Søkeresultat

Cannes / Zentropa, 2005. 127 pp. Original wrappers. With illustrations. Light edgewear to cover else fine clean copy. First edition.

Published by Hatje Cantz, 2008. Large 8vo in hardcover, no jacket as issued. 164 pages, richly illustrated. Text in both English and German. Fine clean copy. 1st edition. "For over twenty years, the repertoire of American artist Mark Dion (*1961 in New Bedford, Massachusetts) has included staged workbenches, dusty storage vaults, stuffed bears, and tarred birds. Ostensibly, his installations, interventions, performances, and photographs critique humankind’s often cruel treatment of nature. However, the artist also demonstrates that “nature” is a mere construct that is constantly being reshaped and reinterpreted. Dion’s current project, Concerning Hunting, examines hunting as a traditional, but controversial, cultural practice. One of the fascinating things about hunting is its fundamental contradictoriness: the sensitivity of the hunter and his profound knowledge about what nature requires are also expressed through the act of killing animals. Dion’s artistic examinations do not focus on nature as such, but rather on the hunt as a way culture deals with it."

London: Thames & Hudson, 2004. Squarish 8vo in stiff wraps as issued. 208 pages. Richly illustrated 230 illustrations, 200 in color. Text in English. Spine sunned else clean fine copy. From the "Art Works" series. Autobiography was also the title of an exhibition co-curated with Barbara Steiner at GfZK Museum of Contemporary Art, Leipzig 2003. Artists include Lynn Hershman, Eleanor Antin, Cindy Sherman, Tracey Emin, Gerhard Richter, Christian Boltanski, Elke Krystufek, Sophie Calle, William Kentridge, Kabakov, Rosemarie Trockel, Nan Goldin and others.

ARNOLDSCHE, 2005. Very heavy 4to hardcover. 350 pages. Illustrated richly. Only minor shelfwear. 1st edition.

Forlaget Thaning & Appel, 1966. Indbundet sæt i forlagets små, fine forskelligtfarvede lærredsbind med tilhørende smudsomslag. Ca. 400 sider ialt. Illustreret. 'Spis, drik og elsk! Resten er ikke et fingerknips værd'.

Arena & Krabbesholm Højskole, 2007. 59 sider. Indbundet.       Bogen er tilrettelagt og oversat af idéhistoriker Klaus Gjørup. Den akkompagneres af et udvalg af fotografen Kirsten Kleins værker trykt i 4-farver under kunstnerens vejledning.

Forlaget Wunderbuch, 2020. 176 pp. Heftet. Illustreret af Peter Brandes. Nærmest som ny. 

London: Everyman's Library 309, 2007. Publishers hardcover, w jacket. XXXIII, 787 pp. Fine clean and unread copy. "Flann O'Brien, was an Irish civil service official, novelist, playwright and satirist, now considered a major figure in twentieth-century Irish literature and a key figure in modernist and postmodern literature with novels, such as At Swim-Two-Birds and The Third Policeman. O'Brien's novels have attracted a wide following both for their unconventional humour and as prominent examples of modernist metafiction. As a novelist, O'Brien was influenced by James Joyce. He was nonetheless skeptical of the "cult" of Joyce, saying "I declare to God if I hear that name Joyce one more time I will surely froth at the gob".

University of Helsinki, Department of Anthropology 2002. 8vo in original wraps as issued. VI, 355 pages. With illustrations. Very good, well preserved copy. 1st edition. - " a study of religious knowledge and ritual practices among the Spiritual Baptists in Tobago. It explores the Spiritual Baptist belief system and religious practitioners' politics of self-definition and demarcation, and contrasts these to the ways religion and culture have been conceptualised in studies of AfroCaribbean religious syncretism. Creolisation is shown to spring from the cultural resourcefulness of Spiritual Baptists rather than simply from a synthesis of two or more "original" cultures. The inventiveness and indigenousness of the religion do not render it rootless, fragmented or teleologically constructed, however. An ethnographic analysis of the Spiritual Baptist cosmology and rituals demonstrates that the religion has a cohesive, if not bounded, structure, and that the cosmology is thoroughly rooted in the local world and materialised in bodily experiences and performances. The dynamic of structure and creativity, inherent to the religion, engenders the basic questions of the study." (diss.).

