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Copenhagen: Stalke Galleri / Brigitte March Galerie, Stuttgart / Espace des Arts, 1988 - 1989. Tall 4to in wraps as issued. 72 pages, richly illustrated b/w. Text in both Danish, French, German and English. Near fine / fine clean copy. 1. ed. Participating artists were Marcel Broodthaers, Joseph Kosuth, Les Levine, William Anastasi, Lawrence Weiner, On Kawara, Yokuta Matsuzawa and Vincenzo Agnetti.

New York: Random House / Nonesuch Press, 1934. 8vo (12,5 x 19,5 cm). Publishers fine brown clothed hardcover with gilt title. XVIII, (2), 868 pages. Previous private owners name to innercover else clean and overall a very good solid copy. COMPLETE and UNABRIDGED edition in a fine handy volume. First edition thus.

Forlaget Spring, 2019. 348 pp. Hft. Et trykmærke på omslag ellers rent og pænt eksemplar. 1. oplag.

Louisiana Museum of Modern Art, 2004. 4to. Original boards. 144 pp. Richly illustrated in colour. Text in English. Fine copy. First edition.

University of Minnesota Press, 1998. 8vo. Paperback. XIII, 349 pp. With bw illustrations. Pencil notes in first part of book. Overall a very good copy. First edition, softcover: "An examination of the social and cultural significance of body art (...) The past few years have seen an explosion of interest in body art, in which the artist's body is integral to the work of art. With the revoking of NEA funding for such artists as Karen Finley, Tim Miller, and others, public awareness and media coverage of body-oriented performances have increased. Yet the roots of body art extend to the 1960s and before. In this definitive book, Amelia Jones explores body art projects from the 1960s and 1970s and relates their impact to the work of body artists active today, providing a new conceptual framework for defining postmodernism in the visual arts. Jones begins with a discussion of the shifting intellectual terrain of the 1950s and 1960s, focusing on the work of Ana Mendieta. Moving to an examination of the reception of Jackson Pollock's "performative" acts of painting, she argues that Pollock is a pivotal figure between modernism and postmodernism. The book continues with explorations of Vito Acconci and Hannah Wilke, whose practices exemplify a new kind of performance that arose in the late 1960s, one that represents a dramatic shift in the conception of the artistic subject. Jones then surveys the work of a younger generation of artists -- including Laurie Anderson, Orlan, Maureen Connor, Lyle Ashton Harris, Laura Aguilar, and Bob Flanagan -- whose recent work integrates technology and issues of identity to continue to expand the critique begun in earlier body art projects. Embracing an exhilarating mix of methodologies and perspectives (including feminism, queer theory, philosophy, psychoanalysis, and literary theory), this rigorous and elegantexamination of body art provides rich historical insight and essential context that rethinks the parameters of postmodern culture.ect continues to confirm the opinion of many that Jones is the most perceptive and original voice in contemporary art history, theory, and criticism to have emerged in a generation".

North, 1977. 4to. (12) pp. Rigt illustreret. Med indlagt håndskrevet hilsen fra Kasper Heiberg til vennen, fotografen Poul Pedersen.

Forlaget Rhodos, 1987. 245 sider. Hft.

Orion Books, 2008. Hardcover, w jacket. 471 pages. Fine copy.

Gyldendal / Samlerens Bogklub, 1996. 197 pp. Hft. Navn, et par enkelte noter i teksten.

New York: Alfred A. Knopf / A Borzoi Book. 1946. Publisher's hardcover boards, no dustjacket, gilt title. 470pp. Only light wear to cover, overall a very good clean copy . First American edition, 1st printing thus. Independent People: An Epic (Icelandic: Sjálfstætt fólk / Danish "FRIE FOLK") is a novel by Nobel laureate Halldór Laxness, originally published in Iceland in two volumes in 1934 and 1935. It deals with the struggle of poor Icelandic farmers in the early 20th century, only freed from debt bondage in the last generation, and surviving on isolated crofts in an inhospitable landscape. One of the greatest Nordic classics and still the most beloved piece of Icelandic literature in the world after the sagas, it is an epic tale about a poor farmer's struggle to achieve independence and freedom and about everything he must sacrifice to be able to pursue his goal to the bitter end.

Malmö 1975. 4to in wraps as issued. X, 96 pp. Richly illustrated. Text in both Swedish and English. Cover worn, overall a good acceptable copy. John Baldessari, Didier Bay, Bernhard och Hilla Becher, Christian Boltanski, Jacques Charlier, Ger Dekkers, Hans-Peter Feldmann, Fred Forest, Jochen Gerz, Paul-Armand Gette, Joel Glassman, Douglas Huebler, Peter Hutchinson, Nancy Kitchel, Jean le Gac, Barbara och Michael Leisgen, Anthony McCall, Annette Messager, Edward Ruscha, Katharina Sieverding, David Tremlett. Book design by John Melin et al.

