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Dessau-Lepzig; Rich. Kahle's Verlag, 1892. First edition. 21,5x14 cm. 33, (3) pp. Original printed wrappers, stapled. The oversized wrappers are a bit creased in lower margins, and the wrappers are slightly spotted. Remains of a paper-label on verso of front wrapper. Most leaves have a small nick in top margin.

Stockholm; Bonniers, 2015. Fjärde tryckningen. 22x14 cm. 419, (1) s. Illustrerad. Förlagets tryckta pappband med flexibla pärmar. Fint ex. Innehåller bl. A. ""Proust och majonnäsen"", ""Kosmos på Folkungagatan: Tomas Tranströmer"", ""Goethe i Hollywood"" och ""I Virginia Woolfs verkstad"". Ur Eva Österbergs bibliotek.

Stockholm; Bonniers, 1941. Originalupplaga. 20x13,5 cm. 220, (2, 2 blanka) s. Osignerat ljusbrunt klotband med författar- och titeletikett i svart resp. rött skinn. Omslaget medbundet. Omslag och vinjetter av Hans Norsbo. Rygghuvudet aningen tilltryckt och lite nött, annars ett fint ex.

Stockholm, 1981. 30x21 cm. 28 s. (omslagen medräknade). Illustrerad. Klammerhäftad med tryckt omslag. Litet genomgående veck i den inre marginalen. De sista två bladen med vikmärke vid övre hörnet. Fint ex.

Annapolis; Naval Institute Press, 2002. 23,5x16 cm. ix, (1, 2 blanks), 172, (2, 2 blanks) pp. Publisher's cloth with printed dustjacket. Date of purchase in ink on front free endpaper. A very fine copy. ""Until now, the work of maritime doctors from the fifteenth to the eighteenth centuries has been little known. Dr. Zachary Friedenberg's well-researched and thorough examination of their contributions reveals a chocking but inspiring story of the critical role they played."" (front flap).

Lund; Arkeologiska institutionen och Historiska museet, 1991. (University of Lund, Institute of Archaeology, Report Series No. 39). Diss. (5, 1 blank), 114 s. + 3 kartor. Rättelseblad monterat på insidan av bakre omslag. Illustrerad. Häftad med tryckt omslag. Bra skick. With a summary in English: Landscape Geometry and Astronomy in Prehistory. ""The geographical location of early medieval churches in the province of Östergötland in eastern middle Sweden has been investigated. The investigation revealed that the churches are frequently situated in geometrical relationships, which to a great extent cannot be assumed a result of a random distribution. As this so-called landscape geometry cannot be accounted for from strictly topographical, nor from any other easily discovered practical reason, another explanation must be sought. My explanation is that the churches were built onto pre-Christian places of worship, the geographical locations of which were selected by means of geometrical principles. Such an hypothesis implies a ritual continuity backwards for the church-places, which in several cases can be shown having such geometrical connections to prehistoric constructions that they can be assumed to have an origin in the Bronze age or earlier."" (Abstract).

Uppsala; Uppsala University, 2001. 21x15 cm. (4), 348 pp. Original printed wrappers. Rear wrapper has a light cornerfold and a few small specks. A fine copy. ""The subject of this dissertation is the construction of a lyric genre in academic poetics between 1746 and 1806, in handbooks and lectures by Ch. Batteux, J. A. Schlegel, J. G. Sulzer, H. Blair, J. J. Eschenburg, J. J. Engel, A. W. Schlegel, F. W. J. Schelling, F. Ast, and F. Bouterwek. The study also aims at a reconsideration of neoclassical versus romantic poetics.The first chapter investigates the relation between tradition and discourse. It argues that poetics as a discipline relies on an ancient legacy and on contemporary legitimising discourses, such as the natural sciences, moral philosophy, or idealist philosophy. The two levels indicate sites of interplay between continuity and change.The second chapter discusses the concept of genre. It is established that the lyric genre is not dependent on a triadic system of genres. All sources provide generic enumerations, even though they represent different approaches to systematic closure. The lyric genre consists of a classical canon paired with a more changeable set of contemporary lyrics.The lyric genre is defined as the language of passion in all sources and is connected with brevity, enthusiasm, metrical freedom, and disorder. In the third chapter lyrical expression is related to concepts such as imitation, authenticity, original poetry, and religious poetry. The lyric genre vacillates between the expression of universal and individual feelings. It is argued that the identification of lyric poetry as expression does not entail that the emotions in question are to be understood as authentic."" (Abstract).