Skagen / Kbh. : Skagens Kunstmuseer; Den Hirschsprungske Samling, 2023. Stor tung hardcover. 303 sider. Rigt illustreret. Navn. Den Hirschsprungske Samling satte i efteråret 2023 fokus på kunstneren Marie Triepcke Krøyer Alfvén (1867-1940) i en større udstilling med hendes billedkunst, indretning og design, hertil dette katalog.

Copenhagen: Holkenfeldt 3, 1993. Small 4°. Publisher's photoillustrated hardcover. 104 pp. Profusedly illustrated with b/w vintage photographs of women - nudes or in bathing suits or underwear, all by the female Danish photographer Mary Willumsen whose work was confiscated by police. Near fine / fine copy. First edition.

Harvard University Press, Loeb Classical Library, 1958. Publishers red hardcover (s), no jackets. xvi, 456; xi, 496; viii, 532 pp. Near fine / fine clean copy (copies). The classic annotated Loeb edition of Seneca's Moral essays bilingual, English and Latin by John W. Basore. Loeb # 214, 254, 310. Hard to find with all three volumes complete.

Small 8vo in original beige cloth hardcover with red titled spine. With somewhat worn but unclipped and now protected original jacket. 240 pp. Inside clean and overall a very good copy.- First edition from The Makers of Modern Literature Series. One of the first books to sum up the contribution of James Joyce. With frontispiece photograpy of James Joyce by Man Ray. Dustwrapper is designed by Alvin Lustig.

Bologna: Cappelli Editore, 1974. Tall 8vo in wraps. 330, (2)pp. With 70 black and white plates. Text in original Italian. First to pages (half title and titlepage) with a small tear and last blank page with a fold else overall a good, well preserved copy. First limited edition, published as part of the series "Collana cinematografica", 48. Diretta da Renzo Renzi. Numbered copy (# 951). Includes the original screenplay in Italian, as well as essays by Angelucci, Betti, Enzo Siciliano, Valerio Riva, and Fellini himself.

New York: Farrar Straus Giroux, 1959. Publishers hardcover, w well preserved unclipped and protected jacket. XV, 270 pp. First edition. Jacket design by Ronald Clyne. A "glimpse into Merton’s inner life before entering monasticism, tracing his journey through Greenwich Village, Cuba, St. Bonaventure, and Harlem, culminating at the threshold of Gethsemani Abbey".

China: Peking Foreign Language Press, 1967. 12mo in red vinyl binding as issued (13 x 9cm), pp.[10] 312, (2). Including Mao portrait frontis and Lin Biao (Piao) foreword with facsimile. Title page with red lettering in green frame. Light edgewear and a name stamp (from Milano) to free front endpaper. One page with a tear and notes in ink to last couple of pages. Acceptable copy. First Italian language edition, printed 1967 (stated) - Including the preface by Lin Biao, removed from copies after 1971.

Kaleidoscope Press, 2010 (1995). 12mo hardcover, no jacket, as issued. 206, (4) pp. Fine clean copy. With a new foreword by the artist. - Second edition, first printing thus - of the critically acclaimed French artists' publication: an artist's book and novel of speculative fiction: "In late 1994 Philippe Parreno dictated to Liam Gillick and Jack Wendler a fantastical description of a party that had not yet occured. Snow Dancing, is a record of his original conversation and the party it described. At the Consortium in Dijon two months later, hundreds of people were invited to participate in a promotional event that played out Parreno's earlier description. The party lasted one hour and a half hours, exactly as long as it had taken to narrate it and about as long as it will take you to read this book. "Snow Dancing (1995) started with the publication of a book in which I described a promotional event, a kind of party or festival. The reading time of the text was about the same as the event itself. So the book was a score that was performed in Le Consortium in Dijon. I transformed the exhibition space that hosted the party, and this time-based architecture became the exhibition - people were invited to visit an architecture produced by a party. So the book was a score that produced a space." - Parreno, Philippe interview with Tom Morton.

