Søkeresultat

Paris & Bruxelles, Van Oest, 1929. 35x26. XIV+176 pp. + 106 plates with 191 photogravures and two tipped-in tissue guarded colour reproductions. Full green morocco with gilt ornamental decoration on front cover, spine (lightly faded) with five raised bands. A beautifully produced study and documentation of the various aspects and forms of Islamic miniatures, decoration and calligraphy in Persian manuscripts and books between the 12th and 17th centuries.

Leipzig 1901-03. 26x18. XIV+330; + IV+331-690 pp. + 149 plates (two folding including one with 16 colour designs). 1507 drawings and plans illustrating Gothic construction as well as decorative elements and designs. Contemporary half leather with marbled boards and edges, a fine set with slightly faded spines and minor wear at extremities. Fourth edition, revised by Karl Mohrman. The techniques of Gothic construction revealed by the architect and master builder Georg G. Ungewitter (1820-1864), a German pioneer of Gothic Revival architecture. Relatively few of Ungewitter's designs were actually built, and from 1852 his main priority lay as a writer and a teacher of architecture at the Höheren Gewerbeschule in Kassel, exerting influence particularly on church architecture in the final decades of the nineteenth century and the early decades of the twentieth.

Stockholm, Chelius, 1899. 37x28. 12 pp. + 18 plates with 22 photographs including 14 full-page. Publisher's printed boards; cover corners lightly worn, a fine copy. (Sammlung F.R. Martin). A documentation of 17th-19th century fabrics from Persia, Bukhara, and Anatolia.

Milano 1956. 22x27. X+368 pp. 611 photos (a few in colour). Publisher's printed boards Excellent photographic coverage of the varieties and forms of contemporary furniture in Europe and the USA with captions in Italian, French, English and German. Index of the designers, which include Aalto, Albini, Bega, Bertoia, Morassutti, Parisi, Ponti, Zanuso, Robin Day, Ernest Race, Tapiovaara, Wegner, Jacobsen, Ditzel, Juhl, Kjærholm, Ekselius, Strinning, Eames, Bertoia, George Nelson etc.

Christiania, Chr. Tönsberg (tryckt av Winckelmann & Sønner). (1856). 29x41. Litograferat titelblad i färg + sju planscher med färglitografier + 8 s. text på norska, tyska och engelska. Tryckt förlagspappband med klotrygg. Ett välbevarat exemplar med mycket svag bruntoning i övre marginalerna utanför bildytan, och en minimal fläck på främre pärmen. Lithographed title leaf, and seven colour lithographs of the summer palace Oscarshall which was commissioned by King Oscar I and Queen Joséphine of Norway, and completed in 1852 to the design of Johan Henrik Nebelong. Trilingual text in Norwegian, German and English.

Stockholm, Art and Theory Publishing, 2012. 21x15. 16 pp. text + 128 pp. with 83 full-page photographs and list of Tuija Lindström's solo exhibitions etc. 1983-2012. Printed wrappers, as new. Preface by Dragana Vujanovic, bilingual in Swedish and English.

Paris (1925). 24x16. 122 pp. Drawings and plans and ca 70 photos. Neat half cloth, pictorial wrappers (with light signs of wear) preserved. A publication devoted to the New Spirit in Architecture, including the discource L'Esprit Nouveau en Architecture delivered at Sorbonne in 1924, and describing Le Corbusier's Pavillon L'Esprit Nouveau at the Paris Exhibition 1925 (the title design of which is reproduced on the book's front wrapper). Le Corbusier's survey of other recent works by him includes the studio building he designed for Ozenfant, The La Roche / Albert Jeanneret twin house in Auteuil, and other villas.

Jena 1919. 25x18. 144 pp. 72 illustrations including four tipped-in plates, 40 pages of photos on coated paper, and drawings by Taut in the text. Publisher's quarter cloth with cover design by Taut. First edition of Taut's utopian town building manifesto, with contributions by Paul Scheerbart, Adolf Behne and Erich Baron. Introduced by Scheerbart's "Das neue Leben. Architektonische Apokalypse" the central part of the book is Taut's utopian City Crown scheme, the basic argument of which was the presence in every major city of buildings serving as a focus of the community: palaces, churches etc. Taut provides a new town for the modern man, with a central City Crown of theatre and opera houses, libraries, museums and other buildings grouped around a huge crystal house in which the "lonely wanderer can see his town below his feet and, above him, the rise and fall of the sun".

Stockholm, Iduns Tryckeri AB, 1894. 26x18. VI+42 s. + 24 planscher. Samtida elegant skinnryggsband med vackert dekorerade pärmar. Sällsynt katalog över tavlorna på Finspångs slott, med 124 verk av bl.a. Cranach, Frans Hals, Jordaens, Rembrandt, Rubens, David Teniers d.y. och Tizian, samt 240 av von Breda, Ehrenstrahl, Per Hilleström d.ä. resp. d.y., Masreliez, Roslin, Sergel, Troili, och andra svenska konstnärer.

