Søkeresultat

N.p. [c. 1920] 54,5x44,5 cm (etchings in various sizes). Title-leaf + 8 original etchings, in passepartout, signed by the artist and numbered 26 (of 53). Loose as issued in original portfolio with title-label on upper cover. The portfolio is damaged and covers are detached. The etchings are in very good condition. Views from Venice. Oskar Graf (1873-1958) was a German art nouveau painter and printmaker who worked in Munich. Publihed in a limited edition of 53 copies, this is no. 26.

Norstedts 2009-2012. 502; 502; 624; 592; 687; 712; 549; 686 s. Rikt illustrerad. Förlagets klotband med skyddsomslag (8 volymer). Fint skick. Komplett uppsättning av vårt nya standardverk över svensk historia. 14,4 kilos / 31,6 lbs

The Rainbow Press 1973. 28,5x19,5 cm. 33, (3) pp. With illustrations by Leonard Baskin. Publisher's white quarter goat vellum, in slip-case, by Sangorski and Sutcliffe. A very good copy. Printed in 150 numbered copies, this is no. 133.

London, A. Dulau & Co. 1800. (4), 246; (4), 276 pp. + 15 engraved plates Contemporary full calf, spines gilt, gilt borders on covers, all edges gilt. Restored bindings with partly new spine, some wear, occasional light foxing, plates slightly more. With the book-plates of Viscount Folkstone, John Roland Abbey and Arpad Plesch.

Arthur Elgort 1983. First edition. 30x24 cm. 101, (8) pp. Mainly photographs. Publisher's cloth, dust-jacket, in original cloth slip-case. A near fine copy. Presentation copy with dedication from the photographer. This copy is not numbered.

Bonniers 1948-2001. Ca 8500 s. 22 volymer. Samtliga i förlagets halvklotband, förutom del 3-5 & 7 som är häftade; del 1, 2, 6, 12 saknar skyddsomslag. Del 1, 2, 6 med lätt blekta ryggar, del 3 lätt nött och med en läsrand, del 4 och 5 ouppskurna, del 8 med lätt solkat snitt, några delar med lätt gulnade omslag, i övrigt en välbevarad uppsättning. (Strindbergssällskapets skrifter). Komplett uppsättning av Strindbergs brev. Del I-XV utgivna av Torsten Eklund, del XVI-XXII utgivna av Björn Meidal. Band XXI utgör supplement, band XXII supplement och generalregister.

Stockholm, Lars Salvius 1766. (6), 156 s. Samtida stänkmarmorerat pappomslag, ryggen senare förstärkt med remsa. Titelsidan med gammal blindstämpel högst upp. Inlagan huvudsakligen i gott skick. Åren 1756-66 pågick en debatt mellan J G Wahlbom och Olof Acrel om vilken metod man skulle använda vid starrstickning. Akademien kopplade in Roland Martin som skiljedomare. Denna strid och skriftväxling publicerades sedermera i denna skrift som innehåller 4 skrifter av Wahlbom, 3 av Acrel och 2 av Martin. Med dedikation från Roland Martin till "Archiater Engelund [?]"

Stockholm, Lars Salvius 1749 (4), 106 s. + 1 graverad utvikbar plansch. Samtida något nött halvfranskt band. Planschen saknas i resa 1749, planscherna något fläckade och med revor i resa 1750, en karta saknas i resa 1752, den andra kartan med reva. Titelbladet till det första arbetet med lagning, enstaka fläckar i texten. Medbundet i denna volym finns: [Resa 1750], Stockholm 1751, (2), 236 s. + 6 graverade planscher + 1 graverad karta. [Resa 1752], Stockholm 1753, (10), 34 s. + 1 graverad plansch (enl. Bring saknas den i de flesta ex) + 1 graverad karta (båda dessa reseberättelser gavs ut utan titelblad. Elvius, Pehr, Dag-bok, Stockholm [1751], 77 s. Ref: Bring, 167, 171, 159.

