Søkeresultat

North, 1977. 4to. (12) pp. Rigt illustreret. Med indlagt håndskrevet hilsen fra Kasper Heiberg til vennen, fotografen Poul Pedersen.

København: Wilhelm Hansen, 1929. 8vo i originalt heftet omslag. 47 sider. Ej illustreret. Godt eksemplar.  1. (og eneste) oplag. Een af de første (måske den første?) danske bøger om Jazz. Sjælden! / First (and only) edition. Possibly the first Danish book on Jazz - Scarce!

Gyldendals Bogklub, 2002. 223 pp. Hft. Pænt ubrugt eksemplar.

Copenhagen: Kunstakademiet /& Royal Danish Academy of Fine Arts, 2000. 8vo. Stiff wraps as issued. 213 pages. Texts in English. Illustrated b/w. Some wear to cover, else clean and fine copy. Texts on sculpture by Smithson, Chillida, LeVitt, Judd and many others.

Sternberg Press, 2014. Small paperback. 345 pages. Clean, seems unread.  When workaday author John Barlow is asked to ghostwrite a novel about secretive tax havens, he assumes the job will be straightforward. Then he learns that his employers, Swedish conceptual artist duo Goldin+Senneby, want him to investigate Headless Ltd, a shadowy company with possible links to French philosopher Georges Bataille, famed for his fixation with human sacrifice. Barlow travels to Nassau, the mecca of offshore finance, to uncover the plot. He is not alone. A beautiful, mysterious woman is also seeking the truth about Headless-and about Barlow. One day the ghostwriter is happily posting to his travel blog; the next he is implicated in the decapitation of a police officer, consumed by the dark world of covert capitalism and secret societies. Barlow's probing becomes desperate. The more he grasps at the threads of the labyrinthine plot, the closer he comes to madness. Copublished with Tensta konsthall and Triple Canopy.

London: Serpents Tail, 2014. Publishers hardcover, w jacket. 460 pages. With illustrations. Near fine clean copy.

Oxford University Press, 2010. XI, 456 pp. Very good clean copy.

Oxford University Press, 2000. Publishers hardcover, w jacket. XII, 227 pages. Very good clean copy. First edition. - "Attitudes in Britain to forests and trees are changing. Plantation forests - the product of the 'strategic reserve of timber' vision that held sway in the early twentieth century, and was turned into a physical reality by the Forestry Commission - are no longer fashionable. Today's forests are required to be sustainable, multi-purpose, and biologically diverse. They are expected to possess a 'spirit of place', be aesthetically pleasing, and help alleviate poverty and social exclusion in cities and remote rural areas. This book traces the changing fortune of forests and trees in Britain and people's changing relations with them. It investigates traditional woodland management practices, and considers how they came to be supplanted by scientific forestry knowledge and methods. It examines the development of the Forestry Commission and its body of foresters, looks at the symbolic function of forests and trees, and assesses the claim that present day forestry has become a postmodern phenomenon. A Critical Geography of Britain's State Forests will prove useful not only to foresters and nature conservationists, but to all those who are interested in how human beings socially and biophysically construct the environment, driven by a constant urge to find their place and meaning within it."

Publisher: Serpent's Tail, London, 2000. Squarish in softcover, as issued. XXXII, 231 pp. Illustrated. Very good clean copy. "n 1998, the Spice Girls were barred from the No. 1 spot by Run DMC. Rap is back. Rap is a form of music and spoken rhyme which first came to prominence in 1979 through The Sugarhill Gang's chart hit Rapper's Delight. Rap, along with all the other features of hip hop culture, originated in New York's Harlem and the South Bronx. This book takes hip hop culture as its central focus for an investigation of African-American rapping in all its forms. It begins with the music's African roots and ends with the global acceptance of rap as both commercial pop genre and voice of rage, a journey which encompasses West African griots, doo wop groups, jazz singers like Slim Gaillard, soul rappers from Millie Jackson to James Brown, old-school rappers Grandmaster Flash and Afrika Bambaataa, new-school rebels like Roxanne Shante and Run DMC, all the way to Public Enemy, De La Soul, NWA, the pop rap of MC Hammer and Vanilla Ice and the gangstas Tupac Shakur, Notorious BIG, Puff Daddy and Snoop Doggy Dog". 

Politisk revy / Rævens Sorte Bibliotek, 1987 (1983). 159 pp. Hft. Med illustrationer. Diskret navnetræk ellers ren. Anden danske udgave, 1. oplag på godt papir.

Basel: Kunsthalle, 1976. 4to in wraps as issued. 52 pages. Text in both English and German. Without list of works. Light wear to cover, overall a very good copy. First edition. Edition of 800 copies. Catalogue Raisonné (1989), Catalogs no. 14.

