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Thames & Hudson Ltd, 2021. Hardcover, w jacket. VII, 408 pages. With illustrations. Fine clean copy. First edition. "artist and feminist icon Judy Chicago reflects on her extraordinary life and career. Judy Chicago is America’s most dynamic living artist. Her works comprise a dizzying array of media from performance and installation to the glittering table laid for thirty-nine iconic women in The Dinner Party (now permanently housed at the Brooklyn Museum), the groundbreaking Birth Project, and the meticulously researched Holocaust Project. She designed the monumental installation for Dior’s 2020 Paris couture show and, in 2019, established the Judy Chicago Portal, which will help to accomplish her lifelong goal of overcoming the erasure that has eclipsed the achievements of so many women. The Flowering is her vivid and revealing autobiography, fully illustrated with photographs of her work, as well as never-before-published personal images and a foreword by Gloria Steinem. Chicago has revised and updated her earlier, classic works with previously untold stories, fresh insights, and an extensive afterword covering the last twenty years. This powerful narrative weaves together the stories behind some of Chicago’s most significant artworks and her journey as a woman artist with the chronicles of her personal relationships and her understanding, from decades of experience and extensive research, of how misogyny, racism, and other prejudices intersect to erase the legacies of artists who are not white and male while dismissing the suffering of millions of creatures who share the planet."

New York: Scribner, 1997 (1997). Publisher's hardcover with dustjacket. 827 pp. Very good clean copy. First edition, 10th printing of DeLillo's modern classic, listed as one of the 3 most important books of the last 25 years by The New York Times.

Editiones de La Martiniere, 2007. Oversize very heavy 4to hardcover in original boards with photoillustrated dustjacket. 279 pp. Illustrated throughout. Text in French. Dustjacket with wear and front corners dented somewhat (see photo) else clean and overall an acceptable good copy.  More than 150 photobooks are presented with their original cover and a selection of photographs laid out on double-page spreads. With over four hundred reproductions, 'Livres de Nus' / 'Books of Nudes' is an important reference work for everyone collecting photographic books and a fine supplement to Parr & Badger's 'The Photobook'.

Forlaget Cordelia og Grafisk Nutidskunst, 1982. Folio, stor bog i tværformat. Med farveafbildninger. 64 s. Heftet med tråd og med det originale omslag. Med teksten "Om litografi" af Hans Scherfig. Pænt eksemplar. 1. oplag.

Forlaget Forum, København 1976. Hardcover, med omslag. 435 sider. Illustreret. Dette eksemplar fra Goodiepal SMK-samlingen med hans smukke signaturmærke på titelbladet. Originaludgave.

Philadelphia Museum of Art, 2008. Large quarto [9" x 11.75"] in stiff wraps. 252 pages, richly illustrated in color, text in English, DVD in pocket at rear. Front corners dented (see photos) else very good and clean copy. 1. ed. "James Castle (1899-1977) was an American artist born in Garden Valley, Idaho. James Castle was a self-taught artist who created drawings, assemblage and books throughout his lifetime. Castle was born profoundly deaf and for at least some time attended the Gooding School for the Deaf and the Blind in Gooding, Idaho, but it is not known to what extent he could read, write, or use sign language. Castle's artworks were created almost exclusively with found materials such as papers salvaged from common packaging and mail, in addition to food containers of all types. Castle mixed ink using soot from the woodstove with saliva and applied it with tools of his own making, including sharpened sticks, and other found objects. His drawings sensitively depict interiors, buildings, animals, landscapes and people based on his family's rural Garden Valley homestead as well as the architecture and landscapes of the places he lived and visited. His former home in Boise, Idaho is now a cultural center devoted to his work and includes an artist-in-residence venue."

Vienna & Leipzig: Braumüller, 1918. Original hardcover. XXIII, 599 pp. Binding slightly rubbed only. Name to front pastedown else clean and overall a very good copy. First edition, 17th printing in the original publishers hardcover, with frontispiece photo. Otto Weininger was a homosexual Jewish philosopher who hated women, Jews and his own homosexuality. In Vienna in 1903, shortly after converting to Christianity, he killed himself at the age of 23 in the room where Beethoven died. "The strange and troubled works by Otto Weininger’s had a considerable impact on the work of others in the day, most notably on the work of Ludwig Wittgenstein. Born in 1880, Weininger was more celebrated in his death than in his work. On 4 October 1903 he committed suicide. His death prompted a romantic attitude to suicide in the young Viennese men of his generation. His work Sex and Character had been published that year, and, unlike his death, it had not been well-received. Claiming that contemporary society was in a state of decay, his argument revolved around the polarization of masculine and feminine qualities. All positive achievements were associated with the masculine, all destructive ideas with the feminine. The Aryan race were equated with the masculine, and thus with the positive aspects of contemporary society; the Jewish race was characterized by the feminine, and thus associated with the negative. His death came to be seen as the logical outcome of these ideas, for he was both a Jew and a homosexual (the latter being equatable in Weininger’s terms with a ‘feminized man’)"

New York: Alfred A. Knopf, 1991. Small quarto in publishers hardcover, with jacket. 216 pp. Jacket spine sunned else very good copy, clean and well preserved. 1st edition (stated). Jacket by Trevor Winkfield.

