Søkeresultat

Sydney : Cornstalk, 1926. 8vo in publishers red hardcover with original very worn dustjacket (now protected). [32] p., [5] leaves of plates : ill. Some foxing to first and last pages. Acceptable good contion.  First edition.

Forlaget Høst & Søn, 2007. Stort format. Hardcover. 28 sider. Pænt eksemplar. 1. oplag.

Forlaget Rhodos, 1983. 146 pp. Hft. Omslag med brugsspor.

Cph., 1958. Original hardcover boards with unclipped jacket. 87 pp. Richly illustrated. Name to free front endpaper. Jacket edgeworn. Kay Fisker, Arne Jacobsen, Finn Juhl, Kaare Klint among others. Photos by Keld Helmer-Petersen & Jesper Høm et al.

Gustavo Gili (GG), 2001. Small 4to in wraps as issued. 182 pages, richly illustrated. Text in both Spanish and English. Dog-eared copy. 1. ed. The projects in this book describe the new kinds of architecture emerging in former war zones, geological workings and land masses, and in marginal urban settings that were once home to heavy industry.

Gyldendal, 1996. Original kartonbind (hardcover). 88 pp. Pænt eksemplar.

Liljevalchs Konsthall, Stockholm / Rooseum - Center for Contemporary Art, 2000. Square 4to in wraps as issued. 197, (3) pp. Illustrated. Minor shelfwear else very good clean copy. 1. ed. William Anastasi, Fontana, Kelly, LeWitt, Ryman, Uecker, Jasper Johns, Yves Klein, Remy Zaugg, Robert Rauschenberg, et al.

Rockport Publishers, 2018. 4to in softcover. 297 pages, richly illustrated. Very good copy.

Forlaget Politisk Revy, 2008. Hardcover. 179 sider. Illustreret. Inklusiv dvd med film (Beths Dagbog - Beths Diary). ”There is nothing more important, more influential, or potentially more destructive to us humans than family”. First Danish edition. Follow up to Beths bog - The Book of Beth.

Gyldendalske Boghandel, 1936. Stort tværformat. Original illustreret kartonbind med lærredsryg. (28) pp. Illustreret, delvist med helsides farvetavler. Bind kantslidt men solidt. Streger på omslag, navn på friblad (fra samtiden), lidt plettet gennemgående. Acceptabelt eksemplar. Første udgave, 3. oplag.

Gyldendal / Samlerens Bogklub, 1997. 262 pp. Hft. Navn, pænt eksemplar.

New York: Harcourt, 2004. Publishers hardcover, with jacket. 469 pages. Illustrated. Fine clean copy. First US edition.

Tochnit Aleph (TA140). Double CD in 6-panel digipak inside slipcase, with 12-page illustrated booklet with liner-notes by Asger Jorn in french & english. New copy. “Musique Phénomenale” was recorded by Asger Jorn & Jean Dubuffet between December 1960 and March 1961 in Paris, and first published in 1961 as a box containing fourmrecords in an edition of 50 copies (+ 6 copies H.C.) by Galleria del Cavallino, Venice. 61 years after its original release this first ever reissue was produced in an edition of 600 copies by Daniel Löwenbrück / Edition Hans Pumpestok, København, in cooperation with Fondation Dubuffet, Paris.

Sweden: Svensk Musik, 2008 DVD in box with text folder in English. Very good set.

Louisiana Museum of Modern Art, 2022. 12 inch poster printed on both sides, designed as an LP cover that can be unfolded to 121 x W: 83.5 cm. Text in both Danish and English. Design by K GRAFIK Michael Jensen. As new. 1st edition.

Martigny: Fondation Pierre Gianadda. 2021. Square 4to in wraps as issued. 143 pages, richly illustrated. Text in French. Fine copy. Catalogue de l'exposition au Centre Pompidou à Paris du 03 décembre 2021 au 06 juin 2022. Comme neuf.

Copenhagen: Automatic Books, 2013. 12mo hardcover. 64 pages. Language: Spanish/ Danish. Unopened new copy.  Cómo robar libros, Bogrov, a book by Californian artist David Horvitz, is a shoplifter’s users guide in both Danish and Spanish. It details 80 ways in which one can steal a book. Translated into Danish and Spanish on the occasion of Hot, muggy, then cold and windy. We swam in the sea, it got misty and we couldn’t tell what time it was anymore, a solo exhibition by David Horvitz at Peter Amby in Copenhagen. Translated by Christian Viggo Waagensen with help by Peter Amby, Helga Just Christoffersen, Alexandra Laudo (Heroínas de la Cultura), Marla Jacarilla, and Zanna Gilbert. Edition of 100 copies. First edition.

