Søkeresultat

Borgen, 1971. 91 pp. Hft. Illustreret med Kirkeby's tegninger og fotografier. Lidt brugsspor. Første udgave. Med tilskrift på halvtitel skrevet af Kirkeby i hånden med kuglepen " til min smukke elskværdige vært...." .-

Princeton University Press, 1985. Paperback. XXII, 371 pp. Very good clean copy.

Viva Editions, 2011. Hardcover, with jacket. 241 pp. With illustrations. Fine copy. 1. ed.

London: Bloomsbury, 1998. Square 8vo hardcover w jacket. 224 pages, illustrated throughout. Near fine copy.

Chichester: John´Wiley and Sons, 2002. Softcover. X, 470 pp. Illustrated. Fine clean copy. "The 20th century was the most brutal and destructive hundred-year period in human history. More people were killed in its wars, large and small, than in any other century. At times, the will to destruction was so immensely overpowering that the very future of human life seemed to be threatened. Yet, at the same time, it was also the most civilising and creative of centuries. Cities everywhere have been the engines and the symbols of economic growth, intensifying production, distribution and consumption. Generally speaking, though, the richest nations of the world have also been those with the biggest proportions of their populations living in urban areas. It is not surprising therefore that, during the 20th century, the affluent nations devoted so much attention to ameliorating and, indeed, trying to perfect the city. The underlying aim was to reconcile its economic dynamism with its other roles as a social, cultural and political entity. By 1914, these efforts were sufficiently developed in most advanced capitalist countries to warrant being given a specific name, such as Städtebau, town planning, urbanisme, city planning, stedebouw, toshi keikatu or urbanismo. Of course, the notion of consciously shaping the physical form and disposition of the urban environment was not itself without historical precedent. What was new to the late 19th and, more especially, the 20th centuries, was the idea of making urban planning an integral part of capitalist urban development within broadly liberal and democratic societies. The story of how this happened forms the central concern of this book. It is, in other words, a wide and long survey of the development of urban planning in the advanced capitalist world",

Creation, 1996. Large 8vo in softcover. 256 pages, richly illustrated. Very good copy.

Edition Taube, 2022. 4to. Hardcover, thread bound, 56 pages, color, multicolored cut. Light denting to cover edges else clean and fine.  First edition. Artists book by Hank Schmidt in der Beek - a must-have for all lovers of Suprematism, Constructivism and … ice cream.

Samlerens Bogklub, 1997. 110 pp. Hft. Navn. Lidt ydre brugsspor.

Vittorio Klostermann, 1980. 8vo. Broschur. XXV,380 Seiten. Einige Anstreichungen. First edition / Erste Auflage. - "Die ausserlich lockerer erscheinende Gedankenfuhrung und der eher einem gedanklichen Kunstwerk als einer philosophisch-wissenschaftlichen Abhandlung eignende Sprachstil durfen nicht daruber hinwegtauschen, dass die Kunstwerk-Abhandlung ebenso wissenschaftlich streng und phanomenologisch aufweisend gedacht ist wie Sein und Zeit. Die von Heidegger entworfenen Grundzuge einer Philosophie der Kunst liegen in der Wesensbestimmung des Kunstwerkes, der Kunst, des Kunst-Schonen, des Kunst-Schaffens in der Abhebung vom handwerklichen und kunsthandwerklichen Schaffen und der Kunst-Bewahrung als des Wesens der Kunst-Betrachtung. Die am Text entlanggehende Auslegung versteht sich als systematisch, weil sie die Systematik des Gedankens Heideggers in dreierlei Hinsicht verfolgt: die Systematik der Philosophie der Kunst, die aus der Systematik der gewandelten Grundstellung Heideggers in der Entfaltung der Seinsfrage zur Zeit der Abfassung der Abhandlung erwachst, die ihrerseits nur erfasst wird unter standiger Beachtung der ersten systematischen Ausgestaltung der Grundstellung in Sein und Zeit."

