Søgningsresultat

Frankfurt; Galerie Grässlin-Ehrhardt, 1990. 40x25,5 cm. 7, (1 blank) pp. With illustrated paste-downs. Original printed boards. Spine ends and corners are a bit bumped, and there are a few small specks on the boards, otherwise fine fine. Published in conjunction with the exhibition at Galerie Grässlin-Ehrhardt Oct. 13--Nov. 24, 1990. With the essay ""Martin Kippenberger? Is he master of puppets?"", by Merlin Carpenter. Issued in 1000 copies. With a laid-in greeting from Susanne Hofmann at Galerie Grässlin, written on the gallery's stationery. Koch, Annotated catalogue raisonné of the books by Martin Kippenberger 1977-1997, no. 87.

Paris; Flammarion, 1930. First edition. No. 25 of 25 copies on papier vergé de Hollande. 248, (1, 1 blank) pp. Red half leather with raised bands and gilt compartments, top edge gilt and the others uncut, marbled boards and endpapers (Hedberg, Stockholm). Wrappers and spine-strip are preserved. Bookplate of Swedish collector Magnus Lindquist on front paste-down. Head of spine is insignificantly worn. Very fine. Henri Barbusse’s political commitment arises as he volunteers as a private soldier in WWI. After the anti-militarist and anti-fascist writings of the early 1920’s, Barbusse visits Moscow for the first time in 1927, in the commemoration of the Revolution of 1917. In Moscow he writes Élévation, which constitutes a trilogy on a Christian theme together with Jésus (1927) and Les Judas de Jésus (1927). With unabridged political fervour, Barbusse aims at showing the true core of Christ’s experience, as a Revolutionary, judged and chastised by the Church and the State for his Communist belief. Inscribed: “au Dr. E. Hultmark / cordial hommage de l’auteur / Henri Barbusse“. Dr. Emil Hultmark (1872-1943), Swedish art historian, author, and collector.

Stockholm; Bonniers, 1923. (Svenska författare utgivna av Svenska Vitterhetssamfundet IX). 25x18,5 cm. (1, 1 blank), xiii, (2, 1 blank), 363, (1 blank) & xv, (1 blank), 250 s. Gediget brunt halvmarokängband (Bonniers Bokbinderi) med ryggdekor i guld och svart, upphöjda bind, mönstrade pärmpapper och övre guldsnitt. Omslag ej medbundet. Obetydligt nött rygg. Pärmhörnen och främre pärmens papper lätt nötta. Fint ex. Med ett insatt tryckt dedikationsblad: ""Till Henrik Schück 2 november 1935 av utgivarne"", som förärats exemplaret på sin 80-årsdag som en hyllning till en tidigare utgivare av Kellgrens brev.

Stockholm; Bonniers, 1979. 23,5x16 cm. 101, (1) pp. Publisher's boards with printed dustjacket. The jacket is slightly faded at spine and a trifle worn at corners. A fine copy of the first Swedish edition. Inscribed in Greek by the author, during his visit to Sweden when collecting the Nobel Prize for literature, to his Swedish publisher Gerard Bonnier, saying ""to Gerard Bonnier with warm thanks for the beautiful edition [the book in question] and my warmest regards / 79 / Elytis"".

San Diego; University Art Gallery, 1984. 18x12,5 cm. (1, 1 blank), 457, (1 blank) pp. Illustrated. Original black wrappers. A fine copy. Contains texts and depicted art works by Orr, chronology and bibliography, as well as texts on Orr by McEvilley, Byars, and Marv Friedenn. Inscribed by Orr on the title page to gallery owner Anders Tornberg, who exhibited Orr's works in 1990: ""To Anders / thank you much. Love / Eric"".