Norton, 2010. Hardcover, w jacket. 384 pp. As new unopened copy. 1st ed. "Shaking up the content and method by which generations of students had studied Western philosophy, Martin Heidegger sought to ennoble man's existence in relation to death. Yet in a time of crisis, he sought personal advancement, becoming the most prominent German intellectual to join the Nazis. Hannah Arendt, his brilliant, beautiful student and young lover, sought to enable a decent society of human beings in relation to one other. She was courageous in the time of crisis. Years later, she was even able to meet Heidegger once again on common ground and to find in his past behavior an insight into Nazism that would influence her reflections on "the banality of evil"-a concept that remains bitterly controversial and profoundly influential to this day. But how could Arendt have renewed her friendship with Heidegger? And how has this relationship affected her reputation as a cultural critic? In Stranger from Abroad, Daniel Maier-Katkin offers a compassionate portrait that provides much-needed insight into this relationship. Maier-Katkin creates a detailed and riveting portrait of Arendt's rich intellectual and emotional life, shedding light on the unique bond she shared with her second husband, Heinrich Blucher, and on her friendships with Mary McCarthy, W. H. Auden, Karl Jaspers, and Randall Jarrell-all fascinating figures in their own right. An elegant, accessible introduction to Arendt's life and work, Stranger from Abroad makes a powerful and hopeful case for the lasting relevance of Arendt's thought."

Faber and Faber, 2009. Small hardcover, w jacket. 309 pages. Fine copy.

Paris, November 1938. Original magazine wraps. 48 pages, illustrated richly in bw and color. Text in French. Near fine, very good copy. Original vintage magazine, complete. - Bon exemplaire du 258 ème numéro du Jardin des Modes créé par Lucien Vogel. La couverture représente un manteau de vison d'André Brun (photographer : Horst P. Horst).

Galerija suvremene umjenosti Zagreb 1975. Square 8vo in wraps as issued. Text in both Croatian and English by Davor Maticevic. 150 pp. Illustrated thorughout. Fine copy.  Dalibor Martinis (b. 1947) Croatian video, performance and conceptual artist. Graduated at Zagreb Academy of Fine Arts 1971. Exhibits since 1969, began working with video in the early 1970s. Taught at Zagreb Drama Academy from 1987-1991, and 1991 as a guest lecturer at Ontario College of Art in Toronto. He also works as a graphic designer. - The artworks in this book were not commissioned, he tells in an interview "I just produced them myself. They were imagined as an intervention in the wider urban space and into the sphere of city living that concerned everyone, not just me. They were in a sense an extension of my work on Counterfeits of 1973, collage interventions into the tram tickets of the time that contained a graphic display of the city’s layout of the time and the tramlines. There were small, hardly visible interventions and changes on the tickets that at the same time suggested big changes in the layout of the city. Qua document, such a ticket was a fake. In the making of the posters I also made use of graphic elements of tram tickets because it was then a generally recognised graphic portrait of the city, of life and movement around it, an image that every inhabitant recognised".

Vejle Kunstmuseum, 1984. 4to i original heftet omslag. 96 sider samt 438 skitser trykt med sort på gult papir. Velbevaret rent eksemplar. Af Gernes tilrettelagt meget smuk antologi udgivet i forbindelse med udstilling af samme navn, arrangeret af Vejle Kunstforening og Vejle Kunstmuseum, som viste en lang række forslag til udsmykning af Vejle.

Generalitat Valenciana, Valencia. Exhibition Catalogue. IVAM Centre del Carme 2.2.-23.4.1995. 4to in wraps as issued. 180 pages, illustrated, with text in Spanish and English translation at end. Very good clean copy. 1. edition. - Cildo Meireles (born 1948) is a Brazilian conceptual artist, installation artist and sculptor. He is noted especially for his installations, many of which express resistance to political oppression in Brazil. These works, often large and dense, encourage a phenomenological experience via the viewer's interaction. Meireles work shares a starting point with the works of Hélio Oiticica and Lygia Clark, artists that introduced him to the Brazilian Neo-Concrete movement. These artists, as well as Meireles, were all concerned with blurring the boundary between what is art and what is life, and responding to current political situations within their pieces

Vienna & Berlin: Secession and Konig 2007. 8vo. Wraps as issued. 192 pages Illustrated. French/english/german text. Fine copy / as new. 1. edition. Texts by R. Gassner, J. Haaning, S. Heuseler, P. Pilgaard Johnsen, L. Bang Larsen, M. Mortensen, A. Ring Petersen, T. Ross, K. Nyland Sørensen, J. Staun and C. Stockmann.

Twin Palms Publishers, 2005. Large hardcover. 120 pp. Very good copy. First edition. Large book and extra shipping may apply - please inquire before ordering this item!