Søkeresultat

Föreningen för bokhantverk, Stockholm 1905. (8), 152 s. 74 illustrationer.

Franco Maria Ricci, Milano. 1982. Opag. (c. 188 s.) Stor 4:o (34 x 24 cm). Trådhäftad. Falsskada vid ryggens övre del. Oerhört vackert illustrerad i färg och svartvitt.Påkostad katalog som visar Franco Maria Riccis breda och höga kvalitet som typograf och grafisk formgivare.

Chiswick Press, London. 1892. viii, 54 s. + 38 typprover + 13 pappersprover varav sex handgjorda. Klotband med mörk rygg och fläck. Gulnat för- och eftersättsblad. I det närmaste oskuret ex.(St. Bride s. 471, Hart 136)

Büchergilde Gutenberg Frankfurt am Main, 1959. 244 pages. (26 x 19,5 cm). Cloth binding, front cover blind stamped, no dust jacket. Nice condition. Illustrated with photos, drawings and plans in b/w. More than 450 illustrations. Text in German.

Dorset Press, New York 1990. 284 s. 4:o. Klotband med skyddsomslag. Illustrerad med över 150 avbildningar på bokband, titelsidor, uppslag o. s. v. Tryckt i rött och svart.Genomgång av sekelskiftets bokkonst i England, övriga Europa och USA. Inledande uppsats av Bernard H. Newdigate om engelska trycktyper. Douglas Cockerell om “Fine Bookbinding in England”. Kapitlet om svensk bokkonst är skrivet av August Brunius. Faksimil av första upplagan som utgavs 1914 av The Studio. “An important survey of book production and illustrations showing the work of the finest contemporary artists, typographers and presses...” (The Studio 61).

Karlstad, 1945. Frontplansch i färg, 300 s. Trådhäftad. Liten yttre falsreva vid bakre omslags övre del. Omslagen mörktonade och fläckade. (25,5 x 19 cm). Rikt fotoillustrerad.

Societe Arch. d'Eure-et-Loire, Chartres 1929. xii, 190, (2) s. + planscher. Häftad, ouppskuren. 24 planscher.

Thames & Hudson, London. 2007. 288 pages. 4to (32,5 x 25 cm). Card boards. Illustrated in colour and black and white throughout. Revised and updated edition. New copy.Horst Moser has selected a huge range of examples from his amazing collection of international magazines and uses them to illustrate the principles of classic editorial design. He discusses the challenges that face today’s art directors, and showcases the most successful solutions, from cutting edge modern style to classic techniques that can be used year after year.This striking ideas book offers a range of innovative approaches for every aspect of a magazine, inside and out, pictorial and typographical, from standfirsts and subheads to columns and captions.With over a thousand full-colour illustrations, this will be an inexhaustible source of inspiration for students and professionals, and an essential and authoritative guide for anyone involved in magazine design.

Hugo Gebers Förlag, Stockholm. 1891. Första svenska upplagan. (4), 260 + 16 planscher. Dekorerat klotband. Pärmarna nötta och solkiga. Illustrerad i svartvitt i texten + 16 svartvita planscher. Illustrerad av Otto Sinding.

Lund Humphries, London 1983. 280 s. Grönt, blindpressat klotband. Svag inre fals, solkigt titeluppslag med klumpigt överstruken namnteckning. Illustrerad.Åtta kapitel: 1. How handmade paper is made 2. Machine-made and mould-made papers 3. Watermarks 4. Contemporary handmade paper-mills 5. Contemporary European mould-made paper-mills 6. Characteristics of a sheet of paper 7. Care of paper 8. Contemporary artists and handmade paper.Appendix 1. Technical Data. Appendix 2. Addresses of mills and agents. Appendix 3. Glossaries, Chronology, Selected bibliography, Index.

Staples Printers, London 1964. x, 382 s. Klotband med nött skyddsomslag. Fotografier och andra illustrationer. Andra reviderade upplagan.

F. Bruckman A.-G., München. 1918. 207 s. + färgplanscher. Vitt halvpergamentband med röd titeletikett och övre mörkgrönt snitt. Med skyddsomslag med mindre pappersförluster och i en något nött pappkassett med några småfläckar. Illustrerad i svartvitt.Andra upplagan.

Kommanditbolaget Nordiska Bokförlaget, Stockholm, 1918. iv, 736 s. + 5 färgplanscher. (4), xii, 192 s. Privatinbundet halvklotband (buckramklot), samtliga snitt rödfärgade. Svartvita träsnittsillustrationer i texten. Två arbeten i ett band. Ingår i Husmoderns bibliotek.

Septemvri, Sofia 1980. 141, (3) s. Högsmal 4:o (32,5 x 17,5 cm). Linneklotband med marginalnött skyddsomslag. Påkostad utställningskatalog med 55 avbildade objekt i färg och svartvitt varav ett flertal är utvikbara. 97 utställda och beskrivna objekt.Utställning ordnad med anledning av 1300-årsjubiléet av Bulgariens grundande.

The Merrymount Press, Boston. 1917. (6), 81 s. Klotryggband med marmorerat överdragspapper. Inklistrad katalogtext på första fribladet.Privattryckt vid The Merrymount Press i endast 200 ex. (Smith 468).

