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London: Phaidon Contemporary Artists Series 2003 (1999). Large 4to in wraps as issued. 30 x 26cm, 140pp, b&w and colour illustrations. Fine clean copy.

Zurich: Lars Müller Publsihers, 2015. Hardcover. 575 pp. Illustrated. Fine copy. First edition.

Forlaget Rosinante, 2002. 68 pp. Hft. Forlagsstemplet. Navn, ellers ren og pæn.  Digte og prosastykker, som Eik sendte hjem til sin mor fra mange verdenshjørner inden han som 25-årig tog sit eget liv i Indien i 1968. Redigeret af hans søster.

Dansmuseet, 1993. 4to hardcover. 197 pages, richly illustrated, in b/w and color, with folding plates. Text in both English and Swedish. Light edgewear to the fragile cover else fine copy. First edition. Beautiful publication on the theater décor, costumes, backdrops and scenery made by the Russian avantgarde and construtivist artists like Alexandra Exter, Varvara Stepanova and others.

Twin Palms Publishers, 2005. Large hardcover. 120 pp. Very good copy. First edition. Large book and extra shipping may apply - please inquire before ordering this item!

New York: The Solomon R. Guggenheim Foundation, 1984. Oblong 8vo in wraps, as issued. 88 pp.; Approx. 50 plates, mostly bw. Accompanied a 1984 exhibition; Includes a statement by the artist, as well as an interview with him by Linda Shearer, on the artists career long fascination with abstract architecture - the totality of which insley termed the opaque civilization.  1. ed. Will Insley (1929-2011) was an American painter, architect, and planner of utopian urban models, geometric abstraction paintings. A chapter is dedicated to Insley in the reference publication, “The New American Abstraction 1950-1970” by Claudine Humblet.

New York: Pantheon Books, 1979. Large 4to in original slightly worn but now protected jacket with $6.95 flap price. Unpaginated. Illustrated throughout. Discoloration and a little soiling to jacket else overall a good copy. 1st US edition, First Printing with complete number line.

New York: Grove Press, 1968. Publishers hardcover with unclipped jacket. 150 pages. Clean fine copy in a near fine or fine and protected dustjacket. First printing (stated) of the 1st edition.

London, J. M. Dent, 1959 (1954). Original full cloth with priceclipped dustjacket. IX, 101 pp. Clean copy. Overall near fine attractive copy. Complete with Brian Rees jacket well preserved and protected.

St. Paul, MN: Little Brown Mushroom, 2011. Small 8vo in stapled wraps as issued 5 1/2 x 8 1/2 inches. pp. [4], 5-60, [4]. Minor exterior fading. Very good copy. In acid-free archival plastic bag. 1st edition (not signed). Alec Soth's photo stories, with staged and found photography. Includes story by Jindrich Styrsk.

New York: Farrar, Straus and Giroux / MCD, 2022. Publishers hardcover, w jacket. XVI, 458 (2) pp. Fine clean copy. First edition, 3rd print. Not only a love letter to Dilla, but also a riveting immersion into the music of Detroit and the art of beatmaking -: "Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century. He wasn’t known to mainstream audiences, and when he died at age thirty-two, he had never had a pop hit. Yet since his death, J Dilla has become a demigod, revered as one of the most important musical figures of the past hundred years. At the core of this adulation is innovation: as the producer behind some of the most influential rap and R&B acts of his day, Dilla created a new kind of musical time-feel, an accomplishment on a par with the revolutions wrought by Louis Armstrong and James Brown. Dilla and his drum machine reinvented the way musicians play. In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted Detroit childhood to his rise as a sought-after hip-hop producer to the rare blood disease that caused his premature death. He follows the people who kept Dilla and his ideas alive. And he rewinds the histories of American rhythms: from the birth of Motown soul to funk, techno, and disco. Here, music is a story of what happens when human and machine times are synthesized into something new. This is the story of a complicated man and his machines; his family, friends, partners, and celebrity collaborators; and his undeniable legacy. Based on nearly two hundred original interviews, and filled with graphics that teach us to feel and "see" the rhythm of Dilla's beats, Dilla Time is a book as defining and unique as J Dilla's music itself."

Salzburg: Residenz Verlag, 1996. Squarish 4to in wraps as issued. 179 pages, richly illustrated, partly in color. Very good copy. First German language edition. Einführung von Kenneth Frampton. Baubeschreibungen von Joseph Rosa. PLEASE NOTE: EXTRA SHIPPING for this extra large and very heavy item. Please inquire before ordering this item!

Samuel Dorsky Museum of Art, State University of New York, New Paltz, NY, 2001. 4to in wraps as issued. 46 pages, illustrations from Morris' drawings. Very good clean copy. First edition.

