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Wien; Selbstverlag, 1930. 25x17,5 cm. 280 & 327, (1 blank) pp. + plates & maps. Two volumes in original red cloth with gilt lettering on spine and front board. Spine ends and corners are slightly bumped. The first volume has a small hole in the cloth on the fore-edge of front board. Contents are fine. With the bookplate of Austrian diplomat Carl Buchberger (1887-1974) in both volumes. A well-preserved copy of this standard work on oriental rugs.

London; Osgood, McIlvaine & Co., 1895. 20x15,5 cm. x, 447 pp. + 5 pages of ads. Publisher's blue cloth with gilt illustration on front board, gilt top edge and the other edges rough-cut. Without the rare dustjacket. Spine ends and corners are slightly bumped. A small hole in the cloth on lower edge of front board. Contents are very fine. First one-volume edition and the first illustrated, preceded only by the three-volume edition of 1894. ""The charming Trilby, an artist's model,slowly falls under the mesmeric spell of Svengali, a German-Polish musician, who trains her voice and establishes her as a famous singer. His power over her is such that when he dies her voice collapses, she loses her eminence, languishes, and finally dies herself. The novel was immensely popular for many years, and in 1895 was dramatized with Beerbohm as Svengali."" (The Oxford Companion to English Literature).

Stockholm; Adolf Bonnier, 1888. Originalupplaga. 19x12,5 cm. (5, 3 blanka), 135, (1) s. Senare marmorerat pappband (Arne Nilsson) i blått och brunt med ryggetikett i svart skinn. Omslaget medbundet. Aningen fläckat omslag; det främre med några svaga skrapmärken och en tidig ägares namnteckning (trol. W. Nordgren), det bakre med minimal hörnförlust nedtill. S. 9-12 med en liten nagg i yttermarginalen. Inlagan med ett fåtal spridda småfläckar. Fint ex. Sjöbergs omslagsteckning är gjord efter ett fotografi av Strindberg med döttrarna Karin och Greta, taget i Schweiz 1886. Zetterlund I:41.

Stockholm; Byggförlaget, 2000. 28,5x30 cm. 161, (1, 2 blanks) pp. Publisher's boards with printed dustjacket. A very fine copy. Contains the essay ""Bridges by Lennart Olson"", by Ulf Hård af Segerstad.

Stockholm; Bonniers, 1972. Originalupplaga. 18,5x11,5 cm. 140, (4, 4 blanka) s. Häftad med tryckt omslag. Några obetydliga repor på bakre omslag. Fint ex. Dedikation till förläggaren Gerard Bonnier: ""Till Gerard / en hälsning! / tilllgivne Göran"".

Düsseldorf; Kunstverein für die Rheinlande und Westfalen, 1987. 30x21,5 cm. (12, 14 blanks) pp. + 19 leaves of plates. Original blank card wrappers with printed dustjacket. Loosely inserted is the separate 8-page leaflet with Boltanski's authobiographical text: ""Kommentierte und illustrierte biographische Selbstdarstellung des Christian Boltanski"". The jacket is insignificantly faded at spine and adjacent areas of the panels. A fine copy. ""Published on the occasion of the exhibition Christian Boltanski, Le Lycée Chases... Christian Boltanski discovers in a book the photograph of the 1931 graduate class of the Lycée Chases (Gymnasium Chajes), the Jewish highschool in Vienna. Through the cropping and enlargement of the photographs faces take on a death-mask quality accentuated by the choice of transparent paper."" (from Boltanski, Catalogue : Books, Printed Matter, Ephemera 1966-1991). The book was issued in 1000 copies. With a preface by Svestka in German. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Leiden; Brill, 2010. (Aristoteles Semitico-Latinus, volume 21). 24,5x16,5 cm. x, 327, (3) pp. Publisher's printed boards. A fine copy. The earliest Syriac translation (sixth century AD) of Aristotle's ""Categories"", edited and presented alongside an English translation with commentaries, glossaries and indices. From the library of Bo Holmberg (1957-2024), professor of Semitic Languages.