Lund, C.G. Berling, [1749]-1758 (4), 212 (sista s. blank); (4), 288; (2), 310 (sista s. blank) s. Träsnitt i texten. I en volym, senare halvpergamentband med ryggförgyllning, ryggen med röd titeletikett, röda snitt. Enstaka fläckar i texten men huvudsakligen ett rent och fint exemplar. Titelsidan med gammal ägarantecking. Insidan av främre pärm med Gustaf Berndtssons exlibris samt litet urklipp från antikvariatskatalog.

Frame [2017] 30x24 cm. (28) pp. Photographs only. Original flexible blue cloth. Lower cover with miscolouring in upper part and less in lower part, otherwise very good. Printed in 500 numbered copies, this copy is unnumbered.

Jönköping, Peter Hultman 1694. (16), 515, (3) s. Med ett flertal helsides träsnittsillustrationer. Samtida skinnband. Renoverat band med nya försättsblad, förstärkta falsar och något blad med lagning. Ett flertal blad med tydlig fuktrand, en sida med äldre marginalanteckningar, titelbladet och några efterföljande blad ganska kraftigt fläckade, annars en del andra lite mindre fläckar här och var i texten.

Stockholm 1911-1913. 32x25 cm. XIII, (3), 142; IX, (3), 111; IX, (3), 112 pp. + 292 plates with printed tissue-guards to all. Contemporary (original?) half calf, spines gilt, top edges gilt, covers bound in. Bindings a bit rubbed and scratched, 3 plates and two leaves detached in vol. 3, otherwise a very good set. No. 110 of a limited edition of 160 copies.

Paris, Ernest Gründ [1924] Illustrations in the text. Contemporary brown half calf, spines richly gilt, a bit faded, marbled boards. A very attractive set.

Stockholm, Moderna Museet 1972. 30,5 x 21,5 cm. 363 pp. + 1 original meta-matic painting, signed by Tinguely + 1 grammophone-record. With 34 pp. on transparent paper, 13 pp. in colour, 6 folding pp. Publisher's illustrated cloth, designed as a brief-case with handle and lock in metal. A very good copy. This is the Swedish edition of a remarkable catalogue which was also published in French, German and English. Text in Swedish.

Lugduni, : Apud Joh: et Dan: Elsevirios. 1651 12vo. Engraved title page [precedes half title], 381, (3 blanks). Beautiful green morocco, gilt spine, gilt egdes and borders, ruled throughout, bound by Thouvenin. Worn corners, small scratchings and some minor soilings to rear board. Minor later annotations on the fly leaf, which has a small tear to inner margin. With two small pasted listings from auction catalogues. Page numbers vaguely written by hand until p. 150. From the library of Thore Virgin with his name on fly leaf. A very nice copy of the rare edition.

Augustae Vindelicorum / Argentorati, 1769, 1754. (20), LXXXVIII, 256; (2), 342; (12), 140, (4) s. Contemporary full calf with sprinkled edges, sparsely gilt spine label and spine, the spine with five raised bands. Spine and boards slightly rubbed, paste down endpaper with neat, contemporary inscription. Interior with one sheet loose, page 7 of the first part of Opera oratoria with paper loss at lower corner, part 2 with professionally repaired tear on page 117, interior else with a couple of tiny spots and creases, else fine. Johannn Daniel Schöpflin (1694-1771), was a professor of history, rhetoric and law at the university of Strasbourg. Schöpflin was also a teacher of Goethe during the years of 1770 and 1771. All in all a well-kept volume with both parts of Schöpflin's Opera oratoria bound together with his study of celtic languages, Vindiciae celticae.

Signum 1994-2005. 29x21,5 cm. Ca. 6000 s. Rikt illustrerad. Förlagsband med skyddsomslag. Denna den senaste och mest omfattande svenska konsthistoria innehåller följande delar: 1.Stenåldern, bronsåldern, järnåldern. 2. Vikingatidens konst. 3. Den romanska konsten. 4. Den gotiska konsten. 5. Renässansens konst. 6. Barockens konst. 7. Frihetstidens konst. 8. Den gustavianska konsten. 9. Karl Johantidens konst. 10. Konsten 1845-1890. 11. Konsten 1890-1915. 12. Konsten 1915-1950. 13. Konsten 1950-1975.

