural sciences (together with Karl Marx and Émile Durkheim). His works have been, and are, of the utmost importance to the fields of sociology, corporational-, social-, musical-, political-sciences etc., and the terms and categories coined by him are now part of the normal vocabulary of these fields of study.In his groundbreaking Habilitationsschrift, which he published at the age of 27, Weber examined the economic, social and political developments of Roman society, and thus laid the foundations of his establishing of modern sociology. He examined the methods of land surveying in Roman society, the terms that were used for the resulting land units, and agricultural works written by Roman authors.As opposed to e.g. Durkheim, Weber took part in creating the antipositivist tradition, opposing the scientific methods of the social sciences to those of the natural sciences.Weber began teaching at the University of Berlin, and later he taught at the Universities of Freiburg, Heidelberg, Vienna and Munich. He greatly influenced German politics at the time, and he was appointed the advisor of the German negotiators at both the Treaty of Versailles and the drafting of the Weimar Constitution.Being without doubt the most important social theorist of the twentieth century and a principal architect of modern social science, Weber's seminal contributions helped form the new academic disciplines of sociology and public administration, and changed the way of perceiving law, economics, political science and religious studies. Most of Max Weber's works were published posthumously with the aid of his wife.

Christiania, 1887. Skinnryggbind. Samtidig. Pen, ren materie. Dedikasjon til Hr Generalconsul signert av forfatteren vedlagt brev (14 linjer) datert Christiania 4.XII.87 signert J.H. Friis . (Jacob Dybwad) (1)+LIX+(1blank) +2+868+(2)+6s s. .

London, 1911. Hardback. First edition. Fine in very good dustjacket. First UK edition. Publisher’s blue cloth with gilt decoration to front, title to spine.Tipped in coloured fronticepieces (with tissue-guards). Dust jacket vol. 2 has a paper loss at the bottom of spine, 4,5x2cm, a few tears of edges. Name in pencil (R. Parker Smith).

Venezia, 1561. 8vo. Eldre helpergamentbind. (44), 511, (1) s.. (Apresso Francesco Bindoni) Italiensk. 4. utgave. Noe få gulpletter.""Översättaren, som nämner sig Remigio Fiorentino, är säkerligen identisk med dominikanermunken Remigion Nannino eller Nanni Fiorentino, som var född i Florens, men verksam i Venedig, där han bodde i klostret S. Giovanni e Paolo, d. 1580 eller 1581. Han var en av sin tids berömdaste predikanter och har utvecklat en betydande litterär verksamhet särskilt som översättare av omfångsrika historiska och teologiska verk."". (Collijn).

New York, 1980. First edition. First printing. Fine book in fine dust jacket. Tight and clean copy. Unread. Inscribed by the author.. (Harcourt Brace Jovanovich) 502pp s. 1. opplag.. Originalbind med vareomslag. Engelsk.

Genève, 1785-89. 8vo. Samtidige skinnryggbind med enkel ryggforgylling og marmorerte dekler. viii, 466 ; 549, (1) ; 554, (2) ; 477, (1) ; 496 ; 440 ; 490 ; 487, (1) ; 528 ; 582, (1) ; 505, (1) ; 504, (2) ; 488 ; 563, (1) ; 552, (2) ; 446 ; 476 ; 461 ; 516 ; 496 ; 546 ; 501, (1) ; 516 ; 579, (3) ; 599 ; 545, (2) ; 561 ; 458 ; 4484 ; 483, (1) ; 467, (1) ; 475 ; 416, (2) ; 513 ; 479, (1) ; 479, (1) ; 467 ; 438, (1) ; 488, (2) ; 491, (1) ; 517, (1) s. Med 120 kobberstikk tegnet av Marillier og gravert av Berhet, Biosse, Langlois, Legrand m. fl.. Fransk. “This monumental work is the most important collection of works of fantasy and dreamlike imagination of the 18th century”. Alle bind - bortsett fra bind XXXVII har tre helsidesw kobberstikk. Flere av bindene er fra Tusen og én natt. Med små klipp i noen tittelblader. Bind XXV med fuktskjolder. Noen av bindene små slitasjer. Alt i alt et meget fint sett av dette betydelige verket.