Stockholm; Wahlström & Widstrand, 1928. Originalets titel: I Quattro libri dell'architettura (1570). 35x26 cm. (6, 2 blanka), 325, (3) s. Illustrerad. Senare grått linneband med titeletikett i grönt klot. Omslaget medbundet. Aningen solkat omslag. Några understrykningar i rödkrita på fyra sidor i förordet. Svag fläck på s. 99. Fint ex. Första svenska upplagan. Ur Jan Torsten Ahlstrands bibliotek.

Stockholm; Henrik A. Nordström, 1819. Originalets titel: Geschichte Gustaf's III. Königs der Schweden und Gothen (Karlsruhe, 1792). 8:o. 19x11,5 cm. (2, 2 blanka), 330, (2) s. Sammanbunden med: [Rühs, Friedrich]: Reflexioner öfver konung Gustaf III:s lefverne, karakter och inflytande på svenska nationen. Öfversättning af D. G. Ekendahl. Originalets titel: Über Gustavs Leben, Charakter und Einfluss auf die schwedische Nation (ur Werke Gustav's des Dritten, Königs von Schweden. Verdeutscht von Friedrich Rühs. 3. und letzter Band (Berlin, 1808). (4), 114 s. + 2 s. förlagsreklam. Samtida grönt halvfranskt band med förgylld ryggdekor och marmorerade pärmpapper. Rygg och pärmhörn lite nötta. Första arbetet med en reva i övre marginalen på s. 109/110 samt i nedre marginalen på s. 197/198. Ett fåtal spridda småfläckar. Fint ex.

Oxford; College of Technology, 1965. (255x194 mm). Unpaginated [9, 5 blank pages]. Original green, decorated cloth. Designed and produced by Åke Hässler in the Printing and Bookbinding Sections of the School of Art, College of Technology in Oxford. Gallup E2nx. ""Printed Autumn 1965; not for sale; about 20 copies printed."" (Gallup).

Stockholm; Johan A. Carlbom, 1792. 4:o. 23x19,5 cm. (6, 2 blanka), 354 s. Sammanbunden med: Inträdes-tal, hållit uti Svenska Academien den XVII mars MDCCXC af Magnus Lehnberg. Stockholm; Carlbohm, 1791. 48 s. & Inträdes-tal, hållit uti Svenska Academien den X december MDCCXC af Christopher Bogislaus Zibet. Stockholm; Carlbohm, 1791. 48 s. & Tal, hollet för Svenska Academien, på dess högtidsdag den XX december MDCCXC, af Olof Wallquist. Stockholm; Carlbohm, 1791. 15, (1 blank) s. Samtida mörkbrunt halvfranskt band med ryggetikett i brunt skinn och marmorerade pärmpapper. Med Anders Lidbecks namnteckning på främre försättsblad samt Achatius Kahls namnteckning på första titelbladet, samt med en handskriven innehållsförteckning på främre försättsblad. Rygg och pärmar nötta, mindre förluster på ryggen samt falssprickor. Liten hörnförlust upptill på s. 161/162. Återkommande svag fuktrand i övre resp. nedre marginalen som i Lehnbergs inträdestal även berör texten på s. 1-24. Inlagan ställvis lätt fläckad. Innehåller direktörens sammanfattning och tal, Lefvernes beskrifningar öfver Grefve Magnus Stenbock och Hertigen af Villars, af Herr Grefve Göran Ludvic Oxenstierna, Lefvernes beskrifning öfver Grefve Rutger von Ascheberg, af Herr Carl Gustaf Nordin, Sång öfver Grefve Baltzar von Horn, af Herr Johan Stenhammar.

Stockholm, 1870-1876. (Kungl. Svenska Vetenskaps-Akademiens Handlingar. Bandet 9. N:o 1 & Bandet 10. N:o 4 & Bandet 11. N:o 2 & Bandet 12. N:o 1 & Bandet 14. N:o 4). 30x24,5 cm. 232 & 159, (1 blank) & 163, (1 blank) & 186 & 162 pp. Later red half leather amateur binding with marbled boards. Wrappers are not preserved. contents are slightly foxed.

