Søkeresultat

New York: The Modern Library, (1993). Hardcover, with jacket. XLV, 320 pages. Clean, unread copy.

Redwood Press / Stanford University Press, 2015. Publishers hardcover, with jacket. 336 pages. Very good clean copy. "A philosophically complex yet lyrically wrought examination of the eternal struggle for women’s rights". First US edition.

B P Forlag, 2017. Stort format. 254 pp. Hft. Rigt illustreret. Som ny.  "Det skete på Kvindeudstillingen Charlottenborg 1975" - 42 kvindelige, danske kunstnere udstillede med de 50 inviterede internationale kvindelige kunstnere. Et tilbageblik med mange interessante fotos. 

Paris: Centre Pompidou / rmm, 2006. DVD. Looks unplayed. French / English. Director Francois Levy-Kuentz's film uses previously unreleased archival material, such as Klein's personal films, to capture the artist's astonishing career, from its beginning in 1954 to his death in 1962. In those eight short years, Klein turned the modern art world upside down. Besides inventing IKB, he was at the forefront of monochrome paintings, was early to photo manipulation (his most famous, Le Saut dans le Vide, has him flying from a wall, diving).

New York: Simon & Schuster, 2021. Hardcover w jacket. XIII, 443 pp. With illustrations. Very good copy. "A revelatory exploration of fashion through the ages that asks what our clothing reveals about ourselves and our society. Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Merchants who dressed like princes and butchers’ wives wearing gem - encrusted crowns were public enemies in medieval societies structured by social hierarchy and defined by spectacle. In Tudor England, silk, velvet and fur were reserved for the nobility and ballooning pants called “trunk hose” could be considered a menace to good order. The Renaissance era Florentine patriarch Cosimo de Medici captured the power of fashion and dress codes when he remarked, “One can make a gentleman from two yards of red cloth.” Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina’s “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States and in the 1940s the baggy zoot suits favored by Black and Latino men caused riots in cities from coast to coast. Even in today’s more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. And even when there are no written rules, implicit dress codes still influence opportunities and social mobility. Silicon Valley CEOs wear t-shirts and flip flops, setting the tone for an entire industry: women wearing fashionable dresses or high heels face ridicule in the tech world and some venture capitalists refuse to invest in any company run by someone wearing a suit". In Dress Codes, law professor and cultural critic Richard Thompson Ford presents an insightful and entertaining history of the laws of fashion from the middle ages to the present day, a walk down history’s red carpet to uncover and examine the canons, mores and customs of clothing—rules that we often take for granted. After reading Dress Codes, you’ll never think of fashion as superficial again—and getting dressed will never be the same.

Borgen, 1988. 61 pp. Hft. Uopskåret. Første oplag.

Denmark: Louisiana Museum of Modern Art, 2022. Large tall 4to in wraps as issued. 108 pages, richly illustrated. Text in English. Fine unread copy. 1. ed. Book designed by Michael Jensen of K Grafik. - Dorothy Iannone was born in Boston, Massachusetts, in 1933. Her father died when she was two years old and she was raised by her mother Sarah Nicoletti Iannone, later Sarah Pucci. She graduated from Boston University in 1957 with a B.A. in American Literature. She went on to study English literature at the graduate level at Brandeis University. In 1958 she married the painter James Upham and the couple moved to New York City. The following year, Iannone taught herself to paint alongside her husband. Between 1963 and 1967 she exhibited with her husband at the Stryke Gallery, an exhibition space she ran with her husband in New York and traveled frequently to Europe and Asia. In 1961 the U.S. Customs at the Idlewild Airport in Queens, New York seized her book The Tropic of Cancer by Henry Miller she was traveling with and which was banned at the time. Iannone sued the U.S. Customs with assistance from the New York Civil Liberties Union, which caused her book to be returned and the ban on Miller to be lifted. The majority of Iannone's paintings, texts, and visual narratives depict themes of erotic love. Her explicit renderings of the human body draw heavily from the artist's travels and from Japanese woodcuts, Greek vases, and visual motifs from Eastern religions, including Tibetan Buddhism, Indian Tantrism and Christian ecstatic traditions like those of the seventeenth-century Baroque. Her small wooden statues of celebrities with visible genitals, including Charlie Chaplin and Jacqueline Kennedy, especially display with the artist's interest in African tribal statues. The explicit nature of Iannone's work frequently fell foul of censors in the 60s, 70s, and 80s. The artist said of the early censorship of her work: "When my work was not censored outright, it was either mildly ridiculed or described as folkloric, or just ignored. In 1969 the Kunsthalle Bern tried to censor Iannone's work in the group exhibition Ausstellung der Freunde by requesting that she cover up the genitals of her figures. In protest Dieter Roth dropped out of the exhibition and the curator of the Kunsthalle Bern, Harald Szeeman, resigned. Iannone recalled the experience in the Fluxus publication The Story of Bern or Showing Colors (1970).

