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[BIBLIA ARABICA].

[Arab text followed by Latin translation:] Evangelium Sanctum Domini nostri Iesu Christi conscriptum a quatuor Evangelistis sanctis, id est Matthaeo, Marco, Luca et Iohanne. - [EDITIO PRINCEPS OF THE NEW TESTAMENT IN ARABIC]

Herman H. J. Lynge & Søn A/S
lyn62507
Rome, Typographia Medicea, 1590 (-1591). Folio. Completely uncut in the original blank interim wrappers (with slight offsetting to verso of front wrapper). Newer paper backstrip matching the paper of the wrappers. Some leaves browned. Occasional brownspotting. An overall excellent copy. Housed in a old vellum chemise with ties and handwritten title (EVANGELIUM) to spine. Old, amorial, vague red stamp to title-page, colophon, and p. 97, from the Bibliotheque Impériale (now Bibliotheque Nationale), with a small deaccession-stamp to title-page. Magnificently illustrated with 149 large woodcut engravings in the text. 368 pp. Arabic text within double-frame border througout. Beautifully printed on very heavy paper.

The scarce editio princeps of the Arabic translation of the New Testament, magnificently printed in Granjon's famous font (considered the first satisfactory Arabic printing type, appearing here for the first time) and beautifully illustrated with 149 woodcut illustrations in the text. This work constitutes the very first printing by the Typographia Medicea-press, a printing-house set up by Pope Gregor XIII and Cardinal Ferdinando de Medici in order to promote and distribute Christian scriptures to the East. This splendid work is considered the first successful printing of Arabic. Apart from the Latin part of the title-page and the colophon, the book is in Arabic throughout. Two issues of the work were printed almost simultaneously, the Arabic-only text, which has the year 1590 on the title-page (and 1591 on the colophon), and the interlenear Arabic-Latin edition, which has 1591 on the title-page. The Arab-only edition, with 1590 on the title-page, is generally considered the first. "Its first great Arabic publication was this edition of the Gospels, bearing the date 1590 on the title page, and 1591 at the end. Two versions appeared, one solely in Arabic and one with an interlinear Latin translation." (Library of Congress).The work was edited by Giovanni Battista Raimondi (1536-1614), a renowned Orientalist and professor of mathematics at the College of the Sapienza in Rome. Raimondi had travelled extensively in the Middle East and had thorough knowledge of Arabic, Armenian, Syrian and Hebrew. He is, however, most famous for being the editor at the Typographia Medicea-press; together with French engraver Robert Granjon (who also created the Arabic typography of the present work) "bettered all previous attempts [to print in Arabic] in Europe, and would remain unsurpassed long after the press had closed. (Boogert, "Medici Oriental Press, Rome 1584-1614")."Antonio Tempesta, the engraver (cutter: Leonardo Parasole), had studied under Santi di Tito and Joannes Stradanus at the Accademia del Disegno in Florence (later working with Stradanus and Vasari on the interior decoration of the Palazzo Vecchio in Florence), before travelling to Rome, where he executed various commissions, including frescos for Pope Gregory XIII in the Vatican and decorations for the Villa Farnese. Simultaneously with his frescos and panel paintings, he executed a large number of engravings. The illustrations for the present work are remarkable examples of Tempesta's work, noteworthy for their clear composition and narrative of the episodes depicted. Despite the extremely high quality of the prints, the press never became an economic success and it went bankrupt in 1610. Scholars have noticed that presenting a work with beautiful scriptural illustrations, as the present, to Arabic-speaking Muslims, when Islam forbids religious illustration, showed little understanding of the culture and almost certainly hindered Pope Gregory XIII's missionary efforts."The press was not only an intellectual enterprise; it was also a commercial one. Raimondi clearly hoped to sell his books in the East, rather than the West, because the selection of the works he produced showed little consideration with the type of material European scholars in this period needed. While the works failed to sell in the Ottoman Empire, however, they did significantly stimulate the study of the Middle East in Europe.Ferdinando de' Medici had ordered Raimondi to print 'all available Arabic books on permissible human sciences which had no religious content in order to introduce the art of printing to the Mohamedan community.' Only more than a century after the Medici Press in Rome had closed, did it finally have the envisaged impact in the Levant; Ibrahim Müteferrika, the first Muslim printer, referring to it in his plea to the sultan to allow him to open his own printing house at Istanbul, which happened in 1729." (Boogert, "Medici Oriental Press, Rome 1584-1614").The copy was previously in the Bibliothèque Nationale in Paris, at the time when it was entitled "Bibliothèque Imperiale", which was its name, inbetween, from 1849 to 1871. Thus, the book entered the library in Napoleonic times and was later deaccessioned. Brunet II, 1122-23Schnurrer 318Adams: B:1822
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BERGIUS, PETER JONAS
Herman H. J. Lynge & Søn A/S
lyn62692
(Stockholm, 1777). 8vo. As extracted from "Kungl. Svenska vetenskapsakademiens handlingar", uncut unopened. Fine and clean. Pp. 304-309.
