Søkeresultat

[Helsinki], W. Hagelstam, 1998. 108 pp. Richly illustrated, partly in colour. / Texts bilingual throughout in English, Swedish and Finnish. Publisher's pictorial boards, small repair to top of spine, else very fine. Contents: "A master craftsman and a leading figure in the applied arts / Hantverksmästaren och konstindustrimannen / Käsityön mestari ja taideteollisuusmies", "Eric O. W. Ehrströms graphic art and illustrations / Eric O. W. Ehrströms konstgrafik och illustrationer / Taidegrafiikasta ja kuvituksista", "Eric O. W. Ehrström and Heraldry / Eric O.W. Ehrström och heraldiken / Eric O. W. Ehrström ja heraldiikka", and Curriculum vitae. - - - Finnish artist Eric O. W. Ehrström was exceptionally multifaceted. He designed jewellery, tableware, textiles, furniture, and buildings. Erhström was an artisan and industrial designer, who knew the art of metal embossing as well as the work of an enamel- and goldsmith. He made glass and fresco paintings, sculptures, graphics; illustrated and wrote books, drew and painted. He worked as a conservator, teacher, intendant and artistic leader. Ehrström's heraldic production is vast. It contains coats of arms, medals, postal stamps, and also product marks. He was a member of Finland's Sigil Committee and Flag Committee, where the official symbols of the independent republic were planned. The Finnish Royal Crown is also his work. Eric O. W. Ehrström studied only one year at the Finnish Art Society's Drawing School, and after that he was an apprentice to Akseli Gallén at Kalela 1899-1900, when Gallén was planning the pavilion for the Paris World Exposition. Gallén's influence is seen in Ehrström's production, and directed him towards the area of art crafts.

Stockholm 1966. 8:o. [8] sid. Med 2 illustrationer inkl. omslagsbild. 45 katalognummer. Klammerhft., tryckt omslag av fint papper. Fint skick. (Katalog nr 2.)

Stockholm, Vasamuseet och Föreningen Vasamuseet, 1997. Stor 8:o. 80 sid. Illustrerad, delvis i färg. / Text bilingual in Swedish and English. Häftad, dek. omslag, fint skick. Catalogue for an exhibition of ship models recreating the Swedish warship Vasa, built between 1626 and 1628, which sank after sailing only about 1,300 meters into her maiden voyage on August 10, 1628. She fell into obscurity after most of her valuable bronze cannons were salvaged in the 17th century, and was only located in the late 1950s in a busy shipping area in Stockholm harbor. The ship was salvaged with a largely intact hull in 1961. She was housed in a temporary museum called Wasavarvet ("The Vasa Shipyard") until 1988 and then moved permanently to the Vasa Museum. The ship is one of Sweden's most popular tourist attractions and has been seen by over 35 million visitors since 1961.

København, Det teatervidenskabelige institut, Københavns universitet, 1976. 4:o. [iii] + 63 blad. 7 svartvita illustrationer. Häftad, dek. omslag. Fint skick. "Catalogue of theatrical sources in the National Museum's collection of antiquities, with an analysis of the so-called Phlyaker vase", in Danish. - - - (Opuscula / Det Teatervidenskabelige Institut, 1.)

