Søkeresultat

Köln: Anaconda Verlag, 2012. Hardcover, mit OU und Lesebändchen. 414 Seiten. Umschlag berieben sonst sauber und innen gut erhalten, ungelesenes Exemplar.

Forlaget Anis, 1992. 96 pp. Hft. Navn.

Gyldendals Bogklub, 2002. 183 pp. Hft. Indeholder bl.a. 'Tekster for intet', 'Nok', 'Bing' og 'Enden'.

Copenhagen: Christian Ejlers' Forlag, 1985 (1947 - 1948). 4to. Original b/w paperboards with photoillustrated dustjacket. Unpaginated (150 pp.). Text by Hans Scherfig (in Danish). Photography by H. (Helmer) Lund Hansen. Near fine well preserved copy. Reprint edition of classic Danish photo book that includes several in a Danish context iconic photographs. The 1947 edition was chosen as one the 28 most important Danish photo books for the catalogue and exhibition '28 Danish Photographic Books' (2006) in connection with exhibition 'The Open Book' by The Hasselblad Centre (2004).

Signet paperback, 1956. 2367 pp. Somewhat worn. With the name of Kells Elvins handwritten to innercover, and dated 1958. Charming copy with an interesting provenance: This copy has belonged to and is signed by Kells Elvins (1913-1961), best friend of William S. Burroughs and who co-wrote "Twilight's Last Gleamings" and ignited Burroughs writings that would become Junky.

Museum Schloss Moyland, 2007. Tall 4to hardcover. 96 pages, illustrated. German text with English translations at end. Light shelfwear to corners else clean and fine copy. CD looks unplayed. First edition. Volume one in the series. 1. ed.

Chicago: Donald Young Gallery, s.d. (1987). Oblong in wraps. (24) pp. Illustrated throughout. Near fine clean copy. 1st edition.

Politisk Revy / Rævens Sorte Bibliotek, 2001. 351 pp. Hft. Illustreret. Om bl.a. Sophie Calle, Boris Mikhailov og Christian Boltanski.

Exlibris – EXLCD 30116 - 2006. CD box med kantslid, bog (79 sider) og cd fin. I vedlagt booklet fortæller Brøgger om jazz, kvinder og blues.

Copenhagen: Det danske Filmmuseum, 1963. 8vo. 34 pp. Illustrated. Text in Danish. Well preserved copy of this rare item. 1st printing.

Forlaget Vandkunsten, 2013. 318 pp. Hft. Ydre brugsspor. Mastersongs – En bog om Leonard Cohens sange giver en detaljeret indsigt i alle numre på digtersangerens 12 studiealbums, samt i de ti, som kom med på hans første liveindspilning, Live Songs.

Wien: Secession & Revolver Publishing, 2011. Large tall 4to in stiff wraps as issued. 80 pages illustrated with full page colour plates. Text at end in German and English. Fine copy with only minimal shelfwear. Openness, complexity, and difference, reality as a hybrid and dynamic construct: these are the hallmarks of a steadily growing corpus of works on which Inés Lombardi has been working since the late 1980s. Through endless variations and concatenations in a variety of media including photography and video as well as installations and objects, the artist demonstrates how complex human perception is. Space plays a significant role in the artist's presentation of her works, which perpetually call for new contexts and settings that endow them with new meaning. The new series Past Present Close and Distant, which Inés Lombardi developed for her exhibition at the Secession, continues this process. In questioning the relationship of the garden, surrounding landscape, and architecture at Residência Olivo Gomes and the Fazenda Vargem Grande, two gardens by the Brazilian landscape architect and painter Roberto Burle Marx, the artist examines the relationship between past and present and addresses questions of identity and diversity. Further aspects of her investigation concern the Self and the Other and the appropriation of the unknown, nature as a construct, modernity in Brazil, and the formation of national identities. Her research covers the writings of travelers and explorers, the Romantic naturalism of the nineteenth century, and our own complex relationships to this part of our history. By publishing a hybrid text, Inés Lombardi offers a magisterial solution for expanding the exhibition concept, which she has opened up to encompass book format. Weaving together statements from her artist, architect, and theorist friends about their personal impressions of the images the artist sent to them, she has created a text collage that forms a new ensemble from the sum of its parts. The result is open and complex and as dynamic as all of the artist's works.

Forlaget Samleren, 1981. 428 pp. Hft. Omslag med brugsspor, indvendig ren.

Lindhardt og Ringhof, 1988. 149 pp. Hft. Første danske udgave.

Forlaget Arkona (Repertoire), 1983. 8vo. 62 pp. Heftet med tråd og med det originale omslag. Bogen fremtræder i pæn stand. 1. oplag.

Gyldendal, 1989. Stort format. 32 pp. Illustreret i farver. Kun mindre brugsspor. Første udgave, 1. oplag.

Gallerie Faurschou, 2005. Original softcover. 34 pp. Illustrated in colour. Clean copy.

Penguin Books, 1994. XVIII, 118 pp. Paperbnack. Fine clean and unread copy.

Bloomsbury Revelations, 2016. XVI, 230 pages. Paperback as issued. Very good clean copy.

London: Lorrimer Paperback, 1968. 123 pp. Illustrated b/w. Text in English. Very good copy.

Gyldendal, 1965. Indbundet i det originale hardcoverbind med omslag. 384 pp. Klassisk udgave. Pænt eksemplar.

London: Faber & Faber, 1945 (1943). Original cloth with a slightly worn dustjacket. XXIII, 320 pp. Illustrated. With plates. Name to free front endpaper and a few scattered underlinings with a red pencil, not to bad. Overall a good solid copy.

Eindhoven : Het Apollohuis, 1992. Original hardcover, no dustjacket 20x20cm, illustrated in bw and color. Very good. 1st edition.

Éditions Fata Morgana, Octobre, Mai 1983. Broché in-8., 50 pages. Bon etat. First edition / édition originale - un des 1725 exemplaires sur vergé teinté.

Rowohlt, 2022. Gebunden mit OU. 189 Seiten. Gut erhalten. 2. Auflage.