Medicinische und philosophische Schrifften von…
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ALBERTI, MICHAEL.
Herman H. J. Lynge & Søn A/S
lyn62695
Halle im Magdeburgischen, Hendel, 1721. 8vo. In contemporary full calf with four raise bands and richly gilt spine. Traces from old paper-label to upper part of spine. Leather on spine cracked, spine-ends slightly chipped. Internally nice and clean. (14), 620, (28) pp. First collected edition of Alberti’s essays. Alberti (1682–1757), professor of medicine and philosophy at Halle and later rector of the university, was a leading disciple of Georg Ernst Stahl who considered the soul as having control on the body. Therapies involved dealing with the internal senses and feelings.
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O Capital. (i.e. Portuguese:
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MARX, CARLOS [KARL] (+) GABRIELLE DEVILLE (+) [Translator:] ALBANO DE MORAES.
Herman H. J. Lynge & Søn A/S
lyn62679
Lisboa, De Francisco Luiz Goncalves, 1912. 8vo. In the original red printed cloth-binding with black and white lettering. Spine with loss of the white lettering. Paper-label pasted on to lower inner margin of front board. Very light wear to extremities, Internally very fine and clean. 240 pp. The exceedingly scarce first Portuguese edition of the most important abridged version of Marx's Capital ever to have appeared, published fifty-six years before the first full Portuguese (but published in Brazil) translation and whole sixy-two years before the first full translation published in Portugal. Curiously, two translations of the present work were made 1912 but the present translation seems to have priority (see Bastien, "Readings and Translations of Karl Marx in Portugal"). After the 1933 rise of Salazar's dictatorial Estado Novo regime, suppression of the relatively newly founded Communist party grew. Members were arrested, tortured, and executed and many were sent to the Tarrafal concentration camp in the Cape Verde Islands. Communist literature suffered an equally repressive fate, hence the rarity of the present work. Marxism and especially Marxist writing caught on comparatively late in Portugal: "As for the Socialist Party - supposed to be the main expression of Marxism -, it revealed itself unable to stimulate effective theoretical and doctrinal efforts. Its existence was an example of ambiguity and inconsequence. Its political programme went on mixing Marxian elements, associationist tradition and positivist thinking. Its strategy balanced continuously between an alliance with republican politicians and the maintenance of political autonomy. Its tatics balanced between electoral abstencionism and an involvement in election processes, that never led it to a relevant position in parliament. Even its international relations showed a lasting ambiguity: it had been created according to the instructions of the Marxist majority at the Hague Congress, when most of its members tended to support political abstencionism. When the formation of the Second lnternacional was taking place in Paris in 1889 Portuguese socialists tried to join the Marxist congress, after being present at the possibilist congress. In 1920 they decided to join the Third lnternacional (what was not accomplished), at the same time that an internal reformist turn was taking place." (Bastien, "Readings and Translations of Karl Marx in Portugal"). "The epitome, here translated, was published in Paris, in 1883, by Gabriel Deville, possibly the most brilliant writer among the French Marxians. It is the most successful attempt yet made to popularize Marx's scientific economics. It is by no means free from difficulties, for the subject is essentially a complex and difficult subject, but there are no difficulties that reasonable attention and patience will not enable the average reader to overcome. There is no attempt at