Stockholm, Nordiska museets förlag, 1999. 4:o. 29,7 x 19,5 cm. 152 sid. Illustrerad med 158 fotografier av miljöer och kakelugnar, illustrationsreproduktioner från 1700-talet, ritningar, mönsterexempel m.m., varav 124 i färg. Med ordförklaringar, litteraturförteckning och register. Förteckningar över "Kakelugnsmakare i Sverige före 1846" (illustrerad med exempel) och "Kakelugnsfabriker i Sverige 1890". / Summary in English: "Swedish stoves". Förlagsband, dek. skyddsomslag. Gott skick. Pontus Tunanders omfattande bearbetning av Britt och Ingemar Tunanders efterfrågade bok: Kakelugnar, spisar och kaminer. Ett praktverk om den svenska kakelugnen från öppen spis till Cronstedt-Wredes kakelugn med tyngdpunkten på 1700-talet. Om kakelugnens arkitektur, dess tekniska och konstnärliga utförande samt kaklens bild- och mönstervärld. Dessutom praktiska råd inför anskaffandet och uppsättningen av en kakelugn samt en förteckning över kakelugnsmakare i Sverige från 1600-talet till 1850-tal. - - - Innehåll: "Den svenska kakelugnen" (Marieberg, Ordet kakelugn, Den öppna härden, Tidiga kakelugnar i Sverige, Lera och glasyr, Teknisk utveckling, Tidiga försök att spara bränsle, Den svenska diskussionen, Den svenska kakelugnen, Svenska kakelugnar i våra grannländer, Tegelkakelugnar, Svenska ugnar ute i världen), "Kakelugnsmakare", "Form och mönster", "Praktiskt om kakelugnar" (Anskaffandet, Märkning, nertagning, transport och förvaring, Lagning av kakel, Smidesdetaljer, Brandsäkerhet, Uppsättning), "Summary: Swedish stoves", "Kakelugnsmakare i Sverige före 1846" (illustrerad) och "Kakelugnsfabriker i Sverige 1890".

Helsinki, Suomalaisen Kirjallisuuden Seura, 2004. 4to. 27,3 x 20,5 cms. xxiv + 296 pp. Text in Finnish. Illustrated with drawings etc. Beautifully produced and printed. Publisher's crimson boards, printed dustjacket. As new. "Professor Erkki Helamaa's giant project presents 3,200 words used in the construction industry with explanations and examples. Helamaa has familiarized himself with the origins and backgrounds of the words he has collected over the course of 35 years. In addition to the etymological examination of many sayings, there are examples from e.g. Samuli Paulaharju's, Kalle Päätalo's, Väinö Linna's and Kustaa Vilkuna's productions, a slang dictionary or from the collections of the folk poetry archive. The special terms of the construction industry and the delightfully inventive vocabulary of construction sites offer even non-experts in the field a fun and interesting reading experience that you will want to return to again and again. The work has illustrative drawings." - - - (Suomalaisen kirjallisuuden seuran toimituksia, 988.)

(Stockholm 1755.) Faksimilupplaga med modern utformning av textdelen. Stockholm, Rekolid / Nationalmuseum, 1993. Tvär 4:o. 21,5 x 29,5 cm. 72 sid. (text) + [128] sid. (planscherna). Med ordförklaringar. Två volymer. Förlagets marmorerade pappersband (faksmilidel inkl. planscher) + häfte med marmorerade omslag (modern text, förklaringar och kommentarer). Fint skick. (Nationalmusei skriftserie, N.S., 14.) - - - 2-volume facsimile with commentary (all in Swedish) of "Drawings of forty storey houses of stone, and thirty of wood, as well as several gazebos, etc. for the high-ranking knighthood and nobility" by Swedish architect Carl Wijnbladh, originally published in 1755 (text and numerous engraved plates). Hardbound facsimile volume with commentary and modern rendering of the text in wrappers, as issued. Very fine.

Uppsala, Uppsala universitet, 2003. Diss. 8vo. xvi + 302 pp. + Abstract leaf. Illustrated. With bibliography. Pictorial wrappers. Very fine. As new. (Abstract:) "This study examines two groups of European nobility, the Roman aristocracy and the British Grand Tour travellers, specifically, their attitudes towards Antiquity as expressed in portraits produced in eighteenth-century Rome. Antiquity in this study connotes Ancient Rome, particularly its political system, religious system and architecture, and assumes it to be the quintessence of a Western mythology that had supported the legitimation of the ruling classes since the Middle Ages. In the eighteenth century the realisations of this mythology became more diverse, as demonstrated by the two nobilities examined here. The papal nobility resided in Rome and owned not only collections of ancient sculpture but also many of the actual archaeological sites. The British nobility visited Rome during the second part of the eighteenth century through an institutionalised form of educational travel termed the Grand Tour, of which both viewing and posing for portraits were expected components. Using readings of different portrait settings, formaulae, the study traces how apparently similar assimilations of the myth of Antiquity supported different social aims in different parts of Europe. Through interpretations of display criteria, as seen in analyses of inventories, documents and first-hand commentaries, this study emphasises the varied social functions of portraiture within the European élite cultures. The ultimate result of such a reading allows for a clearer picture of the multiple functions of the myth of Antiquity within the legitimation strategies of the eighteenth-century European nobility and gives a clearer view of the importance given to visualising social identity and status".

