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London: Corgi Books, 1971. Paperback. 143pp. Good clean copy. Come On!

CINÉMA, Le Terrain Vague, 1960, In-8 broche, photos hors texte, 121pp.

Edinburgh University Press, 1977. Publishers hardcover, with slightly worn jacket. IX, 172 pages. Very good clean copy. First edition thus. - The Spanish poem Fábula de Polifemo y Galatea, The Fable of Polyphemus and Galatea, or simply the Polifemo, first published in 1627 - here with an English translation and a long thorough introduction. The poem, though borrowing heavily from prior literary sources of Greek and Roman Antiquity, attempts to go beyond the established versions of the myth by reconfiguring the narrative structure handed down by Ovid. Through the incorporation of highly innovative poetic techniques, Góngora effectively advances the background story of Acis and Galatea’s infatuation as well as the jealousy of the Cyclops Polyphemus. The Polifemo was completed in manuscript form in 1613 and was subsequently published in 1627 after Góngora’s death. Luis de Góngora y Argote was a Spanish Baroque lyric poet. Góngora and his lifelong rival, Francisco de Quevedo, are widely considered the most prominent Spanish poets of all time. His style is characterized by what was called culteranismo, also known as Gongorismo. This style existed in stark contrast to Quevedo's conceptismo.

Leipzig: Galerie für Zeitgenössische Kunst Leipzig, 2000. 8vo in wraps as issued. 80 pages. Text in both German and English. Illustrated. Fine copy. Rare item by Michael Elmgreen & Ingar Dragset - the catalogue booklet on occasion of the exhibition in Leipzig, "Zwischen anderen Ereignissen" . First edition. "Michael Elmgreen: Our show at Galerie für Zeitgenössiche Kunst in Leipzig was our first institutional solo exhibition in Germany. During the last couple of years there has been this tendency all over Europe to produce ambitious and spectacular shows. So we started to think about all the activity that lies in between these shows, all the preparations and the labor of installing such giant art events. In the end we decided to focus on that : To use our production budget to employ two craftsmen from the city of Leipzig and let them paint the entire kunsthall white - over and over again - throughout the duration of exhibition, which was approximately seven weeks. An almost endless renovation of the space. We wanted to highlight this important though unnoticed side of the process of exhibiting. The intension was to expand the little "time gap" that is usually only a week or so in between two shows. And turn this gap into the show itself. - Ingar Dragset : In previous works we've been dealing with the issue of borderl ines in a physical way - works that have been penetrating the architecture which divides the art institution from the surrounding environment. In Leipzig the work was situated in a kind of inter-time-zone... in the break between two other art events. At the same time we tried to make a link between the institution and its surroundings by interfering with the social situation of the city. Leipzig has, as a lot of other cities in the former eastern part of Germany, an extremely high rate of unemployment."

Stalke Gallery, 1997. Squarish 8vo in wraps as issued. 21 x 23 cm. Catalogue of an exhibition held at Stalke Out of Space, Copenhagen, in 1997. Text by Staffan Boije af Gennäs.

Copenhagen [2002].Large 4° in stiff wraps as issued. 60 pages. Richly illustrated in colour. Fine.

Gyldendals Bogklub, 1981. Hardcover, med omslag. 235 pp. Illustreret af Svend Otto S. og oversat af Per Øhrgaard. Den nyeste oversættelse til dansk.

Gyldendal, 2009. 384 pp. Hft. Pænt rent eksemplar.

Gyldendals Uglebøger, 1968 130 pp. Hæftet. Navn, ellers rent eksemplar.

Stockholm, Bonniers, 1960. Original papbind med lærredsryg. Bindet noget slidt men stadig solidt (se foto). Gave tilskrift 1962 på friblad. 1ste oplag.

Forlaget Kunst og Kultur, 1959. Heftet med tråd og med det originale omslag. XXXV, 221, 182 pp. Omslag en anelse kantslidte ellers pænt sæt.

Forlaget Klim, 2009. 265 pp. Hft. Omslag med lidt brugsspor, ellers ren og pæn. Denne bog samler de vigtigste af Jean-Jacques Rousseaus' (1712-1778) mindre politiske og økonomiske skrifter. Bogen indeholder: Om genoprettelsen af videnskaberne og kunstarterne har bidraget til at forædle moralen, Konstitutionelt projekt for Korsika, Afhandling om den politiske økonomi, Betragtninger over Polens styreform og dens påtænkte omdannelse, Krigstilstanden, Efterskrift: Om Rousseaus politiske filosofi ved Mikkel Thorup.

Frankfurt: S. Fischer Verlag, 1997 (1942). 460 Seiten. Anmerkungen auf ersten und letzten Seiten. Taschenbuch.

Det Kgl Danske Kunstakademi, 2000. Original lærredsbind med blindtrykt dekoration (('Det store glas') og smudsomslag. 182 pp. Som ny.

Forlaget Multivers, 2022. 160 pp. Hft. Let kantslitage ellers pæn og ren.

Forlaget Høst & Søn,1999. Hardcover. 61 sider. Illustreret s/h. Pænt eksemplar.

Arena, 1961. 279 pp. Hæftet. Omslag med lidt brugsspor. Første danske udgave, nummereret eksemplar.

Gyldendals Bogklub, 1992. 127 pp. Hft.

Suhrkamp, 2004. Original Karton mit Schutzumschlag. 371 Seiten. Erste Auflage.

Granta Books, 2003 (2002). Large paperback. XXIII, 260 pages. Illustrated. Fine clean copy.

Det poetiske bureaus forlag, 2019. 106 pp. Hft. Pænt eksemplar. Gashjertet (Le Cœur à gaz), skrevet af Tristan Tzara i 1921, er et mesterværk i det dadaistiske teater. For første gang foreligger teksten nu på dansk. Oversættelse og introduktion er lavet af Kenn Mouritzen og teksten ledsages af et efterord af Anette Asp Christensen.

Forlaget Rosinante, 2014. 466 pp. Hft. Nogle brugspor. Den nye danske oversættelse ved Lars Bonnevie.

Gyldendals Bogklub, 1992. 128 pp. Hft.

Vestsjællands Kunstmuseum, 2003. Stor 8vo. 147 pp. Heftet.

Wivels Forlag, 1949. Indbundet med omslag i pænt privat halvlæder. 129 pp. 1. oplag.