Gyldendal, 2017. Hardcover. Upagineret. Nærmest som ny. 1. oplag. L’usage du mot (Brugen af ord) er en digtsamling, på mestendels engelsk, fransk og tysk.

Roskilde: Museum for Samtidskunst, 1991. 8vo. Mappe med folder og 6 originale postkort med værker af bl.a. Henning Christiansen og William Louis Soerensen. Folder er på 24 sider. Illustreret. Text på dansk. Illustreret. Komplet med 6 postkort. Folder med brugsspor, se billede. 1. ed.

San Francisco Museum of Modern Art and University of California Press, 2002. Tall large 4to in publishers hardcover, with jacket. 94 pages. Text in English. Richly illustrated. Fine copy. First edition.

Gyldendal, 1987. 179 pp. Hft.

New York: Harcourt Brace & Company / Starbright Foundation, 1998. Oversized heavy hardcover with glossy jacket and CD in pocket inside the backcover. 85 pages. Previous private owners bookplate (a Hans Christian Andersen motif) to inner cover front else clean and overall a clean and very good copy with only minimal shelfwear. First edition thus. Storytellers include Liam Neeson, Harrison Ford, Melissa Hart, Dan Akroyd, Calvin Klen, Jay Leno, Madonna, Robin Williams, Steven Spielberg, and twenty-three illustrators, such as Maurice Sendak, Fred Marcellino, Quentin Blake, and others. Due to size and weight foreign shipping will be extra and so please inquire before ordering this item.

MIT Press Cambridge, MA, 1988. Square 8vo in softcover as issued 19.5 x 19.5 cm. 191 pages, illustrated. Very good clean copy. Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index.

Frankfurt am Main: Vittorio Klostermann 1987. 8°. Hardcover, mit OU. XXVIII, 369 Seiten. Name. Einige verstreute Anstreichungen mit Kugelschreiber.

London, Imago Publishing Co, 1949 (1940). Original blue cloth. 266 pp. Bleistiftsnotizen, sonst gutes Exemplar. Revision der Traumlehre -- Traum und Okkultismus -- Die Zerlegung der psychischen Persönlichkeit -- Angst und Triebleben -- Die Weiblichkeit -- Aufklärungen, Anwendungen, Orientierungen -- Über eine Weltanschauung.

Denmark: Louisiana Museum of Modern Art, 2014. Stort format. Hardcover. 200 pp. Text på Dansk. Illustreret. Navn foran ellers pæn.

Chr. Erichsens Forlag, 1972 (1955). Hardcover med originalt omslag. 52 sider. Illustreret. Flot velbevaret eksemplar.

Borgens Forlag, 1999. 155 pp. Hft. Nærmest som ny.

Hermann Luchterhand, Darmstadt 1960 (1956). Gebunden, mit OU, dieser verfärbt und mit kleine Risse am Rande. 118 S. Name auf Innendeckel. Insgesamt gut.

Carlsen, 2000. 76 sider. Original kartonbind. Illustreret i farver. Små brugsspor. Første oplag.

New York: Broadway Books, 1999. Hardcover, w jacket. 381 (2) pp. Very good clean attractive copy. First edition, 1st printing. "A variation on Great Expectations, An Equal Music (1999) is a tribute to Western classical music. Vikram Seth’s engagement with the grand literary and musical traditions of European culture makes his affiliations and cultural moorings impossible to pinpoint, all the more so since the prose of this chiseled, lyrical narrative is flawlessly clear and transparent".

Simon & Schuster / Touchstone Paperback, 1986. Slim tall 8vo. 183 pages. Bilingual German-English. Light wear to lower corners else very good well preserved clean copy.

Harper Perennial Modern Classics, 2007 (2006). Paperback. 8, 358, 15 pp. Light edgewear, a fold to frontcover. SIGNED in hand by Irvin D. Yalom to titlepage, dated 2007. SIGNERET i hånden af Yalom på titelbladet.