New York; Judith Christian Gallery, 1981. 21,5x27 cm. 14, (2) pp. Illustrated. Original printed wrappers, stapled, with a mounted colour plate on front wrapper. Minor scrape mark in front wrapper's inner margin. A fine copy. Contains a poem by Weil, detailed descriptions of the 11 exhibited lithographs and silkscreens, and list of exhibitions. Signed by Weil in pencil on front wrapper and the title page, where she has added ""HAND"" before the printed ""PRINTS"", and ""AND PRINTS / AND OVER / AND OVER / K'S"". From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Stockholm; Bonniers, 1929. Originalupplaga. 22x16,5 cm. 71, (3) s. Häftad med tryckt omslag. Ryggfoten aningen nött samt med kort reva i nedre bakre fals. Svag fuktrand på rygg samt i omslagets inre marginal. Främre omslag med några små mörka prickar. Genomgående svag fuktrand i övre samt yttre marginalen. Bra exemplar av debutboken som gavs ut i en upplaga om 1500 exemplar. Dedikation: ""Till Gösta Höglund med hjärtlig hälsning från förf."" och med författarens signatur längre ned. Gösta Höglund (1914-1979), författare och illustratör som själv debuterade med en barnbok 1937, följd av en diktsamling 1938. von Sydow, Harry Martinsons bibliografi 1:1.

Braunschweig; Westermann, 1857-1858. 23,5x15,5 cm. xiv, 832 & (1, 1 blank), 833-1718 & (2, 2 blanks), 768 & (1, 1 blank), 769-1844 pp. Four volumes in contemporary brown half leather (Levin, Uppsala) with gilt decorations on spines, patterned paper on boards, marbled edges and endpapers. With the signature of Swedish librarian Carl Grönblad (1866-1938) in all volumes, and with his bookplate in the first volume. With the content of each volume (e.g. ""A-Cerasum"") in handwriting on the fore-edges. Extremities are slightly worn. Contents are fine, with just a few scattered small specks. A fine, complete set.

Los Angeles; Gemini G.E.L., [1971]. First edition. 24,5x17 cm. (16) pp. Corrugated cardboard, stapled, and with sealing tape on spine. Very fine. Designed by John Coy, photographs by Malcolm Lubliner. The book contains an introductory text by Rauschenberg, and ten photographs of different cardboard collages. Signed by Rauschenberg on front board. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on rear board.

Stockholm; Bonniers, 1952. Originalupplaga. 20,5x14,5 cm. 74, (3, 1 blank) s. Klotband i mörkare och ljusare brun nyans (Bonniers bokbinderi) med författar- och titeletikett i grönt resp. rött skinn. Omslaget medbundet. Några små mörka prickar på pärmarna. Fint ex. Dedikation till förläggarna Gerard och Peggy Bonnier: ""Gerard och Peggy / med särskild hänvisning till sid. 45, där det borde ha stått ""till G. B."", om nu ens den liebe Gott hade fått sig någon dikt tillägnad i denna bok. / Karl"". Några svaga bläckstreck på denna sida, som innehåller dikten ""Torgen huttrar"". I slutet av boken finns ett infäst brev från Vennberg, maskinskrivet och signerat, där han tillönskar Gerard och Peggy en god julhelg samt skriver: ""... eftersom julen på Lilla Essingen skiljer sig avsevärt från julen i storstaden, ville jag som en extra julhälsning gärna skicka med några versrader om stämningarna i denna del av världen."" Därefter följer en tidigare version av dikten ""Torgen huttrar"". Brevet är odaterat men troligen avsänt i mellandagarna 1951.

Three letters in handwriting on folded sheets measuring 22,5x18 cm. The letters, all in French, are dated 13th Nov. 1895, 14th Dec. 1895, and 6th Feb. 1896; comprising 46, 112 and 14 lines, respectively. The sheets have been folded twice and are insignificantly soiled. Without envelopes. Lucien Jousselin was a close friend of Pierre Loti and played an extraordinarily important role in the making of Loti's first novel Aziyadé, which gave Loti immense success as a writer of the Orient and also managed to spread sympathy for the Ottoman cause against Russia. The novel, which claims to be the authentic writings of an English marine lieutenant translated into French, was in fact a compilation of Loti's semi-autobiographical diary entries and fictional letters, the latter either to his sister in Brightbury or to and from his closest friend ""Plumkett"". It is widely recognised by Loti experts that Plumkett in reality was identical to his long-time friend Lucien Jousselin, without whom the novel most likely wouldn't have been published at all. The manuscript was originally sent to G. de Polignac who didn't manage to get it published and was then transmitted to Lucien Jousselin. It was clear to Jousselin that he needed to rewrite and improve Aziyadé and also leave out parts he deemed too shocking for the French public. He then managed to get it published at the famous publishing house Calmann Levy. The contract was signed on 16th February 1878 by Jousselin himself under the name of ""M. Julien Viaud, officier de marine, actuellement en voyage"". The letters offered here are dated almost twenty years later. They are very personal and begin with a response to the death of one of Loti's children. Jousselin, now stationed in Rome as a diplomat, writes that the news of Loti's grief caused him immense suffering. ""My affection for you has always been bizarre, irregular and complicated, just like myself and yourself."" The handwriting is in this first letter shaky and upset. The following letter mentions a rendez-vous in Rochefort (where Loti lived at the time) and how he, Jousselin, hopes to talk about memories from the past. The last, and perhaps most interesting and personal letter, deals with the existential responsibility of being a father. ""Because you really have to try to make their lives happier than ours once were, easier, more balanced between glorious beliefs and mortal anxiety"".

