Søkeresultat

WBG (Wissenschaftliche Buchgesellschaft). Sonderausgabe 2012. Hardcover. 309 Seiten. Name auf Innendeckel, somst neuwärtig.

London: Ridinghouse 2005 - Softcover, 110 pages; . 8vo. Stiff wraps. 110 pp. Text in English. Illustrated. Some edgewear to cover else fine, clean copy. Second revised and enlarged edition.

Philadelphia Museum of Art & Yale University Press, c2009. Hardcover. 240 p ages, richly illustrated with text in both Italian and English. Minor edgewear to corners of cover else fine and clean copy. First edition.

Jysk Kunst Galerie, s.d. (1970). 4to. (12) pp. Illustreret i sort hvid og farver. Pænt eksemplar.

Forlaget THP, 2021. 186 pp. Pænt eksemplar.

Faber & Faber, 2022. Large thick paperback. VIII, 548 pp. Light wear to cover.

Naxos Audiobooks, 2000. NA318312. 2 x 3 x CD. 6 cd's in all. Unopened complete set in two boxes. 

London, Edition Hansjörg Mayer, 2007. 4°. Publisher's clothed hardcover with dustjacket. 172 pages. Richly illustrated. Fine clean copy. 1st edition.

Oslo, 1958. (Kunst og kulturs serie). 4to in wraps as issued. 64 pp. Hft. Illustreret. Lidt brugsspor, indvendig ren. First edition.

Gyldendal, 2016. Hardcover. 182 sider. Den nye danske udgave.

Forlaget Lindhardt & Ringhof, 2003. Kvadratisk. 132 pp. Hft. Illustreret med s/h fotos af Mertz. Pænt eksemplar.

Frankfurter Kunstverein & Revolver Publishing, 2010. 4to in wraps as issued. 132 pages; in both English and German by Werner D’Inka, Jens Kastner and Catrin Lorch. Richly illustrated. Light edgewear else very good. Catalogue raisonné accomanying the exhibition.

Frankfurt am Main: Suhrkamp Verlag, 1984. Paperback. 575 pp. Name to innercover else clean.

London: Tate Gallery, 1980. 8vo in wraps as issued. 126 pages. Some edgewear. Richly illustrated with text by Pontus Hulten, Maria Gilissen Broodthaers, Michael Compton und Barbara Reise as well as Marcel Broodthaers. First edition.

Stig Vendelkærs Forlag, 1966. 156 sider. Paperback. Illustreret i s/h. God eksemplar. Jan Hudson var pseudonym for SF forfatteren George H Smith.

Published by Amsterdam: Stedelijk Museum, 1995. 8vo in wraps as issued. 256 pages. Illustrated. Text in both Dutch and English. Some handling wear but clean. On Kai Althoff, Mat Collishaw, John Currin, Anne Decock, Douglas Gordon, Benoit Hermans, Gary Hume, Aernout Mik, Multiple Autorenschaft Lienz, Pipilotti Rist, Lara Schnitger, ManfreDu Schu, Georginia Starr, Jane and Louise Wilson.

Batzer & Co, 2020. 146 pp. Hft. Pænt eksemplar med kun en anelse hyldeslid.

London: MacMIllan, 1977. 4to large paperback. 224pp., with many plates, of which in colour, text-ills., incl. facsims., bibliography, index. A history & development of fashion, with her exponents as designers, photographers, models, evolution of the nude in adds, etc. Minor edgewear else very good copy. In acid-free plastic pocket.

Forlaget Rosinante, 2019. 349 pp. Hft.

Trenton: Africa World Press, 2003. Paperback. 288 pp. Fine clean, unread copy. In the seventies, as signs of decay began to show in the capitalist experiment of the newly independent African countries, a ?bard of the misrule? emerged on the streets of Lagos. Often shirtless and armed with his trademark saxophone, Fela Anikulapo Kuti tore his way into popular culture with Afrobeat music. Blending ethno-traditional forms with the reigning highlife and jazz rhythms, Afrobeat drew lyrics from the flip side of neo-colonial society and Fela's London and American experience in the sixties. In the two decades that followed, Fela ruled the nights from Afrika Shrine, his signature night club, and the days from the turntables of the restless city dwellers along the Atlantic coastline. Fela?s Afrobeat became a dynamic mode of expression in the social history of post-independent West Africa and generated a counterculture that bonded through music, drugs, resistance politics?and ultimately, the nascence of an Afrocentric contemporary global culture. "In Sola Olorunyomi?s book, a popular artist and a counter-hegemonic activist of the hardest grain meets his most engagingly, cerebral interpreter.?

Suhrkamp, 1981. 8vo. 138 Seiten. Broschiert. Erste Auflage. First edition.

Gyldendals Bogklub, 2006. Original lærredsbind med smudsomslag (hardcover). 150 pp.

Published by JRP Ringier, 2010. tall 4to in wraps as issued. 190 pages, richly illustrated. Fine copy. 1. edition. Monograph on Villesen. "Meetings and conversations are central to Gitte Villesen's work. She documents these encounters in videos, photographic series, and installations, which are often combined with additional material such as photographs, texts, or collections of objects. "All my works start with a curiosity toward a specific person—and how each person approaches their life, certain attitudes, their passions, ideas and dreams, and how this combines with the reality in which they live, whether that's related to gender, or cultural or historical circumstances. The work deals with stories, and an awareness of what it means to tell someone else's story. Each work is a portrait of a meeting as much as it is a portrait of a specific person. In some works, and to varying degrees, the participants are involved in the discussion about their own representation as collaborators." The book presents most of Gitte Villesen's works made since 1994. Each work is described in a text by the artist, which provides the story behind how the meetings happened. The book also includes texts by Brett Bloom, Hanne Loreck, Jan Verwoert, and an interview conducted by Lotte Moller. The title of the book is a quote taken from Ursula Le Guin's 1969 science-fiction novel "The Left Hand of Darkness."

Royal Copenhagen, 1998. 12mo in wraps with jacket. [96 pp]. Illustrated throughout with full page b/w photographs by Per Folkver. Fine copy. 1st ed. Book design by Åse Eg Jørgensen.

Aben Maler, 2011. Kvadratisk hardcover, med lidt slidt omslag. Omkring 300 sider. Pænt eksemplar. 1. oplag. "Glimt" er en tegnet erindringsroman fra 1980'ernes Nordjylland, som foregår en sommerdag ved Vesterhavet. Rikke er seks år gammel og på ferie med sin familie. Dagen går med helt almindelige feriesysler, men fra et barns perspektiv er livet både kedeligt, uforståeligt, frygtingydende, magisk og fuldstændig overvældende - alt sammen i løbet af en enkelt dag.