Zürich; Zentralstelle der Studentenschaft, 1987. Diss. 21x15 cm. 196, (1, 1 blank) pp. Original printed wrappers. There is a small chip at head of spine and there are a pair of small specks on front wrapper, and a small speck on the title leaf, otherwise fine.

Calcutta; Y.M.C.A. Publishing House, 1939. 19x13 cm. xviii, 355, (1 blank) pp. + errata slip. Bound in blue cloth with the original wrappers and spine-strip mounted. The spine-strip is slightly chipped and has a small speck. Most leaves have a small nick at the top corner. Fine. With the signature of Carl Gustaf Diehl (1906-1995), Swedish Religious historian and bishop.

Stockholm; Bonniers, 1922. Originalupplaga. 20x13,5 cm. 305, (1 blank) s. Samtida grönbrunt marmorerat pappband (Oscar Jacobsen) med ryggetikett i brunt skinn, stänkmålat övre snitt. Omslaget medbundet. Pappret aningen nött vid ryggfoten. Det medbundna omslaget är lätt fläckat, liksom främre snittet och yttermarginalen på ett fåtal blad. Bra ex.

Stockholm; Bonniers, 1932. 19,5x13 cm. 292, (1, 1 blank) s. Osignerat samtida svart klotband med ryggetikett i brunt skinn. Främre omslaget medbundet. Exlibris för Anneliese Kreich-Jungbeck. Ryggen något blekt och pärmarna obetydligt nötta. C:a 25 blad med svagt hörnveck upptill. Fint ex. Innehåller bl. a. essäerna ""Andlighetens rehabilitering"" (Thomas Mann), ""Ryska krigsböcker"", ""Ernst Ahlgren-konturen"" och ""Jagmekanismen"" (Theodore Dreiser).

Athens (GA); The University of Georgia Press, 1984. 23,5x16 cm. vii, (2, 1 blank), 342 pp. Publisher's boards with printed dustjacket. Lower corners are slightly bumped. Date of purchase in red ink on front free endpaper. A fine copy. Contains, for instance, M. D. Allen: Lawrence's Medievalism / Tabachnick: The Waste Land in Seven Pillars of Wisdom / Gideon Gera: T. E. Lawrence, Intelligence Officer / Philip O'Brien: Collecting T. E. Lawrence Materials.

Lund; Gleerup, 1973. (Skrifter från Litteraturvetenskapliga Institutionen i Lund - Litteratur Teater Film 5). Diss. 21x15 cm. 322 s. Häftad med tryckt omslag. Ryggen lättt nött. Fint ex. With a summary in English.

Stockholm; Natur och Kultur, 2000. Originalets titel: Le Moi-peau (1985 och 1995). 21,5x14 cm. 375, (2, 1 blank) s. Förlagets pappband med tryckt skyddsomslag. Fint ex.

Urbana and Chicago; University of Illinois Press, 2009. 23,5x16 cm. xxi, (1 blank), 376, (7, 1 blank) pp. Publisher's boards with printed dustjacket. Date of purchase in ink on front free endpaper. A fine copy. ""Set against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as 'the wrong place for the Right people', Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, the boogie-woogie pianists, and legendary gospel and folk artists... Spanning half a century from the 1930s to the 1980s, Josephson's narrative depicts both the business and the artistic sides of Cafe Society while exposing the tensions between the club's own progressive interracial openness and the more restrictive social and political climate in which it evolved. When his brother Leon was targeted by the House Un-American Activities Committee, Barney was tarred by the same brush and forced to close Cafe Society. Now out of the limelight, Barney opened a hamburger restaurant, The Cookery, hiring unemployed dancers as waitresses."" (front flap).

