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Redwood Press / Stanford University Press, 2015. Publishers hardcover, with jacket. 336 pages. Very good clean copy. "A philosophically complex yet lyrically wrought examination of the eternal struggle for women’s rights". First US edition.

Paris: Centre Pompidou / rmm, 2006. DVD. Looks unplayed. French / English. Director Francois Levy-Kuentz's film uses previously unreleased archival material, such as Klein's personal films, to capture the artist's astonishing career, from its beginning in 1954 to his death in 1962. In those eight short years, Klein turned the modern art world upside down. Besides inventing IKB, he was at the forefront of monochrome paintings, was early to photo manipulation (his most famous, Le Saut dans le Vide, has him flying from a wall, diving).

Leipzig, A. Hahne, s.d. [around] 1924 or no later than 1925. Square 8vo in original rather worn boards [16 pp.]. Color illustrated. Binding rubbed and pages loosening but still holding. Some brownspotting throughout, but overall an acceptable copy. "A Day At Bunny School" is one of the most famous German illustrated children's book and was written by Albert Sixtus and illustrated by Fritz Koch-Gotha. Written in rhyme, the novel tells the tale of young rabbits going to school to learn good manners, how to paint Easter Eggs, how to identify plants, and how to elude foxes and other dangers. Offered here is a very rare early copy of this fragile German children's classic. Nr. 32 in the illustrated books series from the publisher.

London: Pavilion, 1988. Large oversized book in softcover. 96 pp. Illustrated throughout in colour. Very good copy.

Forlaget Asterisk, 2019. Leporello, 42 pages, illustrated throughout with b/w photographs. 305 cm when opened. Fine clean copy. 2nd printing - one of only 150 copies. The Danish artist's artists book version of Ed Ruscha's seminal artbook Every Building On The Sunset Strip.

Baltimore: Johns Hopkins University Press Large format paperback, 2006. XX, 628 pp. Light edgewear. Clean very good copy.

Denmark: Pork Salad Press, 2011. 8vo. Softcover. 351 pp. Fine copy.

Kehrer Verlag, Heidelberg 2006. 8vo. Hardcover. 384 pages. Illustrated in b/w and colour. Very good copy. Parallel text in English, German, Danish/Norwegian & Finish. The Catalogue has been published in connection with the Exhibition 'Fiona Tan - Mirror Maker', Kusthallen Brandts 25.02-21.05 2006, Landesgallerie Linz 01.06-13.08 2006, Bergen Kunstmuseum 01.09-03.12 2006, Porin Taidemuseo 26.01-20.05 2007. 1. ed. Heavy book and extra shipping may apply: please inquire before ordering.

Abrams Books 2017. Oversized large and heavy hardcover w jacket. 144 pages. Profusedly color illustrated. Very good copy. This copy inscribed by the artist. Due to size and weight extra shipping will apply for this item - please inquire before ordering!

Gyldendal / Kunstbogklubben, 2004. Hardcover, med smudsomslag. 463 pp. Rigt illustreret. Flot eksemplar.

University of Chicago Press, 2014. Paperback. 179 pages. With illustrations. Fine clean copy. One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists.Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement’s founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas’s history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.

São Paulo, 1994. 4to in wraps as issued. 57 pages, plus adds. Fine clean copy. Goran Petercol, born in Pula in 1949. "Petercol attended the Maritime School and, after graduation, served on ocean-going merchant navy ships. He graduated in Painting from the Academy of Fine Arts in Zagreb, in 1975, after which he spent two years in Ljubo Ivancic's Master Workshop. For years he has worked as an art editor of encyclopaedic and lexicographic publications and, until retirement, as a professor at the Academy of Applied Arts in Rijeka. During the 70s and the beginning of the 80s, Goran Petercol was closely associated with a group of conceptual artists who adopted analytical methods in structuring their works. His exploration of processuality, reach, stylization and various conceptual strategies has been continuous. From early on in his career, he has been treating light as a material. In addition, he uses light and shadow to lay claim to and reactivate a certain territory. He thereby directs the gaze of the viewer to what usually gets eluded – spatial relations, the combination of elements tied to a certain place, as well as memory as an idea of a past event which, according to the artist, is a part of life and art to a greater extent than we might be aware of."