London, printed for T. Payne and B. White 1781 (IV), 426 pp. Contemporary full calf, rebacked, old, worn spine mounted on new one, worn at extremeties, Internally very good. From the library of H. Bradley Martin with his book-plate inside front cover.

Verlag M. DuMont Schuberg 1970. First edition. 29 x 27 cm. XXIX, (1), 504 pp. + 203 plates in black and white and in color. Publisher's gilt-stamped blue cloth with dust jacket. Jacket with a couple of small tears, creases and soiling on spine. Neat pencil annotation on endpaper. A very good copy, in slip-case. Catalogue raisonne of Kandinsky's graphic works. Text in German. Heavy book - extra postage outside Sweden.

London, Paris & New York, Cassell, Petter, Galpin & Co. [1891] 4:o. VIII, (2), 664 pp. + 28 chromelithographed plates. Illustrations in the text. A later, not so charming, hardcover. Still in very good condition.

London, printed for W. Bristow 1763 (2), IV, II, IV, 83 pp. + engraved frontispiece portrait. Later half cloth, recto of portrait with old ownership stamp. A very good copy. Nash (1674-1761), master of ceremonies in Bath, famous dandy who played a leading role in making Bath a fashionable resort in 18th-century England.

Leipzig, Karl Baedeker 1883. First edition. LII, 442 pp. + 20 maps and plans (some folding). Publisher's cloth, minor wear, front hinge slightly weak, tear to one map, still overall a very good copy.

Calmar, tryckt i Carl Fredric Bergs Boktryckeri, 1818 19 x 16,5 cm. 79, (1) s. Illustrerad med 38 träsnitt i texten. Häftad i samtida, marmorerade pappomslag med senare ryggremsa. Omslagen nötta, bakre omslaget med nagg i övre hörnet, främre falsen med revor om ca 4 respektive 6 cm intill rygghuvud och -fot. Inlagan genomgående tämligen kraftigt lagerfläckad, övre marginalen med liten genomgående fläck. Sidan 15 med liten nagg i nedre hörnet, sidan 47 med reva om ca 2,5 cm i marginalen, sidorna 59-62 lite hårt skurna i nedre marginalen. Niels Prahls danska original utkom första gången 1767, ett flertal svenska upplagor utkom mellan åren 1777 och 1822. Ovanlig.

À Cologne, chez Pierre Marteau, 1725 (8), 439 (1) pp. + 2 engraved plates. Contemporary marbled boards. Owner's signature on paste-down endpaper. Spine and boards heavily rubbed, head of spine partly cracked. Interior with some faint, occasional dampstaining in the lower margin. Early (first?) edition of this anonymously published libertine novel sometimes ascribed to Antonio Gavin. Last page faultily paginated as page 446. Scarce. With two copies of the same engraved title-leaf, one at the beginning of the first part of the book, one at the beginning of the second part.

Lutetiae Parisiorum, apud Ludovicum Billaine, 1661 (17), 2-178, (178), 179-460 (18) pp. Later half calf (ca 1900) binding with marbled boards, yellow tinted edges and gilt spine. Front board with Swedish book collector Hjalmar Lundgren's gilt monogram, paste-down endpaper with Lundgren's book-plate. Spine and joints slightly rubbed, lower corners slightly bumped, title-leaf and adjacent leaf with small ink spot, interior else fine. With parallell text in Latin and French. With Count Carl Gustaf Tessin's signature on the title-leaf. Carl Gustaf Tessin (1695-1770), son of architect Nicodemus Tessin the Younger and Hedvig Eleonora Stenbock, was a Swedish diplomat and politician. Apart from being one of the most prominent figures in Swedish political and cultural life of his time, he was also an avid art and book collector whose art collection laid the foundation of the collections of Nationalmuseum.