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Frankfurt am Main: Suhrkamp Verlag, 1984. Paperback. 575 pp. Name to innercover else clean.

Oslo, 1958. (Kunst og kulturs serie). 4to in wraps as issued. 64 pp. Hft. Illustreret. Lidt brugsspor, indvendig ren. First edition.

Published by Amsterdam: Stedelijk Museum, 1995. 8vo in wraps as issued. 256 pages. Illustrated. Text in both Dutch and English. Some handling wear but clean. On Kai Althoff, Mat Collishaw, John Currin, Anne Decock, Douglas Gordon, Benoit Hermans, Gary Hume, Aernout Mik, Multiple Autorenschaft Lienz, Pipilotti Rist, Lara Schnitger, ManfreDu Schu, Georginia Starr, Jane and Louise Wilson.

Batzer & Co, 2020. 146 pp. Hft. Pænt eksemplar med kun en anelse hyldeslid.

Vintage Books, 1973. In-16° . Paperback. XXXVI, 630 pp. Front cover w repair else a good clean and tight copy, that appears unread. In this stunning collection of documents African-American women speak of themselves, their lives, ambitions, and struggles from the colonial period to the present day. Theirs are stories of oppression and survival, of family and community self-help, of inspiring heroism and grass-roots organizational continuity in the face of racism, economic hardship, and, far too often, violence. Their vivid accounts, their strong and insistent voices, make for inspiring reading, enriching our understanding of the American past.

London: MacMIllan, 1977. 4to large paperback. 224pp., with many plates, of which in colour, text-ills., incl. facsims., bibliography, index. A history & development of fashion, with her exponents as designers, photographers, models, evolution of the nude in adds, etc. Minor edgewear else very good copy. In acid-free plastic pocket.

Forlaget Rosinante, 2019. 349 pp. Hft.

Aschehoug, 1941. Indbundet uden omslag i forlagets originale solide halvlæder med titel i guld og med marmoreret sidepapir. 458 sider. Rent og pænt eksemplar. Første danske udgave / First Danish edition of 'Les Faux-Monnayeurs'.

Suhrkamp, 1981. 8vo. 138 Seiten. Broschiert. Erste Auflage. First edition.

Kbh: Ny Carlsberg Glyptotek, 2013. Stor høj folio. 313 sider. Rigt illustreret. Godt, rent eksemplar. Indhold: Line Clausen Pedersen: Degas' metode. Elizabeth Steele: Danseøvelser i foyeren og Danserinder ved barren. Peter Parshall: Degas og det tilbagetrukne billede. Walter Sickert: Bevægelsens mester. Degas' arbejdsproces, fastholdt i bronze / Daphne Barbour og Shelley.

Gyldendal, 2016. Hardcover. 182 sider. Den nye danske udgave.

Gyldendal / Samlerens Bogklub, 1995. 702 pp. Hft. Med illustrationer. Navn. Omslag solbleget med lidt brugsspor. Dansk udgave.

Tochnit Aleph (TA140). Double CD in 6-panel digipak inside slipcase, with 12-page illustrated booklet with liner-notes by Asger Jorn in french & english. New copy. “Musique Phénomenale” was recorded by Asger Jorn & Jean Dubuffet between December 1960 and March 1961 in Paris, and first published in 1961 as a box containing fourmrecords in an edition of 50 copies (+ 6 copies H.C.) by Galleria del Cavallino, Venice. 61 years after its original release this first ever reissue was produced in an edition of 600 copies by Daniel Löwenbrück / Edition Hans Pumpestok, København, in cooperation with Fondation Dubuffet, Paris.

New York: Harcourt, 2004. Publishers hardcover, with jacket. 469 pages. Illustrated. Fine clean copy. First US edition.

Martigny: Fondation Pierre Gianadda. 2021. Square 4to in wraps as issued. 143 pages, richly illustrated. Text in French. Fine copy. Catalogue de l'exposition au Centre Pompidou à Paris du 03 décembre 2021 au 06 juin 2022. Comme neuf.

Sweden: Svensk Musik, 2008 DVD in box with text folder in English. Very good set.

Louisiana Museum of Modern Art, 2022. 12 inch poster printed on both sides, designed as an LP cover that can be unfolded to 121 x W: 83.5 cm. Text in both Danish and English. Design by K GRAFIK Michael Jensen. As new. 1st edition.

Copenhagen: Automatic Books, 2013. 12mo hardcover. 64 pages. Language: Spanish/ Danish. Unopened new copy.  Cómo robar libros, Bogrov, a book by Californian artist David Horvitz, is a shoplifter’s users guide in both Danish and Spanish. It details 80 ways in which one can steal a book. Translated into Danish and Spanish on the occasion of Hot, muggy, then cold and windy. We swam in the sea, it got misty and we couldn’t tell what time it was anymore, a solo exhibition by David Horvitz at Peter Amby in Copenhagen. Translated by Christian Viggo Waagensen with help by Peter Amby, Helga Just Christoffersen, Alexandra Laudo (Heroínas de la Cultura), Marla Jacarilla, and Zanna Gilbert. Edition of 100 copies. First edition.