Malmö; Galerie Colibri, 1955-56. 23,5x16 cm. Klammerhäftade med litograferade omslag. 39, (5) & 41, (3) & 47, (5) s. Obetydligt nötta nötta ryggar. Tredje häftat med en liten mörk prick på ryggen. En fin svit. Innehåller bl. a. André Breton: ""Bruden som fyrbåk"" / Marcel Duchamp: ""Surcensur"" / Göran Printz-Påhlson: ""Den passionerade pilgrimen. Anteckningar om E. E. Cummings' situation"" / Lasse Söderberg: ""Giacometti"" / Ilmar Laaban: ""Ghérasim Luca och den rumänska surrealismen"" / Ghérasim Luca: ""ur Héros-Limite"" / Ingemar Gustafson [Leckius]: ""Wifredo Lam"" / Tomas Tranströmer: ""Svenska hus ensligt belägna"" / William Empson: ""Fyra dikter"". Med originallitografier av Acke Oldenburg, Stanley William Hayter, Roberto Matta, Anders Österlin, Öyvind Fahlström, C. O. Hultén, Wifredo Lam och Corneille. Komplett svit av imaginisternas påkostade tidskrift som, i symbios med Galerie Colibri, introducerade viktiga internationella konstnärskap, liksom Öyvind Fahlström och Ragnar Thoursie, för en svensk publik. 3 volumes in original lithographed wrappers, stapled. Spines are slightly worn. The third volume has a few small specks on the wrappers, and there is a slight nick in top margin of rear wrapper and a few leaves. A fine set. A complete set of the art & literature magazine ""Salamander"", edited by C. O. Hultén and others. Only 3 issues were published in the years 1955 & 1956. One of the very best examples of the ""little magazine"" in Sweden. Each issue contains one or more original litographs by Swedish or international artists; Roberto Matta, Wifredo Lam and Corneille, and others. Runnquist, Litterära tidskrifter 1920-1960 s. 86-87. Holmberg, Litterära tidskrifter i Sverige 1900-1970. En kommenterad bibliografi s. 90.

New York, 1992. 29,5x31,5 cm. 239, (1 blank) pp. Publisher's white linen with printed dustjacket. With 158 illustrations, including 133 plates in full colour. Very fine. This work ""provides a complete analysis of the development of Marden's art, from his student days to the present. An account of Marden's early development, in the 1960s, and his seminal role in redefining the nature of abstract painting is given in the context of the culture of the 60s and in the larger context of 20th-century modernism. Marden's changing influences, his peers, and his followers are all taken into account, as is the importance of drawing to the overall development of his work."" (Front flap). From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Köpenhamn; Gyldendal, 1888. Originalupplaga. [18x12,5 cm]. (4), 223, (1 blank) s. Förlagets ljusbruna dekorerade klotband med marmorerade snitt och mönstrade försättsblad. Ryggändar och pärmhörn aningen tilltryckta. Några små mörka prickar på rygg och bakre pärm. Fint ex. Schiøtz & Ringstrøm, Norske førsteutgaver 170. Publisher's brown, decorated cloth with marbled edges and patterned endpapers. Spine ends and corners are slightly bumped. There are a few small specks on spine and rear board A fine copy. First edition of The Lady from the Sea.

