Søkeresultat

Oslo: Det Norske Samlaget, 1967. 59 pp. Hft. Første udgave, 1. oplag, Med dedikation fra forfatteren, dateret 1967. Typografi og omslag av Kåre Andersen.

Forlaget Schultz, 1945. 52 pp. Hft. Omslag med lidt brugsspor. Fortsættelse af 'Grønne Digte' og 'Jeghuset'. Første udgave, 1. oplag. Eet af 500 nummererede og signerede eksemplar.

Federal Office Of Culture Bern, 2013. Tall 4to in wraps as issued. 64 pages, complete. Fine unopened copy. 1. ed.

København og Kristiania: Gyldendalske Boghandels Forlag, 1905. 8vo. Indbundet i samtidigt flammet kalv med titel i guld. (8), 431 pp. Samtidig tilskrift foran. First Danish / Norwegean edition of Swedish feminist Ellen Key's essays on motherhood, education and psychology. She was highly influencial (and controversial) in her time and her ideas helped creating state child support.

Amsterdam: Tuja Books, 2006. Illustrated paper-covered hardcover 24,8 x 17,5 cms., 206, (2) pp. throughout illustrated, partly in colour. Text in English. Front left edge with a dent (see photo) else an unread very good copy. 1. ed. thus. A survey of Fontana's unique works & hand-made editions, lithographs, screenprints, bronzes, ceramics, multiples, jewelry, fashion, design, and selection of posters, books and more.

Flox, 1982. 80 pp. Hæftet. Rigt illustreret med fotografier og fotocollager. Feministisk "kunstnerbog". Første oplag.

Edition Taube, 2022. 4to. Hardcover, thread bound, 56 pages, color, multicolored cut. Light denting to cover edges else clean and fine.  First edition. Artists book by Hank Schmidt in der Beek - a must-have for all lovers of Suprematism, Constructivism and … ice cream.

Stockholm: Fylkingen, 1994. Squarish 4to in publishers wraps as issued. 236 pp. Illustrated. With an English Summary at end. Fine, clean copy. Complete with CD. First edition. - Large richly illustrated monograph on Fylkingen - New Music and Intermedia Art is an artist-run venue and member based organization committed to the contemporary experimental performing arts field. Over 300 artists from various disciplines use the space to develop and present new work. Fylkingen is run by its members and an active board and production group. It also produce and distribute recorded material through its own label Fylkingen Records since 1966. The organization was established in 1933 in Stockholm, Sweden, then focusing on contemporary composers and a traditional repertoire. Over the years, the organization branched out into new forms. The first concert of electroacoustic music in Sweden was arranged by Fylkingen in 1952, together with the Swedish Radio. Since the 1960s Fylkingen represents a wide field of artistic practices. Fylkingens concerts of electronic music attracted the attention of composers worldwide for the high sound quality and unconventional presentation format. Promenade Concerts with electronic music, music simultaneously in several rooms with different acoustic conditions and landscape music in Stockholm parks heard the news. In the 1960s the association radicalized more and more art forms took place at Fylkingen; performance art, dance, choreography, happenings and text-sound compositions. At the time, many of Fylkingens arrangement took place at Moderna Museet, with a detour to other premises in Stockholm and around Scandinavia. The programs from the 1960s and 1970s are filled with performances by and with the international avant-garde: John Cage, David Tudor; Iannis Xenakis, Pierre Boulez, Morton Subotnick, Ravi Shankar, Terry Riley, Karlheinz Stockhausen, Nam June Paik, Henri Chopin, and La Monte Young, side by side with major Swedish composers such as Åke Hodell, Lars-Gunnar Bodin, Öyvind Fahlström, Sten Hanson, Folke Rabe and Catherine Christer Hennix and performing artists Margaretha Åsberg, Yvonne Rainer, Merce Cunningham, Antonin Artaud, Carolee Schneeman. Later, visiting artists have been, for example; Brian Eno, Kaffe Matthews, Genesis P-Orridge, Her Noise, Andre Stitt, Carsten Nicolai, Damo Suzuki, Tara Transistory, Gudrun Gut and many many more.

Antipyrine, 2018. 2018 pp. Hft. Rent eksemplar. Første udgave, 1. oplag.

Gyldendal, 2017. Hardcover. Upagineret. Nærmest som ny. 1. oplag. L’usage du mot (Brugen af ord) er en digtsamling, på mestendels engelsk, fransk og tysk.

Roskilde: Museum for Samtidskunst, 1991. 8vo. Mappe med folder og 6 originale postkort med værker af bl.a. Henning Christiansen og William Louis Soerensen. Folder er på 24 sider. Illustreret. Text på dansk. Illustreret. Komplet med 6 postkort. Folder med brugsspor, se billede. 1. ed.

San Francisco Museum of Modern Art and University of California Press, 2002. Tall large 4to in publishers hardcover, with jacket. 94 pages. Text in English. Richly illustrated. Fine copy. First edition.

Gyldendal, 1987. 179 pp. Hft.

New York: Harcourt Brace & Company / Starbright Foundation, 1998. Oversized heavy hardcover with glossy jacket and CD in pocket inside the backcover. 85 pages. Previous private owners bookplate (a Hans Christian Andersen motif) to inner cover front else clean and overall a clean and very good copy with only minimal shelfwear. First edition thus. Storytellers include Liam Neeson, Harrison Ford, Melissa Hart, Dan Akroyd, Calvin Klen, Jay Leno, Madonna, Robin Williams, Steven Spielberg, and twenty-three illustrators, such as Maurice Sendak, Fred Marcellino, Quentin Blake, and others. Due to size and weight foreign shipping will be extra and so please inquire before ordering this item.