Koenig Books, 2009. 8vo in black wraps as issued. 206 pages, richly illustrated. Text in English. Fine clean copy. First edition. Elke Krystufek, Dorit Margreiter and Franziska & Lois Weinberger. All have developed new works for the Austrian pavilion. Each of these artistic positions deals with a specific theme, and while their art differs greatly, they all share a structural approach, which critically questions the orders determining social aspects of our lives, our culture and politics. Elke Krystufek condenses several themes in her painting installation TABOU TABOO (2009): Polynesia, the mythical place as it was conceived and conveyed in Modern European art, and the issue of a specifically “female gaze”. The title TABOU TABOO is a reference to the film “Tabu” by F. W. Murnau and further to Sigmund Freud’s “Totem und Tabu”. Krystufek replaces the word “Austria” on the outside of the pavilion with the word “Tabu”, and thus attacks the identity of the building. Dorit Margreiter‘s work Pavilion (2009) is a film dealing with the place of its production and its mis-en-scène: the pavilion constructed by Austrian architect Josef Hoffmann, opened 1934 in the Giardini of Venice. Margreiter explores the pavilion as an utopian space of art, forming an architectural sculpture in itself. Pavilion is a grainy black-and-white film with a surreal quality. Its staged rendition at the actual site mirrors the pavilion in its space and in time, it is a projection of itself onto itself. Laubreise (2008/09) by Franziska & Lois Weinberger is an outside piece, an accessible architectural sctructure located between pavilion and canal which houses an object inside. Laubreise as well as other works by F. & L. Weinberger deal with the relationship between “nature” and “culture”; their work is about the subtle „peripheries of perception” of an “invisible nature / spiritual nature” (L. Weinberger). Inside the pavilion an installation gives insight into Weinberger’s work from 1976 until today.

Copenhagen: Stalke Galleri / Brigitte March Galerie, Stuttgart / Espace des Arts, 1988 - 1989. Tall 4to in wraps as issued. 72 pages, richly illustrated b/w. Text in both Danish, French, German and English. Near fine / fine clean copy. 1. ed. Participating artists were Marcel Broodthaers, Joseph Kosuth, Les Levine, William Anastasi, Lawrence Weiner, On Kawara, Yokuta Matsuzawa and Vincenzo Agnetti.

New York: Random House / Nonesuch Press, 1934. 8vo (12,5 x 19,5 cm). Publishers fine brown clothed hardcover with gilt title. XVIII, (2), 868 pages. Previous private owners name to innercover else clean and overall a very good solid copy. COMPLETE and UNABRIDGED edition in a fine handy volume. First edition thus.

Forlaget Spring, 2019. 348 pp. Hft. Et trykmærke på omslag ellers rent og pænt eksemplar. 1. oplag.

Bruxelles Fonds Mercator and London National Portrait Gallery, 2013. 4to hardcover with jacket. 224 pages with 200 photographic plates. Text in French. Light edgewear, else clean very good copy. NB: The photo show the book still in plastic, but the copy is now opened and without the plastic wrapping. Large very heavy book, extra shipping may apply: please inquire before ordering this item!

Forlaget Povl Branner, 1947. 144 pp. Ubeskåret i det originale omslag. Meget velbevaret med kun små brugsspor. Dansk første udgave.

Published by Pergamon Press Ldt., Oxford 1975. 8vo in originale magazine wraps. 60pp. Illustrated. Fine.

Cambridge University Press, 2001. Softcover as issued. XIII, 368 pp. With illustrations bw. Very good copy, no name and no markings. 1st edition. From the series Cambridge Studies in Renaissance Literature and Culture, # 38. "During the late sixteenth century 'fashion' first took on the sense of restless change in contrast to the older sense of fashioning or making. As fashionings, clothes were perceived as material forms of personal and social identity which made the man or woman. In Renaissance Clothing and the Materials of Memory Jones and Stallybrass argue that the making and transmission of fabrics and clothing were central to the making of Renaissance culture. Their examination explores the role of clothes as forms of memory transmitted from master to servant, from friend to friend, from lover to lover. This book offers a close reading of literary texts, paintings, textiles, theatrical documents, and ephemera to reveal how clothing and textiles were crucial to the making and unmaking of concepts of status, gender, sexuality, and religion in the Renaissance".

Copenhagen: Space Poetry, 2004 til 2010. Oblong8vo. Illustrated throughout. Fine complete set of the "Excursions" books. First edition (s).

Altfortryk, 1978. 4to. 46 sider inklusiv omslaget. Heftet. Gennemillustreret. Flot eksemplar. Originaludgave.

New York: Anchor Books, 1979. Oblong 4to in softcover. pp. viii, [4], 92 and 68 b/w. photos. Cover rubbed, crease to back cover, and to lower front right corner with some interior pages creased. First edition, 3rd printing.

Zurich: JRP Ringier, 2007. 4to in hardcover. 131 pages, richly illustrated . Light superficial wear to cover, else very good copy. 1. ed.

Forlaget KLIM, 2010. Hardcover, med omslag. 280, (6) pp. Illustreret. "Den amerikanske digter og sangskriver Patti Smith har med en mesters touch skrevet en fabelagtig selvbiografi, hvori hun tegner et rørende indsigtsfuldt portræt af sin store ungdomskærlighed, fotografen Robert Mapplethorpe. (...) stor erindringskunst." - Klaus Lynggaard, Information.

Gyldendal, 2000. Hardcover, med omslag. 559 pp. Pænt eksemplar.