Helsinki; Galerie Kaj Forsblom, 1985. 21x14,5 cm. 31, (1 blank) pp. Illustrated. Original printed wrappers. There are a few light stains on the first blank page. A fine copy. Exhibition catalogue with text in Finnish, Swedish, and English. Inscribed by the artist in Swedish to gallery owner Anders Tornberg: ""Till Anders! Hälsningar Mari"", and with a loosely inserted silkscreen print, artist's proof, signed and dated 1985 by the artist and additionally inscribed to Anders Tornberg.

Monaco; Éditions André Sauret, 1972. 33x25 cm. 249, (2, 1 blank) pp. + original lithograph. Illustrated. Publisher's grey linen with black lettering on spine and front board, pictorial dustjacket. Housed in the original card slipcase. Lower front corner is slightly bumped. A fine copy.

Stockholm; Bonniers, 1964. Originalupplaga. 20,5x12 cm. 99, (1) s. Häftad med tryckt vikomslag. Främre omslag obetydligt solkat. Fint ex. Kyrklunds tredje roman som utgavs samma år som han erhöll Övralidspriset. Dedikation till förläggaren Gerard Bonnier: ""Till Gerard som tåligt stod mig bi med boken / från Willy"".

Copenhagen; Victor B. Andersens Maskinfabrik, 1996. 24x17 cm. 127, (1) pp. Illustrated. Original printed wrappers. With the label of Anders Tornberg Gallery on front wrapper. A fine copy of the book, which was published in conjunction to the touring exhibition ""Memento Metropolis"". With text in Danish and English by Annesofie Becker and Willie Flindt, Arno Victor Nielsen, Dieter Bachmann, and Kippenberger. Koch, Annotated catalogue raisonné of the books by Martin Kippenberger 1977-1997, no. 145. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Reims; Le Colle?ge E?ditions & Calais; Le Channel, Galerie de l'ancienne Poste & Anvers; Galerie Micheline Szwajcer, 1996. 21x15 cm. 64, (49, 7 seven blanks) pp. Illustrated, also with a number of tipped-in photographic plates. Stapled, loose in the original printed wrappers, as issued. The mounted photo on front wrapper has a light cornerfold and an insignificant stain. A fine copy. Catalogue for the travelling exhibition. With texts in French and English by Durham, Jean-Pierre Rehm, and Denys Zacharopoulos. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Cologne; chez Corneille Egmond, 1694. First edition. 12:o. 15,5x10 cm. 153, (3 blanks) pp. 18th century half leather with gilt decorations on spine, with spine label in red leather and marbled boards. The spine and corners are worn, and there are two small holes in the leather in the top compartment, foot of spine has a small loss, as has the spine label. A small dampstain on the top edge is visible in top margin of pp. 55-128. A small speck on the title leaf. A short tear in lower margin of pp. 21/22. A small chip in outer margin of pp. 123/124. A few insignificant scattered specks, but generally a clean copy. Jean Balthazar de Simmeren (c:a 1600 -- c:a 1688), born in Simmeren in Pfalz, a prominent mercenary captain (after 1653 lieutenant general) who served partly the French royal forces, partly the Prince of Condé during the Fronde and the Franco-Spanish War. This is his record of the campaigns during the last years of the Fronde. A scarce item.

Stockholm; Bonniers, 1938. Originalupplaga. 20,5x14 cm. 142 s. Häftad med tryckt omslag. Omslag av Bror Hjort. Lätt snedläst och ryggen skrynklad samt med ett par små förluster. Förlust nedtill på främre omslag som drabbar förlagsnamnet. Bakre omslag samt sista blanka bladet med Y-formad reva (3x1 cm) mitt på sidan. Svag fläck på titelbladet. Den andra av Martinsons tre böcker med naturessäer, föregången av ""Svärmare och harkrank"" (1937) och följd av ""Det enkla och det svåra"" (1939). Dedikation på halvtitelbladet med det tryckta författarnamnet överstruket: ""Till Artur från Harry / en hälsning"". Mottagare var författaren Artur Lundkvist (1906-1991) som Martinson lärt känna 1927, ett möte som Kjell Espmark beskriver i ""Harry Martinson erövrar sitt språk"" (1970): ""Lokalen var Folkets Hus i Stockholm, där Lundkvist försökte sälja ett stycke till tidningen Den Arbetslöse, när en ung man kom fram till honom och frågade: ""Är du skald?"". Den andre som 'såg kvalificerat arbetslös ut', drog fram en tidning, uppvikt kring en dikt, och fortsatte: ""Är det du som har skrivit det här?"" Lundkvist erkände författarskapet och dikten fick, tillägger han vid samtal, betyget ""djävligt bra"". Så presenterade främlingen sig som Harry Martinson: ""Jag försöker också dikta lite. Vill du titta på en sak?"" De båda blev snabbt vänner, översatte på Lundkvists förslag Carl Sandburg tillsammans och utgjorde två av de fem unga 1929, senare i livet var de kolleger i Svenska Akademien där Martinson blev invald 1949 och Lundkvist 1968. von Sydow, Harry Martinsons bibliografi 1:10.

