Søkeresultat

Arkitektens Forlag 2001. 4°. Illustreret i s/h. 246 sider. Heftet med orig. omslag. Nogle blyantsnoter i teksten.

Gyldendal, 1988. Original kartonbind. 64 sider. Illustreret s/h. Pænt eksemplar. Første udgave, 3. oplag.

New York, NY: Center for Cuban Studies, 1988. Small4to in wraps as issued. [40 pp]. Black and white plates. Fine clean copy with onky minimal shelfwear. 1. ed. Includes an introduction by exhibition curator Coco Fusco and an essay by Luis Camnitzer. Includes works by Moises Finale, Gustavo Acosta, Jose Bedia, Consuelo Castaneda, Arturo Cuenca, Jose Franco, Israel Leon, Flavio Garciandia, Marta Maria Perez, Zaida del Rio et al. Includes artist biographies and lists of exhibited works. Catalogue created, as a project of the Center for Cuban Studies, on occasion of exhibition "Signs of Transition: 80's Art from Cuba" from January 21 through February 28, 1988 at the Museum of Contemporary Hispanic Art in New York, NY. Scarce. From the Collection of the Art Historian Peter Selz.

Carlsen if, 1978. Stort format. Hardcover. 64 sider. Illustreret i farver. Velbevaret eksemplar. Første danske oplag = den store farveudgave i hardcover.

Strandbergs Publishing - Ny Carlsbergfondet 2016. 4°. Stor tung hardcover. 447 sider. Rigt illustreret. Pænt eksemplar. Extra heavy book: Foreign shipping for this item will be extra, please inquire before ordering!

Anchor Books Paperback 2009. (4) 333 pages. With plates. Very good clean copy.

New World Library, 2013. Paperback. XXVI, 402 pages. Very good copy.

Copenhagen: Huset - Video Galleriet, 1991. Small 12mo in stapled, slightly sunned and worn, illustrated wraps. 31 pages. With black and white illustrations. Text in both Danish and English. Cover sunned else a fine and clean, well preserved copy. First edition. - Introduction to Lynn Hershman, a text on Deep Contact and a text by Lars Movin on Hershman.

Exil / Vinten, 1976. 153 pp. Hft. Navn.

Semiose éditions, 2016. Large 4to in wraps with insert. 74 pages. Text in both French and English. Very good copy. 

Horsens Kunstmuseum, 2002. Original stiff wraps. The shape and size and look of a 7 inch. Illustrated throughout, with some text (in Danish). 50 pp. Fine copy. Ike og Ancher handler om at umuliggøre en almindelig uddannet aflæsning. De dukker op som en absolut kulturel forvirring fra Buggikirkegården, hvor de ligger side om side. På moder jord dunker den ene virkelighed den anden oven i hovedet, men på Buggikirkegården har Ike og Ancher alt at sige til hinanden,« var Tal R's forklaring af temaet for sin udstilling »Ike og Ancher« på Horsens Kunstmuseum. Museets forklaring lød: »Ike Turner var engang gift med den nu mere berømte Tina Turner og Anna Ancher gift med den dengang mere berømte Michael.

Forlaget KLIM 2024. Hardcover, med smudsomslag. 476 sider. Omslag med rifter ellers pænt eksemplar. 

Det schønbergske forlag, 1971. Original hæftet omslag. 110 pp. Navn.

Babette, 1984. 81 pp. Hft.

Sternberg Press, 2019. Wraps. 272 pp. Very good clean copy. With the global rise of a politics of shock driven by authoritarian regimes that subvert the rule of law and civil liberties, what paths to resistance, sanctuary, and change can cultural institutions offer? What about activism in curatorial practice? In this book, more than twenty leading curators and thinkers about contemporary art present powerful case studies, historical analyses, and theoretical perspectives that address the dynamics of activism, protest, and advocacy. What unfolds in these pages is a vast range of ideas—a tool kit for cultural producers everywhere to engage audiences and face the fierce political challenges of today and tomorrow. What about Activism? is based on the summit “Curatorial Activism and the Politics of Shock,” which took place at the School of Visual Arts, New York. Along with expanded versions of the talks given at the conference, the book includes a transcript of a roundtable discussion moderated by Steven Henry Madoff and Brian Kuan Wood among the speakers and students in the MA Curatorial Practice program at SVA.