Visingsø, 1674. 4to. (8), 94 s. Gammelt helpergament med tittelen trykt i sort på ryggen. Noen flekker på bindet. Noe brunet innvendig.. . Almqvist, J. Kankel, s. 50.Hemmersam var fra Nürnberg.Den eneste boken som trykkeren Johann Kankel har oversatt.

København [Copenhagen], 1964. 8vo. Original printed yellow wrappers with green and black lettering. Minor soiling and minor creasing to wrappers. Internally near mint condition. Uncut and unopened. 371 pp. Signed presentation-copy for Michelle Léglise (A Michell/ 11 Janvier 66/ Jean Pauls S") of the first edition of the first Danish translation of "Le Sursis". This is a higly interesting presentation-copy, since Michelle Léglise (or Michelle Vian as she was named at the time), was both the wife of a close friend of Sartre, herself a close friend, and eventually - around the time of this presentation - his lover.In 1940 Michelle Léglise had met the French multi-artist and author Boris Vian, whom she married already in 1941. Boris Vian (1920-1959) is best known today for his novels (many of which were published under the pseudonym Vernon Sullivan). He was also of great importance to the French jazz-scene and served as liason for Duke Ellington and Miles Davis in Paris. He was also a popular musician in his own time. When he met Michelle, she taught him English and introduced him to American literature. They had a son together in 1942. In the middle of the 40'ies, Vian was struggling to have his novels acknowledged, but those that he published in 1945 were not very successful. He did, however, in 1946 have the luck of meeting, and later befriending Jean-Paul Sartre and Simone de Beauvoir, as well as Albert Camus, and he began publishing in "Les Temps Modernes". Thus, also Michelle got acquainted with the most famous couple in France at the time - and very well acquainted with Sartre! In fact the two became lovers and began an affair that lasted throughout Sartre's life, in 1980. Michelle and Boris Vian thus divorced in 1951 under messy circumstances. Both Beauvoir and Sartre were very fond of Boris Vian and had promoted him often, but the messy divorce seems to have created spite between the different parties involved - Sartre sided with Michelle, and Simone de Beauvoir with Boris Vian. "Le Sursis" originally appeared in 1945 as part II of "Chemins de la liberté". When the first Danish edition appeared in 1965, Sartre and Michelle were still lovers.

Kiøbenhaffn (Copenhagen), Henrich Waldkirch, 1599. 4to. Bound in a bit later nice full calf binding with four raised bands with richly gilt spine. Light wear to extremities. Ex-libris pasted on to verso of front board. Upper margin closely trimmed, otherwise a very fine and clean copy. (20), 285, (23) pp. + 1 folded genealogical table. Rare first edition of Huitfeldt’s famous history of Denmark, the present part being on Christian the 1. from 1448 to 1481 – The work is part of a ten volume work published over a period of eight year but each volume constitute a separate work in itself. It is considered the first printed comprehensive history of Denmark and spans from the history from King Dan and up to the death of King Christian III "After publishing his translation of Saxo Grammaticus, Vedel was asked to continue saxo's work and to bring the study of Denmark down to his own time. There were disagreements about how thorough this history should be and which language should be used, Danish or Latin. The project was then given with Vedel's notes to another historian, who accomplished little, and finally to Arild Huitfeldt. Huitfeldt worked quickly, from 1595 to 1603, providing nine volumes of Danish history from King Dan I down to 1559 and the reign of Christian III. He published the ninth volume first (1595)... In 1604 he added a tenth volume, a chronicle of Danish bishops. Huitfeldt had hoped to create a more carefully written version of hist history, but he died before he had the chance. Although roughj in some places, this work provides an invaluable source of information not otherwise available. For example it contains the text of original documents, letters, and description of laws." (Houghton Library, Danish Literature, 1986).Thesaurus 224Lauritz Nielsen 958