MIT Press Cambridge, MA, 1988. Square 8vo in softcover as issued 19.5 x 19.5 cm. 191 pages, illustrated. Very good clean copy. Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index.

Frankfurt am Main: Vittorio Klostermann 1987. 8°. Hardcover, mit OU. XXVIII, 369 Seiten. Name. Einige verstreute Anstreichungen mit Kugelschreiber.

London, Imago Publishing Co, 1949 (1940). Original blue cloth. 266 pp. Bleistiftsnotizen, sonst gutes Exemplar. Revision der Traumlehre -- Traum und Okkultismus -- Die Zerlegung der psychischen Persönlichkeit -- Angst und Triebleben -- Die Weiblichkeit -- Aufklärungen, Anwendungen, Orientierungen -- Über eine Weltanschauung.

Antipyrine / OVO 2015. Small slim 8vos in wraps as issued. 46, 120 pp. Some discoloring to cover else a clean, fine, unused set. This is the first time Bishan Commune: How to Start Your Own Utopia, a notebook by the Chinese activist, editor, and curator Ou Ning, has been published in English. The notebook is a graphic montage piece, where comments, thoughts and short accounts from Ou Ning’s travels to Bishan are intertwined with drawings, clippings, color-coded text, handwritten notes, pictures and quotes. The publication consists of two books: the first volume contains a facsimile of Ou Ning’s original notebook in full color; the second volume is a translation of the notebook from the Chinese by Mai Corlin and Austin Woerner also including an interview with Ou Ning not previously published in English as well as Ou Ning’s 2012 text “Autonomy: Utopia or Realpolitik,” which lays out Ou Ning’s understanding of ongoing anarchist practices in a totalitarian, capitalist reality . - Ou Ning was born in rural Guangdong province in 1969. His practice covers a wide range of projects straddling the fields of art and politics. As a filmmaker, he directed the documentary Meishi Street (2006) concerning local acts of resistance against the demolition of an area in a central part of Beijing in relation to the 2008 Olympics. As curator he has headed the 2009 Shenzhen & Hong Kong Bi-city Biennale of Urbanism\Architecture, and from 2011 to 2013 he was chief editor of the literary bi-monthly Chutzpah!, a magazine that has dealt in-depth with issues such as agrarian communities in East Asia, revolution, queer literature and George Bataille. And these are just a few of Ou Ning’s undertakings.

Forlaget Gjellerup, 1959. Kvadratisk 8vo i hardcover, med omslag. 262 pp. Illustreret. Godt eksemplar.

New York: The Modern Library, (1993). Hardcover, with jacket. XLV, 320 pages. Clean, unread copy.

Dia Art Foundation, New York, 1996. Small 8vo in wraps as issued. XV, 206 pp., illus., bib. notes. Light edgewear else fine clean copy. The first in the series of the Robert Lehman Lectures on Contemporary Art. Artists discussed include Lawrence Weiner, Brice Marden, Joseph Beuys, Dan Graham, Robert Gober, Katharina Fritsch, On Kawara, Ann Hamilton, and James Coleman.

Edinburgh University Press with John Hansard Gallery, 2016. 4to in stiff wraps as issued. 116 pages, plus plates at end. Near fine clean copy with only minor shelfwear. First edition. "The influence of Roland Barthes on Burgin's work is well documented. Equally, Burgin's prominence as an artist and theorist concerned with text and image offers a productive dialogue with Barthes' work. Victor Burgin has long been considered both theorist and practitioner, while Barthes is more known as a theorist and writer. In bringing to the fore Barthes's practice of painting and drawing, Barthes/Burgin prompts a new critical consideration of Barthes/Burgin, theory/practice, writing/making and criticality/visuality. Barthes/Burgin features two new interviews with Burgin, one concerned with his turn to new digital practices and the other a reflection on his reading of Roland Barthes. Also included are images and texts from the artists and an essay critically examining Barthes' exercises in drawing and painting. This book accompanied an exhibition at the John Hansard Gallery (February to April 2016), bringing together recent projection works by Victor Burgin and a selection of drawings by Roland Barthes rarely seen outside of France. The exhibition played with Barthes' use of the slash as established in semiology (and notably used in the title of Barthes' key poststructuralist work S/Z). "

New York: (Farrar, Strauss, Griroux) Book Club Edition, 1987. 659 pp. Publisher's hardcover cloth with unclipped somewhat worn (see photos), now protected dustjacket. Clean inside and overall a good to very good copy. First Book Club edition 1987. Jacket designed by Fred Marcellino.

London: The Folio Society 1995. Large tall 8vo, hardcover in slipcase. 234 pp. Illustrated. Light wear to case else clean and fine copy. 1st thus.

B P Forlag, 2017. Stort format. 254 pp. Hft. Rigt illustreret. Som ny.  "Det skete på Kvindeudstillingen Charlottenborg 1975" - 42 kvindelige, danske kunstnere udstillede med de 50 inviterede internationale kvindelige kunstnere. Et tilbageblik med mange interessante fotos.