Søkeresultat

München 1912. 21x18. XII+130 pp. + 8 plates (including three paintings by Kandinsky and works by Cézanne, Raphael, and Dürer) + 3 leaves ('Tabellen' with colour theory diagrams). Ten original woodcuts by Kandinsky in the text. Full light brown leather binding. Foxing to half-title leaf and very light foxing to last leaf. Third edition (published the same year as the first and second) of Kandinsky's famous discussion of the spiritual foundations of art and the nature of artistic creation.

Paris, Societé de Propagation des Livres d'Art, 1990. 31x23. II+X+120 pp. + 30 photo plates. Fine cloth-backed marbled boards, printed wrappers bound in. No. 408 of an edition limited to 650 copies. Former owner's bookplate on first, blank leaf, and an ink inscription on half-title page.

London ... 1901. 29x21. XII+286 pp. (first three leaves and last leaf blank). Printed on fine paper, untrimmed in publisher's cloth-backed decorated boards. Spine insignificantly worn at top and bottom and slightly faded. 'First printed in 1890, and now reprinted at the Chiswick Press with the Golden Type designed by William Morris for the Kelmscott Press, and finished on the 18th day of April, 1901.'

. 29x23. 191 blad med stencillerad maskinskriven text. Hålslagna och bundna med tygsnoddar i kartongpärmar (pärmarna med några lagade revor). No. 15 av icke angett antal exemplar. Dedikation från författaren till Edward Hald "med tack för mångårigt samarbete och lika lång vänskap", samt inskription av Edward Hald "F.v.b. till docenten Elisa Steenberg från hennes fader. Dec. 1958". Sällsynt. En förteckning med historiska upplysningar om ca 150 svenska glasbruk, med källangivelser. Edvard Strömberg var disponent vid Eda glasbruk, där hans hustru Gerda hade börjat sin bana som formgivare. När driften vid Eda lades ned 1933 övertog och återstartade han det nedlagda Lindesfors glasbruk vars namn ändrades till Strömbergshyttan.

Stockholm, Georg Scheutz, 1839. XII+504 s. + 8 utvikbara graverade planscher med talrika detaljerade illustrationer. Inbundna i två samtida band med identiskt marmorerat pärmpapper, texten i skinnryggsband (17x10) och planscherna i klotryggsband.(21x13). Textbandets rygg något nött med partiell förlust av förgylld titel och dekor, i övrigt ett mycket bra exemplar.

Stockholm 1979-86. 30x30. A total of ca 490 photos, including 350 full-page and 59 in colour, plus small size versions of all photos in the indices. Publisher's boards, dust jackets. All volumes are presentation copies inscribed by Sigurd Persson. A complete five-volume set of the photographic documentation of silver ware, jewellery, sculpture, miscellaneous industrial design, and glass ware, by Sigurd Persson. Each volume contains introduction by Sigurd Persson, trilingual in Swedish, German and English, as are the indices identifying and dating each object.

Stockholm, Hos Bokhandlaren W. Lundequist, 1833. 19x11. VIII+116+84 pp. Två delar sammanhäftade i en volym, gråpappersomslag med stämpel "Hus:s Sällsk:s Slöjdmagasin, Karlskrona" Samtida ägaranteckning på titelbladet "Fabrikören Olof Westerhult, Asarum". Carl Sahlin, Förteckning över svensk färgerilitteratur, 153.

München, Hanfstaengel, 1914. 29x23. L pp. + 98 fine heliogravure plates, each with a printed guard-tissue, including coloured frontispiece. 14 reproductions in the text. A very good copy in publisher's quarter vellum, top edge gilt. No. 959 of 1000 numbered copies on Van Gelden paper.

Stockholm, Ivar Hæggströms, 1896. 27x18. XLII+182 pp. text + 48 plates. A fine copy in contemporary half brown leather with gilt spine decoration and beautifully marbled boards. No. 80 of an edition limited to 125 copies. Very scarce. A history and Catalogue of the Swedish Queen Regnant Christina's remarkable collection of (mostly Italian) paintings which came into Swedish possession during the Battle of Prague and the Peace of Westphalia negotiations. The volume includes Granberg's history of the collection through the centuries and his heavily annotated Catalogue Raisonné of the paintings, as well as early inventories of the paintings in German, French and Italian: the Prague inventory at Skokloster Palace ('Wass sich in denen Pildergangen, Sählen und Gallarien von Gemehlen sind befundten und bestandten, 1648); Marquis de Fresnes 'Inventaire des Raritéz qui sont dans le Cabinet des Antiquitez de la Sérénissime Reine de Suède' (1652): the inventory in the Archivio Palatini in Rome: 'Catalogo dei quadri della Regina di Svezia' (probably 1689); and the 'Inventario de' quadri dell Galleria Memorabile della Regina di Suecia' made 1721 in connection with the sale to the Duke of Orléans.

(Berlin), Grützmacher, 1966. 23x23. 50 photo plates. Loose as issued in printed portfolio, very fine. "Television De-Coll/ages" produced by Wolf Vostell on his TV apparatus "Kuba" on the occasion of the exhibition "Fetische" held at Galerie Tobiès & Silex in Cologne.