[Köln]; Dokoupil & Dickhoff, 1988-1990. 28x21 cm. 95, (1) & 64 & (2, 2 blanks) pp. + 20 leaves of plates & 70, (1, 1 blank) & (3, 3 blanks) pp. + 21 leaves of plates & 175, (1) pp. & 71, (1) pp. Seven volumes in original printed wrappers, housed in the original printed cardboard slipcase. There are a few light dampstains on the slipcase. A fine, complete set. The volumes, which contain drawings without text, were published in conjunction with exhibitions at the following galleries: Vol. I. Massimo Minini Gallery, Brescia / Vol. II. Galerie Nikolaus Sonne, Berlin / Vol. III. Gallery Leyendecker, Santa Cruz de Tenerife / Vol. IV. Gallery Bonomo, Bari/Rome / Vol. V. Anders Tornberg Gallery, Lund / Vol. VI. Galerie Pfefferle, München / Vol. VII. Galería Juana de Aizpuru, Madrid & Sevilla. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Dresden; Bey Joh. Christoph Zimmermann, 1718-1723. 8:o. 17,5x12 cm. Frontispiece, (13, 1 blank), 864 & (7, 1 blank), 736 pp. Contemorary vellum with title in handwriting on spine, red edges. Signature of Swedish vicar Torsten Hildebrand Svartengren (1847-1920) on front free endpaper and on the first title leaf. There are short cracks at spine ends and the binding is a bit soiled. The first part has a loss at lower corner on pp. 163/164 and a mending in lower margin on pp. 179/180. There are a few small scattered specks in both parts. A very well-preserved copy. The two parts were originally published in 1694 and 1710, respectively.

Stockholm; Bonniers, 1929. Originalupplaga. 19,5x13 cm. 317, (1, 2 blanka) s. Häftad med tryckt omslag. Exlibris för Anders Ollfors. Ryggen med läsränder och svaga fuktringar. Liten förlust vid rygghuvudet, kort reva i nedre bakre fals. Det överdimensionerade omslaget är aningen veckat i främre omslagets yttermarginal. En liten mörk prick på bakre omslag. En liten fläck på främre snittet är synlig i yttermarginalen på s. 219-238. Bra ex. Dedikation: ""Till Göran / Hjärtligast från Frans G. / Lund 13/12 1929"". Mottagare var med största sannolikhet Bengtssons gode vän Göran Lindblad (1894-1930), litteraturhistoriker, kritiker och litterär rådgivare på Norstedts från 1924. På ett löst bifogat vykort från antikvariatsbokhandlaren Gunnar Johanson-Thor till Anders Ollfors, intygar den förre att Lindblad är mottagaren och att exemplaret härrör från Lindblads brors bibliotek. Lindblad startade och redigerade Norstedts kalender PAN, där Bengtsson 1927 publicerade essän ""Promenad till en myrstack"". Detta uppmärksammades av Karl-Otto Bonnier som kontaktade Bengtsson med förslag om att ge ut en essäsamling på Bonniers. ""Litteratörer och militärer"" blev Bengtssons första essäsamling, vilken vidgade hans läsekrets och starkt tilltalade kritikerkåren. Arvidsson & Malmqvist: Frans G. Bengtsson. En bibliografi I:5.

New York; Brooke Alexander Editions, 1992. 28x21,5 cm. 57, (1) pp. Illustrated, and with the original lithograph ""Summer, State II"" as frontispiece. Original printed wrappers. Head of spine is slightly worn. A fine copy. Published in 3000 copies in conjunction with the exhibition that toured Brooke Alexander Editions, San Diego Museum of Art, and Galeria Weber, Alexander y Cobo in Madrid. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.