Chicago, (1947). 8vo. Orig. green full cloth w. gilt lettering to spine, minor bumping to extremities. With the ownership-signature of "W.V. Quine" to front free end-paper. A near mint copy. VIII, 210 pp. The not common first edition, of Carnap's important main work on semantics, in which he, as the first logician ever, uses semantics to explain modalities. This led to an interest in the structure of scientific theories, and his main concerns here were to describe the distinction between analytic and synthetic statements and to suitably formulate the verifiability principle; -he thus wishes to find a criterion of significance that can be applied to scientific language. THE COPY HAS BELONGED TO THE GREAT LOGICIAN WILLARD ORMAN VAN QUINE and bears his signature to front free end-paper. Rudolf Carnap and W.O. Van Quine are to of the greatest logicians of the 20th century and a copy like the present must me considered of the greatest interest. In the early 30'ies Quine met Carnap, under whom he studies in Prague, and according to Quine himself, Carnap's work was a great source of inspiration to him.It is in his "Meaning and Necessity" that Carnap first defines the notions of L-true and L-false (Chapter II). A statement is said to be L-true if its truth depends on semantic rules, and L-false if its negation is L-true. Any statement that is either L-true or L-false is L-determined; analytic statements are L-determined, while synthetic statements are not L-determined. As opposed to the definitions he gives in his "The Logical Syntax of Language", these definitions now apply to semantic instead of syntactic concepts. It is also in this work that he gives his interesting explanation of his "belief-sentences"Rudolf Carnap (born 1891 in Ronsdorf, Germany, died 1970 in Santa Monica, California) was an immensely influential analytic philosopher, who has contributed decisively to the fields of logic, epistemology, semantics, philosophy of science, and philosophy of language. He was one of the leading figures of the Vienna Circle, and a prominent logical positivist. He studied philosophy, physics and mathematics at the universities of Berlin and Freiburg, and worked at the universities of Jena, Vienna and Prague until 1935, when he, due to the war, emigrated to the U.S., where he became an American citizen in 1941. In America he became professor of the University of Chicago. In Jena he was appointed Professor of Mathematics, though his main interest at that time was in physics. By 1913 he planned to write his dissertation on thermionic emission, but this was interrupted by World War I, where he served at the front until 1917. Afterwards he studied the theory of relativity under Einstein in Berlin, and he developed the theory for a new dissertation, namely on an axiomatic system for the physical theory of space and time. He thus ended up writing the important dissertation under the direction of Bouch on the theory of space (Raum) from a philosophical point of view. After the publication of his first work, Carnap's involvement with the Vienna Circle began to develop. He met Reichenbach in 1923 and was introduced to Moritz Schlick in Vienna, where he then moved to become assistant professor at the university. He soon became one of the leading members of the Vienna Circle, and in 1929 he, Neurath, and Hahn wrote the manifest of the Circle.According to Hintikka, Carnap came extremely close to possible-worlds semantics in his "Meaning and Necessity", but did not succeed, because he was not able to go beyond classical model theory (see "Carnap's heritage in logical semantics" in "Rudolf Carnap, Logical Empiricist").