Leipzig, F. A. Brockhaus, 1901. 4to. x + 284 pp. + plates. Richly illlustrated. With index. Contemporary grey linen cloth, spine with labels in brown and orange, pictorial wrappers in colour bound in (Albert Bonniers privatbokbinderi). Very fine. Provenance: Swedish art historian Hans Eklund (1921-2018).

Trelleborg 1942-44. 8:o . 12; + 12; + 22; + 28 sid. Med sammanlagt 25 svartvita illustrationer. Förteckningen över Garibaldi Lindbergs etsningar omfattar 23 nummer. Sammanbundna i ett samtida halvfranskt band med lätta bruksspår och blekt rygg, alla omslagen medbundna. Låg dedikation på främre fribladet från författaren "Till Mamma", julafton 1944. Bandet etikettsignerat Sture Falk, Lund. De tre sista skrifterna utgör Trelleborgs museums publikation 1, 2 & 3.

Blindern / Oslo, Treopplysningsrådet, 1964. 8:o. 62 sid. Illustrerad med fotografier och ritningar / teckningar. Häftad, dek. omslag, lätt nötta omslagskanter. A little book about external wood panelling, illustrated with photos and drawings. In Norwegian.

Milano, Edizioni Il Polifilo, 1971. 8vo. [ii] + lxxxviii + 156 pp. Sewn as issued, pictorial wrappers. In a slipcase (lightly soiled). Else very fine. (Archivio del teatro italiano numero 3.)

Bonn, A. Marcus und E. Weber's Verlag, 1910; 1908; Verlag Walter De Gruyter & Co, 1959. 8vo. 64; + 40; + 132 pp. Later red half cloth, all printed wrappers bound in, very fine. (Kleine texte für Theologische und Philologische Vorlesungen und Übungen. Herausgegeben von Hans Lietzmann. 56.; + 29/3; + 38/40)

København, E. Jespersens Forlag / Kristiania, Cammermeyers Boghdl., 1912. 4:o. 88 sid. (inkl. annonser på slutet) + färgplanscher. Mycket rikt illustrerad med foton och husplaner. Förlagets halvklotband, lätta bruksspår, bandet ngt blekt, inklistrad oval husbild på främre spegeln. Avhandlar och avbildar till stor del påkostade villor, inkl. prins Eugens Waldemarsudde.

Dissertation (Licentiate thesis) at Helsinki University of Technology. Issued in photocopied form. 2002. A4-format. [i] + 179 leaves + 36 leaves with 125 black & white illustrations at end. Limp plastic cover, transparent front, title written on spine. Light wear. Provenance: Joakim Hansson. "Antiquarian and Architectural restoration. The Architect Olof Hansson and his 1950s church restorations. Restoration principles of the mid-20th century", dissertation in Finnish with a 2-page summary in Swedish.

Stockholm, 2009. 8:o. 168 sid. Rikt illustrerad, delvis i färg. Med register. Förlagsband, dek. skyddsomslag. Fint skick. (Baksidestext:) "Översten, arkitekten, professorn och överintendenten Fredrik Blom, idag mest känd för att ha infört den prefabricerade byggnadstekniken, var en av de mest inflytelserika arkitekterna i Karl Johantidens Sverige som till synes obesvärat rörde sig mellan den gustavianska stilens, nyklassicismens och nygotikens formspråk vid skapandet av ett rikt antal kaserner, herrgårdar, rådhus och andra offentliga byggnader men också villor, broar och kajer. Fredrik Blom kom att bli inblandad i snart sagt alla stora projekt, däribland Göta kanal och uppbyggnaden av den optiska telegrafen, och hans säkra praktiska blick togs i anspråk likaväl när ångkvarnar skulle uppföras som då moderna lantbruksredskap behövde konstrueras. Fredrik Blom var även en skicklig inredningsarkitekt. Fredrik Blom - Karl Johans arkitekt är berättelsen om en sällsynt mångsidig yrkesutövare, en de tekniska lösningarnas mästare".