Koenig Books, 2009. 8vo in black wraps as issued. 206 pages, richly illustrated. Text in English. Fine clean copy. First edition. Elke Krystufek, Dorit Margreiter and Franziska & Lois Weinberger. All have developed new works for the Austrian pavilion. Each of these artistic positions deals with a specific theme, and while their art differs greatly, they all share a structural approach, which critically questions the orders determining social aspects of our lives, our culture and politics. Elke Krystufek condenses several themes in her painting installation TABOU TABOO (2009): Polynesia, the mythical place as it was conceived and conveyed in Modern European art, and the issue of a specifically “female gaze”. The title TABOU TABOO is a reference to the film “Tabu” by F. W. Murnau and further to Sigmund Freud’s “Totem und Tabu”. Krystufek replaces the word “Austria” on the outside of the pavilion with the word “Tabu”, and thus attacks the identity of the building. Dorit Margreiter‘s work Pavilion (2009) is a film dealing with the place of its production and its mis-en-scène: the pavilion constructed by Austrian architect Josef Hoffmann, opened 1934 in the Giardini of Venice. Margreiter explores the pavilion as an utopian space of art, forming an architectural sculpture in itself. Pavilion is a grainy black-and-white film with a surreal quality. Its staged rendition at the actual site mirrors the pavilion in its space and in time, it is a projection of itself onto itself. Laubreise (2008/09) by Franziska & Lois Weinberger is an outside piece, an accessible architectural sctructure located between pavilion and canal which houses an object inside. Laubreise as well as other works by F. & L. Weinberger deal with the relationship between “nature” and “culture”; their work is about the subtle „peripheries of perception” of an “invisible nature / spiritual nature” (L. Weinberger). Inside the pavilion an installation gives insight into Weinberger’s work from 1976 until today.

Copenhagen: Stalke Galleri / Brigitte March Galerie, Stuttgart / Espace des Arts, 1988 - 1989. Tall 4to in wraps as issued. 72 pages, richly illustrated b/w. Text in both Danish, French, German and English. Near fine / fine clean copy. 1. ed. Participating artists were Marcel Broodthaers, Joseph Kosuth, Les Levine, William Anastasi, Lawrence Weiner, On Kawara, Yokuta Matsuzawa and Vincenzo Agnetti.

Forlaget Povl Branner, 1947. 144 pp. Ubeskåret i det originale omslag. Meget velbevaret med kun små brugsspor. Dansk første udgave.

Forlaget Rhodos, 1987. 245 sider. Hft.

Gyldendals Bogklub, 2002. 223 pp. Hft. Pænt ubrugt eksemplar.

Copenhagen: Kunstakademiet /& Royal Danish Academy of Fine Arts, 2000. 8vo. Stiff wraps as issued. 213 pages. Texts in English. Illustrated b/w. Some wear to cover, else clean and fine copy. Texts on sculpture by Smithson, Chillida, LeVitt, Judd and many others.

Gyldendal / Samlerens Bogklub, 1996. 197 pp. Hft. Navn, et par enkelte noter i teksten.

Borgen, 1964. 43 pp. Heftet med tråd og med det originale omslag. Bogen fremtræder nærmest som ny. Uopskåret.

Forlaget Politisk Revy, 1998 (1922). 79 sider. Hft. Fint eksemplar.

New York: The Hudson River Museum, 1980. 28x23 in wraps as issued. 192 pages with 185 photos including 30 full-page. Edgeworn copy but clean. 1st ed.

St. Gallen, Kunstmuseum & Goteborgs Konsthal - Kehrer, 2009. 4to in wraps as issued. 120 pages. illustrated, text in English. Near fine / fine copy. 1. ed. "Change of Place is the title of a joint work by New York artists. In interviews, women from diverse backgrounds are asked how they see themselves. The resulting photographs show not only those interviewed, but also the interpreters, subtly shifting the theme of the work to the question of what happens when information is translated from one language into another. Andrea Geyer (*1971) was the prime discovery at documenta XII with her Spiral Lands I. In quietly revealing works made up of both image and text, photographs are combined with historical data, news and fictional travel reports. Sharon Hayes (*1970) explores social realities by searching for historical parallels. She always chooses themes that have inscribed themselves in US history, with traumatic consequences."

Copenhagen: Booktrader, 2001. 4to in wraps as issued. 123 pp. Illustrated with photos. Text in English. Fine clean copy. 1st edition.

Ballantine Books Paperback, 1968. 160 pp. A very good tight copy. With more than 200 photographs from the film. This is "the complete book of the cinéma verité film of Bob Dylan". Fifth printing.