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Ostergard, Derek E. & Nina Stritzler-Levine (eds.)

The Brilliance of Swedish glass. 1918-1939. An Alliance of Art and Industry.

Hatt Rare Books ILAB & CINOA
lbh305292
New Haven, Yale University Press / Bard Graduate Center for Studies in the Decorative Arts, 1996. 4to. 336 pp. Approximately 280 illustrations, more than 160 in colour. Glossary, Biblography and Index. Sewn as issued, pictorial wrappers. Very fine.

Published in conjunction with the exhibition "The brilliance of Swedish glass" held at the Bard Graduate Center for Studies in the Decorative Arts, November 21, 1996 to March 2, 1997. With a List of Swedish glassworks and glass artists 1741-1996. - - - Contents: "Sweden and the Swedish Model, 1900-1950" by Lars Magnusson, "Swedish Industrialization and the Glassworks" by Maths Isacson, "Social Needs and Aesthetic Demands: Ellen Key, Gregor Paulsson, and Swedish Design, 1899-1939" by Clarence Burton Sheffield, Jr., "The Emergence of Swedish Modern Design, 1917-1939" by Anne-Marie Ericsson, "Glass in the Context of Contemporary Swedish Painting and Sculpture, 1918-1939" by Nina Weibull, "A Brief History of Swedish Class" by Gunnel Holmér, "Lighting Design at Orrefors Classworks, 1920-1940" by Gunnel Holmér, "Swedish Glass Between the World Wars" by Elsebeth Welander-Berggren, "Orrefors Glass in Public Spaces" by Märta Holkers, "Modern Swedish Class in America, 1924-1939" by Derek E. Ostergard, "Catalogue of the Exhibition" by Derek E. Ostergard and Nina Stritzler-Levine, "Appendix: Swedish Glassworks and Designers, 1741-1996" by Gunnel Holmér. - - - (Publisher:) "Since the mid-1920s Swedish glass has been synonymous with excellence in design and craftsmanship. It has become the most highly acclaimed product of the Swedish applied arts industries in the international marketplace, equaling the work of the finest glassmakers elsewhere. Its development and stunning ascendancy are examined in depth in this catalogue and are set against an historical, socioeconomic, and art-historical background. The 157 objects in the exhibition are shown in color and accompanied by texts that discuss the complex technical aspects of glassmaking and the aesthetic possibilities of glass as a medium. The triumph of Swedish glass in the period between the two world wars also had profound repercussions beyond the applied arts, helping to spread the doctrine of Swedish sensibility and design. By mid-century 'Swedish Modern' was at the forefront of international design, representing a progressive approach to living as much as to design".
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