Chronicle Books, San Francisco, 1984. Squarish 8vo in wraps as issued. 90 pages, richly color illustrated. Includes a conversation with Edward Ruscha. Near fine clean copy. First edition.

New York: Harry Abrams 1999. Squarish 8vo in wraps as issued. 84 pages with 34 pages in Marden's Workbook, a 1987-88 travel sketchbook/visual diary. With an interview with the artist. 56 illus., 18 in full color, 38 duotone. Some shelfwear else fine and clean. 1st edition. This work presents fifty-two of Brice Marden's drawings ranging from his works in the 1960s in solid forms & muted tonalities through his later works ofcalligraphic imagery that culminates in his Cold Mountain series.

London: Vision Press Ltd., 1951. 8vo. Publishers hardcover with slightly worn but unclipped dustjacket. 89 pp. Illustrated with photographs, still from the movie. Very good copy. First edition. Da zdravstvuyet Meksika! is a film project begun in 1930 by Eisenstein (1898–1948) under contract to socialist author Upton Sinclair and other supporters in the United States. It would have been an episodic portrayal of Mexican culture and politics from pre-Conquest civilization to the Mexican Revolution. Production was beset by difficulties and was eventually abandoned. Jay Leyda and Zina Voynow call it Eisentein's "greatest film plan and his greatest personal tragedy". In the early 20th century, many intellectuals and artists associated with the European avant garde were fascinated by Latin America in general, and by Mexico in particular: for the French artist and leader of the Surrealist movement André Breton, for instance, Mexico was almost the incarnation of Surrealism. As film historian David Bordwell notes, "like many Leftists, Eisenstein was impressed that Mexico has created a socialist revolution in 1910". His fascination with the country dated back at least to 1921, when at the age of twenty-two "his artistic career started with a Mexican topic" as he put on a theatrical version of the Jack London story The Mexican in Moscow. Film scholar Inga Karetnikova details this production as a classic example of avant-garde aesthetics, an exercise in form rather than documentary realism; but "indirectly", she argues, "he did recreate the Mexican atmosphere". Above all, he saw in the Mexican revolution an instance of a "zealous idealism" that was also "close to Eisenstein, just as it was to the entire generation of Soviet avant-garde of the early 1920s". Some years later, in 1927, Eisenstein had the opportunity to meet the Mexican muralist Diego Rivera, who was visiting Moscow for the celebrations of the Russian revolution's tenth anniversary. Rivera had seen Eisenstein's film Battleship Potemkin, and praised it by comparing it to his own work as a painter in the service of the Mexican revolution; he also "spoke obsessively of the Mexican artistic heritage", describing the wonders of Ancient Aztec and Mayan art and architecture. The Russian director wrote that "the seed of interest in that country . . . nourished by the stories of Diego Rivera, when he visited the Soviet Union . . . grew into a burning desire to travel there". "It’s a really tragic film, because its ambitions were so great, it was spanning centuries of time, extraordinary resources were marshaled towards its production, and all we have is this ruin essentially, but it’s a glorious ruin." (Thomas Beard).

Arken Museum of Modern Art, 2015. 4to in stiff wraps as issued. 90 pp. Richly illustrated. Text in Danish. Fine copy. 1. edition.

Illustrationsforlaget, 1959. Original kartonbind med lærredsryg. (30) pp. Illustreret i farver. Småplettet i margin. Første udgave / First edition.

Forlaget KLIM 2018. To hardcover bind, det ene uden smudsomslag. 425, 448 sider. Godt sæt.

Routledge, 2009. 12mo. 150 pages. Illustrated. Paperback as issued. Fine copy. From the "Thinking in Action" series. "There is no escaping landscape: it's everywhere and part of everyone's life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music - but they can tell us a lot about the ethical and aesthetic values of the societies that produce them. Drawing examples from a wide range of landscapes from around the world and throughout history, Susan Herrington considers the ways landscapes can affect our emotions, our imaginations, and our understanding of the passage of time. On Landscapes reveals the enormous design work involved in even the most naturalistic of landscapes, such as Prospect Park in Brooklyn, and the ways in which contemporary landscapes are turning the challenges of the industrial past into opportunities for the future. These contemporary landscapes, such as a park in Germany that uses industrial relics as ruins and a playground in Japan built on a former landfill, signal a change in the way we think about nature and art. By inviting us to thoughtfully see and experience the landscapes that we encounter in our daily lives, On Landscapes demonstrates that art is all around us."