Sternberg Press, 2017. Wraps. 358 pp. Very good clean copy. ""What's Love Got to Do with It? by E-Flux Journal" is a book exploring the intersections of art, culture, and love. Written by E-Flux Journal, this reading material delves into the significance of love within various contexts, possibly touching upon relationships, human connections, and emotional expressions in the realm of art and society. With a focus on critical thinking and contemporary issues, this book offers insightful perspectives on the role of love in shaping our world and creative experiences. " Edited by Julieta Aranda, Stephen Squibb, Anton Vidokle, Brian Kuan Wood. Contributions by Paul Chan, Keti Chukhrov, Cluster, Elizabeth A. Povinelli and Kim Turcot DiFruscia, Antke Engel, Hu Fang, Fred Moten and Stefano Harney, Lee Mackinnon, Chus Martínez, Tavi Meraud, Paul B. Preciado, Martha Rosler, Virginia Solomon, Jalal Toufic, Jan Verwoert, Brian Kuan Wood, Slavoj ŽižekPreface by Julieta Aranda, Kaye Cain-Nielsen, Brian Kuan Wood, Stephen Squibb, Anton Vidokle. It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other. What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide. Lacan famously defined love as giving something you don’t have to someone who doesn’t want it. But love is more than a YouTube link or a URL. Love’s joy is not to be found in fulfillment, it is to be found in recognition: even though I can never return what was taken away from you, I may be the only person alive who knows what it is. In our present times—post-human, post-reality, or maybe pre-internet, post-it, pre-collapse, pre-fabricated by algorithms—what does love have to do with it? Since 2009, need and care and desire and admiration have been cross-examined, called as witness, put on parole, and made the subject of caring inquiry by e-flux journal authors. These writings have now been collected to form this comprehensive volume.

Denmark: Roskilde, 1985. 69 pp. Richly illustrated. Special issue on Fluxus. Text in both Danish & English. Near fine / fine clean copy. Texts and art by Köpcke and original texts by Albert Mertz, Eric Andersen, Nam June Paik, Henning Christiansen, Joseph Beuys among others. First edition.

Helsinki: International Institute of Applied Aesthetics, 1998. Publishers hardcover w jacket. 236 pages. Text in English. Illustrated. Fine clean copy. 236Sider. Forlagsbind First edition. Graphic design by Olli and Wili Repo.

Gyldendal - Brundlund Slot, 2003. 203 pp. Illustrated throughout. Text in both German and English. Fine. Kirsten Justesen has been a pioneer in body art and MELTINGTIME 11 presents Kirsten Justesens MELTINGTIME exhibitions, all of which have involved ice as part of different concepts: objects made from ice, tales about ice, philosophical texts about ice, excerpts of research about ice, records of ice reports, videos of ice, performances with ice, the sounds of ice, and mail art for the melting time.

Hamburg: Nautilus Verlag, 2009. 8vo in wraps as issued. 351 pages with illustrations. Text in German. Cover with minor signs of use, edges of cover very slightly rubbed. Near fine, clean and bright inside. First German edition of "Hollow Land: Israel's Architecture of Occupation. "

Høst & Søn, 1998. 266 pp. Hft. Med illustrationer. Fra Christian Braad Thomsens samling med denne håndskrevne navn foran. 1. oplag.

Udgivet af Erhvervsfremmestyrelsen, 2000. 4to in stiff wraps as issued. 60 pp. Illustrated. Fine. 1. ed. Inscribed by Bjørn Nørgaard.

Atelier Elektra, 1967. 4to. 184 pp. Hft.

Forlaget Per Kofod / DLF 1987, 1988 og 1989. 4 hft. 4 x 49 pp. Gennemillustreret. Lidt kantslid. Tidsskrift eller tegneserie redigeret af T.S. Hoeg & Klaus Lynggaard m.fl. I nummer fire en tegneserie af Mikael Kvium: 'Frk. Urst i Dyrehaven' (også omslaget).

Charta / Pac, 2005. 12mo oblong small hardcover. (144) pages. Illustrated throughout. Minor wear to edges of binding, else very good. First edition. "Invited by France's Institut National de L'audiovisuel, the country's chief television archive, to comb their collection for a project, Christian Boltanski, the noted French installation and video artist, became overwhelmed. To make the task manageable and personal, he settled on the idea of compiling footage from news broadcasts from every one of his 60 birthdays, on September 6, since 1944.".