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Lowe & B. Hould, 1998. Publishers hardcover, w jacket. (8), 122, (2). pp. Minimal edgewear, overall a fine clean copy. This volume reproduces that 1890 collection which was the first time much of her work was published. Witty, wry, subversive, incisive and celebratory, these poems lay the foundation for Dickinson's literary reputation. Few of Emily Dickinson's poems were published in her lifetime. After her death the editing of her poetry into a publishable manuscript fell to an Amherst friend, Mabel Loomis Todd who eventually enlisted the aid of T. W. Higginson. The collection was first published in 1890.

Gyldendal, 2011. Original hardcover. 436 pp. På dansk ved Johannes Riis, Forord af Klaus Rifbjerg. Godt eksemplar. "Mesterlige noveller fra USA om mennesker og deres liv, som krakelerer i hverdagens ægteskab og kriser, skilsmisser og nedture".

Edition After Hand, 1973. 8vo in printed illustrated wraps as issued. (52) pp. Illustrated throughout. Cover discolored with some foxing. First edition. Rare concrete poetry item.

University of Minnesota Press paperback, 2006. XLIII, 333 pp. Light edgewear, clean and overall very good copy.

Delta, 1982. 448 pp. Hft. Noget brugspræget.

Arena / Gyldendals Bogklubber, 2003 (2002). 61 pp. Hft.

London, Typographical Systems International TSI, 1991. Folio. Orig. wrappers. 49 p. Ills. Surface marks to cover and edgewear else a very good clean copy. .

Informations Forlag, 2014. 180 / 123 pp. Hft.

Gyldendal, 1945. Stor 8vo i original heftet omslag med den originale æske. 402 pp. Meget velbevaret. 1. ed.

Gyldendals Bogklub, 2005. 400 sider. Hft. Lidt ydre brugsspor. Fra serien 'Moderne Tænkere'. Med en introduktion af Christian Dahl og Rune Lykkeberg.

New York: Modern Library, 1996. Publishers hardcover, w jacket. XIII, 637 pp. Light edgewear else clean very good copy. Charming 19th century edition.

Gyldendal 1972. Original kartonbind (hardcover). Illustreret. 88 sider. Lidt brugsspor. Originaludgave.

Munksgaard, 1988. 152 pp. Hft. Omslag med brugsspor og lidt forsigtige blyantsnoter.

Suhrkamp, 1986. Hardcover, med omslag. 651 pp. 3. Auflage.

Borgen, 1974. 8vo. Hardcover. 35 sider. Illustreret i farver. Lidt slitage på hjørner. Dansk udgave af den tyske børnebog Itschi hat ein Floh im Ohr, Datschi eine Meise. En vrøvlebog om at skide, om den dumme far, den dumme skole, om at lave en masse ballade.

New World Library, 2013. Paperback. XXVI, 402 pages. Very good copy.

Copenhagen: Huset - Video Galleriet, 1991. Small 12mo in stapled, slightly sunned and worn, illustrated wraps. 31 pages. With black and white illustrations. Text in both Danish and English. Cover sunned else a fine and clean, well preserved copy. First edition. - Introduction to Lynn Hershman, a text on Deep Contact and a text by Lars Movin on Hershman.

Edition After Hand, 2011. 63 pp. Hft. Lidt æselører og let kantslitage. Første udgave, 1. oplag.

Horsens Kunstmuseum, 2002. Original stiff wraps. The shape and size and look of a 7 inch. Illustrated throughout, with some text (in Danish). 50 pp. Fine copy. Ike og Ancher handler om at umuliggøre en almindelig uddannet aflæsning. De dukker op som en absolut kulturel forvirring fra Buggikirkegården, hvor de ligger side om side. På moder jord dunker den ene virkelighed den anden oven i hovedet, men på Buggikirkegården har Ike og Ancher alt at sige til hinanden,« var Tal R's forklaring af temaet for sin udstilling »Ike og Ancher« på Horsens Kunstmuseum. Museets forklaring lød: »Ike Turner var engang gift med den nu mere berømte Tina Turner og Anna Ancher gift med den dengang mere berømte Michael.

Forlaget KLIM 2024. Hardcover, med smudsomslag. 476 sider. Omslag med rifter ellers pænt eksemplar. 

Vindrose, 1985. 135 pp. Hft. Omslag med brugsspor.

NY: New Directions, 1979. Stiff wraps. 57 pp. Minor edgewear to cover. Name to half title else clean, tight very good copy. First edition, paperback version.

Det schønbergske forlag, 1971. Original hæftet omslag. 110 pp. Navn.

Berkeley: University of California Press, 2011. Paperback. XXII, 294 pp. Illustrated. Very good copy.

Princeton Architectural Press, 2000. Square 8vo in wraps as issued. 212 pages, richly color illustrated. Fine. As the art director of Columbia Records, and later as a freelance designer working for such labels as Decca, London, and Everest, Steinweiss was the undisputed king of the field he'd created. Using eye-catching illustrations, vivid colors, and playful typography, Steinweiss gave visual form to a golden age of classical, jazz, and popular music, creating albums for such luminaries as Louis Armstrong, Bela Bartok, Leonard Bernstein, Paul Hindemith, and Igor Stravinsky, among others. This volume charts his entire career, featuring more than 150 full-color reproductions of his covers.