Amsterdam, Chez Pierre Mortier & Paris, Chez Huart, 1744. 4to. Beautiful cont. full mottled calf with five raised bands and gilt red title-label to richly gilt back. All edges of boards gilt. A very beautiful and well preserved copy with only minor fowing to a few leaves. Half-title, beautiful engraved frontispiece (a bit ahaved at bottom, where half of the last line of text is cut away - thus not disturbing image, and all text still legible), XXVIII, (1), 435, (1, -errata), (8, -contents) pp. First edition of the important first French translation of Cumberland's magnum opus, the highly important and influential masterpiece, which not only criticized Hobbes, absorbing and neutralizing many of his insights, but which thus also created a new political and ethical theory, which came to greatly influence later jurists and philosophers of natural law and ethics, e.g. Locke, Pufendorf, Hutcheson, and Shaftesbury, as well as much philosophy of the French Enlightenment. The present work also greatly influenced the understanding and reception of Hobbes in France and affected the French Enlightenment philosophers. "Traité Philosophique des Loix Naturelles", originally published in Latin in 1672, the same year as Pufendorf's "De jure naturae et gentium", constitutes Cumberland's earliest work, published by him at the age of 40. It was immediately read by the greatest of his contemporaries, exercised a great influence and was soon regarded as one of the three greatest works of the modern natural law tradition, together with Grotius' "On the Law of War and Peace" and Pufendorf's "De jurae naturae". In a later work Pufendorf commended the "De legibus" highly, and with its early utilitarian views and its doctrine of the common good as the supreme law of morality, it anticipated and influenced the direction that much ethical thought was to take in the 18th century. "Some of the earliest utilitarian thinkers were the 'theological' utilitarians such as Richard Cumberland (1631-1718) and John Gay (1699-1745). They believed that promoting human happiness was incumbent on us since it was approved by God." (SEP)."His combination of a strong critique of innate ideas and assertion of the moral community with God was a contributing factor in the formation of the kind of empirically based natural providentialism, or natural religious teleology, which soon became the framework or natural law thinking and, indeed, for the mainstream of Enlightenment moral thought." (Haakonssen, Natural Law and Moral Philosophy", p. 51).At the age of 60, the English philosopher and theologian Richard Cumberland (1631 - 1718) was appointed bishop of Peterborough (without having applied for it). Before that, he had been educated at Magdalen College in Cambridge and at the University of Oxford. He studied medicine for some time and then theology, becoming Doctor of Divinity in 1680. In 1658 he became rector of Brampton Ash in Northamptonshire, and in 1661 he became one of the 12 preachers of the university. In 1670 he became rector of All Saints at Stamford. He was known for the great effort and time that he put into his work, and it was not until his late thirties that he found time to finish the major work that he had been working on. Thus in 1672, he published his first work, his magnum opus "De legibus naturae"( "Traité Philosophique des Loix Naturelles"), which became famous for its vast critique of Hobbes - mainly of that which he saw as his egoistic ethics- and for its propounding of utilitarianism.The main purpose of the "De legis naturae" is to refute Hobbes' theories of the constitution of man, morality, origin of society, etc. and to show that the state of nature is not a state of war. According to Cumberland, man's primary end is not self-advantage, and power is not the foundation of society. He puts forth a new doctrine of morality, which is still based on natural law, but which is accompanied by a running criticism of Hobbes' views, which seem to him subversive of religion, morality, and civil society. He sees the law of nature as capable of pointing out that which will promote the common good, and he believes that the law of nature can be inferred by observing physical and mental phenomena. Thus, Cumberland agrees with Hobbes in the attempt to provide a naturalistic account of the normative force of obligation and in the attempt of establishing a rational dictate, but he opposes Hobbes in the way that these can be derived.Another edition of the present work was published simultaneously at Lausanne and Geneva, and it was published again in 1757 in Leyden. The first English translation of the work appeared in 1727, and a new translation into English followed in 1750.Brunet II:442 (only mentioning the present Amsterdam-edition and the 1757 Leyden-edition).

4 volumes. Printed by H. Meere for A Bettesworth, London 1738-1741 & 1735. 12mo. (4)+36+544+(6) + 385+(9) + (8)+490+(6) + VIII+364+(4)+4+117+(14) pages. + VIII+310+(2) pages. Engraved frontispiece plate in volume 1, 2 & 4. Vol. 1: 69 engraved plates. Lacks 21-22, 25-26 & 68. Vol. 2: plate 69-124 (79-80 blank) + 3 plates (Order of the Garter). Vol. 3: Plate 2-88, including map of Scotland (12, 14, 53-54 blank, 12 & 14 with number). Vol. 4 (Ireland); 84 (28 blank) + 28 plates. Titlepages in red and black. Contemporary full brown calf bindings. Spines renewed in the 19th century, making the spines uniform. Armorial bookplates on front pastedown and on front endpaper in each volume. Bindings somewhat worn; spine of vol. 1 with wormhole.

No printer stated, Paris 1619-1622. Small folio. Printed title + engraved title + [4]+ [6]+70 [= 71 (2 x leave 6)] leaves. 34 engraved plates, most of them double-paged). Engraved and woodcut text illustrations. Mid-19th century brown half-calf binding with gilt and blindtooled decorations on spine. Ink stamp on printed title (Philippe, Comte de Schwerin (Mecklenburg), Small marginal tears to the first pages, including titlepages, and to the last pages. * Reprint of the famous treatise on fortification, first published in 1604.

Verlag DuMont Schauberg, 1963. 43 pp. Illustrated with 6 black/white etchings by Antonio Saura. No. 17/100 copied, signed by the artist. Loose sheets in orig. red clamshell box. Box showing some edgewear, contents clean and unmarked. Faint tobacco scent.