Örebro; tryckt hos N. M. Lindh, 1832-1836. originalupplaga. 8.o. 21x13,5 cm. (9, 3 blanka), 348 & (3, 1 blank), 392 & (2, 2 blanka), 482, (2) s. Tre lite senare bruna halvfranska band (J. Andersen's Bogbinderi) med förgylld ryggdekor och marmorerade pärmpapper. Stämplar för Statsbiblioteket i Aarhus samt med Caspar Frederik Wegeners ägarstämpel, ""Bibliotheca Wegeneriana"". Ryggar och pärmhörn något nötta. Inlagorna genomgående lätt fläckade. Välbevarad uppsättning av allt som utkom av Geijers historia.

Köpenhamn; trykt paa forfattarens forlag, i Bianco Luno's Bogtrykkeri, 1839. 8:o. 17,5x12 cm. x, 312, (1, 1 blank) s. + 6 litograferade planscher. Tryckt originalpappband med marmorerade snitt och försättsblad. Bandet något nött samt med en kort spricka i övre framfals. Små maskhål i nedre resp. yttre marginalen fram till s. 104. Inlagan ställvis lätt fläckad samt med ett fåtal spridda fingeravtryck. Välbevarat exemplar i det ovanliga förlagsbandet. Ursin (1797-1849), matematiker, slottsförvaltare på Charlottenborg, beskriver resan till Malmö, Lund, Göteborg, via Göta kanal till Norrköping och sedan Stockholm. Planscherna återger Domkyrkan i Lund, en stadsvy från Göteborg, Trollhättefallen, slussarna i övre Trollhättekanalen, Läckö samt Stockholms slott. Bring, Itineraria Svecana 608.

Helsingfors; Förlagsaktiebolaget Otava, 1924. 29x22,5 cm. (7, 3 blanka), 236 s. + planscher. Förlagets röda skinnryggband med klotklädda pärmar och rött övre snitt, tryckt skyddsomslag. Lite naggat skyddsomslag. Fint ex.

New York; Rizzoli, 1988. First edition. 26,5x21 cm. 304 pp. Publisher's black cloth with pictorial dustjacket. The jacket is a trifle worn at spine ends. A fine copy. ""In her perceptively written text, the author presents an overview of Nauman's career from 1965 through 1988 and separate chapters devoted to his drawings, his writings (discussed in connection with his installation pieces of the 1970s), and his films, videotapes, and performances. She also provides an extensive exhibition history, bibliography, and chronological list of illustrations."" (front flap). From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Bucarest; Editura Pentru Literatura, 1969. First edition. 19x12 cm. 78, (1, 1 blank) pp. + photo plate. Original printed wrappers. Cover design by Corina Cristea. The wrappers and the blank page 4 are soiled. There is a small pen mark on pp. 8 and 9, and in the index on pp. 78. The third book by Romanian author Popescu, born in 1944, now American director and movie producer. He defected in 1973 or 1974 to England, why his books were banned in Romania. The copy is inscribed to Pierre Zekeli and Florence Dahl, and the inscription is dated 1972; Zekeli and Dahl published a Swedish translation this year of Popescu's second book, ""Moartea din fereastra"" [Döden genom fönstret].

London; F. J. du Roveray, 1802. With the introduction: ""Some Account of the Life and Writings of Thomson"". [xxiv] + 262 (2) pp. + 7 plates. Contemporary leather with blindstamped boards, five raised bands and gilt title on spine. Comb marbled edges and endpapers. Internally bright and clean, tight binding. Rubbed corners. 2 plates by Henri Fuseli, 4 by William Hamilton, and 1 by E. F. Burney.

s Gravenhage; Nederlandsche maatschappij van schoone kunsten, 1841. First edition. Folio. 28x18,5 cm. (2, 2 blanks), 168 pp. + 42 wood engraved plates. Contemporary half leather with gilt decorations on spine, marbled boards and endpapers. Head of spine and corners are worn, the spine is slighty worn along the joints, and edges of the boards are a bit worn. Around a fifth of the text leaves and the plates are slightly foxed in margins. An attractive copy. The British artist Henry Brown (1816-1870) lived in The Netherlands for many years, and was for instance head of the Royal School of Engraving in The Hague. The present work contains texts by H. Tollens, J. van Lennep, S.J. van den Bergh, J. Kneppelhout and others. The engravings were made by, among others Brown and Ten Kate. They display different Dutch types, professions and sports.