Paraguay Press, 2009. 4to in wraps as issued. 40 pages. Fine copy. 1. ed. Often "when artist/critic/educator/writer Joe Scanlan was reading a lot of seminal economic texts, he noticed that a strange thing kept happening: where the original authors were talking about absentee ownership, stagnating markets, colonialism and government subsidies, Scanlan heard them talking about artists’ neighborhoods, Chelsea galleries, tae kwon do lessons, and Jack Kerouac. Fascinated with these recurrent, uncontrollable synapses, Scanlan rewrote the texts as he heard them in his head and color-coded each alteration. Produced for his 2009 exhibition at castillo/corrales in Paris, Joe Scanlan’s Red Flags consists of four essays that the artist has refracted from original texts by Thorstein Veblen, Joseph Schumpeter, Milton Friedman, and Edward Said. Elegantly designed by Francesca Grassi, the book’s text is laid out in horizontal segments that utilize Scanlan’s color coding method to designate which portions of text have been moved, altered, rewritten, added, or left intact."

Vittorio Klostermann, 1987, 2005 & 2008. Large 8vo in wraps and volume 1 in hardcover with OU. XXXVI, 409, 372 and 304 pages. Underlinings in ink in volume one, mainly in foreword, first pages of volume two and in the foreword of the third volume. Overall a good acceptable set. Bd 1. "Einleitung: Die Exposition der Frage nach dem Sinn von Sein", Band 2: "Erster Abschnitt: Die vorbereitende Fundamentalanalyse des Daseins" § 9 – § 27 und Bd. 3: Erster Abschnitt: "Die vorbereitende Fundamentalanalyse des Daseins" § 28 - § 44. NB: Very heavy set and extra shipping may apply - please inquire before ordering these items!

Fuglsang, 2020. 4to hardcover. 159 pages, profusedly illustrated and finely printed. Text in both Danish and English. Fine copy. 1st edition.

EMI / MUTE, 2009. Squarish hardcover. 84 pages, illustrated throughout, Corbijn photographs next to DM lyrics. Light shelfwear to cover, a little foxing to endpapers. Overall very good. 1st edition. Photobook issued as part of the special box set of Sounds of the Universe, the twelfth studio album by English electronic music band Depeche Mode, released on 17 April 2009 by Mute Records.

New York: Yale University Press, 1948. Small 8vo in publishers clothed grey hardcover with original pictorial dustjacket. 127pp. With 44 line drawings by Le Corbusier in text. Very good clean copy. First American edition.

Intellect Books 2017. 8vo in wraps as issued. 344 pp. Fine clean copy. The culture wars - intertwining art, culture and politics - have sparked prominent political debates across the globe for many years, but particularly in Europe and America since 2001. Focusing specifically on the experience of Denmark during this period, Culture War aims to analyse and understand the rise of right-wing nationalism in Europe as part of the globalisation and mediatisation of the modern nation state and the culture war and affective politics arising from it. This culture war provides an example of an affective cultural politics in which institutional structures become entwined with media representations, events and patterns of belonging. Employing a detailed and critically reflective argument covering social media, television, political campaigns, advertising and 'artivism,' Camilla Mohring Reestorff refuses the traditional distinction between the world of visual culture and the political domain, and she provides multiple tools for understanding the dynamics of contemporary affective cultural politics in a highly mediatised environment.

Bidoun Projects, 2011. 8vo in original blue hardcover, gilt titles, no jacket as issued. 104 pages, chiefly illustrations black and white. Text in English. Fine clean copy. First edition. Further Reading a glossary of sort, from Admiral to Zero. Printed by Bidoun in an edition of 500. - "Bidoun Library is a presentation of printed matter, carefully selected with zero regard for taste or excellence, that documents the innumerable ways that people have depicted and defined — that is, slandered, celebrated, obfuscated, hyperbolized, ventriloquized, photographed, surveyed, and/or exhumed — the vast, vexed, nefarious construct known as “the Middle East.”"

Verkehrs- Wirtschafts-Verlag GmbH, Dortmund, 1951. Large tall 8° in original magazine wraps, lightly edgeworn. 200 pages. Clean inside. Cover designed by Bruno Hubig.

Paris: Vogue, 1950. 4to magazine format. 100 pages. Complete, minor wear to spine. Clean and complete. Lovely classic vintage Vogue with photographs by Rutledge and Penn among others. Cover by Randall.