originality. The very words in most cases are Marx's own words, and Capital is followed so closely that the first twenty-five chapters correspond in subject and treatment with the first twenty-five chapters of Capital. Chapter XXVI corresponds in the main with Chapter XXVI of Capital, but also contains portions of chapter XXX. The last three chapters-XXVII, XXVIII, and XXIX-correspond to the last three chapters-XXXI, XXXII, and XXXIII-of Capital." (ROBERT RIVES LA MONTE, Intruductory Note to the 1899 English translation). Capital de Marx also had a Portuguese edition at this time, or better, two different editions, both in 1912, but only in translation of the survey of Book I published in France by Gabriel Deville in 1883 (Marx, 1912a and Marx, 1912b). This version omitted material dealt with in at least four chapters of the original text and was not particularly appreciated by Engels. It was a simplified text, aimed at supporting the training of socialist militants and that made it possible for them to have access, indirect, to the work of Marx. The other summaries and anthologies of Capital, which, with a purpose similar to that of Deville, circulated in Europe during this period or ignored in Portugal, as was the case with Carlo Cafiero, or were only occasionally mentioned, as was the case with Paul Lafargue and Karl Kautsky, in its French versions. OCLC list two copies, both in the US.
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His Pokhodzhennia vydiv cherez pryrodnyi dobir,…
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DARWIN, CHARLES.
Herman H. J. Lynge & Søn A/S
lyn62681
(Kharkiv), Derzhavne medychne vyd-vo (State Medical Publishing House), 1936. 8vo. In publisher's original grey cloth binding with black lettering to spine with Darwin's portrait embossed on front board. Wear to extremities, corner bumped and light spoling to back board. Inner hinges split and first 3 leaves partly detached. Last 20 ff. slighly creased due to dampstain, otherwise internally a nice and clean copy. 674 pp. + frontispiece, portrait of Darwin and 1 plate with genealogical tree. The exceedingly rare first Ukranian translation of Darwin's landmark 'Origin of Species'. OCLC only list two copies (Library of Congress and The Huntington Library, USA) Freeman F797.
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Om Krigen med England. Med Tanker om samme…
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BOYE, JOHANNES.
Herman H. J. Lynge & Søn A/S
lyn62687
Fridericia, S. Elmenhoff, 1809. 8vo. In nice recent marbled paper covered boards with leather title-label with gilt lettering to spine. Ex-libris (Bent W. Dahlstrøm) to verso of front board. A nice and clean copy. 40 pp. Biblioteca Danica III, 572.
Regras methódicas para se aprender a escreuer o…
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VENTURA DA SILVA, JOAQUIM JOSE.
Herman H. J. Lynge & Søn A/S
lyn62100
Lisboa, Officina de Simão Thaddeo Ferreira, 1803. Folio-oblong (365 x 255 mm). In contemporary half calf. Wear to extremies, upper part of spine with loss of leather. Ex-libris pasted on to pasted down front end-paper. With, primarily marginal, brownspotting throughout. Dampstain to inner margin and upper outer margin of last 10 ff. 32 ff. Rare first edition of the most celebrated Portuguese treatise on calligraphy. Joaquim José Ventura da Silva (1777–1849), regarded as one of Portugal’s finest calligraphers and teachers of writing, composed this methodological guide to handwriting in which he combines a historical survey of scripts used in Portugal with practical instruction for teaching and learning penmanship.Ventura da Silva is reffered to by Innocencio (Diccionario Bibliographico) as "one of the best Portuguese Calligraphers". A second edition was published in 1819, a third in 1841, and a facsimile was published in Porto in 1899.
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