Stockholm, C. & E. Gernandts Förlags-Aktiebolag, 1898. 8:o. [viii] + 220 sid. Senare rött halvfranskt band, ryggen med fem upphöjda bind, marmorerade pärmpapper, för- och eftersättsblad, inlagan helt oskuren frånsett övre guldsnitt, tryckta omslagen samt ryggremsan medbundna (Knut Hässler). Fodringen av fribladen har släppt något, men är lätt att fästa.

Stockholm, tryckt hos Fr. B. Nestius, 1822. 8:o. [viii] + 394 sid. Häftad, helt oskuren i gråpappersomslag, ryggen med samtida påskrift av titeln. Namnteckning: "Eugenie Essen". Proveniens: Säbylunds fideikommissbibliotek, med löst bifogat exibris. Första upplagan. Anders Fredrik Skjöldebrand (1757-1834) är väl den enda av Svenska Akademiens ledamöter, som varit född i Alger. Han invaldes i Akademien 1822, samma år som han utgav föreliggande hjältedikt över Gustav Vasa.

Jefferson & London, McFarland & Company, 2003. Paperback. [vi] + 266 pp. With Bibliography and index. Pictorial wrappers in colour. Very fine. Provenance: Gunilla Palmstierna-Weiss (1928-2022), neatly stamped in 2023. (Publisher:) "Apart from being a writer of plays and screenplays, Ingmar Bergman has over the past fifty years devoted himself to several muses. He has directed about a hundred stage performances, fifty films, and many works for radio and television. With the varied media at his disposal, Bergman is internationally the most versatile author-cum-director presently at work, well aware of what each medium can and cannot do. This book focuses on Bergman's way of tackling the problems inherent in each art form he has dealt with, giving a penetrating picture of his craftsmanship and the intimate relationship between his work on stage and in film, as well as the possibilities and limitations of the various forms. The book addresses itself not only to Bergman fans but also to all those interested in the aesthetic problems related to different presentational forms".

Göteborg 2002. 8vo. xii + 244 pp. Richly illustrated in colour. Publisher's boards. As new. Revised edition of the author's dissertation, "Roman painting. Wall paintings, Fayum portraits and polychrome statuary". - - - (Abstract:) "Choices of materials in conservation, whether traditional or modern products are, or should be, preferred and issues regarding the basis on which such choices are, or should be, made are problems relating to the level of applicability of theoretical programmes in real life. The ancient techniques, encaustic painting and ganosis, are at focus in this dissertation, and the materials used for such painting and coating have been studied. The principal material connecting these techniques is beeswax, used in its natural, or raw state as paint, or transformed into saponified wax, i.e. Punic wax, either as paint or as a surface coating. These techniques are related to Fayum portraits, i.e. painting on wooden panels, with Roman wall painting, and with Hellenistic and Roman polychrome statuary as a coating. The materials, beeswax and natron, ingredients in such paints and coatings, are studied and described, as well as the relation between these paints and preparations. Some pigments used during Antiquity, relevant in this study, are briefly described, being part of ancient paints. Ancient and modern interpretations of the terms encausto and ganosis have been studied. Issues concerning whether or not these materials and techniques might be accepted in professional conservation and modern building construction are discussed. Experiments have been made with the intention of reconstructing these ancient materials and techniques and testing their applicability in modern environments, aiming at reducing negative factors for the environment and health. Finally, theories have been exposed to situations in real life, and the results are presented in six case studies". - - - (Göteborg studies in conservation, 9.)