Riehen & Basel, Fondation Baeyeler. 2022. Heavy thick 4to in wraps as issued. 263 pages, illustrated. English text. Fine and unused copy. First edition. "Piet Mondrian had a decisive influence on the development of painting from figuration to abstraction. On the occasion of his 150th birthday, Mondrian Evolution is dedicated to his multifaceted work and artistic development. Initially working in the tradition of late-nineteenth century Dutch landscape painting, Symbolism and Cubism subsequently took on great significance for him. It was not until the early 1920s that the artist focused on a wholly non-representational pictorial vocabulary, concentrated on the rectangular arrangement of black lines with surfaces in white and the primary colors blue, red, and yellow. In separate chapters, this path is traced through motifs such as windmills, dunes, the sea, farms reflected in the water, and plants in various forms of abstraction".

Bologna: Cappelli Editore, 1965. Tall 8vo in original hardcover boards with dustjacket. 202 pp. With black and white plates. Text in original Italian. Scraping to free front endpaper else clean. Well preserved copy. First limited edition, published as part of the series "Collana cinematografica", 34.i. Numbered copy (# 153). Includes the original screenplay in Italian, as well as essays Visconti, Bianchi et al. "Sandra" (Italian: Vaghe stelle dell'Orsa, lit. 'Glimmering stars of the Great Bear') is a 1965 drama film directed and co-written by Luchino Visconti, and starring Claudia Cardinale, Jean Sorel, and Michael Craig. A modern-day retelling of the Electra story, the film centers on the incestuous relationship between a young Italian woman (Cardinale) and her brother (Sorel), on her return to their ancestral home of Volterra. It premiered at the 26th Venice International Film Festival, where it won the Golden Lion. "As ever with Visconti, he is ambivalently drawn to the decadent society he is ostensibly criticising; and Armando Nannuzzi's camera lovingly caresses the creaking old mansion, set in a landscape of crumbling ruins, where the incestuous siblings determine to wreak revenge on the mother (Bell) and stepfather (Ricci) who supposedly denounced their father. The title, culled from the poem "Le ricordanze" by Giacomo Leopardi, could be translated as 'Glimmering stars of the Great Bear', and has a strong resonance with the movie's plot".

Denmark, Snekkersten: 1968. Squarish 4to in original wraps as issued. 87 pages. Text in English, French, German and Danish. Wear to exterior and edgewear, mainly upper right corners. Overall a good to very good copy. 1st (and only) edition. Special Mobilia Issue with Arne Jacobsen throughout, an extremely cool and handsome publication with all the famous furniture and lamp designs as well as designs never shown before, like interiors from the architect's summer house and more.

Gyldendal, 1964 til 1967. 20 bind. Originale hardcover (s) uden omslag. Godt, pænt og rent indbundet sæt af den komplette samling af den klassiske udgave af alle Kierkegaards værker. Alle Kierkegaards værker, inklusiv "Enten Eller" med Forførerens Dagbog, 'Philosophiske Smuler', 'Begrebet Angest' , 'Afsluttende uvidenskabelig Efterskift', 'Kjerlighedens Gjerninger' og 'Sygdommen til Døden'. No foreign shipping for this set.

New Haven & London: Yale University Press with Castelli Gallery New York, 2013. Heavy 4to hardcover. 320 pages, richly illustrated. Fine copy. First edition. - "Robert Morris was one of the central figures of Minimalism. Through both his own sculptures of the 1960s and theoretical writings, Morris set forth a vision of art pared down to simple geometric shapes stripped of metaphorical associations, and focused on the artwork's interaction with the viewer. However, in contrast to fellow Minimalists Donald Judd and Carl Andre, Morris had a strikingly diverse range that extended well beyond the Minimalist ethos and was at the forefront of other contemporary American art movements as well, most notably, Process art and Land art. Through both his artwork and his critical writings, Morris explored new notions of chance, temporality, and ephemerality." Heavy item, extra shipping may apply - please inquire before ordering this book.

Paris: Galerie Maria Wettergren, 2022. 8vo in wraps as issued. 184 pages. Richly illustrated. New, unopened copy. "Creating pieces with an equal focus on sculptural and functional qualities, Rasmus Fenhann works almost exclusively with wood, which he carefully selects for each project. His process combines traditional and sometimes near-forgotten craft techniques with advanced technology and tooling – including CAD sketching, visualisation and processing. Fenhann’s main source of inspiration is traditional Japanese woodwork and Danish cabinetmaking, with his works often incorporating personal interpretations of select aspects of these craft traditions. His work is also stimulated by nature and the mathematical properties of natural forms – universal forms unaffected by human control. Today he is considered one of the most important Scandinavian designers within the field of hand-crafted collectible design."

New York: Simon and Schuster - an Xavier Moreau Book, 1979. 4to in original full cloth hardcover, no dustjacket. 144 pp. with 110 illustrations in color. Binding a little soiled. Clean inside and overall good to very good. First edition.

The MIT Press, 2003. 8vo. Softcover. 236 pages, illustrated. Gift inscription to half title else clean. First edition, 2nd printing.