Rowman & Littlefield, 2021. Hardcover. XV, 699 pages. Clean, unread copy. Heavy item and extra shipping may apply - please inquire before ordering!

Phaidon Press Ltd., 2011. Tall slim 4to in hardcover with fine protected jacket. Illustrated throughout in color. Tex in English. Clean and well preserved.

Princeton Architectural Press, 1991. Hardcover with cream flexi boards. Slight scuffing to covers, else fine. 165 pages, richly illustrated. No notes or highlights. Pages are clean and binding sound. Book design by Kevin Lippert.

Ameringer Gallery New York & Tel Aviv & Marseille: Yundler Brondion Verlag, 2015. Large 8vo in prink wraps as issued. 160 pages. Fine well preserved clean copy. 1. ed. Produced in conjunction with the exhibition of the same name at Ameringer McEnery Yohe gallery in New York City. The book is a private journey of the making of the Ancienne Rive project, and includes sources, inspirations, and other images that helped create the project. With texts by Cary S. Levine and Timothée Chaillou. Beautifully printed on three different papers the book includes full page color plates of all of the exhibition images.

Sweden: P. A. Norstedt & Söner, 1963. 8vo uncut in original wraps with untrimmed edges as issued. 164 pages. The original screenplays for . Text in Swedish. Name of Danish film director and critic Christian Braad Thomsen to free front endpaper. Light wear to cover, else very good clean copy. First edition.

New York: Random House, 1975. Hardcover with slightly worn but unclipped jacket. 415 pages. A small "Random House" publisher stamp to bottom edge. Inside clean. First edition, 2nd printing including the original dustjacket.

Cologne: Evergreen, 2005. Heavy 8vo hardcover with slightly worn jacket. 440 pages. Overall a good to very good copy.

Cambridge, Massachusetts: The MIT Press, 2001 (1999). Paperback issue. IX, 455 pp. Sparsely illustrated in bw. Fine clean unread copy. An exploration of the use of sound in activities such as literature, music, theatre, visual arts, and film; Focuses on activity in Europe for the first half of the 20th century, then post-war America; Artists include William Burroughs, Yoko Ono, George Brecht, Fluxus, Allan Kaprow, and others

Denmark: Pork Salad Press, 2011. 8vo. Softcover. 351 pp. Fine copy.

Peter Owen, 1972. Publishers hardcover with slighty edgeworn jacket. 379 pp. Clean copy. First British Commonwealth Edition (stated).

Stockholm: Konstsalongen Samlaren, 1962. - octavo, red wraps, 29 pages + black & white plates. Text in Swedish. Excellent copy. First edition. Book designed by Ernst Schwitters.

Rævens Sorte Bibliotek, 1999. 144 pp. Hft. Illustreret. Pænt eksemplar.

London: Pavilion, 1988. Large oversized book in softcover. 96 pp. Illustrated throughout in colour. Very good copy.

Baltimore: Johns Hopkins University Press Large format paperback, 2006. XX, 628 pp. Light edgewear. Clean very good copy.

Published by Pergamon Press Ldt., Oxford 1975. 8vo in originale magazine wraps. 60pp. Illustrated. Fine.

Cambridge University Press, 2001. Softcover as issued. XIII, 368 pp. With illustrations bw. Very good copy, no name and no markings. 1st edition. From the series Cambridge Studies in Renaissance Literature and Culture, # 38. "During the late sixteenth century 'fashion' first took on the sense of restless change in contrast to the older sense of fashioning or making. As fashionings, clothes were perceived as material forms of personal and social identity which made the man or woman. In Renaissance Clothing and the Materials of Memory Jones and Stallybrass argue that the making and transmission of fabrics and clothing were central to the making of Renaissance culture. Their examination explores the role of clothes as forms of memory transmitted from master to servant, from friend to friend, from lover to lover. This book offers a close reading of literary texts, paintings, textiles, theatrical documents, and ephemera to reveal how clothing and textiles were crucial to the making and unmaking of concepts of status, gender, sexuality, and religion in the Renaissance".

Copenhagen: Space Poetry, 2004 til 2010. Oblong8vo. Illustrated throughout. Fine complete set of the "Excursions" books. First edition (s).

Altfortryk, 1978. 4to. 46 sider inklusiv omslaget. Heftet. Gennemillustreret. Flot eksemplar. Originaludgave.