La Casa Encendida, 2008. Landscape format. 152 pages, finely printed and richly illustrated. Light wear to corners else clean. Includes a large very beautiful fold-out poster titled "A Vicious Undertow."

San Francisco: Dave Haselwood Books and City Lights, 1974 (1970). 210 pp. With illustrations. Paperback. Name to half title else clean and overall an attractive well preserved copy. Third printing. "travel diary by American poet Allen Ginsberg, first published by Dave Haselwood Books and City Lights Books in 1970.The journal is a collection of recollections, reflections, photographs, sketches, poems and associative ephemera from Ginsberg's journey in India with partner Peter Orlovsky between 1962 and 1963".

Espoo: Emma / Palace Editions, 2006. Small 4to hardcover as issued. 149 pages. Richly color illustrated, Well-documented exhibition catalogue. Bilingual publication (Finnish - English). Fine clean copy. First edition.

University of California Press, 1999. Square 8vo in white wraps, as issued. 113 pages, with illustrations. Near fine clean copy.

Copenhagen: Order in Chaos 2021. 8vo in wraps as issued. 196 pages. New copy. "A must-have for all film lovers. In a personal way it brings the reader very close to experience and understand the creative process of editing documentary films". First edition.

Hans Reitzels, 1969. 179 pp. Hft. Navn på inderomslag. Jesper Jensen og andre ønskede det daværende folkeskolesystem erstatttet af en målbevidst marxistisk undervisning og sammen med Bo Dan Andersen og Søren Hansen skrev han ”Den lille røde Bog for skoleelever”. Børnene skulle på den måde inddrages i den planlagte skolerevolution med idéer til aktioner og lignende. Udover politisk auktionistisk materiale rummer den lille røde også en række nyttige vejledninger, fx. i diverse sexuelle emner fra onani til abort, samt kapitler om hvordan de forskellige rusmidler, inkl. hvordan LSD virker.

Los Angeles, California Museum of Contemporary Art & D.A.P. / Distributed Art Publishers, New York, 2004. Large oversized heavy 4to hardcover w jacket. 208 pp., with 220 four-color, duotone and black-and-white illustrations. Richly illustrated. Text in English. Near fine / fine clean copy. First edition. Comprehensive monograph with essays by Jessica Bradley, Sara Krajewski, Lynne Cooke, Diedrich Diederichsen, Shepherd Steiner, Cornelia Butler and Grant Arnold. Includes a biography, exhibition history, bibliography and a list of works. Published on the occasion of an exhibition organized by the Art Gallery of Ontario, which traveled to numerous venues. - From the publisher: "One of Canada's most humorous conceptual artists--as witty as he is smart--Rodney Graham gets his first North American museum retrospective and accompanying catalogue. Rodney Graham: A Little Thought tracks the career of a brilliant, idiosyncratic artist whose work spans a range of media including photography, film, book works, installation and pop music. In this volume, amply illustrated with many never-before-seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self/ Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graham. Diedrich Diederichsen considers the artist's oeuvre within the context of musical structure, and Sara Krajewski describes how Graham's video works unfold. Finally, Grant Arnold offers an in-depth illustrated chronology, tracing the range of activities that have occupied Graham since his early days on the Vancouver scene.".

Dokument Press w emancipatssionsfrugten, 2019. Small 4to in wraps with jacket. 110 pages, richly illustrated in color including folding plates. NEW COPY! 1. ed. Photobook documentating and introducing to the paintworks - or in Danish "bemalinger" - the site specific paintworks by Jonas Georg Christensen og Peter Olsen.

Copenhagen: Chr. Erichsens Forlag, 1968. Small oblong 8vo. Original black photoillustrated hardcover boards. 74 photographs by Ulrik Ross in gravure. Text (in Danish) by Michael Rütz. Very good clean copy. Very scarce, eccentric photo illustrated work on public toilets and sexual graffiti. 'Retirade Kunst' was included in '802 photobooks of the M. Auer Collection' (Auer, page 485). First (and only) edition - attractive copy.

New York MacMillan / Free Press, 1990. Original boards with dustjacket. XVIII, 654 pp. With illustrations. Spine of jacket sunbleached else very fine, clean copy. First American edition, 1st printing.

London: The Architectural Press, 1962 (1961). 8vo. Hardcover, with original jacket. 315 pages, richly illustrated. Jacket is unclipped with some chips and wear to edges. Book itself clean. Overall a very good copy. First edition, 2nd impression.

Barrie & Rockliff: The Cresset Press, 1975. Square 4to in heavy publisheres hardcover with well preserved unclipped jacket. 228 pages, richly illustrated. Fine copy. 1. edition. "Classic study on vernacular architecture and how simple housing will be necessary in the future to "ensure sustainability in both cultural and economic terms beyond the short term".