Neuhoff Gallery New York & Galerie Wittrock, Düsseldorf 2001. 4to 28 x 23 cm in wraps as issued. 32 pages, illustrated throughout with photographs. Short text in English. Well preserved clean copy. First edition. Catalog with photographs from the artists career. Finely printed.

Manuella Editions, 2013. 8vo in original canvas cover in coloured linen with a transparent, silkscreen-printed dustjacket as issued. 160 pages, illustrated. Fine clean copy. First edition. - Anri Sala’s project for the French Pavilion in Venice is a play on words based on the verb to ravel and its opposite, to unravel, as well as a reference to the famous French composer Maurice RavSound artel, who in 1930 composed the Concerto in D for the Left Hand, which is at the heart of Anri Sala’s project. The book was conceived by Anri Sala and Christine Macel to accompany this project and contains different texts offering a variety of perspectives, including historic statements of Maurice Ravel, Paul Wittgenstein (for whom Ravel composed the concerto) and Marguerite Long (a famous pianist and friend of Ravel’s), texts taken from the novels of Alexander Waugh (a Wittgenstein specialist) and of Jean Échenoz (extracts of his novel Ravel), texts about John Cage and the anechoic chambers by Dana Samuel or about the musical technique of the left hand by Hans Brofeldt, and finally essays by Laurent Pfister (on issues of copyright and authorship), by Peter Szendy (a musicologist and philosopher) and by Christine Macel (curator of the French Pavilion).

Serlachius Museums, 2020. Small 4to hardcover w jacket. 96 pp. Richly illustrated. Text in both Finnish and English. Fine clean copy. First edition.

Gyldendal 1967. Original hardcover, lidt slidt i ryg med solid. (30) pp. llustreret af Arne Ungermann. Navn på friblad foran. Første udgave.

Jrp Ringier, 2012. Small 4to in stiff wraps as issued. 216 pages, richly illustrated. Backcover with scraping from pricetag removed else clean and fine, unread copy. First edition. - "Sources in the Air" accompanies David Maljkovic's three-part exhibition of the same name at the Van Abbemusem, Eindhoven, BALTIC Centre for Contemporary Art, Gateshead and GAMeC, Bergamo. Including films, sculpture, collage and installations from the past ten years, "Sources in the Air" is the artist's most comprehensive survey to date.

Arena, 1983. 84 pp. Hft. Pænt eksemplar.

New York: Everson Museum of Art Syracuse, 1985. Oblong 8vo in wraps as issued. 80 pages. Illustrated in bw. Near fine clean copy. First edition. With Essays by Lawrence Alloway among others. "Stuart has long been heralded as a true pioneer, known first for her nature-based art dating back to the late 1960’s and 1970’s, and one of the very few female practitioners of Land Art. In an expansive and illustrious career spanning five decades, her work seamlessly merges the fields of history, ecology and archaeology, reflecting intimate personal memory within the context of sweeping environmental and cultural events. She came of age as an artist in New York when both the feminist and environmental movements were being forged into the culture. For others, the ideals and core beliefs of these movements might have dissipated after first flush, but for Stuart the connection between humanity, the animal kingdom, our planet, and the greater spheres we revolve within, have only strengthened and solidified throughout the lifetime of her work."

Yale University Press, 1997. Square 8vo in publishers hardcover, with jacket. 180 pages, richly illustrated. Dustjacket spine is sunned else a clean and very well preserved fine copy. First edition. "Le Corbusier, the most influential architect of the twentieth century, died in 1965 only weeks after completing Mise au point, his last opus in the form of antobiographical reflections. Published posthumously, Mise au point is a curious and cryptic text, yet it sheds an important light on the great artist’s mind and temperament. This book is the first English translation of Mise au point, the first illustrated critical bilingual edition, and the first attempt to integrate this document into Le Corbusier’s life as a whole, especially its final embittered years. In an insightful introduction and in annotations, Ivan Zaknic shows how the themes of the text echo the contradictions of Le Corbusier’s personality: determined to rebuke society and yet constantly courting its approval; devoted to serving the public and yet returning again and again to a solitary monastic ideal; distrusting professional institutions, the academy, and the government and yet stung by their willingness to pass him by. Zaknic links the themes of this text with Le Corbusier’s passion for certain literary works, especially Don Quixote, and emphasizes the architect’s many philosophical formulas for coming to terms with death—first that of his beloved wife and then his own. Illustrated with photos and drawings, many of which appear here for the first time, and also including a revealing interview granted by Le Corbusier in the final months of his life, the volume will be welcomed by all students of Le Corbusier’s art, architecture, and urban planning, as well as by those interested in modernism and twentieth-century culture."