Gyldendals Bogklub, 2002. 223 pp. Hft. Pænt ubrugt eksemplar.

Penguin, 1966. 8vo paperback as issued. 157 pp. Illustrated by Lennon and very finely printed in several colors. Well preserved copy. First combined edition 1966, containing John Lennon in His Own Write (1964) and A Spaniard in the Works (1965).

Palais de Tokyo and Koenig Books, 2014. Softcover as issued. 188 pages; illustrated, with text in English and French. Fine clean copy with only minimal shelfwear. First edition. "The exhibition at Palais de Tokyo in Paris is a “blank canvas” but also a retrospective on Philippe Parreno, who occupies and immaterially appropriates the space of this iconic contemporary art venue."

Kunst og Kultur, 1948 til 1949. Alle hefter upaginerede og rigt illustrerede i s/h og farver. Lidt brugsspor. nr.1: Signeret træsnit af Carin Steenberg. Nr.2: "Parabel" af W. Heinse med orig. radering af Hans Chr. Høier. Nr.3: Typografi af Kai Pelt. Nr.4: bl.a. typografi af Viggo Naae.

Forlaget Povl Branner, 1947. 144 pp. Ubeskåret i det originale omslag. Meget velbevaret med kun små brugsspor. Dansk første udgave.

Peter Owen, 1972. Publishers hardcover with slighty edgeworn jacket. 379 pp. Clean copy. First British Commonwealth Edition (stated).

Louisina Museum, 2010. Hardcover, with dustjacket. 136 pp. Richly illustrated. Text in English. Fine clean well preserved copy. First edition.

Rævens Sorte Bibliotek, 1999. 144 pp. Hft. Illustreret. Pænt eksemplar.

Soul Jazz Books, 2011. 4to in flexi boards as issued. 208 pages, richly illustrated. Very good copy. The ESSENTIAL book about Voguing featuring 200+ photographs, interviews and text on the legends of the House Ballroom Scene of New York City 1989-92. Introductory essay is by Tim Lawrence, author of the seminal music books: 'Life and Death on The New York Dance Floor',‘Love Saves the Day: A History of American dance music culture, 1970-79’ and ‘Hold on to your Dreams: Arthur Russell and the Downtown Music Scene, 1973-92’. Voguing came out of the extraordinary house ballroom scene that emerged in Harlem, New York in the 1980s where men competed against one another for their dancing skills, the realness of their drag and their ability to walk on a catwalk runway like a model. These wild years of voguing and the house ballroom scene are vividly captured at its height in hundreds of amazing, previously unpublished photographs. A visual riot of fashion, gender, polysexuality and subversive style, Voguing and the House Ballroom Scene of New York 1989-92 is also a fascinating and timely document on sexuality and race.

Spector Books, 2022. Large hardcover. 114 pages. Very good clean copy.

Cologne: Verlag der Buchhandlung Walther König, 2008. Large 8vo very heavy clothed hardcover, no jacket as issued. 599pp. Fine copy. Text in German. a selection of Richter’s writings, including personal notes, public statements, interviews and letters. The text relates to all the important stages of his career: his photo paintings, his colour charts, the monochrome paintings and his abstract works. The book offers the possibility to learn more about the artist’s development, his intentions and techniques. Heavy item and extra shipping will apply - please inquire before ordering this item!

Porto: Fundacao de Serralves. First edition, 1996.Large Quarto in wraps as issued, 111 pp., heavily illustrated (much in color), clean unmarked text. An bit of wear to the tips of the covers. Text in Portugese and English. First edition. SIGNED COPY. Boldly signed to front cover by Dennis Oppenheim (see phtoto) / Inscribed to Patricia (Asbaek), Danish gallerist.

NY, Pocket Books, 1968. 213 pp. Richly illustrated. Paperback. Light wear to cover, with one corner with a small fold, but overall a tight very good clean copy. 1st printing thus, June 1968.

Prague: Panorama, 1986. 4° hardcover with jacket. App. 170 pages profusedly illustrated with more than 150 b/w photo-reproductions. Text in Czech with summaries in English, French, German and Italian. The classic Sudek monograph with fine reproductions of his most famous works. Some edgewear and surface marks to jacket, small discoloring to edge of last pages else overall a good to very good solid copy.