Stockholm, Gernandts Boktryckeri-Aktiebolag, 1891. 23x15. 24 s. 13 reproduktioner av akvareller och teckningar av David Ljungdahl, däribland Järnvägshållplats, Interiör av boggievagnen, Restaurangen, Viktor Rydbergs villa Ekliden, Pripps och Gagges villor, Elektriska ljusstationen, Vattentornet, Hamnen vid Svalnäsviken, Kälkbacken vid Auravägen, m.m. Tryckta, högst obetydligt nötta omslag, det främre dekorativt utfört av Ljungdahl, det bakre med Karta öfver Djursholms Villastad upprättad år 1890. Oval stämpel i nedre hörn av omslaget: "Djursholms Restaurant & Café / Wilh: Strandberg". Attraktivt exemplar av en tidig och sällsynt presentation av den nya villastaden som grundats 1889. På bakre omslagets insida uppges att "Upplysningar om bygnadsplatser och färdigbygda villor lemnas af grefve C.G.F. Wirsén, Stockholm, Storkyrkobrinken n:r 13, samt å Djursholms slott".

Stockholm 1911-13. 32x25. XII+144; + XII+112; + XII+112 pp. + a total of 292 photogravure plates with ca 320 reproductions; printed guard-leaves to all plates. Printed wrappers, entirely unopened (and kept in original cardboard slipcases with printed labels); backstrips slightly darkened, otherwise immaculate. No. 64 of an edition limited to 160 numbered copies. A pioneering and sumptuosly produced Catalogue Raisonné of important paintings and sculptures mainly by foreign (non-Scandinavian) masters in Swedish collections, all of which are identified.

Wien & Leipzig (1903). 32 coloured plates (34x24) mounted on heavy cardboard (47x34) with caption labels on reverse sides. Loose as issued in two printed board portfolios. Twenty-four fine reproductions of attractive coloured perspective renderings of modern private houses in Germany and Austria (Vienna) and eight plates with 31 plans and elevations (to 16 of the houses). Among the architects of the houses are Josef Hoffmann, Theodor Fischer, Martin Dülfer, Friedrich Pützer, and Oskar Marmorek.

Paris, Morancé / Copenhague, Illum, 1935-37. 28x22. 112; + 104; 108 pp. + erratum slip in vol 1. Includes a total of 178 pages with photos of ca 230 objects. Publisher's printed boards, dust jackets. Large chipping from jacket of first volume, the other jackets fine with minor edgewear. 1: Afrique Occidentale Française. 2: Guinée Portugaise, Sierra-Leone, Libéria, Còte d'Or, Togo, Dahomey et Nigeria. 3: Congo Belge.

Paris, Phaidon, 2016. 31x30. 368 pp. Ca 280 full-page photos including more than 40 in colour. Includes chronological index with technical data on the prints. Publisher's massive cloth binding with mounted front plate, in a cloth slipcase with another mounted plate.

Berlin, Wasmuth, 1903. 48x32. 6 pp. + 100 heliogravure plates with ca 330 photographs. Loose as issued in a printed half cloth portfolio with tie-strings. Very light foxing to a few plates, two plates with damp stain in margin, otherwise very fine. Scarce large-format album of photographs of Romanesque, transitional and Gothic pillar capitals and other ornamental building details, mainly from German churches and abbeys.

Wien & New York 2003. 32x23. 320 pp. Ca 300 plans, drawings, photos and reproductions (39 in colour). Publisher's printed boards, very fine. The standard monograph on the Moravian-born architect, designer, theorist and author of influential books like 'Architecture Without Architects' and 'The Prodigious Builders'. Educated in Austria, he was active as an architect in Europe before he settled in Brazil where he designed several notable residences in Sao Paolo. In 1940, he was invited by MOMA to New York City where he remained based until his death in 1988, designing a number of landmark exhibitions in the 1940s, '50s and '60s, while continuing to travel extensively. Includes previously unpublished material and provides a comprehensive understanding of this central figure in twentieth-century design.

London, Thames and Hudson, 1978. 29x23. 264 pp. Ca 300 drawings, renderings and photos, 37 in colour including 18 full-page; pictorial endpapers. Publisher's printed boards, fine in lightly edgeworn dust jacket. The British issue of the first edition of this influential architectural-cultural history of New York, positing the mega-city as an arena for the terminal stage of Western civilisation.

Insjön, Clas Ohlsson & C:o, (ca 1927). 45x34. 15 färgplanscher + fyrasidigt texthäfte (22x14). Lösa så som de utgavs i tryckt kartongpärm. Bifogat kvitto på inköpet från Clas Ohlsson, daterat 8/2 1927. Bifogade är också två småskrifter av A. Alvén: 'Undervisning i färgberedning, grundning, spackling och målning' (Osby 1923, 8 s.) och 'Undervisning i ådring i ek' (Osby 1928, 12 s.), samt några småtryck och kvitton från Osby Korrespondensinstitut.

London, "Architecture iIlustrated", 1933. 32x23. VIII + 298 pp. (numbered 1-294 plus one unpaginated page between pages 3 and 4 and three between 81 and 82) + 12 plates with 15 colour renderings. Ca 235 photos, 35 elevations and perspectives and 100 plans. Publisher's printed cloth-backed boards. Covers and spine a little discoloured, with some light rubbing at extremities; interior fine although binding slightly shaken with minor incipient cracking. Scarce. The second coverage of architectural works published by Baillie Scott. This proved to be a timely publication, as the London office of Baillie Scott (and his assistant Beresford) was destroyed in the Blitz in 1941, together with all practice records.