17 kobberstukne portrætter udført af Johann Martin Preisler og O.H. de Lode samt af bl.a. Meno Haas og Heuer. København 1755-1850. Lysmål: c. 33 x 22. Med pladerand og c. 1 cm marginer til alle sider. I uniforme guldrammer med stukornamenter fra c. 1900. Papiret på flere stik noget brunet. Et par rammer med småskrammer.(Grafik/Prints). * Ganske imponerende og dekorativ serie af danske kongeportrætter, udført - som så mange andre store kunstneriske initiativer - i anledning af hundredåret for enevældens indførelse i 1760. Trykkene skulle indgå i J.H. Schlegels storværk "Geschichte der Könige von Dänemark" (1769-77). Værket blev som adskillige af de ovennævnte initiativer aldrig færdigt, men gik i stå i midten af fremstillingen af Christian IVs tid. De resterende kongeportrætter, frem til og med Christian VII) er siden blev solgt som løse tryk. Til portrættet af sidstnævnte føjer sig det samtidige portræt af dennes halvbror, arveprins Frederik, der blev udgangspunkt, på papiret, for Christian VIII og den sidste oldenborger Frederik VII. Portrætterne af rækken af konger fra Christian I til Christian VII er stukket af tidens to førende kobberstikkere i Danmark, og adskillige af de 13 billeder er fremragende gengivelser af de malede forlæg. Til serien er føjet et indtagende profilportræt (udført af Meno Haas) af Frederik VI som barn samt et ikke mindre indtagende portræt af prins Christian Frederik (der i 1839 blev Christian VIII). Serien afrundes med et godt profilportræt af Frederik VII fra c. 1850.

Avec figures en Taille-douce. Par M. de la Gueriniere, Ecuyer du Roi. A Paris, Huart et Moreau Fils, Dessaint et Saillant, Durand, Delormel, Pissot, 1751. Folio. 318+(6 index) pages. Etched title illustration. Etched illustration to dedication, 5 headers to preface and parts. 24 full-page etchings, whereof 3 are fold-outs. Later half binding with white paper spine and red morocco title label. Lower outer hinges cracked (ca. 5 and 8 cm respectively). Some edgewear to binding. Top of pages appears to have been cropped slightly during the newer binding. Some discolouration, traces of thumbing to lower right corner of most pages. The majority of lower right corners professionally reinforced/repaired. Page 7 with later pencilled capital letters to margin. Pages 181-279 with contemporary inked annotations. Occasional staining and one burn-mark. * Besides magnificent equestrian portraits the etchings depict diverse equipment and step diagrams.

Joachim Moltken, Sorø 1644. Folio. Kobberstukket titelblad (opklæbet) med portræt af Christian IV omgivet af Valdemar den Store og biskop Absalon i helfigurer samt med vignet af Saxo skrivende i sin klostercelle, sandsynligvis et portræt af Stephanius. (6)+384+(22)+2 blanke blade. Indbundet med: Stephanis Johannis Stephanii Notæ uberiores in Historiam Danicam Saxonis Grammatici. Una cum prolegomenis ad easdem notas. Henrik Kruse, Sorø 1645. 60+252+(22) sider. Med træskårne illustrationer af runesten. Samtidigt pergamentbind med kalligraferet rygtitel. Bindet lidt plettet. Bogblokken let plettet langs ydermargenerne. Gl. navn (naturforskeren Japetus Steenstrup, 1829) på forsatsbaldet. Med H.C. Broholms navnetræk på indersiden af forpermen. * Bibl. Dan. III,9. Thesaurus II 668. Brunet V,175. Graesse VI,287. Stephan Johannis Stephanius (1599-1650) står som sin tidsalders største danske historiker og udfoldede det meste af sit virke med det ridderlige akademi i Sorø. Titelbladets Saxo-portræt er sandsynligvis et portræt af ham - det eneste! Hans stateligt udstyrede Saxo-udgave er sammen med hans udførlige tekstkritiske noter aldeles banebrydende for Saxo-forskningen. De træskårne klicheer til kommentardelens gengivelser af runesten stilledes til rådighed af Ole Worm og kendes fra dennes Monumenta Danica. "Bærer kommentaren end præg af at være blevet til i den nordiske oldforsknings barndom, så er Stephanii Saxo dog en bedrift ikke blot nationalhistorisk set, men også efter europæisk målestok (H.D. Schepelern i DBL).