New Castle, DE: Oak Knoll Books, 1981, 8vo., cloth, dust jacket. xxii, 271 pages.Frank E. Hopkins set up a press in the attic of his “Red House” in Jamaica, New York in 1896 and named it after his daughter Marion. He printed the first announcement of his press a few months after the death of William Morris and continued printing until his own death in 1933. Unlike most of the founders of private presses in the 1890s, who drifted into printing from other fields, Hopkins was already well schooled in the practical aspects of the printing business. Forced to leave college for financial reasons after his father fell ill he found a job working for the De Vinne Press as a proofreader. The book designs that he subsequently created for De Vinne were among the finest produced by the firm and are generally considered those publications on which De Vinne's considerable reputation was built. Although Hopkins died in relative obscurity, his works remain as an example of the quality of fine printing in America at the turn of the century. Amy and Thomas Larremore, daughter and son-in-law of Frank E. Hopkins, have written a sensitive, in-depth account of his life including an even-handed evaluation of his typography and design work at the Marion Press. In addition Joseph W. Rogers has compiled a detailed, descriptive, bibliographical checklist of Hopkins work at the Marion Press. This fascinating study of a private press was originally published in a limited edition in 1943.

Cassina, Milano, 1997. 44 pages. (34 x 21 cm). Sewn, stiff printed wrappers with folding flaps. Nice copy in great condition. Extensively illustrated in colour. One large folding plate. Text in Italian, English, German and French. Graphic design by Felix Humm.The "Cassina I Maestri" series is made up of furniture by Le Corbusier, Rietveld, Mackintosch, Asplund and Wright, Masters of Modern Architecture. Cassina produce this furniture, each item marking a fundamental point in the history of design, interpreting its message and the predominant cultural features.

Typografi i Norge, Oslo. 2021. 188 pages. 8vo. Printed card boards. More than 250 illustrations, most in colour. New copy.In the Victorian era the top-end jobbing typography was technically sophisticated, heavily decorated and often extravagantly colour printed. Historicism and artistic printing infused the printing trade with enthusiasm, followed by new periodicals and trade organizations. This movement spread also to Norway, where printers took an active part in international specimen exchanges, and a new trade organization and a trade journal were started, and also several handbooks were published. My book Da typografien ville være kunst (‘When typography strived to be an art form: Norwegian typography 1800–1900 – from neoclassicism to historicism and the free style’) covers the whole century, but concentrates on the last few decades. It considers the development of typography within the framwork of Norway’s economic and technical progress and social and cultural changes.

Watson-Guptill, New York 1974. Opag. Mörkrött klotband med titeln blindpressad och förgylld vid rygg och frampärm, skadat skyddsomslag med stora pappersförluster, sidan efter titelsidan saknas. 4:o (29x21,5 cm). Illustrerad. Typografi av Alan PeckolickDrygt tusen utvalda reklambidrag från den kreativa perioden, med bilder och personerna bakom projekten.

Industriens utredningsinstitut, Stockholm, 1944. x, 487 s.+ 1 utvikbar karta + 2 utvikbara planer. ( 26 x 18 cm) Kartonnageband med tryckta pärmar. Ett 100-tal planritningar samt svartvita foton. Rygg med diskreta tejpförstärkningar i över- och nederkant trots minimal skada. Inlagan i mycket fint skick.

The Fleuron, London 1927. (8), 64 s. Blått klotband med ryggskylt av papper. Skadad och sliten etikett. Mörk rygg, solkigt klot. Några rättelser i marginalen. 16 helsidesillustrationer i rött och svart. Tryckt vid CUP.Blått band och trimmade snitt betyder att detta är andra tryckningen av originalupplagan. (Appleton 63).

Dover, New York. 1958. Dubbelsidig frontplansch, xiv (‘Translated historical introduction’); 14 s. faksimiltext, 158 planscher. Stor 4:o. Dekorerat klotband med skadat skyddsomslag. Schwanders “Calligraphia Latina”, som ursprungligen publicerades i Wien 1756, är en av de legendariska skriftböckerna. Detta är första kompletta och oavkortade nytrycket av denna sällsynta planschbok.

Skolan för bokhantverk, Stockholm 1943. 88 s. 26 illustrationer. Klotryggband med stänkmarmorerat överdragspapper. Exlibris (Ebba Otto Kuhn).Sakkunnigt om typgjutning, sättning och tryckning.

Cambridge Harward University Press, Cambridge Mass, USA. 1926. 8vo (22 x 16 cm). (6), 115 pp. Hard bound. Cloth with paper label on spine, uncut, top edge gilt. Spine’s edge and ends with cracks. Several previous owners name and dedications in pencil on free-front page. Caslon type, 500 copies printed on B.R. rag paper. (Haas 123).This book is designed by Bruce Rogers [1870–1957], was an American typographer and type designer, acclaimed by some as among the greatest book designers of the twentieth century. Rogers was known for his "allusive" typography, rejecting modernism, seldom using asymmetrical arrangements, rarely using sans serif type faces, often favoring faces such as Bell (at the time known only as Brimmer), Caslon, his own Montaigne, a Jensonian precursor to his masterpiece of type design Centaur. His books can fetch high sums at auction.WP.

Torsten Ekbom, Robert Rauschenberg and Öyvind Fahlström, 1967. Unpag. (32 pages). Stapled with printed covers. Square 4to (27 x 27 cm). Covers partly darkened. Outer corners slightly wrinkled. Illustrated, partly in colour.