München; Galerie Bernd Klüser, 1987. 30x17 cm. 83, (1 blank) pp. Illustrated. Original blank wrappers with printed dustjacket. With a couple of faint fingerprints on front panel of the jacket. A fine copy. Contains a preface by Bernd Klüser, and essays in both German and English by Katharina Hegewisch and Achille Bonito Olivia. Exhibition catalogue issued in 2000 copies. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Stockholm; tryckt hos L. J. Hjerta, 1838-39. 12:o. Originalets titel: Improvisatoren (Köpenhamn, 1835). 3-226 & 258 s. Samtida ljusbrunt halvfranskt band med förgylld ryggdekor, svarta pärmpapper. Omslag ej medbundet. Tidig ägares namnteckning (Emilie Ström) samt Gunnar V. Cederborgs exlibris (son till Carl August Cederborg). Ryggen lätt nött och med några små mörka prickar, pärmhörnen något nötta. Andra delen med minimal förlust i övre marginalen på s. 9/10 och i yttermarginalen på s. 59/60 & 103/104, annars en fin inlaga. Utan serietitelbladet, som anger att boken utgivits i Nytt Läse-bibliothek. Första svenska utgåvan. Furuland, Bibliografi över svenska skönlitterära häftesserier L:75. Nielsen, H. C. Andersen Bibliografi 307, för den första utgåvan. H. C. Andersens genombrottsroman.

Nagoya; Gallery Ham, 1993. 30x21 cm. 23 plates + colophon in Japanese + leaf with the artist's signature, loose in the original printed folder. Very fine. Published in 300 numbered and signed copies on the occasion of Roiter's exhibition at Gallery Ham from April 20 to May 22, 1993. This is no. 237. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on inside of the folder.

Paris; Bröderna Garnier's förlag, 1929. 13,5x12 cm. x, 120 pp. Publisher's red cloth with limp boards. A tear at head of spine and one on central spine. A small white stain on front board. A split in the gutter between pp. 8 & 9, pp. 24 & 25, and pp. 56 & 57. A Swedish-French phrase book with Billman's signature on the half-title, dated ""Paris 1939 / Sept."", and with underlinings of certain phrases, such as ""A quelle heure part le bateau à vapeur pour...?"" [When does the steamer for [...] leave?]. In August of 1939, Billman went by bicycle to Paris where his former girlfriend Kristina lived, with the aim to bring her home to Sweden before the anticipated war broke out. He arrived in Paris on the 24th of August, just a week before Germany's invasion of Poland. Unable to persuade Kristina to return to Sweden, Billman was evacuated together with other Swedes to Dieppe, from where they were taken to Gothenburg with two Swedish steamers. The experience inspired him, for instance, to the making of the woodcut 'Stormdag, Dieppe, september 1939' (1944, based on a sketch from 1939). Torsten Billman (1909-1989), Swedish woodcut artist, book illustrator and fresco painter.

Lund; Lunds universitets konstmuseum, [1914]. 19x13 cm. (4) s. Vikt en gång. Skrynklad och solkad. Med Johanssons hustru Gerdas namnteckning nederst samt årtalet ""1914"" skrivet på första sidan. Ett lite sämre exemplar av katalogen till Johanssons första separatutställning, dock med inskrivna priser på samtliga 57 separata objekt; nr 58-80 samlar ""Lösa teckningar och studier"".

Amsterdam & Leipzig; Arkste'e & Merkus, 1750. 8:o. 16x10,5 cm. (20), 444 pp. Contemporary half leather with gilt decorations on spine, marbled boards and sprinkled edges. Ex libris stamp of C. J. Schiefdaan on front flyleaf. Spine is a bit worn, dry and with a series of small cracks. There is a small paper-label on spine. Corners are slightly bumped and worn. Pp. 185/186 has a tear in lower margin, affecting the last line of text. Contents are fine, with just a few scattered small specks. Desfontaine's Neological dictionary for the use of modern wits was first published in 1727.