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Boltanski, Christian:

Les Habitants de Malmö.

Kirkegaards Antikvariat
kir46087
Sweden: Malmo Malmö Konsthall, 1993. Heavy thick 4to softcover in the form of telephone directory of the inhabitants of Malmö, Sweden. Complete with inserts - original Errata-Slip: "You can t reach these inhabitants of Malmö on the phone any more. They died in 1993" (Annuaire téléphonique de la ville de Malmö, auquel l'artiste a ajouté un errata : "Vous ne pouvez plus désormais joindre par téléphone ces habitants de Malmö ; ils sont morts en 1993"). Very good well preserved copy.

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Nylig lagt til av Kirkegaards Antikvariat

de Waal, Edmund:
Kirkegaards Antikvariat
kir50248
hr. Ferdinand, 2011. Hardcover, med omslag. 388 sider. Med illustrationer. Pænt eksemplar. Første danske udgave, 1. oplag.
ZETTERSTEN, GERD BLOXHAM & HONORÉ, ARVID:
Kirkegaards Antikvariat
kir39604
Arnold Busck - Nyt Nordisk Forlag, 2004. Stort format. Hardcover, med omslag. 143 sider. Pænt eksemplar. Om værkstedsfællesskabet mellem de 3 keramikere Beate Andersen, Jane Reumert og Gunhild Aaberg, deres keramiske produktion og deres udstillinger samt om deres individuelle kunstneriske udvikling.
Gramsci, Antonio:
Kirkegaards Antikvariat
kir38432
Museum Tusculanums Forlag, 1991. 702 sider. Hft. Rent og ganske pænt komplet sæt.
Bindesbøll, Thorvald. - Busk-Laursen, Bodil (cur.):
Kirkegaards Antikvariat
kir51770
Published by Danish Museum of Decorative Art, Copenhagen, 1996. Oversized tall folio in wraps as issued. 130 pages, richly illustrated. Text in Danish, and English. Fine copy. 1. edition. Monograph on Bindesboll: "Thorvald Bindesbøll, born on 21 July 1846, was the son of architect Michael Gottlieb Bindesbøll. Although a boy of ten years at the time of his father's death, he carried forth Michael's interest in art and architecture. Thorvald Bindesbøll was born into the artistic elite of Copenhagen. In early childhood, he showed considerable artistic talent. He trained as an architect at the Royal Danish Academy of Fine Arts in Copenhagen and also passed the polytechnic examinations in chemistry. While studying at the Royal Academy of Fine Arts, he received his first independent architectural commission. In 1882 he set off on a study tour of Northern Germany, the Netherlands and Northern Italy. Finding little demand for his architectural services upon his return to Denmark, he entered the field of industrial design. From 1880 onwards, he became increasingly interested in ceramics and produced hundreds of ceramic works in a virile, spontaneous style. Professional potters wheel-turned the majority of his pieces following his instructions or working drawings. Bindesbøll decorated the wet clay and applied the glaze. From the early 1880s, Bindesbøll became seriously engaged with ceramics, gradually adapting Far Eastern sources, and later developing his own personal form of non-figurative art. He was also well respected for his designs in silver. In 1900 Bindesbøll contributed to the Danish section for craft and design at the Paris Exposition Universelle. There he displayed ceramics and silver of his own design. Although Bindesbøll's contemporaries did not recognize his genius, famed art historian Nikolaus Pevsner called him "the most original ceramic artist of his generation."
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Tapies, Antonio:
Kirkegaards Antikvariat
kir60038
Maeght Éditeur, Paris 1969. Folio. Contains original colour litographs, originally one very long piece, here stretching across 28 separate pages, including the covers. Loose in the wrappers, as issued. Minor foxing to cover else clean and overall a very good copy. Edition originale / First edition. Complete original lithographic fold-out prints by Antoni Tàpies. Known for his highly textural and symbolic abstract language, Tàpies here explores gestural forms and meditative surfaces, blending drawing, printmaking, and painterly effects in a format that reflects the radical experimentalism of post-war European abstraction. Derrière Le Miroir was a legendary art revue issued by Maeght between 1946 and 1982, showcasing the work of leading avant-garde artists. This issue was entirely dedicated to Tàpies, featuring several original lithographs - variations of this striking horizontal composition.
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