Berlin 1912. 40x30. 4 pp. + 60 plates comprising 48 plates with measured drawings and 12 plates with 41 photographs. Loose as issued in a cloth-backed portfolio with tie-strings and printed front label. Details of old Berlin buildings, mainly staircases with their banisters and balustrades, meticulously measured and illustrated.

Frankfurt am Main 1922-28. 24x17. XXIV+ 338; + XII+360 + II + 361-408; + XII+396 + II + 397-432; + XXVI+740 + II + 741-824 s. text och reproduktioner av stämplar (samt 320 foton i avsnittet Byzanz) + sammanlagt 120 s. med foton (paginerade 1-51, 51a, 52-55, 55a, 56-95, blank, 96-117). Förlagets skinnryggsband (1-3) respektive klotband (4). Första bandets rygg missfärgad, några pärmar med aningen nötta hörn, liten fuktfläck i slutet av fjärde bandet. Silversmeden Erik Flemings exemplar med hans namnteckningar på försättsbladen. Tredje, omarbetade (definitiva) upplagan av detta standardverk om guld- och silversmeder och deras stämplar från medeltiden till 1800-talet i Tyskland (Band 1-3) och andra europeiska länder samt Bysans (Band 4).

München 1913. 32x24. X+252 pp. + one plate + portrait frontispiece. 250 photos, drawings and plans. Publisher's gilt-lettered cloth-backed boards. The first major book on Behrens, a substantial documentation of early works in architecture and industrial design.

Berlin, Felix Stössinger Verlag, 1933. 24x16. 104 s. + löst ilagt blad med förlagets bokannonser. Tryckta originalomslag över kartongpärmar, med en teckning av William Wauer (Nell Waldens porträtt). Lätt stukning av ett yttre hörn och ett litet stötmärke på främre omslaget. Första upplagan, tryckt i 500 numrerade ex. varav detta är nr 455. Dedikation från författaren daterad Berlin Sept. 1933. Prästdottern Nell (Nelly) Roslund från Landskrona gifte sig med Herwart Walden 1912 och blev en drivande kraft i den avantgardistiska Der Sturm-rörelsen. Vid sidan av sitt konstnärsskap publicerade hon dikter under pseudonymen Maria Enid i tidskriften Der Sturm. Hon fortsatte sitt författarskap efter att hon 1924 gift om sig med läkaren Hans Heimann (som skulle komma att dö i ett förintelseläger 1937).

Paris, Éditions Neuf, 1952. 27x21. 84 pp. 63 reproductions of photographs (46 full-page) and 8 of drawings. Publisher's cloth with photo plate on front cover. An exquisite collection of photographs and drawings by Brassaï with his own notes as well as his autobiographical "Souvenirs de mon enfance", text by Henry Miller (L'Oeil de Paris), and a poem by René Bertel. The fifth publication in the Collection Neuf series edited by Robert Delpire and Pierre Facheaux.

Zürich 1963-78. 23x28. 276; + 248; + 240 pp. Altogether ca 670 photos (120 full-page) and 630 plans and drawings. Publisher's printed linen cloth, dust jackets. The complete documentation of Aalto's architectural works (1) 1922-1962, (2) 1963-1970, and (3) projects and final buildings. Trilingual in German, French and English.

New York, The Museum of Modern Art, 1947. 31x23. Textbook in printed wrappers: VIII+XXIV+8 pp. + 4 plates; + 40 loose plates with fine reproductions (in colour when called for). Kept in the original box with tie-strings, printed front title label. Second edition, limited to 2000 copies.

Stockholm, Joh. Hellsten Arkitektur Bokhandel, (1887-96). 42x31. 90 planscher med ca 200 teckningar. Bundna med det första, tryckta och dekorerade häftesomslaget i ett samtida klotband med pärmtitel i guldtryck. Obetydliga yttre bruksspår. Detaljerade teckningar av rikt ornamenterade snidade skåp, stolar, hyllor, bord, speglar, ramar, stafflier, skålar och fat, dryckeskannor, skrin och askar, pappersknivar, m.m. Utgavs ursprungligen i tio häften innehållande vardera nio planscher.

Bruxelles 1951-59. 27x21. XXIV+408 pp. + 168 pp. with facsimiles and photos of signature labels + 6 plates with 57 portrait photos; + XII+66+II+67-198 pp. + 60 pp. with reprods. of signature labels. Vol. 1 in full red leather, printed front wrapper bound in; vol. 2 (Supplement) in printed wrappers.

Zürich 1985. 560 pp. + errata slip. Ca 660 reproductions and photos, 140 in colour including 27 full-page. Publisher's cloth, dust jacket, a very fine copy. The standard monograph on the first French disciple of Mondrian, including illustrated Catalogue Raisonné of paintings, reliefs, constructions, and architectural drawings. Trilingual text in French, English and German.

London, Bohn, 1853. Lithographed title leaf (London, Bohn, 1836) + X+44 pp. + one additional text leaf + 96 lithographed plates (71 with perspectives and elevations and 25 with plans). Contemporary quarter leather. Spine and corners lightly worn, neat new endpapers, contents very fine. "Fourth edition, greatly improved" of this collection of designs for villas mainly in Old English and Classical styles, at least five of which were executed including "a residence in the Anglo-Norman style" - probably Sir James Macdonald's villa built near Liphock, Hants.