Lund; Lunds universitet, 1998. Diss. 22x16 cm. 270 s. Häftad med tryckt omslag. Obetydligt nötta ryggändar. Fint ex. Med dedikation till Eva Österberg: ""Vågar jag skriva här att du (även) är snäll? Tack för all din hjälp, Eva. Varma hälsningar från författaren"". With an English summary. ""For how many years was a farmer responsible for running a farm in Sweden’s old peasant society’? This is the question that underpins my research into life in Ramkvilla parish in the province of Småland for two hundred years (1623–1819). By conducting a detailed study of farm practice at the individual level, I have been able to analyse a complex theme that touches upon the issues of responsibility for work and taxes, relationships between the generations and sexes, and the crises of agrarian society."" (from the summary).

Stockholm; Norstedts, 1904. 24,5x16 cm. 104 s. + infäst rättelseblad. Illustrerad med foton och ritningar. Samtida brunt halvklotband med förgylld ryggtiel, marmorerade pärmpapper och mönstrade försättsblad. Omslag ej medbundet. Svårtydd namnteckning på främre försättsblad. Fint ex.

Stockholm; Gedins, 1987. Originalupplaga. 22x16 cm. 59, (1 blank) s. Häftad med tryckt omslag. Fint ex. Författarens debutdiktsamling.

Stockholm / Stehag; Symposion, 1995. (Kulturhistoriskt bibliotek). Diss. Originalets titel: Männerphantasien (1977-78). 21,5x14 cm. 496 & (7, 1 blank), 505-884 s. + utgivningslista. Illustrerade. Två häftade volymer med tryckta omslag. Ryggarna lätt nötta. Bra ex.

London; Cassell & Company, 1964. First UK edition. 21,5x15 cm. (6, 2 blanks), 550, (1, 1 blank) pp. Publisher's boards with printed dustjacket. Spine of the jacket is slightly faded, a little chipped at head of spine, and has a small stain. The laminate on the jacket has partly come loose at front and rear joints. A fine copy.

Princeton; Princeton University Press, 1964. First edition. [xii] + 224 pp. Publisher´s grey cloth with gilt title on spine. No dustjacket. An unsignificant stain on the spine. A fine copy. Contents: Part I. The Mirror as Window in Recent Literary Theory ; 1. The Resort to ""Miracle"" in Recent Poetics ; 2. Contextualism and Its Alternatives / Part II. The Mirror as Window in Shakespeare's Sonnets ; 1. The Mirror of Narcissus and the Magical Mirror of Love ; 2. Truth vs. Troth: The Worms of the Vile, Wise World ; 3. State, Property, and the Politics of Reason ; 4. The Miracle of Love's Eschatology and Incarnation / Part III. The Power of Poetic Effigy / Index / Index of Sonnets.

Stockholm; Bonniers, 1926. Originalupplaga. 19x13 cm. 272 s. Rött halvfranskt band (Hedberg) med upphöjda bind, förgylld ryggdekor, ryggetikett i svart skinn, marmorerade pärmpapper, snitt och försättsblad. Främre omslaget medbundet. Ryggen aningen blekt och lätt nött längs falsarna. Fint ex.

Göteborg; Göteborgs konstnärsklubb, 1971. [30,5x22 cm]. 52 s. Illustrerad. Klammerhäftad. Bra ex. Temanummer om de fyra elementen som bl. a. innehåller: Leonardo da Vinci: Om vattnets natur / Patrik Reuterswärd: De fyra elementen / Bernt Eklundh: Den osynlige Turner / John Wipp: Världen som modell / Per Kirkeby: Elementärt / Acke Janson: Japanska trädgårdar.

Stockholm; Landsorganisationen i Sverige, 1935. (Landsorganisationens skriftserie XXXIX). 18,5x13 cm. 48 s. Klammerhäftad med tryckt omslag. Fint ex. Skriften belyser den kommunistiska infiltrationen av olika organisationer i samhället, inte minst fackföreningsrörelsen, genom användandet av enhetsfronts-taktiken. Mer specifikt belyses Internationella arbetarhjälpen, Internationella röda hjälpen, Röda sportinternationalen, Röda frontförbundet samt Sovjetunionens vänner.

Stockholm; Bonniers, 1953. Originalupplaga. [18x13,5 cm]. 74, (3, 1 blank) s. Häftad med tryckt omslag. Delvis ouppskuren. Främre omslaget obetydligt solkigt. Nedre omslagskanterna med lätta veck. Med Bengt-Olof och Silluf Landins exlibris. Dedikation på deltitelbladet: ""med hälsning Karl Vennberg"".